DOCSLIB.ORG

Application/Pdf, 1.59 MB

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Application/Pdf, 1.59 MB Федеральное агентство научных организаций Российская академия наук Южный научный центр Институт социально-экономических и гуманитарных исследований ЮГ РОССИИ И СОПРЕДЕЛЬНЫЕ СТРАНЫ В ВОЙНАХ И ВООРУЖЕННЫХ КОНФЛИКТАХ Материалы Всероссийской научной конференции с международным участием Ростов-на-Дону, 22–25 июня 2016 г. Ростов-на-Дону Издательство ЮНЦ РАН 2016 УДК 94(470.6)(063) Ю15 Сборник подготовлен в рамках реализации Программы фундаментальных исследований Президиума РАН «Проблемы развития полиэтничного макрорегиона в условиях дестабилизации Каспийско-Черноморского зарубежья» (государственное задание на 2016 г. № 007-01114-16 ПР) Редакционная коллегия: академик Г.Г. Матишов (отв. редактор) д.и.н. Е.Ф. Кринко (зам. отв. редактора) к.филол.н. Н.А. Власкина (зам. отв. редактора) О.А. Гром, к.г.н. Е.Э. Кириллова Юг России и сопредельные страны в войнах и вооруженных Ю15 конфликтах: материалы Всероссийской научной конференции с международным участием (Ростов-на-Дону, 22–25 июня 2016 г.) / [отв. ред. акад. Г.Г. Матишов]. – Ростов н/Д: Изд-во ЮНЦ РАН, 2016. – 624 с. – ISBN 978-5-4358-0134-7. В материалах сборника представлены новые подходы в изучении войн и вооруженных конфликтов на Юге России и в сопредельных странах. Значительное место отведено особенностям и последствиям важнейших сражений на Юге России в XVII–XXI вв., участию в них жителей Дона и Северного Кавказа, проблемам военной повседневности, роли религии и церкви в условиях военных конфликтов, а также отражению военных событий в историографии, искусстве, фольклоре и исторической памяти. Издание предназначено для научных работников, преподавателей, аспирантов, студентов, а также всех заинтересованных читателей. УДК 94(470.6)(063) ISBN 978-5-4358-0134-7 © ЮНЦ РАН, 2016 © ИСЭГИ ЮНЦ РАН, 2016 Federal Agency for Scientific Organizations Russian Academy of Science Southern Scientific Center Institute for Social and Economic Research and Humanities THE SOUTH OF RUSSIA AND NEIGHBORING COUNTRIES IN WARS AND ARMED CONFLICTS Proceedings of All-Russian Scientific Conference with International Participation Rostov-on-Don, 22–25 June 2016 Rostov-on-Don SSC RAS Publishers 2016 UDC 94(470.6)(063) M39 The study was carried withthe financial support from the RAS Presidium (The Fundamental Research Program of the RAS Presidium “The Problems of Development of the Poly-ethnic Macro-region under the Destabilization Conditions in the countries of the Caspian-Black Sea region” (state assignment for 2016 Nr 007-01114-16 PR)) Editorial Board: Academician G.G. Matishov (Managing Editor) Dr (History) E.F. Krinko (Deputy Managing Editor) PhD N.A. Vlaskina (Deputy Managing Editor) O.A. Grom, PhD E.E. Kirillova Matishov, G.G. (ed.) (2016) The South of Russia and Neighboring M39 Countries in Wars and Armed Conflicts. Proceedings of All-Russian Scientific Conference with International Participation (Rostov-on- Don, 22–25 June 2016). – Rostov-on-Don: SSC RAS Publishers. – 624 p. (in Russian) – ISBN 978-5-4358-0134-7. The proceedings consider the new approaches to the study of wars and armed conflicts in the South of Russia and neighboring countries. Significant attention is paid to the peculiarities and consequences of the most important battles in the South of Russia in the 17–21st centuries, the participation of the Don and North Caucasus population in these events, the problems of wartime everyday life, the role of religion and church in the military conflicts, as well as to the reflection of wartime events in historiography, art, folklore and historical memory. The publication is intended for both researchers, university teachers, postgraduate and undergraduate students, and readers interested in the subject. UDC 94(470.6)(063) ISBN 978-5-4358-0134-7 © SSC RAS (2016) © ISERH SSC RAS (2016) СОДЕРЖАНИЕ Предисловие (академик Г.Г. Матишов) .......................................................... 15 Раздел 1. Новации и традиции в изучении войн и вооруженных конфликтов на Юге России Кринко Е.Ф. Юг России в войнах и вооруженных конфликтах: опыт статистического обобщения ............................................................ 17 Авраменко А.М. К вопросу об участии иностранных военных контингентов в битве при Берестечко в 1651 г. (донские казаки, московские стрельцы, турки) ....................................... 25 Великанов В.С. Детали похода армии В.В. Голицына в 1687 г. ....................... 32 Венков А.В. Казаки и Прутский поход ............................................................. 40 Муртазаев А.О., Абдусаламов М.-П.Б., Аллаев Н.М. Из истории противостояния дагестанских владетелей Каспийскому походу Петра I: причины и последствия .................................................. 47 Аваков П.А. Донское казачество в Крымском походе П.