Involving Readers in the Latter-Day Saint Academic
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30 Issue. 30 QUA- January - June 2008 DERNS DEL CAC www.cac.cat Scientific knowledge on audiovisual media Quaderns del CAC issue 30, January - June 2008 Contents E-mail: [email protected] .Introduction 2 Editorial Board: Santiago Ramentol i Massana (editor), Dolors Comas .Monographic: Scientific knowledge on audiovisual d’Argemir i Cendra, Rafael Jorba i Castellví, Elisenda media Malaret i Garcia, Esteve Orriols i Sendra, Josep Pont Ethics and engagement in scientific communication 3 i Sans Milagros Pérez Oliva Science documentaries and their coordinates 11 Director: Bienvenido León Josep Gifreu 2001 odysseys through space-time: (uncon)science 19 in the cinema? Executive Director: Maria Corominas Jordi José Playing at scientists: video games and popularising 27 General Coordinator: science Sylvia Montilla Óliver Pérez, Mercè Oliva, Frederic Guerrero and Fermín Ciaurriz Sections: Internet users are shaking the tree of science 37 Carles Llorens (Book Reviews Editor) Luis Ángel Fernández Hermana Núria Fernández and Pablo Santcovsky The scientific popularisation of environmental problems 43 (Book Review, Journal Review, Website Review) by the media. The case of the documentary An Inconvenient Truth Translation: Nel·lo Pellisser Tracy Byrne Doctors in TV fiction 51 Charo Lacalle Page Layout: Health on the internet: proposals for quality and 61 Yago Díaz certification Miquel Àngel Mayer, José Luis Terrón and Angela Leis Legal diposit book: B-17.999/98 ISSN: 1138-9761 Science and technology on Catalan area television 69 Gemma Revuelta and Marzia Mazzonetto Popularising science and technology on generalist radio 81 Catalan Audiovisual Council Maria Gutiérrez President: Josep Maria Carbonell i Abelló .Observatory Vice president: Domènec Sesmilo i Rius Independent television production in Catalonia 91 Secretary: Santiago Ramentol i Massana in a changing market Members of the Council: Dolors Comas d’Argemir i Cendra, David Fernández Quijada Rafael Jorba i Castellví, Elisenda Malaret i Garcia, Josep New interactive advertising formats on television. -
Documentarists and Documentary/Narrative Filmmakers Those Listed Are Directors, Unless Otherwise Noted
1 COM 321, Documentary Form in Film & Television 1/15/14 Documentarists and Documentary/Narrative Filmmakers Those listed are directors, unless otherwise noted. Documentary/Narrative Filmmakers—Many have done both: Name & Key Documentaries Key Narrative Works Nation Allen, Woody Zelig, 1983 (mockumentary) Annie Hall, 1977 US Manhattan, 1979 Altman, Robert The James Dean Story, 1957 M*A*S*H, 1970 US The Player, 1992 Short Cuts, 1993 Anderson, Lindsay Thursday’s Children, 1954 (with Guy if. , 1968 Britain Brenton) O Lucky Man!, 1973 Anger, Kenneth Kustom Kar Kommandos, 1963 Fireworks, 1947 US Scorpio Rising, 1964 Apted, Michael The Up! series (1970‐2012 so far) Gorillas in the Mist, 1988 Britain Nell, 1994 The World is Not Enough, 1999 Brakhage, Stan The Act of Seeing with One’s Own Dog Star Man, 1962 US Eyes, 1971 Mothlight, 1963 Bunuel, Luis Las Hurdes (Land Without Bread), Un Chien Andalou, 1928 (with Salvador Spain/France 1933 (mockumentary?) Dali) L’Age D’Or, 1930 The Discreet Charm of the Bourgeoisie, 1972 Cameron, James Expedition Bismarck, 2002 Titanic, 1997 US Ghosts of the Abyss, 2003 Avatar, 2009 Capra, Frank Why We Fight series, 1942‐44 Mr. Deeds Goes to Town, 1936 US Mr. Smith Goes to Washington, 1939 It’s a Wonderful Life, 1946 Chukrai, Grigori Pamyat, 1971 Ballad of a Soldier, 1959 Soviet Union Cooper, Merian C. Grass: A Nation’s Battle for Life, 1925 The Four Feathers, 1929 US (with Ernest B. Schoedsack) King Kong, 1933 Chang: A Drama of the Wilderness, 1927 (with Ernest B. Schoedsack) Demme, Jonathan Stop Making Sense, -
COLORADO SPRINGS I Kiowa — St
