DOCSLIB.ORG

Documentarists and Documentary/Narrative Filmmakers Those Listed Are Directors, Unless Otherwise Noted

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

1 COM 321, Documentary Form in Film & Television 3/27/12 Documentarists and Documentary/Narrative Filmmakers Those listed are directors, unless otherwise noted. Documentary/Narrative Filmmakers—Many have done both: Name & Key Documentaries Key Narrative Works Nation Allen, Woody Zelig, 1983 (mockumentary) Annie Hall, 1977 US Manhattan, 1979 Altman, Robert The James Dean Story, 1957 M*A*S*H, 1970 US The Player, 1992 Short Cuts, 1993 Anderson, Lindsay Thursday’s Children, 1954 (with Guy if. , 1968 Britain Brenton) O Lucky Man!, 1973 Anger, Kenneth Kustom Kar Kommandos, 1963 Fireworks, 1947 US Scorpio Rising, 1964 Apted, Michael The Up! series (1970‐2005 so far) Gorillas in the Mist, 1988 Britain Nell, 1994 The World is Not Enough, 1999 Brakhage, Stan The Act of Seeing with One’s Own Mothlight, 1963 US Eyes, 1971 Dog Star Man, 1962 Bunuel, Luis Las Hurdes (Land Without Bread), Un Chien Andalou, 1928 (with Salvador Spain/France 1933 (mockumentary?) Dali) L’Age D’Or, 1930 The Discreet Charm of the Bourgeoisie, 1972 Cameron, James Expedition Bismarck, 2002 Titanic, 1997 US Ghosts of the Abyss, 2003 Avatar, 2009 Capra, Frank Why We Fight series, 1942‐44 Mr. Deeds Goes to Town, 1936 US Mr. Smith Goes to Washington, 1939 It’s a Wonderful Life, 1946 Chukrai, Grigori Pamyat, 1971 Ballad of a Soldier, 1959 Soviet Union Cooper, Merian C. Grass: A Nation’s Battle for Life, 1925 The Four Feathers, 1929 US (with Ernest B. Schoedsack) King Kong, 1933 Chang: A Drama of the Wilderness, 1927 (with Ernest B. Schoedsack) Demme, Jonathan Stop Making Sense, 1984 Married to the Mob, 1988 US The Agronomist, 2003 Silence of the Lambs, 1991 Jimmy Carter Man from Plains, 2007 Philadelphia, 1993 Rachel Getting Married, 2008 Disney, Walt (Co.) The Living Desert, 1953 Bambi, 1942 US Swiss Family Robinson, 1960 2 Dovzhenko, The Fight for Our Soviet Ukraine, Arsenal, 1938 Alexander 1943 Soviet Union Eisenstein, Sergei Que Viva Mexico!, 1932 The Battleship Potemkin, 1925 Soviet Union Strike, 1925 Epstein, Rob The Times of Harvey Milk, 1984 Howl, 2010 US Common Threads: Stories from the Quilt, 1989 The Celluloid Closet, 1995 Fassbinder, Rainer Theater in Trance, 1981 Ali: Fear Eats the Soul, 1974 Werner Fox and His Friends, 1975 W. Germany Fellini, Federico Fellini: A Director’s Notebook, 1969 La Dolce Vita, 1960 Italy 8‐1/2, 1963 Amarcord, 1974 Ford, John The Battle of Midway, 1944 The Grapes of Wrath, 1940 US The Searchers, 1956 Franju, Georges Blood of the Beasts, 1949 Eyes Without a Face, 1960 France Hotel of the Invalids, 1952 Spotlight on a Murderer, 1961 Godard, Jean‐Luc Operation Beton, 1955 Breathless, 1960 France Alphaville, 1965 Guest, Christopher Waiting for Guffman, 1996 The Big Picture, 1989 US (mockumentary) Attack of the 50 Ft. Woman, 1993 Best in Show, 2000 (mockumentary) Guggenheim, Davis An Inconvenient Truth, 2006 Training Day, 2001 (executive producer) US Waiting for Superman, 2010 The Shield, 2003, and other TV series Herzog, Werner Little Dieter Needs to Fly, 1997 Aguirre, The Wrath of God, 1972 (W.) Germany My Best Fiend, 1999 Fitzcarraldo, 1982 Grizzly Man, 2005 Hickenlooper, Hearts of Darkness: A Filmmaker’s Factory Girl, 