Morituri Te Salutant
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Accidents, Racing 191, 193, 194–5, 197 Aedile 2–3, 12–13, 17–18
248 INDEX Index accidents, racing 191, 193, 194–5, 197 Anthology, Planudian 198, 201–2 aedile 2–3, 12–13, 17–18 Antiochus IV Epiphanes 10–11, 118, Aemilius Lepidus, M. 3, 6, 121, 223 223, 232 n.14 Aemilius Paullus, L. 8, 9–11, 223, Antoninus Pius, Emperor 132 232–3 n.23 Antony, Mark 28–9, 60, 129–30, 224 Ahenobarbus, Gn. Domitius 208 Aphrodisias 149–50 Alypius 188 Apollonius 118–19 Ammianus Marcellinus 204, 214 Appian 28, 77, 126, 127, 128, 129, Amphitheater, Flavian (Colosseum) 61, 218 62–6, 79–80, 82, 113–15, 154, 221, Apuleius 104 225, 235 n.18 aquacade 220–1 amphitheaters 29, 47, 52, 61–2, 66–7, armatures, gladiatorial 223, 224, 235 n.8, 235 n.12 dimachaerus 85 military 52, 66–7 eques 97, 99, 100, 101–2, 103, 150 permanent structures 56–7, 60–1 essedarius 85, 96, 97, 100, 121, 144, podium barrier 59, 67, 107 150, 152: essedaria 103, 187 special effects 65–6, 69 Gallus 95, 121 temporary 57–9, 61–2, 110 hoplomachus 85, 96, 97, 100 Androclus 93–4 murmillo 85, 95, 96, 97, 98, 100, 101, animal hunt see venatio 150, 151, 237 n.14 animals 56, 59, 66, 70, 89, 91, 104, retiarius 95, 96, 97, 98, 100, 101, 116–17, 124, 183, 197, 198, 221 142, 145, 146, 152, 182, 237 n.14, bears 35, 44, 56, 89, 90, 92, 93, 104, 238 n.15 116 Samnite 21, 95, 96, 121, 140, 155 cats, large 4, 17–18, 21, 35, 47–8, secutor 95, 98–9, 145 49–51, 56, 67, 89, 90, 93–4, 114, Thraex 85, 95, 96, 97, 100, 103, 105, 115, 116, 168, 173 121, 133, 146, 147, 151, 238 n.14 crocodiles 78–9 Artemidorus 147 elephants 7–8, 27, 35, 70, 113, 114, Asiaticus 131–2 116, 222 Athenaeus 10–11 hippopotamus 34, 89, 116 Athenagoras 167 rhinoceros 34, 115 Athens 118–19 Anthology, Greek 202 Attilius, M. -
A Companion to Sport and Spectacle in Greek and Roman Antiquity Represents an Invaluable Scholarly Contribution to Ancient Sport Studies
170+3 35.9 170+3 BLACKWELL COMPANIONS TO THE ANCIENT WORLD BLACKWELL COMPANIONS TO THE ANCIENT WORLD the editors A COMPANION TO A COMPANION TO Paul Christesen is Professor of Classics at A COMPANION TO sport and spectacle in greek and and spectacle sport Dartmouth College, USA. He is the author sport and Spectacle in greek and sport and of Sport and Democracy in the Ancient and Modern Worlds (2012), Olympic Victor Lists and Ancient roman antiquity EDITED BY Christesen and kyle Spectacle in Greek History (2007), and numerous articles Contributors to this volume: sport and Spectacle greek and and chapters on Greek historiography, ancient Greek history, and ancient sport. roman Winthrop Lindsay Adams, Gregory S. Aldrete, Carla M. Antonaccio, in greek and Donald G. Kyle is Professor and former Sinclair Bell, Giampiero Bevagna, Stephen Brunet, Michael J. Carter, A COMPANION TO antiquity Chair of History at the University of Texas at Paul Christesen, Hazel Dodge, Roger Dunkle, Chris Epplett, roman antiquity Arlington, USA. He is the author of Sport and Garrett G. Fagan, Donald G. Kyle, Andrew Lear, Hugh M. Lee, roman antiquity E D I T E D B Y Spectacle in the Ancient World (Wiley-Blackwell, paul christesen Rose MacLean, Kathryn Mammel, Christian Mann, Stephen G. Miller, and donald g. kyle 2007), Spectacles of Death in Ancient Rome (1998), Sarah C. Murray, Jenifer Neils, Nigel Nicholson, Thomas Heine Nielsen, Athletics in Ancient Athens (1987), and numerous EDITED BY Paul Christesen Zinon Papakonstantinou, David Alan Parnell, Timothy P. J. Perry, articles and chapters on ancient sport history. -
Seutonius: Lives of the Twelve Caesars 1
Seutonius: Lives of the Twelve Caesars 1 application on behalf of his friend to the emperor THE LIVES OF THE TWELVE CAESARS Trajan, for a mark of favor, he speaks of him as "a By C. Suetonius Tranquillus most excellent, honorable, and learned man, whom he had the pleasure of entertaining under The Translation of Alexander Thomson, M.D. his own roof, and with whom the nearer he was brought into communion, the more he loved Revised and corrected by T. Forester, Esq., A.M. 1 him." CAIUS JULIUS CAESAR. ................................................. 2 The plan adopted by Suetonius in his Lives of the Twelve Caesars, led him to be more diffuse on OCTAVIUS CAESAR AUGUSTUS. .................................. 38 their personal conduct and habits than on public TIBERIUS NERO CAESAR. ............................................ 98 events. He writes Memoirs rather than History. CAIUS CAESAR CALIGULA. ........................................ 126 He neither dwells on the civil wars which sealed TIBERIUS CLAUDIUS DRUSUS CAESAR. ..................... 146 the fall of the Republic, nor on the military NERO CLAUDIUS CAESAR. ........................................ 165 expeditions which extended the frontiers of the SERGIUS SULPICIUS GALBA. ..................................... 194 empire; nor does he attempt to develop the causes of the great political changes which A. SALVIUS OTHO. .................................................... 201 marked the period of which he treats. AULUS VITELLIUS. ..................................................... 206 When we stop to gaze in a museum or gallery on T. FLAVIUS VESPASIANUS AUGUSTUS. ..................... 212 the antique busts of the Caesars, we perhaps TITUS FLAVIUS VESPASIANUS AUGUSTUS. ............... 222 endeavor to trace in their sculptured TITUS FLAVIUS DOMITIANUS. .................................. 229 physiognomy the characteristics of those princes, who, for good or evil, were in their times masters of the destinies of a large portion of the PREFACE human race. -
