Lessons on Good Leadership from 'Devi Mahatmya'
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Devi Mahatmyam Translated by P
Devi Mahatmyam Translated by P. R. Ramachander * © Under the blessings of the holy mother. * Please contact the author at ramya475@gmail. com Devi Mahatmyam Contents: Devi Mahatmyam I Contents: II Introduction 1 Appendix 1 4 THE ESOTERIC SIGNIFICANCE OF THE DEVI-MAHATMYA 4 Appendix 2 11 DEVI MAHATMYA STOTHRA ASHTAKAM 11 DEVI KAVACHAM 16 (Armour of the Goddess) 16 DEVI KEELAGAM 26 (The nail of the goddess) 26 Sri Devi Mahatmyam 30 Prathama Charitham 30 (First Part) 30 Pradhmao adhyaya: Madhu Kaidaba Vadha Varnanam 30 Chapter 1: Description of Killing of Madhu and Kaidabha. 30 Madhyama Charitham 43 (Middle part) 43 Chapter 2: Killing of the armies of Mahishasura. 43 Chapter 3: Killing of Mahishasura. 53 Chapter 4: The prayer of Sakradi devathas. 59 Uthama Charitha 67 (The holy story) 67 Chapter 5: The argument between devi and the emissary. 67 Chapter 6: The killing of Dhoomra lochana. 79 Chapter 7: Killing of Chanda and Munda 83 Chapter 8: Killing of Raktha Bheeja. 87 Chapter 9: Killing of Nishumbha. 96 Chapter 10: Killing of Shumbha. 102 Chapter 11: Prayer to Narayani. 107 Chapter 12: The greatness of the story of Devi. 116 Chapter 13: The getting of boons by Suradha and Vaisya. 122 II Introduction Introduction This book which relates het story of how the devi (mother Goddess) killed Madhu and Kaidabha as Vishnu Maya (Thamasic-base), killed Mahishasura as Lakshmi (Rajashic form- materialistic) and killed Shumbha and Nishumbha in the form of Goddess Saraswathi (Sathvic -spiritual) is known as Devi Mahatmya in South India, Chandi in West Bengal and as Durga Sapthasathi in the northern parts of the country including Varanasi. -
Wish You All a Very Happy Diwali Page 2
Hindu Samaj Temple of Minnesota Oct, 2012 President’s Note Dear Community Members, Namaste! Deepavali Greetings to You and Your Family! I am very happy to see that Samarpan, the Hindu Samaj Temple and Cultural Center’s Newslet- ter/magazine is being revived. Samarpan will help facilitate the accomplishment of the Temple and Cultural Center’s stated threefold goals: a) To enhance knowledge of Hindu Religion and Indian Cul- ture. b) To make the practice of Hindu Religion and Culture accessible to all in the community. c) To advance the appreciation of Indian culture in the larger community. We thank the team for taking up this important initiative and wish them and the magazine the Very Best! The coming year promises to be an exciting one for the Temple. We look forward to greater and expand- ed religious and cultural activities and most importantly, the prospect of buying land for building a for- mal Hindu Temple! Yes, we are very close to signing a purchase agreement with Bank to purchase ~8 acres of land in NE Rochester! It has required time, patience and perseverance, but we strongly believe it will be well worth the wait. As soon as we have the made the purchase we will call a meeting of the community to discuss our vision for future and how we can collectively get there. We would greatly welcome your feedback. So stay tuned… Best wishes for the festive season! Sincerely, Suresh Chari President, Hindu Samaj Temple Wish you all a Very Happy Diwali Page 2 Editor’s Note By Rajani Sohni Welcome back to all our readers! After a long hiatus, we are bringing Samarpan back to life. -
Bhadrakali - Wikipedia, the Free Encyclopedia
בהאדראקאלי http://www.tripi.co.il/ShowItem.action?item=948 بهادراكالي http://ar.hotels.com/de1685423/%D9%86%D9%8A%D8%A8%D8%A7%D9%84-%D9%83%D8%A 7%D8%AA%D9%85%D8%A7%D9%86%D8%AF%D9%88-%D9%85%D8%B9%D8%A8%D8%AF-%D8 %A8%D9%87%D8%A7%D8%AF%D8%B1%D8%A7%D9%83%D8%A7%D9%84%D9%8A-%D8%A7% D9%84%D9%81%D9%86%D8%A7%D8%AF%D9%82-%D9%82%D8%B1%D8%A8 Bhadrakali - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Bhadrakali Bhadrakali From Wikipedia, the free encyclopedia Bhadrak ālī (Sanskrit: भकाली , Tamil: பரகாள, Telugu: wq, Malayalam: , Kannada: ಭದಾ, Kodava: Bhadrak ālī (Good Kali, Mahamaya Kali) ಭದಾ) (literally " Good