Youths More Eager irn t Special Apostolate DENVER CATHO o 33 m aj O' > m CD c-j 3D <: To Indians Helps n o O CO 3 3 interpret fosue X, 13 REGISTER Oldsters To Adjust THURSDAY, JULY 15, 1965 VO L. I ition; oth- that light By Christopher Hernon ma families are educated and e manner To members of the In possess wealth, because of es, name- dian tribes, of the plains the discovery of oil on their City's Head Start acle was and the high country, who lands. bu( the Navajo, Sioux - 4 live in Denver, their reser nation, Cherokee, and Hopi vations seem the "Prom Indians, plus a few Seminoles ised Land” much as the up from Louisiana, cannot ad Passes Test W ith It seems that there was Holy Land is to the Jews. just easily to the pressures of a workman up on a tall ;ally be It is not because the res the White man’s civilization. ladder in a church doing rries an ervations are flowing with THEY ARE not sufficiently Flying Colors some electrical repair milk and honey, but be aggressive to hold, or even to work, and down below iifferent cause their ancient cul obtain regular jobs In a highly Every phase of the Denver Children’s Educa him in the front pew, a riage or ture continues there, in an competitive world, the nuns tional Fund, Inc. Head Start program favorably im little old lady saying her B of her attenuated way. have found. pressed an inspector, representing Washington, when prayers. -
Mormon Literature: Progress and Prospects by Eugene England
Mormon Literature: Progress and Prospects By Eugene England This essay is the culmination of several attempts England made throughout his life to assess the state of Mormon literature and letters. The version below, a slightly revised and updated version of the one that appeared in David J. Whittaker, ed., Mormon Americana: A Guide to Sources and Collections in the United States (Provo, Utah: BYU Studies, 1995), 455–505, is the one that appeared in the tribute issue Irreantum published following England’s death. Originally published in: Irreantum 3, no. 3 (Autumn 2001): 67–93. This, the single most comprehensive essay on the history and theory of Mormon literature, first appeared in 1982 and has been republished and expanded several times in keeping up with developments in Mormon letters and Eugene England’s own thinking. Anyone seriously interested in LDS literature could not do better than to use this visionary and bibliographic essay as their curriculum. 1 ExpEctations MorMonisM hAs bEEn called a “new religious tradition,” in some respects as different from traditional Christianity as the religion of Jesus was from traditional Judaism. 2 its beginnings in appearances by God, Jesus Christ, and ancient prophets to Joseph smith and in the recovery of lost scriptures and the revelation of new ones; its dramatic history of persecution, a literal exodus to a promised land, and the build - ing of an impressive “empire” in the Great basin desert—all this has combined to make Mormons in some ways an ethnic people as well as a religious community. Mormon faith is grounded in literal theophanies, concrete historical experience, and tangible artifacts (including the book of Mormon, the irrigated fields of the Wasatch Front, and the great stone pioneer temples of Utah) in certain ways that make Mormons more like ancient Jews and early Christians and Muslims than, say, baptists or Lutherans. -
(500) Days of Summer 2009