2006 George Apocalypse, 1991 Casino Jack, 2010 US “Hick” Town, 2009 Hitchcock, Alfred Memory of the Camps, 1945 Rear Window, 1954 US (co‐writer, co‐editor; incomplete & Vertigo, 1958 unreleased until 1985 PBS Frontline) North by Northwest, 1959 Huston, John The Battle of San Pietro, 1944 The Maltese Falcon, 1941 US The Treasure of the Sierra Madre, 1948 Kaye, Tony Lake of Fire, 2006 American History X, 1998 US Kieslowski, Krzysztof Talking Heads, 1980 The Decalogue, 1989‐90 Poland Blue/White/Red Trilogy, 1993‐4 Kopple, Barbara Harlan County U.S.A., 1976 Havoc, 2005 US Wild Man Blues, 1997 Homicide: Life on the Street, 1997‐1999 (TV Shut Up and Sing, 2006 series) A Force of Nature, 2011 Kubrick, Stanley Day of the Fight, 1951 Dr. Strangelove . , 1964 Britain 2001: A Space Odyssey, 1968 Lee, Spike 4 Little Girls, 1997 Do The Right Thing, 1989 US Malcolm X, 1992 3 Lumiere, Auguste & Workers Leaving the Lumiere Factory, The Sprinkler Sprinkled, 1895 Louis 1895 Transformation by Hats, 1895 France Baby’s Breakfast, 1895 Fishing for Goldfish, 1895 Malle, Louis Phantom India, 1968 Pretty Baby, 1978 France My Dinner with Andre, 1981 Marker, Chris Letters from Siberia, 1957 La Jetee, 1962 France The Lovely May, 1963 A Grin Without a Cat, 1977 Sans Soleil, 1983 Murnau, F. W. Tabu: A Story of the South Seas, 1931 Nosferatu, 1922 Germany Sunrise, 1927 Nair, Mira India Cabaret, 1985 Monsoon Wedding, 2001 India/US Amelia, 2009 Ray, Satyajit Rabindranath Tagore, 1953 The Apu Trilogy, 1959 India Resnais, Alain Night and Fog, 1955 Hiroshima, Mon Amour, 1959 France Last Year in Marienbad, 1961 Richardson, Tony Momma Don’t Allow, 1956 (with Tom Jones, 1963 Britain Karel Reisz) The Loved One, 1965 Riefenstahl, Leni Triumph of the Will, 1935 The Blue Light, 1932 Germany Olympia, 1938 Ruttmann, Walter Berlin: Symphony of a Metropolis, Opus I, 1921 Germany 1927 Opus II, 1923 Scorsese, Martin Woodstock, 1970 (editor) Taxi Driver, 1976 US The Last Waltz, 1978 Raging Bull, 1980 Shine a Light, 2008 Goodfellas, 1990 Sembene, Ousmane The Sonhrai Empire, 1963 Black Girl, 1966 Senegal L’Afrique aux Olympiades, 1973 Stevens, George That Justice be Done, 1945 A Place in the Sun, 1951 US The Nazi Plan, 1945 Shane, 1953 Giant, 1956 Syberberg, The Confessions of Winifred Wagner, Hitler: A Film From Germany, 1977 Hans‐Jurgen 1975 Parsifal, 1982 (W.) Germany Syberberg Films Brecht, 1993 Varda, Agnes Jacquot de Nantes, 1991 Cleo from 5 to 7, 1962 France The Gleaners and I, 2000 Vagabond, 1985 The Beaches of Agnes, 2009 Verhoeven, Michael The Second Execution of Romell The White Rose, 1982 (W.) Germany Broom, 2012 The Nasty Girl, 1990 Vigo, Jean Apropos de Nice, 1930 Zero for Conduct, 1933 France L’Atalante, 1934 Warhol, Andy Sleep, 1963 Empire, 1964 Batman Dracula, 1964 US The Velvet Underground and Nico, Vinyl, 1965 1966 Chelsea Girls, 1966 Watkins, Peter The Battle of Culloden, 1964 The War Game, 1965 Britain (reenactment) Punishment Park, 1971 (“pseudo‐doc”) The Media Project, 1991 4 Welles, Orson F for Fake, 1975 Citizen Kane, 1941 US The Magnificent Ambersons, 1942 Touch of Evil, 1958 Wenders, Wim Buena Vista Social Club, 1999 Paris, Texas, 1984 (W.) Germany The Soul of a Man, 2003 Wings of Desire, 1988 Wilder, Billy Death Mills, 1945 Sunset Boulevard, 1950 US Some Like it Hot, 1959 The Apartment, 1960 