Kali, ") [1] is a Hindu goddess popular in Southern India. She is one of the fierce forms of the Great Goddess (Devi) mentioned in the Devi Mahatmyam. Bhadrakali is the popular form of Devi worshipped in Kerala as Sri Bhadrakali and Kariam Kali Murti Devi. In Kerala she is seen as the auspicious and fortunate form of Kali who protects the good. It is believed that Bhadrak āli was a local deity that was assimilated into the mainstream Hinduism, particularly into Shaiva mythology. She is represented with three eyes, and four, twelve or eighteen hands. She carries a number of weapons, with flames flowing from her head, and a small tusk protruding from her mouth. Her worship is also associated with the Bhadrakali worshipped by the Trimurti – the male Tantric tradition of the Matrikas as well as the tradition of the Trinity in the North Indian Basohli style. -
And Daemonic Buddhism in India and Tibet
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 The Raven and the Serpent: "The Great All- Pervading R#hula" Daemonic Buddhism in India and Tibet Cameron Bailey Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE RAVEN AND THE SERPENT: “THE GREAT ALL-PERVADING RHULA” AND DMONIC BUDDHISM IN INDIA AND TIBET By CAMERON BAILEY A Thesis submitted to the Department of Religion in partial fulfillment of the requirements for the degree of Master of Religion Degree Awarded: Spring Semester, 2012 Cameron Bailey defended this thesis on April 2, 2012. The members of the supervisory committee were: Bryan Cuevas Professor Directing Thesis Jimmy Yu Committee Member Kathleen Erndl Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii For my parents iii ACKNOWLEDGEMENTS I would like to thank, first and foremost, my adviser Dr. Bryan Cuevas who has guided me through the process of writing this thesis, and introduced me to most of the sources used in it. My growth as a scholar is almost entirely due to his influence. I would also like to thank Dr. Jimmy Yu, Dr. Kathleen Erndl, and Dr. Joseph Hellweg. If there is anything worthwhile in this work, it is undoubtedly due to their instruction. I also wish to thank my former undergraduate advisor at Indiana University, Dr. Richard Nance, who inspired me to become a scholar of Buddhism. -
DAILYBHAJAN Rupang Dehi Lyrics with Meaning in English
DAILYBHAJAN Rupang Dehi Lyrics with Meaning in English Jaya Tvam Devi Caamunndde Jaya Bhuu-Taapa-Haarinni | Jaya Sarva-Gate Devi Kaalaraatri Namostu Te ||1|| Jayantii Manggalaa Kaalii Bhadrakaalii Kapaalinii | Durgaa Shivaa Kssamaa Dhaatrii Svaahaa Svadhaa Namostu Te ||2|| Madhu-Kaittabha-Vidhvamsi Vidhaatr-Varade Namah | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||3|| Mahissaasura-Nirnaashi Bhaktaanaam Sukhade Namah | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||4|| Dhuumranetra-Vadhe Devi Dharma-Kaama-Artha-Daayini | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||5|| Raktabiija-Vadhe Devi Canndda-Munndda-Vinaashini | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||6|| Nishumbha-Shumbha-Nirnaashi Trailokya-Shubhade Namah | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||7|| Vandita-Angghri-Yuge Devi Sarva-Saubhaagya-Daayini | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||8|| Acintya-Ruupa-Carite Sarva-Shatru-Vinaashini | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||9|| Natebhyah Sarvadaa Bhaktyaa Ca-Aparnne Durita-Apahe | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||10|| Stuvadbhayo Bhakti-Puurvam Tvaam Cannddike Vyaadhi-Naashini | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||11|| Cannddike Satatam Yuddhe Jayanti Paapa-Naashini | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||12|| Dehi Saubhaagyam-Aarogyam Dehi Devi Param Sukham | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||13|| Vidhehi Devi Kalyaannam Vidhehi Vipulaam Shriyam | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||14|| Vidhehi Dvissataam Naasham Vidhehi -
Old Tool for New Times: the Discovery of an Ancient Holy Site in Contemporary India