World Archaeology the Animals of the Arena: How and Why Could Their
This article was downloaded by: [Universitetsbiblioteket i Bergen] On: 26 April 2010 Access details: Access Details: [subscription number 907435713] Publisher Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37- 41 Mortimer Street, London W1T 3JH, UK World Archaeology Publication details, including instructions for authors and subscription information: http://www.informaworld.com/smpp/title~content=t713699333 The animals of the arena: how and why could their destruction and death be endured and enjoyed? Torill Christine Lindstrøm a a Dept of Psychosocial Science, University of Bergen, Online publication date: 23 April 2010 To cite this Article Lindstrøm, Torill Christine(2010) 'The animals of the arena: how and why could their destruction and death be endured and enjoyed?', World Archaeology, 42: 2, 310 — 323 To link to this Article: DOI: 10.1080/00438241003673045 URL: http://dx.doi.org/10.1080/00438241003673045 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.informaworld.com/terms-and-conditions-of-access.pdf This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. -
Roman Beast Hunts
CHAPTER 34 Roman Beast Hunts Chris Epplett 1 Introduction While gladiatorial combats and chariot races are perhaps the spectacles most commonly asso- ciated with ancient Rome in modern perception, a third type of spectacle, the venatio (beast hunt), was also popular among Romans. Animal spectacles of one kind or another, in fact, were staged over a longer period of time in Roman territory than gladiatorial contests. A variety of sources attest to the popularity of such events in the Roman world. Writers such as Pliny the Elder and Suetonius often mention especially noteworthy spectacles staged in Rome, including venationes. Inscriptions commemorating games staged by wealthy residents of dozens of different communities demonstrate the ubiquity of animal spectacles over the centuries of Roman rule. Artistic evidence, in particular mosaics from North Africa, leave no doubt that venationes were memorable occasions. Staged animal hunts, typically with aristocrats and monarchs as active participants, were a staple of many societies in Asia and Europe for millennia (Allsen 2006; Kyle 2007: 23–37), so it is not surprising that such events also attracted a wide following in ancient Rome. What is relatively rare in terms of the hunts in Rome is that they did not normally include the direct participation of either rulers or the aristocratic elite. Nonetheless, Roman animal spectacles served many of the same ideological and propagandistic functions as those found elsewhere. 2 Origins and Development of the Beast Hunts in Republican Rome When Romans began staging animal spectacles in the third century BCE, they were aware of and influenced by the practices of other cultures in the Mediterranean, most notably A Companion to Sport and Spectacle in Greek and Roman Antiquity, First Edition. -
Narrative of Androcles and the Lion.' Patricia Watson University of S
1 ‘Reality, Paradox and Storytelling in Aulus Gellius’ Narrative of Androcles and the Lion.’ Patricia Watson University of Sydney [email protected] The tale of Androcles and the Lion is best known from Aulus Gellius (NA 5.15), whose account may be summarised as follows: At a venatio in the Circus Maximus, a number of condemned criminals, including the slave Androclus, were brought in to face a particularly ferocious lion. On sighting Androclus, the lion approached and greeted him like a pet dog in an astounding scene of mutual recognition between man and beast. The audience went wild, prompting the presiding emperor to ask Androclus for an explanation. Then Androclus related his story: he had been the slave of the governor of Africa, whose habitual cruel treatment had forced him to flee and take refuge in the desert. Sheltering in a cave, he encountered a lion with a wounded paw, which he treated; thereafter he lived with the lion, sharing its food, for three years, until he tired of his animal-like existence, left, was caught and handed back to his master, who had him summarily condemned to the arena. The lion, explained Androclus, was simply showing gratitude for the benefaction it had received. The story was written on a tablet and circulated around the Circus; by popular request both slave and lion were freed and afterwards Androclus was often seen, with the lion on a leash, doing the rounds of the shops throughout the city, everyone who encountered them exclaiming: ‘This is the lion that played host to a man, this is the man who played physician to a lion’. -