Winterbottom, The Road to Guantanamo, 2006 (with Jude, 1996 Michael Mat Whitecross) Tristram Shandy: A Cock and Bull Story, Britain 2006 Wyler, William Memphis Belle, 1944 The Best Years of Our Lives, 1946 US Ben‐Hur, 1956 Zwigoff, Terry Crumb, 1994 Ghost World, 2001 US Bad Santa, 2003 Documentarists who Specialize in Documentaries: Name & Key Documentaries Nation Attenborough, David (writer) Life on Earth (series), 1979 Britain Island of the Vampire Birds, 2000 Planet Earth (series), 2006 Charles Darwin and the Tree of Life, 2009 Blank, Les Burden of Dreams, 1982 US In Heaven there is No Beer?, 1984 Gap‐Toothed Women, 1987 Bossak, Jerzy Majdanek, 1944 Poland Warsaw 56, 1956 Requiem for 500,000, 1963 Brownlow, Kevin The Charm of Dynamite: Abel Gance, 1965 Britain Unknown Chaplin, 1982 DW Griffith: Father of Film, 1993 The Tramp and the Dictator, 2002 Burns, Ken The Civil War (series), 1990 US Baseball (series), 1994‐2010 Cousteau, Jacques‐Yves The Silent World, 1956 France World Without Sun, 1964 Davis, Peter The Selling of the Pentagon, 1971 US Hearts and Minds, 1974 5 de Antonio, Emile Point of Order, 1964 US Rush to Judgment, 1967 Painters Painting, 1973 Drew, Robert Primary, 1960 US Crisis: Behind a Presidential Commitment, 1963 Ferguson, Charles No End in Sight, 2007 US Inside Job, 2010 Flaherty, Robert Nanook of the North, 1922 US Moana, 1926 Man of Aran, 1934 Fricke, Ron Baraka, 1992 US Funt, Allen Candid Camera, 1948‐2004 US Gibney, Alex Enron: The Smartest Guys in the Room, 2005 US Taxi to the Dark Side, 2007 Grierson, John Drifters, 1929 Britain/Canada Song of Ceylon, 1934 (producer; directed by Basil Wright) First Commissioner of the National Film Board of Canada, 1939 Haanstra, Bert Glass, 1958 The Netherlands Zoo, 1962 Hammid, Alexander The Forgotten Village, 1941 US Toscanini: Hymn of the Nations, 1945 To Be Alive! 1964 Hurwitz, Leo Native Land, 1942 US Ivens, Joris Rain, 1929 The Netherlands originally, but The Spanish Earth, 1937 worked all over the world 17th Parallel: Vietnam in War, 1968 Iwasaki, Akira (producer) The Effects of the Atomic Bomb on Hiroshima and Nagasaki, c. 1946 Japan A Japanese Tragedy, 1946 Jennings, Humphrey London Can Take It!, 1940 Britain Listen to Britain, 1942 Karmen, Roman Judgment of the Nations, 1946 Soviet Union Lanzmann, Claude Shoah, 1985 France Sobibor, Oct. 14, 1943,4 p.m., 2001 Leacock, Richard Kenya: Land of the White Ghost, 1960 US Republicans: The New Breed, 1964 Also cinematographer on Primary, 1960, Monterrey Pop, 1968, and others 6 Livingston, Jennie Paris is Burning, 1990 US Hotheads, 1993 Lorentz, Pare The Plow that Broke the Plains, 1936 US The River, 1938 Makavejev, Dusan WR: Mysteries of the Organism, 1971 (former) Yugoslavia Maysles, Albert & David Salesman, 1968 US Gimme Shelter, 1970 Grey Gardens, 1976 McElwee, Ross Charleen, 1980 US Sherman’s March, 1986 Mitchell, Denis Morning in the Streets, 1959 Britain Chicago, 1961 Moore, Michael Roger and Me, 1989 US Fahrenheit 911, 2004 Morris, Errol Gates of Heaven, 1978 US The Thin Blue Line, 1989 The Fog of War, 2003 Murrow, Edward R. (producer, Harvest of Shame, 1960 host) US Ophuls, Marcel The Sorrow and the Pity, 1969 US Painleve, Jean The Seahorse, 1934 France Le Vampire, 1945 Pennebaker, D.
Recommended publications
  • Teaching Nuclear Issues Through Popular Culture Texts