(500) Days of Summer 2009 (Sökarna) 1993 [Rec] 2007 ¡Que Viva Mexico! - Leve Mexiko 1979 <---> 1969 …And Justice for All - …och rättvisa åt alla 1979 …tick…tick…tick… - Sheriff i het stad 1970 10 - Blåst på konfekten 1979 10, 000 BC 2008 10 Rillington Place - Stryparen på Rillington Place 1971 101 Dalmatians - 101 dalmatiner 1996 12 Angry Men - 12 edsvurna män 1957 127 Hours 2010 13 Rue Madeleine 1947 1492: Conquest of Paradise - 1492 - Den stora upptäckten 1992 1900 - Novecento 1976 1941 - 1941 - ursäkta, var är Hollywood? 1979 2 Days in Paris - 2 dagar i Paris 2007 20 Million Miles to Earth - 20 miljoner mil till jorden 1957 20,000 Leagues Under the Sea - En världsomsegling under havet 1954 2001: A Space Odyssey - År 2001 - ett rymdäventyr 1968 2010 - Year We Make Contact, The - 2010 - året då vi får kontakt 1984 2012 2009 2046 2004 21 grams - 21 gram 2003 25th Hour 2002 28 Days Later - 28 dagar senare 2002 28 Weeks Later - 28 veckor senare 2007 3 Bad Men - 3 dåliga män 1926 3 Godfathers - Flykt genom öknen 1948 3 Idiots 2009 3 Men and a Baby - Tre män och en baby 1987 3:10 to Yuma 2007 3:10 to Yuma - 3:10 till Yuma 1957 300 2006 36th Chamber of Shaolin - Shaolin Master Killer - Shao Lin san shi liu fang 1978 39 Steps, The - De 39 stegen 1935 4 månader, 3 veckor och 2 dagar - 4 Months, 3 Weeks and 2 Days 2007 4: Rise of the Silver Surfer - Fantastiska fyran och silversurfaren 2007 42nd Street - 42:a gatan 1933 48 Hrs. -
Mary in Film
PONT~CALFACULTYOFTHEOLOGY "MARIANUM" INTERNATIONAL MARIAN RESEARCH INSTITUTE (UNIVERSITY OF DAYTON) MARY IN FILM AN ANALYSIS OF CINEMATIC PRESENTATIONS OF THE VIRGIN MARY FROM 1897- 1999: A THEOLOGICAL APPRAISAL OF A SOCIO-CULTURAL REALITY A thesis submitted to The International Marian Research Institute In Partial Fulfillment of the Requirements for the degree Licentiate of Sacred Theology (with Specialization in Mariology) By: Michael P. Durley Director: Rev. Johann G. Roten, S.M. IMRI Dayton, Ohio (USA) 45469-1390 2000 Table of Contents I) Purpose and Method 4-7 ll) Review of Literature on 'Mary in Film'- Stlltus Quaestionis 8-25 lli) Catholic Teaching on the Instruments of Social Communication Overview 26-28 Vigilanti Cura (1936) 29-32 Miranda Prorsus (1957) 33-35 Inter Miri.fica (1963) 36-40 Communio et Progressio (1971) 41-48 Aetatis Novae (1992) 49-52 Summary 53-54 IV) General Review of Trends in Film History and Mary's Place Therein Introduction 55-56 Actuality Films (1895-1915) 57 Early 'Life of Christ' films (1898-1929) 58-61 Melodramas (1910-1930) 62-64 Fantasy Epics and the Golden Age ofHollywood (1930-1950) 65-67 Realistic Movements (1946-1959) 68-70 Various 'New Waves' (1959-1990) 71-75 Religious and Marian Revival (1985-Present) 76-78 V) Thematic Survey of Mary in Films Classification Criteria 79-84 Lectures 85-92 Filmographies of Marian Lectures Catechetical 93-94 Apparitions 95 Miscellaneous 96 Documentaries 97-106 Filmographies of Marian Documentaries Marian Art 107-108 Apparitions 109-112 Miscellaneous 113-115 Dramas -
ISSUE 14 FEBRUARY / MARCH 2011 Editor-In-Chief Mormonartist Ben Crowder Covering the Latter-Day Saint Arts World Managing Editor Katherine Morris
MormonArtistISSUE 14 FEBRUARY / MARCH 2011 EDITOR-IN-CHIEF MormonArtist Ben Crowder COVERING THE LATTER-DAY SAINT ARTS WORLD MANAGING EDITOR Katherine Morris SECTION EDITORS Mormon Artist is a bimonthly magazine Literature: Katherine Morris published online at mormonartist.net Visual Arts: Liesl Hansen Music & Dance: Annie Mangelson Film & Theatre: Meagan Brady issn 1946-1232. Copyright © 2011 Mormon Artist. All rights reserved. ASSISTANT EDITOR Jon Ogden All reprinted pieces of artwork copyright their respective owners. THIS ISSUE Front cover and back cover photographs WRITERS © Robert Anthony DeRosa 2010–2011. Elizabeth Rhondeau Meagan Brady INTERVIEWERS Design by Ben Crowder. Elsie Boyer Katherine Morris Liesl Hansen Mahonri Stewart Myrna Layton Shelia Cosper PHOTOGRAPHERS Lizzy Bean Tiffany Tertipes Val Hunter CONTACT US Want to help out? WEB MORMONARTIST.NET http://mormonartist.net/volunteer EMAIL [email protected] Table of Contents lds film festival reviews Cricketless iv Review by Elizabeth Rhondeau My Girlfriend’s Boyfriend v Review by Elizabeth Rhondeau The Book of Life vi Review by Meagan Brady literature Stephanie Black 1 Interview by Katherine Morris visual & applied arts Ashley Smith 8 Interview by Elsie Boyer Robert DeRosa 18 Interview by Liesl Hansen music & dance Janice Kapp Perry 28 Interview by Myrna Layton film & theatre Eric Samuelsen 36 Interview by Mahonri Stewart Kymberly Mellen 42 Interview by Shelia Cosper Mormon Artist Magazine iii LDS Film Festival Reviews Cricketless Review by Elizabeth Rhondeau Writer, Director: Joel Ackerman Producer: Raven Alard Envision. Create. Illuminate. For an entire decade now the LDS Film Fes- tival has called to creators everywhere for the fulfillment of their mission— and in Joel Ackerman’s 2011 entry Cricketless, they got it. -