The Function of the Roman Spectacle in Ephesos
The Function of the Roman Spectacle in Ephesos Christos Potamianos University of California, Santa Barbara (2011) CHRISTOS POTAMIANOS ACKNOWLEDGMENTS The greatest thanks must go to professor Beth DePalma Digeser who has encouraged me throughout my academic career at the University of California, Santa Barbara, and greatly assisted me in the completion of this work. I would also like to thank Sears McGee who has edited my work many times with what I can only describe as superhuman powers. Without their patience and help I would have never completed this project. I would also like to extend my thanks to the URCA committee for providing me with a greatly appreciated grant, and the faculty in the Department of History for the education they have provided me over the last two years. Finally, I would like to thank my family and friends (especially my roommates who had suffered from my annexation of our living room) who have motivated me to always try my best, however painful it might be. eHumanista ii CHRISTOS POTAMIANOS Table of Contents List of Illustrations 4 Chapter One: Introduction 1 1.2: Views 2 1.3: Sources 2 1.4: Background 3 Chapter Two: Origins of the Spectacles 6 2.2: Munera 6 2.3: Venationes 10 2.4: Greek Venationes 16 2.5: Ad Flammas, Ad Bestias 18 Chapter Three: Functions 21 3.2: Illusions of Civic Rights and Liberties 23 3.3: Food Distribution 30 3.4: Spectacles and Stability 31 3.5: Structures of Spectacles in Ephesos 33 Chapter Four: Conclusion 47 4.2: Appendix I 49 4.3: Appendix II 50 Bibliography 53 eHumanista iii CHRISTOS POTAMIANOS LIST OF ILLUSTRATIONS Fig. -
The Emperor and His Animals the Acquisition of Exotic Beasts for Imperial Venationes Nick Lindberg 4/05/14
The Emperor and his Animals The Acquisition of Exotic Beasts for Imperial Venationes Nick Lindberg 4/05/14 Lindberg 1 Where the dusty village of Smirat now sits hunched against the winds of the Tunisian desert, there once stood the country villa of the local magnate Mageirius. Prominently displayed in Mageirius’ villa was a mosaic depicting a beast hunt in the arena. Strangely enough, the presumed stars of the show, four pairs of hunters and leopards, are relegated to the corners of the mosaic. Center stage is instead dominated by a messenger bearing a plate of money, a nearby block of text explaining that these are the funds (4,000 sesterces) with which Mageirius has generously offered to pay for the show.1 But contrary to the original owner’s expectations, the modern observer is not struck by Mageirius’ munificence, but rather by his show’s meanness when compared to those put on in Rome. The emperor Titus, for example, had 9,000 animals killed during the hundred-day long inauguration of the Flavian amphitheater. Mageirius’ leopards, worthy of a mosaic in the provinces, would have provided about fifteen minutes worth of entertainment in the capital.2 The question then arises: how did the emperor achieve and maintain this gaping disparity between his own games and those provided by his subjects? Brute purchasing power surely played its part, but it is possible, indeed, even likely, that it did not constitute the whole of the emperor’s advantage. In the matter of gladiatorial combats, for instance, the emperor augmented his considerable superiority in means with laws limiting the actions of others, and with a Mediterranean wide system of gladiatorial schools and managers which constantly funneled combatants into the arena at Rome.3 In other words, the emperor developed a system of control over the presentation of gladiators that ensured that he always was able to provide the largest and 1 AE 1967.569. -
Aztec Human Sacrifice As Entertainment? the Physio-Psycho- Social Rewards of Aztec Sacrificial Celebrations