    Teaching Nuclear Issues Through Popular Culture Texts

    Social Education 82(3), pp. 149–150, 151–154 ©2018 National Council for the Social Studies The Bomb and Beyond: Teaching Nuclear Issues through Popular Culture Texts Hiroshi Kitamura and Jeremy Stoddard America’s atomic attacks on Hiroshima and Nagasaki—on August 6 and 9, 1945, of ways, but often revolves around an respectively—instantly killed some 200,000 Japanese and precipitated the end of effort to understand how and why the World War II. They also helped usher in the Cold War, a new era of global tension Truman administration unleashed a that pushed the world towards the brink of destruction. In this menacing climate, in pair of destructive weapons on a mass which the United States and the then-Soviet Union pursued a fierce international of civilians. Often a debate or delibera- rivalry, nuclear issues became central to top-level diplomacy and policymaking. tion model is used to engage students in Citizens around the world experienced a full spectrum of emotions—fear, paranoia, exploring the motives and implications rage, and hope—as they lived in this “nuclear world.” of official U.S. decision making—such as to save American lives, check Soviet Presently, nearly three decades after classroom, including films, TV shows, expansionism, or justify the two-billion- the fall of the Berlin Wall, the original video games, photography, and online dollar cost of the Manhattan Project. But nuclear arms race has subsided, but databases. These cultural texts illustrate this intellectual exercise also carries the nuclear issues remain seminal. Continued diverse societal views from different risk of reducing the experience to strate- challenges related to the development points in time.
  • Copyrighted Material

    Copyrighted Material

    Index Academy Awards (Oscars), 34, 57, Antares , 2 1 8 98, 103, 167, 184 Antonioni, Michelangelo, 80–90, Actors ’ Studio, 5 7 92–93, 118, 159, 170, 188, 193, Adaptation, 1, 3, 23–24, 69–70, 243, 255 98–100, 111, 121, 125, 145, 169, Ariel , 158–160 171, 178–179, 182, 184, 197–199, Aristotle, 2 4 , 80 201–204, 206, 273 Armstrong, Gillian, 121, 124, 129 A denauer, Konrad, 1 3 4 , 137 Armstrong, Louis, 180 A lbee, Edward, 113 L ’ Atalante, 63 Alexandra, 176 Atget, Eugène, 64 Aliyev, Arif, 175 Auteurism , 6 7 , 118, 142, 145, 147, All About Anna , 2 18 149, 175, 187, 195, 269 All My Sons , 52 Avant-gardism, 82 Amidei, Sergio, 36 L ’ A vventura ( The Adventure), 80–90, Anatomy of Hell, 2 18 243, 255, 270, 272, 274 And Life Goes On . , 186, 238 Anderson, Lindsay, 58 Baba, Masuru, 145 Andersson,COPYRIGHTED Karl, 27 Bach, MATERIAL Johann Sebastian, 92 Anne Pedersdotter , 2 3 , 25 Bagheri, Abdolhossein, 195 Ansah, Kwaw, 157 Baise-moi, 2 18 Film Analysis: A Casebook, First Edition. Bert Cardullo. © 2015 John Wiley & Sons, Inc. Published 2015 by John Wiley & Sons, Inc. 284 Index Bal Poussière , 157 Bodrov, Sergei Jr., 184 Balabanov, Aleksei, 176, 184 Bolshevism, 5 The Ballad of Narayama , 147, Boogie , 234 149–150 Braine, John, 69–70 Ballad of a Soldier , 174, 183–184 Bram Stoker ’ s Dracula , 1 Bancroft, Anne, 114 Brando, Marlon, 5 4 , 56–57, 59 Banks, Russell, 197–198, 201–204, Brandt, Willy, 137 206 BRD Trilogy (Fassbinder), see FRG Barbarosa, 129 Trilogy Barker, Philip, 207 Breaker Morant, 120, 129 Barrett, Ray, 128 Breathless , 60, 62, 67 Battle