П. Ласси 1737 г. ...... 55 Чуцков В.И. Противостояние России и Турции – Тахтамышское сражение 1790 г. ............................................................... 62 Гапуров Ш.А., Акаев В.Х., Магомаев В.Х. 1806 год – важная веха в российско-дагестанских отношениях .................................................... 66 Воскобойников С.Г. Донские казаки в Русско-турецкой войне 1806–1812 гг. ............................................................................................... 74 Захаревич А.В. Подполковник Акиндин Иванович Аханов – герой третьего плана боев с горцами на Северном Кавказе в 1804–1810 гг. ... 80 Клычников Ю.Ю. «Из военных дворян Ставропольской губернии…»: начало военной карьеры генерал-адъютанта генерала от инфантерии графа Н.И. Евдокимова .................................................... 87 Емельянов О.Б., Емельянов Н.О. Свидетельства современников об участии казачьих сотен терского левобережья в боевых действиях при осаде турецкой крепости Карс в 1855 г. .......................... 94 Тикиджьян Р.Г. Военная организация и военная служба донских казаков в контексте российской модернизации второй половины ХIХ – начала ХХ вв.: актуальные проблемы изучения ............................................................. 101 Перетятько А.Ю. Военное обучение донских казаков перед Русско- турецкой войной 1877–1878 гг.: создание школы урядников- артиллеристов и преобразование класса донских урядников .............. 109 Скорик А.П. Проведение мобилизации казачьих полков накануне и в начале Русско-турецкой войны 1877–1878 гг. (на примере 36-го Донского казачьего полка) ....................................... 116 Трут В.П. Начальный этап Гражданской войны на Дону: специфика вооруженных формирований противоборствующих сторон и особенности хода боевых действий ........................................ 123 Сивков С.М. Первое вооруженное столкновение Гражданской войны на Кубани: январь 1918 г. ............................................................. 130 Безугольный А.Ю. Мартовские события 1918 г. и становление советской власти в Баку .................................................. 134 6 Содержание Шахалиева Ф.Б. Ход военных действий в Кабарде и Балкарии в период Гражданской войны (1918–1920 гг.) ........................................ 141 Баранов А.В. Повстанческое движение казаков и крестьян на Кубани и Чер- номорье (1920 г.) как проявление Гражданской войны ......................... 147 Очиров У.Б. Асы советских ВВС 1941 г. .......................................................... 154 Заблотский А.Н., Ларинцев Р.И. «По данным опроса пленных…» Советская разведка о группировке люфтваффе на южном фланге советско-германского фронта .................................................... 163 Волошин В.А., Ракочий С.В. Таганрогский боевой участок и его значение в обороне Ростова-на-Дону в октябре 1941 г. ....................... 169 Ушаков В.Б. Rýchla divízia: формирование и участие в боевых действиях на территории Ростовской области в 1941–1942 гг. ............ 176 Киселёв И.В. Основные проблемы истории обороны Севастополя в 1941–1942 гг. ......................................................................................... 183 Татаринов И.Е. «За мной! За Родину! Вперед!» Малоизвестные страницы обороны Ворошиловграда в июле 1942 г. ............................. 191 Афанасенко В.И. К вопросу о состоянии Ростовского оборонительного района и обстоятельствах его прорыва 22–23 июля 1942 г. ................. 198 Оленский Б.И. Первый этап оборонительных боев на Северном Кавказе .....205 Апанасенко Н.Н. Боевые действия на территории Аксайского района как составная часть Ростовской наступательной операции 1943 г. ..... 210 Санин Д.Н. Егорлыкские жители в войнах XIX – начала XXI вв. ................. 214 Степаньян О.В. Арутюн Асватурян – неизвестный защитник Брестской крепости .................................................................................. 219 Раздел 2. Геополитический, идеологический, экономический и административный факторы в вооруженных конфликтах Гапуров Ш.А., Гациева Т.И. Кавказская политика России в начале XIX в. .. 224 Кузьминов П.А. Адыги в противостоянии России и Турции во второй половине XIX в.: динамика изменений ................................ 232 Гармышев Д.А. Геополитический фактор в Кавказской войне и роль горцев в противостоянии империй ............................................. 239 Платицына Т.В. Исторический опыт военно-политического противостояния Российской империи с европейскими государствами и Турцией в решении восточного вопроса в XIX в. ......... 244 Ачугба Т.А. Трагедия адыго-абхазских махаджиров ................................... 248 Деордиева А.Н. Эволюция организационной структуры и тактики региональных отделений партии народной свободы на Дону в годы Первой мировой войны .................................