JBASR 20 (2018), 45-66 ISSN: 2516-6379 Old Tool for New Times: The Discovery of an Ancient Holy Site in Contemporary India Daniela Bevilacqua SOAS University of London ABSTRACT This paper aims to show how different typologies of narration can be involved in the place-making process of a religious centre in India based on the claim of a yogi to have discovered in a jungle an ancient holy place, Garh Dhām, through his powers. As recorded by a devotee-run website, it was claimed to be the same place where King Surath met the sage Medha – as narrated in the Devī Māhātmya, a famous section of the Markaṇḍeya Purāṇa – and where the first ever Durgā Pūjā (worship) was ‘historically’ celebrated. The ‘discoverer’ is a yogi, Brahmānand Girī, who living in jungle was able to find hidden temples thanks to his austerity (tapasyā) and yogic powers (siddhis). The narration of his life story and of his powers recalls those appearing in Indian hagiographies and texts that describe siddhis. The discovery of a holy place by a yogi does not represent an isolated case since similar discoveries dot the history of Hindu religious orders. As in these latter cases, the place- making process of Garh Dhām aims to give authority and legitimacy to the foundation of a new religious centre and so to further spread the Durgā cult in the area and to attract pilgrims. KEYWORDS Yogi, place-making, Purāṇa, hagiography, pilgrimage place, Durgā Pūjā. * * * JBASR 20 (2018), 45-66 basr.ac.uk/JBASR Introduction I came across the story of Yogi Brahmānand Girī by chance: in January 2017, a friend suggested I visit a jungly place close to Shantiniketan (West Bengal), since the sādhu (holy man) living there was renowned to be a yogi.1 Once there, not only did I find an incredible informant but also learn of his incredible story. -
Review of Research Journal:International Monthly
Review Of Research Impact Factor : 5.7631(UIF) UGC Approved Journal No. 48514 ISSN: 2249-894X Volume - 8 | Issue - 5 | fEBRUARY - 2019 __________________________________________________________________________________________________________________________ SHAKTI DIETIES IN KALABURAGI DISTRICT-A STUDY ON BHANKUR KARIYAMMA DEVI AND CHINCHANSUR MAHAPURATAI Maheshkumar Shivasharanappa1 and Dr. Birdar Shrishail2 1Research Student Dept. History & Research Centre Gulbarga University Kalaburagi. 2 M.A.,M.Phil.,Ph.D Associate Professor Research Guide Dept. History & Research Centre Nrupatunga First Grade College, Sedam Dist: Kalaburagi, Karnataka. ABSTRACT : Shakti cult is one of the major traditions of Hinduism followed in India since ancient times. It is considers metaphysical reality as metaphorically a woman and Shakti is regarded as the supreme godhead. It includes many goddesses, who are considered as different aspects of the same supreme goddess.1 It has different sub-traditions that range from those focused on gracious Parvati to that of fierce and horrifying Kali.2 KEYWORDS : Shakti cult , supreme godhead. INTRODUCTION : Sruti and Smriti literatures are important sources that deal with the Shakti tradition. In addition, it reveres the texts like Devi Mahatmya, Devi-Bhagavata Purana, Mahabhagwata Purana and Shakta Upanishads like the Devi Upanishad.3 The Devi Mahatmya particularly, is considered in Shaktism to be as important as the Bhagavad Gita.4 Shaktism is popular for its various sub-traditions of Tantra,5 and a number of goddesses -
Devi: the Great Goddess (Smithsonian Institute)
Devi: The Great Goddess Detail of "Bhadrakali Appears to Rishi Chyavana." Folio 59 from the Tantric Devi series. India, Punjab Hills, Basohli, ca 1660-70. Opaque watercolor, gold, silver, and beetle-wing cases on paper. Purchase, Freer Gallery of Art, Smithsonian Institution F1997.8 Welcome to Devi: The Great Goddess. This web site has been developed in conjunction with the exhibition of the same name. The exhibition is on view at the Arthur M. Sackler Gallery from March 29, 1999 through September 6, 1999. Like the exhibition, this web site looks at the six aspects of the Indian goddess Devi. The site offers additional information on the contemporary and historical