  • Neues Textdokument (2).Txt

    Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David
  • Q30portada EN.Qxp

    Q30portada EN.Qxp

    30 Issue. 30 QUA- January - June 2008 DERNS DEL CAC www.cac.cat Scientific knowledge on audiovisual media Quaderns del CAC issue 30, January - June 2008 Contents E-mail: [email protected] .Introduction 2 Editorial Board: Santiago Ramentol i Massana (editor), Dolors Comas .Monographic: Scientific knowledge on audiovisual d’Argemir i Cendra, Rafael Jorba i Castellví, Elisenda media Malaret i Garcia, Esteve Orriols i Sendra, Josep Pont Ethics and engagement in scientific communication 3 i Sans Milagros Pérez Oliva Science documentaries and their coordinates 11 Director: Bienvenido León Josep Gifreu 2001 odysseys through space-time: (uncon)science 19 in the cinema? Executive Director: Maria Corominas Jordi José Playing at scientists: video games and popularising 27 General Coordinator: science Sylvia Montilla Óliver Pérez, Mercè Oliva, Frederic Guerrero and Fermín Ciaurriz Sections: Internet users are shaking the tree of science 37 Carles Llorens (Book Reviews Editor) Luis Ángel Fernández Hermana Núria Fernández and Pablo Santcovsky The scientific popularisation of environmental problems 43 (Book Review, Journal Review, Website Review) by the media. The case of the documentary An Inconvenient Truth Translation: Nel·lo Pellisser Tracy Byrne Doctors in TV fiction 51 Charo Lacalle Page Layout: Health on the internet: proposals for quality and 61 Yago Díaz certification Miquel Àngel Mayer, José Luis Terrón and Angela Leis Legal diposit book: B-17.999/98 ISSN: 1138-9761 Science and technology on Catalan area television 69 Gemma Revuelta and Marzia Mazzonetto Popularising science and technology on generalist radio 81 Catalan Audiovisual Council Maria Gutiérrez President: Josep Maria Carbonell i Abelló .Observatory Vice president: Domènec Sesmilo i Rius Independent television production in Catalonia 91 Secretary: Santiago Ramentol i Massana in a changing market Members of the Council: Dolors Comas d’Argemir i Cendra, David Fernández Quijada Rafael Jorba i Castellví, Elisenda Malaret i Garcia, Josep New interactive advertising formats on television.
  • Dangerously Free: Outlaws and Nation-Making in Literature of the Indian Territory

    Dangerously Free: Outlaws and Nation-Making in Literature of the Indian Territory