Load more

Recommended publications
  • Lyubov Orlova: Stalinism’S Shining Star,’ Senses of Cinema, Issue 23: the Female Actor, December 2002
    Dina Iordanova, ‘Lyubov Orlova: Stalinism’s Shining Star,’ Senses of Cinema, Issue 23: The Female Actor, December 2002. Available: https://www.sensesofcinema.com/2002/the-female-actor/orlova/ Lyubov Orlova: Stalinism’s Shining Star Dina Iordanova Issue 23 A Lyubov Orlova filmography appears at the bottom of this article. A misguided assumption about Soviet cinema, which still persists, is that it’s a national cinema mostly comprised of depressing war dramas in which popular genres were neglected and even suppressed. This is certainly not the picture of Soviet cinema I remember when, 1 growing up in 1960s Bulgaria, I could enjoy a fair share of popular films, like the Soviet action-adventure Neulovimyye mstiteli/The Elusive Avengers (1966) or Yuri Nikulin’s superb comedies, all playing in theatres alongside the comedies of Louis de Funès or Raj Kapoor’s ever-popular weepy Awara/The Vagabond (1951). A highlight was Eldar Ryazanov’s musical, Karnavalnaya noch/Carnival Night (1956), with Lyudmila Gurchenko’s unforgettable dancing and singing. Made several years before I was even born, Carnival Night was so popular that by the time I started watching movies it was still regularly playing in theatres as well as being shown on television. Here, a buoyant and beautiful Lydmila Gurchenko leads a group of amateur actors to undermine the plans of the Culture Ministry and its boring leadership in order to turn a New Year’s Eve celebration into an exciting vibrant extravaganza, with confetti, sparklers and crackers. It was only later, in my teenage years when I started visiting the Sofia Cinémathèque, that I realized how Carnival Night in many aspects replicated Grigoriy Aleksandrov’s musical extravaganzas of the 1930s.
    [Show full text]
  • Fear and Loathing in the Iron Closet
    FACULTY OF LAW Lund University Simon Andersson Fear and Loathing in the Iron Closet The right to freedom of assembly for LGBT rights activists in the Russian Federation, Ukraine and the Republic of Moldova, and the role of the Moscow Patriarchate in the invention of “gay propaganda” legislation JURM02 Graduate Thesis Master of Laws programme 30 higher education credits Supervisor: Vladislava Stoyanova Semester of graduation: Spring 2019 Psalm 139:14 (ESV) “I praise you, for I am fearfully and wonderfully made. Wonderful are your works; my soul knows it very well.” John 8:31-32 (ESV) “If you abide in my word, you are truly my disciples, and you will know the truth, and the truth will set you free.” Jesus of Nazareth Contents ABSTRACT 1 PREFACE 2 1. INTRODUCTION 4 I. BACKGROUND 4 II. PURPOSE AND RESEARCH QUESTIONS 6 III. PERSPECTIVE 7 IV. METHODOLOGY AND MATERIALS 13 V. DELIMITATIONS 14 VI. CURRENT RESEARCH 15 VII. TERMINOLOGY 15 VIII. DISPOSITION 17 2. INTERNATIONAL LEGISLATION 19 I. THE EUROPEAN CONVENTION ON HUMAN RIGHTS 19 II. THE COUNCIL OF EUROPE AND THE ECTHR 23 3. HISTORICAL BACKGROUND 40 I. THE OCCURRENCE OF MUZHELOZHSTVO 40 IN PRE-PETRINE RUSSIA II. TSAR PETER'S ANTI-SODOMY STATUTE, 40 MASCULINITY IDEALS AND THE EMERGENCE OF HOMOSEXUAL IDENTITIES IN IMPERIAL RUSSIA III. THE EMERGENCE OF SOVIET MASCULINITIES, 41 THE DECRIMINALISATION OF THE IMPERIAL ANTI- SODOMY STATUTE AND THE RECRIMINALISATION OF MUZHELOZHSTVO IN THE SOVIET UNION IV. POST-SOVIET MASCULINITIES, SEXUAL 42 CITIZENSHIP AND DECRIMINALISATION OF HOMOSEXUALITY IN POST-SOVIET RUSSIA, UKRAINE AND MOLDOVA 4. RUSSIAN FEDERATION 46 I.