Reflecting on Maturing Faith
2010 SALT LAKE SUNSTONESUNSTONE SYMPOSIUM and WORKSHOPS Reflecting on Maturing Faith 4–7 AUGUST 2010 SHERATON SALT LAKE CITY HOTEL 150 WEST 500 SOUTH, SALT LAKE (ALMOST) FINAL PROGRAM THIS SYMPOSIUM is dedicated WE RECOGNIZE that the WE WELCOME the honest to the idea that the truths search for things that are, ponderings of Latter-day of the gospel of Jesus Christ have been, and are to be is Saints and their friends are better understood and, a sifting process in which and expect that everyone as a result, better lived much chaff will have to be in attendance will approach when they are freely and carefully inspected and every issue, no matter how frankly explored within threshed before the wheat difficult, with intelligence, the community of Saints. can be harvested. respect, and good will. INDEX OF PARTICIPANTS Guide to Numbering: W’s = Workshops, 000’s = Wednesday, 100’s = Thursday, 200’s = Friday, 300’s = Saturday AIRD, POLLY, 122, 253 312 MCLACHLAN, JAMES, 214 SMITH, GEORGE D., 354 ALLRED, DAVID, 134 EDMUNDS, TRESA, 134, 151, MCLEMORE, PHILIP G., 361 SOPER, KATHRYN LYNARD, 172 ALLRED, JANICE, 162, 175, 375 172, 333 MENLOVE, FRANCES LEE, 301 STEPHENS, TRENT D., 253 ANDERSON, LAVINA FIELDING, ELLSWORTH, FAE, 135 MINER, SHELAH, 333 STEVENS, MICHAEL J., 242, 342, 122, 175, 375 ENGLAND, CHARLOTTE, 131 MOLONEY, KAREN M., 353 352 ARGETSINGER, GERALD S., ENGLAND, MARK, 173 MORRIS, RACHAEL, 265 SWENSON, PAUL, 135, 252, 372 332, 371 ENGLAND, REBECCA, 131 MORRISON DILLARD, BIANCA, AUSTIN, MICHAEL, 133, 141 154 MORRISON DILLARD, DAVEY, TABER, DOUGLASS, 263 FARNWORTH, MICHAEL, 155 154, 271, 311, 321 TAYLOR, BARBARA, 362 BALLENTINE, KENNY, 311, 321 FRANTI, MELANIE, 333 MOWER, WHITNEY, 135, 272 TAYLOR, SHEILA, 376 BARBER, PHYLLIS, W-2, 252, FREDERICKSON, RON, 231 TAYSOM, TAMARA, 221, 323 334 FROST, CHARLES LYNN, 191, THOMAS, MARK D., 152, 212, BARLOW, PHILIP L., 091, 132 371 NEWMAN, DAI, 126, 221, 366 231, 375 BARNES, JANE, 374 NICHOLS, JULIE J., 272 THURSTON, MATT, 191, 312, 324 BARRUS, CLAIR, 164, 222, 264, TOPPING, GARY, 122 364 GADDY, REV. -
Santa Maria from Miami to Europe
DIOCESE LEADS LABOR DAY OBSERVANCE The War Against Poverty7 THE VOICE P.O. Box 1059 To Be Theme Of Speakers Miami, Fla. 33138 For the fifth consecutive Return Requested year, labor and management will join again on Thursday, Sept. 2, in the observance of ^VOICE Labor Day, sponsored by the Diocese of Miami. Weekly Publication of the Diocese of Miami Covering the 16 Counties of South Florida Members of national, state, county and local governments also will participate. VOL. VII, NO. 23 Price $5 a year ... 15 cents a copy AUGUST 20, 1965 Theme of this year's gather- ing will be "Politics and the Poverty Program." WHEN CLASSES RESUME ON AUGUST 30 Bishop Coleman F. Carroll announced this week that two of the principal speakers dur- ing the day-long observance Diocese Schools Expect 37,800 will be officials closely con- nected with the war against poverty. They are: New High School Buildings Hyman H. Bookbinder, as- sistant director of the Office of Economic Opportunity, of Ready At Lourdes, Central which Sargent Shriver is the Two new buildings for two Staffing the boys' department director. high schools and additions at will be five Missionary Oblates Richard Weatherley, execu- three others will be ready for of Mary Immaculate with Ob- tive director of the Dade Coun- use when more than 37,800- late Father George CroJt serv- ty Economic Opportunity Pro- elementary and high school stu- ing as principal. gram, Inc. dents return to Catholic schools Mr. Bookbinder also serves Three new faculty residences in the Diocese on Monday, as special assistant to Vice have been built at high schools August 30. -