    DANGEROUSLY FREE: OUTLAWS AND NATION-MAKING IN LITERATURE OF THE INDIAN TERRITORY by Jenna Hunnef A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Jenna Hunnef 2016 Dangerously Free: Outlaws and Nation-Making in Literature of the Indian Territory Jenna Hunnef Doctor of Philosophy Department of English University of Toronto 2016 Abstract In this dissertation, I examine how literary representations of outlaws and outlawry have contributed to the shaping of national identity in the United States. I analyze a series of texts set in the former Indian Territory (now part of the state of Oklahoma) for traces of what I call “outlaw rhetorics,” that is, the political expression in literature of marginalized realities and competing visions of nationhood. Outlaw rhetorics elicit new ways to think the nation differently—to imagine the nation otherwise; as such, I demonstrate that outlaw narratives are as capable of challenging the nation’s claims to territorial or imaginative title as they are of asserting them. Borrowing from Abenaki scholar Lisa Brooks’s definition of “nation” as “the multifaceted, lived experience of families who gather in particular places,” this dissertation draws an analogous relationship between outlaws and domestic spaces wherein they are both considered simultaneously exempt from and constitutive of civic life. In the same way that the outlaw’s alternately celebrated and marginal status endows him or her with the power to support and eschew the stories a nation tells about itself, so the liminality and centrality of domestic life have proven effective as a means of consolidating and dissenting from the status quo of the nation-state.
  • Berkeley Art Museum·Pacific Film Archive W in Ter 20 19

    Berkeley Art Museum·Pacific Film Archive W in Ter 20 19

    WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P.
  • Perceptual Realism and Embodied Experience in the Travelogue Genre

    Perceptual Realism and Embodied Experience in the Travelogue Genre

    Athens Journal of Mass Media and Communications- Volume 3, Issue 3 – Pages 229-258 Perceptual Realism and Embodied Experience in the Travelogue Genre By Perla Carrillo Quiroga This paper draws two lines of analysis. On the one hand it discusses the history of the This paper draws two lines of analysis. On the one hand it discusses the history of the travelogue genre while drawing a parallel with a Bazanian teleology of cinematic realism. On the other, it incorporates phenomenological approaches with neuroscience’s discovery of mirror neurons and an embodied simulation mechanism in order to reflect upon the techniques and cinematic styles of the travelogue genre. In this article I discuss the travelogue film genre through a phenomenological approach to film studies. First I trace the history of the travelogue film by distinguishing three main categories, each one ascribed to a particular form of realism. The hyper-realistic travelogue, which is related to a perceptual form of realism; the first person travelogue, associated with realism as authenticity; and the travelogue as a traditional documentary which is related to a factual form of realism. I then discuss how these categories relate to Andre Bazin’s ideas on realism through notions such as montage, duration, the long take and his "myth of total cinema". I discuss the concept of perceptual realism as a key style in the travelogue genre evident in the use of extra-filmic technologies which have attempted to bring the spectator’s body closer into an immersion into filmic space by simulating the physical and sensorial experience of travelling.
  • DOCUMENTARY FILMS Page 1 of 10

    DOCUMENTARY FILMS Page 1 of 10

    DOCUMENTARY FILMS Page 1 of 10 DOCUMENTARY FILMS Documentary Films, strictly speaking, are non-fictional, "slice of life" factual works of art - and sometimes known as cinema verite. For many years, as films became more narrative- based, documentaries branched out and took many forms since their early beginnings - some of which have been termed propagandistic or non-objective. Documentary films have comprised a very broad and diverse category of films. Examples of documentary forms include the following: z 'biographical' films about a living or dead person (Madonna, John Lennon, Muhammad Ali - When We Were Kings (1996), Robert Crumb, Stephen Hawking in A Brief History of Time (1992), or Glenn Gould) z a well-known event (Waco, Texas incident, the Holocaust, the Shackleton expedition to the Antarctic) z a concert or rock festival (Woodstock or Altamont rock concerts, Madonna: Truth or Dare (1991), Stop Making Sense (1984)) z a comedy show (Richard Pryor or Eddie Murphy shows) z a live performance (Cuban musicians as in Buena Vista Social Club (1998), or the stage show Cirque du Soleil-Journey of Man (2000)) z a sociological or ethnographic examination following the lives of individuals over a period of time (e.g., Michael Apted's series of films: 28 Up (1984), 35 Up (1992) and 42 Up (1999), or Steve James' Hoop Dreams (1994)) z an expose including interviews (e.g., Michael Moore's social concerns films) z a sports documentary (extreme sports, such as Extreme (1999) or To the Limit (1989), or surfing, such as in The Endless Summer (1966))
  • The Animated Roots of Wildlife Films: Animals, People