    [Show full text]
  • On Behalf of the Federal Agency of Culture and Cinematography I
    ƒÓÓ„Ë ‰ÛÁ¸ˇ! Dear friends! ŒÚ ËÏÂÌË ÃËÌËÒÚÂÒÚ‚‡ ÍÛθÚÛ˚ Ë Ï‡ÒÒÓ‚˚ı On behalf of the Ministry of Culture and Mass ÍÓÏÏÛÌË͇ˆËÈ –ÓÒÒËÈÒÍÓÈ ‘‰‡ˆËË Communications of the Russian Federation I ÔË‚ÂÚÒÚ‚Û˛ ‚ÒÂı Û˜‡ÒÚÌËÍÓ‚ Ë „ÓÒÚÂÈ XVIII welcome all participants and visitors of the 18th ŒÚÍ˚ÚÓ„Ó ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÙÂÒÚË‚‡Îˇ Open Russian Film Festival ´Kinotavrª! ´üËÌÓÚ‡‚ª! This annual event is an integral part of our ≈„Ó ÂÊ„ӉÌÓ Ôӂ‰ÂÌË ˇ‚ΡÂÚÒˇ ÌÂÓÚ˙ÂÏÎÂÏÓÈ State policy on the support of the national ˜‡ÒÚ¸˛ „ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÓÎËÚËÍË ÔÓ ÔÓ‰‰ÂÊÍ cinema. ´Kinotavrª can, without exaggeration, ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÂχÚÓ„‡Ù‡. ´üËÌÓÚ‡‚ª be called the most anticipated event in the ÏÓÊÌÓ ·ÂÁ ÔÂÛ‚Â΢ÂÌˡ ̇Á‚‡Ú¸ Ò‡Ï˚Ï Russian film-season. For the 17 years of its ÓÊˉ‡ÂÏ˚Ï ÒÓ·˚ÚËÂÏ ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÒÂÁÓ̇. «‡ existence this main national cinema event has ÒÂÏ̇‰ˆ‡Ú¸ ÎÂÚ Ò‚ÓÂ„Ó ÒÛ˘ÂÒÚ‚Ó‚‡Ìˡ „·‚Ì˚È gained a strong position, both in the Russian ̇ˆËÓ̇θÌ˚È ÍËÌÓÒÏÓÚ Á‡‚Ó‚‡Î ÔÓ˜Ì˚È film world and abroad. ‡‚ÚÓËÚÂÚ, Í‡Í ‚ ÓÒÒËÈÒÍÓÈ The festival is developing fast, becoming more ÍËÌÂχÚÓ„‡Ù˘ÂÒÍÓÈ Ò‰Â, Ú‡Í Ë ‚ Á‡Û·ÂÊÌÓÈ. dynamic and alive, saturated and informative. ‘ÂÒÚË‚‡Î¸ ÒÚÂÏËÚÂθÌÓ ‡Á‚Ë‚‡ÂÚÒˇ, ÒÚ‡ÌÓ‚ˇÒ¸ The success of festival films among Russian ·ÓΠ‰Ë̇Ï˘Ì˚Ï Ë ÊË‚˚Ï, ̇Ò˚˘ÂÌÌ˚Ï Ë audiences once again confirms that there is a ËÌÙÓχÚË‚Ì˚Ï.