worship of Devi, activities for children and families, and a list of resources on South Asian arts and cultures. You may also want to view another Sackler web site: Puja: Expressions of Hindu Devotion, an on-line guide for educators explores Hindu worship and provides lesson plans and activities for children. This exhibition is made possible by generous grants from Enron/Enron Oil & Gas International, the Rockefeller Foundation, The Starr Foundation, Hughes Network Systems, and the ILA Foundation, Chicago. Related programs are made possible by Victoria P. and Roger W. Sant, the Smithsonian Educational Outreach Fund, and the Hazen Polsky Foundation. http://www.asia.si.edu/devi/index.htm (1 of 2) [7/1/2000 10:06:15 AM] Devi: The Great Goddess | Devi Homepage | Text Only | | Who is Devi | Aspects of Devi | Interpreting Devi | Tantric Devi | For Kids | Resources | | Sackler Homepage | Acknowledgements | The Arthur M. Sackler Gallery and Freer Gallery of Art, Smithsonian Institution, Washington, DC 20560. -
Joys of Worshiping Maa Bhavani
Glory of Maa Commemorating Navaratri 2008 vakratunDa mahaakaaya koTisuuryasamaprabha | nirvighnaM kuru me deva sarvakaaryeshhu sarvadaa || O Lord Ganesha, radiant as millions of Suns, Please, remove obstacles from all my tasks throughout the life 1 Glory of Maa Commemorating Navaratri 2008 “Jai Ambe Maa Bhavani Maha Kali Bhagavati Nava Durga Devi” Written and composed by: Jyotikar Pattni © Copyrights September 2008 2 sarvamangala maangalye sive sarvaarthasaadhike saranye trayambake gouri narayani namo’stu te. “O Narayani, Devi, the three-eyed, the Refuge, the Auspiciousness, the bestower of all wishes, the blessedness that is in all that is blessed. Prostrations be to Thee!” Aum Sharanaagata-deenaarta, Paritraana-paraayaney| Sarvasyaarti-harey Devi, Naaraayanni namohstutey|| 3 “Shiva-Shakti” is the epitome of Vedic Hindu divinity. 1 Devi-Mahatmya is portrayal of Devi Maa glory in majestic Sanskrit poetries depicting the dance of karma from the joys of realising essential spiritual freedom, to the great divine worship of the Divine Mother Goddess and rejoicing the triumph of Devi Maa towards the light of million delights. “Prathama charitra”, “Madhyama charitra”, and “Uttama charitra” are sections of the Devi Purana, of which there are thirteen chapters in total including the recital of the “MAHA-DEVI-shloka”.2 1 The Dasa-Mahavidyas, or Ten Great or Transcendent Wisdoms, is a circle of Ten Goddesses associated with Tantric practice. There are several accounts on how this dynamic circle was formed. In one version, Shiva is living with the Goddess Kali in the Satya Yuga, the first and perfect of the four periods of the world cycle. Eventually, Shiva grows restless and decides he is tired of living with Kali. -
Dr. Babasaheb Ambedkar Writings & Speeches Vol. 4
Babasaheb Dr. B.R. Ambedkar (14th April 1891 - 6th December 1956) BLANK DR. BABASAHEB AMBEDKAR WRITINGS AND SPEECHES VOL. 4 Compiled by VASANT MOON Dr. Babasaheb Ambedkar : Writings and Speeches Vol. 4 First Edition by Education Department, Govt. of Maharashtra : October 1987 Re-printed by Dr. Ambedkar Foundation : January, 2014 ISBN (Set) : 978-93-5109-064-9 Courtesy : Monogram used on the Cover page is taken from Babasaheb Dr. Ambedkar’s Letterhead. © Secretary Education Department Government of Maharashtra Price : One Set of 1 to 17 Volumes (20 Books) : Rs. 3000/- Publisher: Dr. Ambedkar Foundation Ministry of Social Justice & Empowerment, Govt. of India 15, Janpath, New Delhi - 110 001 Phone : 011-23357625, 23320571, 23320589 Fax : 011-23320582 Website : www.ambedkarfoundation.nic.in The Education Department Government of Maharashtra, Bombay-400032 for Dr. Babasaheb Ambedkar Source Material Publication Committee Printer M/s. Tan Prints India Pvt. Ltd., N. H. 10, Village-Rohad, Distt. Jhajjar, Haryana Minister for Social Justice and Empowerment & Chairperson, Dr. Ambedkar Foundation Kumari Selja MESSAGE Babasaheb Dr. B.R. Ambedkar, the Chief Architect of Indian Constitution was a scholar par excellence, a philosopher, a visionary, an emancipator and a true nationalist. He led a number of social movements to secure human rights to the oppressed and depressed sections of the society. He stands as a symbol of struggle for social justice. The Government of Maharashtra has done a highly commendable work of publication of volumes of unpublished works of Dr. Ambedkar, which have brought out his ideology and philosophy before the Nation and the world. In pursuance of the recommendations of the Centenary Celebrations Committee of Dr. -