    The Animated Roots of Wildlife Films: Animals, People

    THE ANIMATED ROOTS OF WILDLIFE FILMS: ANIMALS, PEOPLE, ANIMATION AND THE ORIGIN OF WALT DISNEY’S TRUE-LIFE ADVENTURES by Robert Cruz Jr. A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Science and Natural History Filmmaking MONTANA STATE UNIVERSITY Bozeman, Montana April 2012 ©COPYRIGHT by Robert Cruz Jr. 2012 All Rights Reserved ii APPROVAL of a thesis submitted by Robert Cruz Jr. This thesis has been read by each member of the thesis committee and has been found to be satisfactory regarding content, English usage, format, citation, bibliographic style, and consistency and is ready for submission to The Graduate School. Dennis Aig Approved for the School of Film and Photography Robert Arnold Approved for The Graduate School Dr. Carl A. Fox iii STATEMENT OF PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Montana State University, I agree that the Library shall make it available to borrowers under rules of the Library. If I have indicated my intention to copyright this thesis by including a copyright notice page, copying is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for permission for extended quotation from or reproduction of this thesis in whole or in parts may be granted only by the copyright holder. Robert Cruz Jr. April 2012 iv TABLE OF CONTENTS 1. INTRODUCTORY QUOTES .....................................................................................1
  • Documentarists and Documentary/Narrative Filmmakers Those Listed Are Directors, Unless Otherwise Noted

    Documentarists and Documentary/Narrative Filmmakers Those Listed Are Directors, Unless Otherwise Noted

    1 COM 321, Documentary Form in Film & Television 1/15/14 Documentarists and Documentary/Narrative Filmmakers Those listed are directors, unless otherwise noted. Documentary/Narrative Filmmakers—Many have done both: Name & Key Documentaries Key Narrative Works Nation Allen, Woody Zelig, 1983 (mockumentary) Annie Hall, 1977 US Manhattan, 1979 Altman, Robert The James Dean Story, 1957 M*A*S*H, 1970 US The Player, 1992 Short Cuts, 1993 Anderson, Lindsay Thursday’s Children, 1954 (with Guy if. , 1968 Britain Brenton) O Lucky Man!, 1973 Anger, Kenneth Kustom Kar Kommandos, 1963 Fireworks, 1947 US Scorpio Rising, 1964 Apted, Michael The Up! series (1970‐2012 so far) Gorillas in the Mist, 1988 Britain Nell, 1994 The World is Not Enough, 1999 Brakhage, Stan The Act of Seeing with One’s Own Dog Star Man, 1962 US Eyes, 1971 Mothlight, 1963 Bunuel, Luis Las Hurdes (Land Without Bread), Un Chien Andalou, 1928 (with Salvador Spain/France 1933 (mockumentary?) Dali) L’Age D’Or, 1930 The Discreet Charm of the Bourgeoisie, 1972 Cameron, James Expedition Bismarck, 2002 Titanic, 1997 US Ghosts of the Abyss, 2003 Avatar, 2009 Capra, Frank Why We Fight series, 1942‐44 Mr. Deeds Goes to Town, 1936 US Mr. Smith Goes to Washington, 1939 It’s a Wonderful Life, 1946 Chukrai, Grigori Pamyat, 1971 Ballad of a Soldier, 1959 Soviet Union Cooper, Merian C. Grass: A Nation’s Battle for Life, 1925 The Four Feathers, 1929 US (with Ernest B. Schoedsack) King Kong, 1933 Chang: A Drama of the Wilderness, 1927 (with Ernest B. Schoedsack) Demme, Jonathan Stop Making Sense,
  • MARCELO EDUARDO MARCHI META-TERROR: O Uso Da Metalinguagem Como Recurso Narrativo No Slasher Movie