    [Show full text]
  • Three Long Poems
    The Word That Causes Death’s Defeat ANNA AKHMATOVA The Word That Causes Death’s Defeat Poems of Memory g Translated, with an introductory biography, critical essays, and commentary, by Nancy K. Anderson Yale University Press New Haven & London Published with assistance from the foundation established in memory of Philip Hamilton McMillan of the Class of 1894, Yale College. Copyright ∫ 2004 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by James J. Johnson and set in Nofret Roman type by Keystone Typesetting, Inc. Printed in the United States of America. Library of Congress Cataloging-in-Publication Data Akhmatova, Anna Andreevna, 1889–1966. [Poems. English. Selections] The word that causes death’s defeat : poems of memory / Anna Akhmatova ; translated, with an introductory biography, critical essays, and commentary, by Nancy K. Anderson.—1st ed. p. cm. Includes bibliographical references and index. ISBN 0-300-10377-8 (alk. paper) 1. Akhmatova, Anna Andreevna, 1889–1966—Translations into English. 2. Akhmatova, Anna Andreevna, 1889–1966. I. Anderson, Nancy K., 1956– II. Title. PG3476.A217 2004 891.71%42—dc22 2004006295 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. 10987654321 Contents ggg Preface vii A Note on Style xiii PART I.
    [Show full text]
  • Cinematic Taganrog
    Alexander Fedorov Cinematic Taganrog Moscow, 2021 Fedorov A.V. Cinematic Taganrog. Moscow: "Information for all", 2021. 100 p. The book provides a brief overview of full–length feature films and TV series filmed in Taganrog (taking into account the opinions of film critics and viewers), provides a list of actors, directors, cameramen, screenwriters, composers and film experts who were born, studied and / or worked in Taganrog. Reviewer: Professor M.P. Tselysh. © Alexander Fedorov, 2021. 2 Table of contents Introduction ……………………………………………………………………………………… 4 Movies filmed in Taganrog and its environs ………………………………………….. 5 Cinematic Taganrog: Who is Who…………………………….…………………………. 69 Anton Barsukov: “How I was filming with Nikita Mikhalkov, Victor Merezhko and Andrey Proshkin.………………………………………………… 77 Filmography (movies, which filmed in Taganrog and its surroundings)…… 86 About the Author……………………………………………………………………………….. 92 References ………………………………………………………………………………………… 97 3 Introduction What movies were filmed in Taganrog? How did the press and viewers evaluate and rate these films? What actors, directors, cameramen, screenwriters, film composers, film critics were born and / or studied in this city? In this book, for the first time, an attempt is made to give a wide panorama of nearly forty Soviet and Russian movies and TV series filmed in Taganrog and its environs, in the mirror of the opinions of film critics and viewers. Unfortunately, data are not available for all such films (therefore, the book, for example, does not include many documentaries). The book cites articles and reviews of Soviet and Russian film critics, audience reviews on the Internet portals "Kino –teater.ru" and "Kinopoisk". I also managed to collect data on over fifty actors, directors, screenwriters, cameramen, film composers, film critics, whose life was associated with Taganrog.
    [Show full text]
  • Ordinary Fascism (1965) by Mikhail Romm
    Red Front Tuesday May 26 2020 May 9 - May 30 2020 Ordinary Fascism (1965) by Mikhail Romm Mikhail Romm’s voiceover implores the viewer to assess how screen. This juxtaposition is deliberately abrupt and shocking after socialist the National Socialist Party were in reality. This peculiar the philosophical rumination into perspective and individualism. stress leads to an implicit comparison between the USSR and ‘Playing’ with that one static photograph he is able to impress the Germany. Romm’s documentary is a suggestive masterpiece, one magnitude of pain the image alone may not have conveyed. At that simultaneously reveals and hides itself in the implicit. His the film’s start, when Romm discusses the limitations of ability to invoke the power of suggestion is in no doubt due to his documentary, he establishes the challenge that fascism’s tendency choice of genre: compilation film. Compilation film was, in the to censor itself and to not leave behind visual records of Soviet context, a technique pioneered by Eshfir Shub in the wrongdoings, offers to the filmmaker. He uses compilation to give revolutionary era. Her film, The Fall of the Romanov Dynasty (1927) more power to the limited images he does have at his disposal. used a similar technique to draw a picture of life around the days of the revolution. Using archival footage, especially from that of Even when faced with limitations of resource on his topic, he is the Tsar’s resident cameraman, she was able to compile the film able to portray his message through emphasis and juxtaposition. around a specific thesis: the excess of the Romanovs and the His voiceover is instructive at times, like a teacher he guides us veracity of socialism’s project.