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2017 Aztec Human Sacrifice as Entertainment? The Physio-Psycho- Social Rewards of Aztec Sacrificial Celebrations Linda Jane Hansen University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Archaeological Anthropology Commons, Latin American Languages and Societies Commons, and the Religion Commons Recommended Citation Hansen, Linda Jane, "Aztec Human Sacrifice as Entertainment? The Physio-Psycho-Social Rewards of Aztec Sacrificial Celebrations" (2017). Electronic Theses and Dissertations. 1287. https://digitalcommons.du.edu/etd/1287 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. AZTEC HUMAN SACRIFICE AS ENTERTAINMENT? THE PHYSIO-PSYCHO-SOCIAL REWARDS OF AZTEC SACRIFICIAL CELEBRATIONS ___________ A Dissertation Presented to the Faculty of the University of Denver and the Iliff School of Theology Joint PhD Program University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________ by Linda Prueitt Hansen June 2017 Advisor: Dr. Annabeth Headrick ©Copyright by Linda Prueitt Hansen 2017 All Rights Reserved Author: Linda Prueitt Hansen Title: Aztec Human Sacrifice as Entertainment? The Physio-Psycho-Social Rewards of Aztec Sacrificial Celebrations Advisor: Dr. Annabeth Headrick Degree Date: June 2017 ABSTRACT Human sacrifice in the sixteenth-century Aztec Empire, as recorded by Spanish chroniclers, was conducted on a large scale and was usually the climactic ritual act culminating elaborate multi-day festivals. -
Blood Sacrifice: the Connection Between Roman Death Rituals and Christian Martyrdom
The University of Southern Mississippi The Aquila Digital Community Honors Theses Honors College Fall 12-2014 Blood Sacrifice: The Connection Between Roman Death Rituals and Christian Martyrdom Angela Dawne Kennedy University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/honors_theses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the History of Religion Commons Recommended Citation Kennedy, Angela Dawne, "Blood Sacrifice: The Connection Between Roman Death Rituals and Christian Martyrdom" (2014). Honors Theses. 277. https://aquila.usm.edu/honors_theses/277 This Honors College Thesis is brought to you for free and open access by the Honors College at The Aquila Digital Community. It has been accepted for inclusion in Honors Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi Blood Sacrifice: The Connection Between Roman Death Rituals and Christian Martyrdom by Dawne Kennedy A Thesis Submitted to the Honors College of The University of Southern Mississippi in Fulfillment of the Requirements for the Degree of Bachelor of Arts in the Department of History December 2014 ii Approved by _____________________________________ Miles C. Doleac, Ph.D., Thesis Adviser Assistant Professor of Classics _____________________________________ Kyle F. Zelner, Ph.D., Chair Department of History _____________________________________ Ellen Weinauer, Ph.D., Dean Honors College iii Abstract Scholars from a variety of disciplines have done some incredible work on the subject of martyrdom, but the story is far from complete, particularly in terms of how and why it was so similar to the Roman concept of public deaths. -
The History of Venationes in Rome and Roman North Africa
UvA-DARE (Digital Academic Repository) Venationes Africanae: Hunting spectacles in Roman North Africa: cultural significance and social function Sparreboom, A. Publication date 2016 Document Version Final published version Link to publication Citation for published version (APA): Sparreboom, A. (2016). Venationes Africanae: Hunting spectacles in Roman North Africa: cultural significance and social function. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:03 Oct 2021 Chapter 1 The history of venationes in Rome and Roman North Africa This chapter investigates the origins and historical development of amphitheatrical wild beast shows in Rome and in Roman North Africa with special -
312 SPORT and SPECTACLE in the ANCIENT WORLD Awaited
312 SPORT AND SPECTACLE IN THE ANCIENT WORLD SPECTACLE, SPORT, AND THE ROMAN EMPIRE 313 awaited news that the enemy leader was dead. The leader, Simon son legs usually were well protected, but his torso, the main target, was of Gioras, was taken from the prisoners in the procession, beaten and bare, as if to symbolize his bravery. In the early imperial period, the dragged by a noose, and executed at the edge of the Forum. News of heavily armed Samnite was replaced by the Murmillo and Secutor. The the public murder of the Jewish leader, representing the vanquishing bare-chested Murmillo, with a heavily padded left leg with a short of the threat to Rome, was met with widespread expressions of joy and greave, wore a brimmed helmet with an angular crest in the shape of a satisfaction. Sacrifices, offerings, and prayers followed, and widespread fish. With a sword and a tall, oblong shield, this "heavyweight" gladi feasting and festivities celebrated the army's victory and the renewed ator was often set against the Thraex or Hoplomachus, who shared hope for future prosperity. Such callous celebration of the suffering some of the same equipment (trousers, arm guards (manicae), pairs of and death of a foe seems disturbing, but violence was part of the very high greaves). The Thraex (Thracian) used a distinctive, small rectan fabric of Roman history and society. In triumphal spectacles, as in war, gular shield and curved (thrusting) sword or scimitar. His helmet was violence distinguished conqueror from conquered. like that of the Hoplomachus but with a curved crest and griffin.