Documentarists and Documentary/Narrative Filmmakers Those Listed Are Directors, Unless Otherwise Noted
1 COM 321, Documentary Form in Film & Television 3/27/12 Documentarists and Documentary/Narrative Filmmakers Those listed are directors, unless otherwise noted. Documentary/Narrative Filmmakers—Many have done both: Name & Key Documentaries Key Narrative Works Nation Allen, Woody Zelig, 1983 (mockumentary) Annie Hall, 1977 US Manhattan, 1979 Altman, Robert The James Dean Story, 1957 M*A*S*H, 1970 US The Player, 1992 Short Cuts, 1993 Anderson, Lindsay Thursday’s Children, 1954 (with Guy if. , 1968 Britain Brenton) O Lucky Man!, 1973 Anger, Kenneth Kustom Kar Kommandos, 1963 Fireworks, 1947 US Scorpio Rising, 1964 Apted, Michael The Up! series (1970‐2005 so far) Gorillas in the Mist, 1988 Britain Nell, 1994 The World is Not Enough, 1999 Brakhage, Stan The Act of Seeing with One’s Own Mothlight, 1963 US Eyes, 1971 Dog Star Man, 1962 Bunuel, Luis Las Hurdes (Land Without Bread), Un Chien Andalou, 1928 (with Salvador Spain/France 1933 (mockumentary?) Dali) L’Age D’Or, 1930 The Discreet Charm of the Bourgeoisie, 1972 Cameron, James Expedition Bismarck, 2002 Titanic, 1997 US Ghosts of the Abyss, 2003 Avatar, 2009 Capra, Frank Why We Fight series, 1942‐44 Mr. Deeds Goes to Town, 1936 US Mr. Smith Goes to Washington, 1939 It’s a Wonderful Life, 1946 Chukrai, Grigori Pamyat, 1971 Ballad of a Soldier, 1959 Soviet Union Cooper, Merian C. Grass: A Nation’s Battle for Life, 1925 The Four Feathers, 1929 US (with Ernest B. Schoedsack) King Kong, 1933 Chang: A Drama of the Wilderness, 1927 (with Ernest B. Schoedsack) Demme, Jonathan Stop Making Sense, -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
2008 Next BAM Endowment Trust Wave Festival
BAMAnnual2oo6—2oo8 MUSIC, THEATER, FILM, COmmUNITY, ART, DANCE Brooklyn, New York Since 1861 2 BAM Chair Letter 4 President & Exec. Producer Letter 6 2006 Next Wave Festival 8 2007 Next Wave Festival 10 BAM Dance 12 BAM Music/Opera 14 BAM Theater 16 BAM Rose Cinemas BAMcinématek 20 Sundance Institute at BAM 21 Takeover 22 Between the Lines 23 The Met: Live in HD 24 BAMart 26 BAMcafé Live 30 Community 32 Education 34 Humanities 38 Hamm Archives 40 BAM Next Stage Campaign 50 Staff 52 Mission Statement 53 Board 62 Financial Statements Amjad, 2008 Next BAM ENDOWMENT TRUST Wave Festival. A-1 BET Chair Letter Photo courtesy Édouard Lock A-3 BET Mission Statement A-4 BET Board A-5 BET Financial Statements Alan H. Fishman To the BAM family: The past two performance seasons once In 2007, major milestone anniversaries Building. This building will be a much- valued leadership. I welcome the new again demonstrated the excellence of were celebrated by two of our anchor needed facility used to introduce emerging members who have joined since July BAM’s programming and the family of programs: the Next Wave Festival and artists to our audience as well as expand 2006: Linda Chinn, William Edwards, artists, patrons, audiences, and staff DanceAfrica. The Next Wave Festival our community and arts education pro- Richard Feldman, Derek Jenkins, Gary whose dedication and effort make it all celebrated its 25th season and its 25th grams. I encourage all of you to join me in Lynch, Donald R. Mullen, Jr., Brian Nigito, possible. The achievements delineated on consecutive year of sponsorship and part- supporting this landmark fundraising effort Steven Sachs, Timothy Sebunya, Jessica the following pages would not be possible nership from Altria Group, Inc.