    [Show full text]
  • Gendering the American Enemy in Early Cold War Soviet Films (1946–1953)
    Gendering the American Enemy in Early Cold War Soviet Films (1946–1953) ✣ Oleg Riabov “Greta Garbo Wins Elections,” proclaimed a conservative Italian newspaper when reporting the defeat of the Italian Communist Party in the 1948 par- liamentary elections.1 The results of the vote constituted one of the turning points of the Cold War in which the spread of Communism to the West was inhibited. The widespread distribution in Italy of the 1939 Hollywood film Ninotchka (starring Garbo and directed by Ernst Lubitsch) had in fact been among the numerous efforts sponsored by the U.S. Central Intelligence Agency (CIA) during the election campaign. At the same time, the film could be seen as nothing more than a love story between a Western man and a Soviet woman. The plot of Ninotchka concerns the devoted Communist Nina Yakushova, who defects from the USSR because of her love for Count Leon d’Algout. Her choice, nonetheless, is ultimately determined by the superiority of Western men over their Soviet counterparts as well as the material abun- dance of capitalist society, which gives women the opportunity to be attractive and feminine. This episode allows us to suppose that gender discourse served as an effective Cold War weapon that was actively used in cinema. The intersections of gender and national discourses in U.S. filmmak- ing during the Cold War have been intensively explored over the past two decades. This research demonstrates the mutual influence of collective iden- tity and gender rhetoric and investigates the role that the two superpowers’ cinematic representations of gender orders played in constructing the Soviet enemy, creating American-ness, and legitimizing and delegitimizing the po- litical system of the United States.2 As for Soviet cinema, the historiography 1.
    [Show full text]
  • CHANNEL ONE RUSSIA Russian Channel One Acquired Drama Broadchurch (Graet Britain, 2013) from British Content Distributor Shine International
    CISCONTENT:CONTENTRREPORTEPORT Review of ПРОИЗВОДСТВОaudiovisualПРОИЗВОДСТВО content production andПРОИЗВОДСТВО distribution in the CIS countries C Обзор новостей рынкаC производстваONTENTC и дистрибуцииR№ 3аудиовизуальногоEPORT (62) 7 февраля, 2013 контента CISCONTENTC:CONTENОбзор новостей рынка производстваTR иREPORT дистрибуцииEPOR аудиовизуального контентаT Media«»«МЕДИ ResourcesА РЕСУРСЫ МManagementЕНЕДЖМЕНТ» «МАЙОР ПОЛИЦИИ» №№9 1(9) №2 31 13 October, января,1 April, 20122011 ReviewОбзор of новостейaudiovisualCЕРИАЛ рынка content производства production and и дистрибуции distribution аудиовизуальногоin the CIS countries контента C «МONTENTМЕДИЕДИЕДИААРЕСУРСЫРЕСУРСЫЕСУРСЫММЕНЕДЖМЕНТЕНЕДЖМЕНТЕНЕДЖМЕНТ»Российская кинокомпания «Всемирные Русские Студии»EPORT Продюсер№№ 4 3 (62): (62)Юрий 21 7 Сапронов.февраля, 2013 C 30 января объявила о начале съемок новогоR 16-серийного режиссер: Артем Антонов. «ВСЕМИРНЫЕ ÎáçîðРУССКИЕ íîâîñòåé СТУДИИ» ðûíêàдетектива ïðîèçâîäñòâà «Майор полиции» .è Съемочные äèñòðèáóöèè работы пройдут àóäèîâèçóàëüíîãî сцеНарий: Виктор Ольшанский, êîíòåíòà C в Санкт-Петербурге, Гатчине, Пушкине, Шлиссельбурге, Михаил Бартенев. Media«»«МЕДИ ResourcesА РЕСУРСЫ МManagementЕНЕДЖМЕНТ» Кронштадте, а также на питерской студии RWS. в ролях№ №131(9): Андрей №213 JuneИльин, января, 1 April, Анна30, 20132011 2012 ТЕМА НОМЕРА СЛОВО РЕДАКЦИИ Банщикова, Дмитрий Блохин, DEARслово COLLEAGUESредакции Ольга Калмыкова, Елизавета тема номераFOCUSMedia«»МЕДИ ResourcesА РЕСУРСЫ МManagementЕНЕДЖМЕНТ Синопсис: Честный и принципиальный майор
    [Show full text]
  • VOLUME I · Nº 3 · 2013 Editor: Gonzalo De Lucas (Universitat Pompeu Fabra)