Mahishasuramardini Stotram
||qÉÌWûwÉÉxÉÑUqÉÌSïÌlÉxiÉÉå§ÉqÉç|| Mahishasuramardini stotram (English translation by S.N.Sastri) Mahishasuramardini stotram is based on Devi mahatmyam in which Devi takes the forms of Durga, Lakshmi and Sarasvati to slay Madhu and Kaitabha, Mahishasura, and Sumbha and Nisumbha respectively. This stotra is said to have been composed by Ramakrishna Kavi about whom no details are available. AÌrÉ ÌaÉËUlÉÎlSÌlÉ lÉÎlSiÉqÉåÌSÌlÉ ÌuɵÉÌuÉlÉÉåÌSÌlÉ lÉÎlSlÉÑiÉå ÌaÉËUuÉUÌuÉlkrÉÍzÉUÉåÍkÉÌlÉuÉÉÍxÉÌlÉ ÌuÉwhÉÑÌuÉsÉÉÍxÉÌlÉ ÎeÉwhÉÑlÉÑiÉå| pÉaÉuÉÌiÉ Wåû ÍzÉÌiÉMühPûMÑüOÒûÎqoÉÌlÉ pÉÔËUMÑüOÒûÎqoÉÌlÉ pÉÔiÉM×üiÉå eÉrÉ eÉrÉ Wåû qÉÌWûwÉÉxÉÑUqÉÌSïÌlÉ UqrÉMümÉÌSïÌlÉ zÉæsÉxÉÑiÉå ||1 1. O Daughter of the Mountain, who delight the earth, who make the whole universe enjoy, who are praised by Nandikesvara, who dwell on the summit of the king of mountains, the Vindhyas, who took the form of the consort of Vishnu (as Lakshmi), who are praised by Indra, O consort of Siva (the blue-necked), who have innumerable families, who are the Creatrix of the whole universe, who slew the demon Mahisha, who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You. xÉÑUuÉUWûÌwÉïÍhÉ SÒkÉïUkÉÌwÉïÍhÉ SÒqÉÑïZÉqÉÌwÉïÍhÉ WûwÉïUiÉå §ÉpÉÑuÉlÉmÉÉåÌwÉÍhÉ zÉÇMüUiÉÉåÌwÉÍhÉ MüsqÉwÉqÉÉåÌwÉÍhÉ bÉÉåwÉUiÉå | SlÉÑeÉÌlÉUÉåÌwÉÍhÉ SÒqÉïSUÉåÌwÉÍhÉ SÒSïqÉzÉÉåÌwÉÍhÉ ÍxÉlkÉÑxÉÑiÉå eÉrÉ eÉrÉ Wåû qÉÌWûwÉÉxÉÑUqÉÌSïÌlÉ UqrÉMümÉÌSïÌlÉ zÉæsÉxÉÑiÉå ||2 2. O Daughter of the Mountain, who delight Indra, who crushed the demon Durdhara, who subdued Durmukha, who are immersed in bliss, who nourish all the three worlds, who make Sankara happy, who remove all sins, who delight in celebration, who are angry with Asuras, who destroy evil pride, who destroyed the demon Durdama, who was born as the daughter of the ocean (as Lakshmi), who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You. -
The Ramayana by R.K. Narayan
Table of Contents About the Author Title Page Copyright Page Introduction Dedication Chapter 1 - RAMA’S INITIATION Chapter 2 - THE WEDDING Chapter 3 - TWO PROMISES REVIVED Chapter 4 - ENCOUNTERS IN EXILE Chapter 5 - THE GRAND TORMENTOR Chapter 6 - VALI Chapter 7 - WHEN THE RAINS CEASE Chapter 8 - MEMENTO FROM RAMA Chapter 9 - RAVANA IN COUNCIL Chapter 10 - ACROSS THE OCEAN Chapter 11 - THE SIEGE OF LANKA Chapter 12 - RAMA AND RAVANA IN BATTLE Chapter 13 - INTERLUDE Chapter 14 - THE CORONATION Epilogue Glossary THE RAMAYANA R. K. NARAYAN was born on October 10, 1906, in Madras, South India, and educated there and at Maharaja’s College in Mysore. His first novel, Swami and Friends (1935), and its successor, The Bachelor of Arts (1937), are both set in the fictional territory of Malgudi, of which John Updike wrote, “Few writers since Dickens can match the effect of colorful teeming that Narayan’s fictional city of Malgudi conveys; its population is as sharply chiseled as a temple frieze, and as endless, with always, one feels, more characters round the corner.” Narayan wrote many more novels set in Malgudi, including The English Teacher (1945), The Financial Expert (1952), and The Guide (1958), which won him the Sahitya Akademi (India’s National Academy of Letters) Award, his country’s highest honor. His collections of short fiction include A Horse and Two Goats, Malgudi Days, and Under the Banyan Tree. Graham Greene, Narayan’s friend and literary champion, said, “He has offered me a second home. Without him I could never have known what it is like to be Indian.” Narayan’s fiction earned him comparisons to the work of writers including Anton Chekhov, William Faulkner, O.