    MARCELO EDUARDO MARCHI META-TERROR: O Uso Da Metalinguagem Como Recurso Narrativo No Slasher Movie

    UNIVERSIDADE FEDERAL DE SÃO CARLOS CENTRO DE EDUCAÇÃO E CIÊNCIAS HUMANAS DEPARTAMENTO DE ARTES E COMUNICAÇÃO MARCELO EDUARDO MARCHI META-TERROR: o uso da metalinguagem como recurso narrativo no slasher movie SÃO CARLOS - SP 2020 MARCELO EDUARDO MARCHI META-TERROR: o uso da metalinguagem como recurso narrativo no slasher movie Dissertação apresentada ao Programa de Pós-Graduação em Imagem e Som, da Universidade Federal de São Carlos, para obtenção do título de Mestre em Imagem e Som. Orientador: Prof. Dr. Alessandro Constantino Gamo São Carlos-SP 2020 Dedicado aos arquitetos desse fascinante universo que é o gênero terror. Que sua inesgotável imaginação e ousadia estejam sempre grudadas em mim, como o sangue de porco na doce Carrie. AGRADECIMENTOS Nem mesmo as cento e tantas páginas desta dissertação seriam suficientes para expressar minha gratidão às mulheres que, todos os dias, fazem de mim o que eu sou. Elas permanecem zelando para que eu alcance os meus sonhos, e, mais importante ainda, para que eu nunca deixe de sonhar. Minha mãe, Dirce, minhas irmãs, Márcia e Marta, e minha sobrinha, Júlia, amo vocês com todas as minhas forças! Ao meu falecido pai, Benedito: sei que sua energia ainda está conosco. Agradeço também aos meus colegas de mestrado. Tão precioso quanto o conhecimento adquirido nessa jornada é o fato de tê-la compartilhado com vocês. Desejo-lhes um futuro sempre mais e mais brilhante. Aos amigos de tantos anos, obrigado por me incentivarem a abraçar mais essa etapa e por estarem presentes também nos momentos de esfriar a cabeça e jogar conversa fora: Jefferson Galetti e Vanessa Bretas, Dú Marques, Vitão Godoy, Led Bacciotti e Giovana Bueno, Nico Stolzel e Paulinha Gomes, Miller Guglielmo, e a galera da república Alcatraz em São Carlos.
  • The Emergence of Digital Documentary Filmmaking in the United States

    The Emergence of Digital Documentary Filmmaking in the United States

    Academic Forum 30 2012-13 Conclusion These studies are the second installment of a series which I hope to continue. Baseball is unique among sports in the way that statistics play such a central role in the game and the fans' enjoyment thereof. The importance of baseball statistics is evidenced by the existence of the Society for American Baseball Research, a scholarly society dedicated to studying baseball. References and Acknowledgements This work is made much easier by Lee Sinins' Complete Baseball Encyclopedia, a wonderful software package, and www.baseball-reference.com. It would have been impossible without the wonderful web sites www.retrosheet.org and www.sabr.org which give daily results and information for most major league games since the beginning of major league baseball. Biography Fred Worth received his B.S. in Mathematics from Evangel College in Springfield, Missouri in 1982. He received his M.S. in Applied Mathematics in 1987 and his Ph.D. in Mathematics in 1991 from the University of Missouri-Rolla where his son is currently attending school. He has been teaching at Henderson State University since August 1991. He is a member of the Society for American Baseball Research, the Mathematical Association of America and the Association of Christians in the Mathematical Sciences. He hates the Yankees. The Emergence of Digital Documentary Filmmaking in the United States Paul Glover, M.F.A. Associate Professor of Communication Abstract This essay discusses documentary filmmaking in the United States and Great Britain throughout the 20 th century and into the 21 st century. Technological advancements have consistently improved filmmaking techniques, but they have also degraded the craft as the saturation of filmmakers influence quality control and the preservation of “cinema verite” or “truth in film.” This essay’s intention is not to decide which documentaries are truthful and good (there are too many to research) but rather discuss certain documentarians and the techniques they used in their storytelling methods.