    VOLUME I · Nº 3 · 2013 Editor: Gonzalo de Lucas (Universitat Pompeu Fabra). Associate Editor: Núria Bou (Universitat Pompeu Fabra), Xavier Pérez (Universitat Pompeu Fabra). Guest Co-Editor: Manuel Garin (Universitat Pompeu Fabra). Advisory Board: Dudley Andrew (Yale University, USA), Jordi Balló (Universitat Pompeu Fabra, Spain), Raymond Bellour (Université Sorbonne-Paris III, France), Nicole Brenez (Université Paris 1-Panthéon-Sorbonne, France), Maeve Connolly (Dun Laoghaire Institut of Art, Design and Technology, Ireland), Thomas Elsaesser (University of Amsterdam, Netherlands), Gino Frezza (Università de Salerno, Italy), Chris Fujiwara (Edinburgh International Film Festival, United Kingdom), Jane Gaines (Columbia University, USA), Haden Guest (Harvard University, USA), Tom Gunning (University of Chicago, USA), John MacKay (Yale University, USA), Adrian Martin (Monash University, Australia), Cezar Migliorin (Universidade Federal Fluminense, Brasil), Meaghan Morris (University of Sidney, Australia and Lignan University, Hong Kong), Gilberto Perez (Sarah Lawrence College, USA), Àngel Quintana (Universitat de Girona, Spain), Joan Ramon Resina (Stanford University, USA), Eduardo A.Russo (Universidad Nacional de La Plata, Argentina), Yuri Tsivian (University of Chicago, USA), Vicente Sánchez Biosca (Universitat de València, Spain), Jenaro Talens (Université de Genève, Switzerland and Universitat de València, Spain), Michael Witt (Roehampton University, United Kingdom). Editorial Team: Francisco Javier Benavente (Universitat Pompeu Fabra), Alejandro Montiel (Universitat de València), Raffaelle Pinto (Universitat de Barcelona), Ivan Pintor (Universitat Pompeu Fabra), Glòria Salvadó (Universitat Pompeu Fabra). Editorial Assistants: Albert Elduque (Universitat Pompeu Fabra), Endika Rey (Universitat Pompeu Fabra), Margarida Carnicé (Universitat Pompeu Fabra). Contributors: Álvaro Arroba, Rita Azevedo Gomes, Gerard Casau, Alfonso Crespo, Gonzalo de Lucas, Fernando Ganzo, Shaila García-Catalán, David Heinemann, Sarah Kozloff, Pierre Léon, Alan Salvadó.
    [Show full text]
  • Minor Planet Names: Alphabetical List
    ASTEROIDS Minor Planet Names: Alphabetical List This is an alphabetical listing of the names of the numbered minor planets. It was last updated on 2011, June 17 The available asteroids are now well over 16,000. Here’s the reference site: http://www.astro.com/swisseph/astlist.htm You will notice the respective asteroid number in parenthesis to the immediate left of each asteroid. To find out where any asteroid is in your chart, consult below the AstroDienst site below: http://www.astro.com/cgi/genchart.cgi?&cid=rtbfilepar7OA-u1056512981&nhor=1 Once you have imput your own chart data, insert the asteroid numbers of those asteroids you are interested in finding out (specific location in your chart) at the bottom left of the page. It will state “additional asteroids or "hypothetical" planets (please enter the numbers from the respective lists, e.g. "433,1221,h48").” Then click to the right, “Click Here To Show The Chart.” ***************************** [Bill Wrobel] Note: References below to zodiacal placements are to my own chart: Born July 1, 1950, Syracuse, New York, USA, 2:22 pm EDT [Born July, 1, 1950 at 2:22 PDT, Syracuse, New York, 43 N2.9, 76 W 8.9. Ascendant is 22 Libra 7, MC 26 Cancer 34, 11th house is 0 Virgo 8, 12th house cusp is 28 Virgo 47, 2nd house 19 Scorpio 32, 3rd house 21 Sagittarius 29. Mars is 8 Libra 23 widely conjunct Neptune is 14 Libra35—Neptune in its own house and Mars, as a natural key to identity & personal action, in the 12th-Pisces-neptune (Letter Twelve) house.
    [Show full text]