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Rebuilding the Ancestral Temple and Hosting Daluo Heaven and Earth Prayer and Enlightenment Ceremony
Cultural and Religious Studies, July 2020, Vol. 8, No. 7, 386-402 doi: 10.17265/2328-2177/2020.07.002 D DAVID PUBLISHING Rebuilding the Ancestral Temple and Hosting Daluo Heaven and Earth Prayer and Enlightenment Ceremony Wu Hui-Chiao Ming Chuan University, Taiwan Kuo, Yeh-Tzu founded Taiwan’s Sung Shan Tsu Huei Temple in 1970. She organized more than 200 worshipers as a group named “Taiwan Tsu Huei Temple Queen Mother of the West Delegation to China to Worship at the Ancestral Temples” in 1990. At that time, the temple building of the Queen Mother Palace in Huishan of Gansu Province was in disrepair, and Temple Master Kuo, Yeh-Tzu made a vow to rebuild it. Rebuilding the ancestral temple began in 1992 and was completed in 1994. It was the first case of a Taiwan temple financing the rebuilding of a far-away Queen Mother Palace with its own donations. In addition, Sung Shan Tsu Huei Temple celebrated its 45th anniversary and hosted Yiwei Yuanheng Lizhen Daluo Tiandi Qingjiao (Momentous and Fortuitous Heaven and Earth Prayer Ceremony) in 2015. This is the most important and the grandest blessing ceremony of Taoism, a rare event for Taoism locally and abroad during this century. Those sacred rituals were replete with unprecedented grand wishes to propagate the belief in Queen Mother of the West. Stopping at nothing, Queen Mother’s love never ceases. Keywords: Sung Shan Tsu Huei Temple, Temple Master Kuo, Yeh-Tzu, Golden Mother of the Jade Pond, Daluo Tiandi Qingjiao (Daluo Heaven and Earth Prayer Ceremony) Introduction The main god, Golden Mother of the Jade Pond (Golden Mother), enshrined in Sung Shan Tsu Huei Temple, is the same as the Queen Mother of the West, the highest goddess of Taoism. -
A Symbol of Global Protec- 7 1 5 4 5 10 10 17 5 4 8 4 7 1 1213 6 JAPAN 3 14 1 6 16 CHINA 33 2 6 18 AF Tion for the Heritage of All Humankind
4 T rom the vast plains of the Serengeti to historic cities such T 7 ICELAND as Vienna, Lima and Kyoto; from the prehistoric rock art 1 5 on the Iberian Peninsula to the Statue of Liberty; from the 2 8 Kasbah of Algiers to the Imperial Palace in Beijing — all 5 2 of these places, as varied as they are, have one thing in common. FINLAND O 3 All are World Heritage sites of outstanding cultural or natural 3 T 15 6 SWEDEN 13 4 value to humanity and are worthy of protection for future 1 5 1 1 14 T 24 NORWAY 11 2 20 generations to know and enjoy. 2 RUSSIAN 23 NIO M O UN IM D 1 R I 3 4 T A FEDERATION A L T • P 7 • W L 1 O 17 A 2 I 5 ESTONIA 6 R D L D N 7 O 7 H E M R 4 I E 3 T IN AG O 18 E • IM 8 PATR Key LATVIA 6 United Nations World 1 Cultural property The designations employed and the presentation 1 T Educational, Scientific and Heritage of material on this map do not imply the expres- 12 Cultural Organization Convention 1 Natural property 28 T sion of any opinion whatsoever on the part of 14 10 1 1 22 DENMARK 9 LITHUANIA Mixed property (cultural and natural) 7 3 N UNESCO and National Geographic Society con- G 1 A UNITED 2 2 Transnational property cerning the legal status of any country, territory, 2 6 5 1 30 X BELARUS 1 city or area or of its authorities, or concerning 1 Property currently inscribed on the KINGDOM 4 1 the delimitation of its frontiers or boundaries. -
Eva Wong Taoism an Essential Guide
Eva Wong Taoism An Essential Guide Donn still outsmarts gladsomely while inframaxillary Nickey poking that surety. Damoclean Roarke sometimes beacons any ephemeron clogs shily. Dimitri dribbles tritely while pilose Shlomo pents unexpectedly or treadle definitively. Magritte is my fave artist! Please select the tabs below to change the source of reviews. Sms or may need the rest and eva wong taoism an essential guide to new york city to the pursuit of heaven originally created. Taoist guide and eva wong taoism an essential guide to. This subtle concepts of taoism as monkey became one, eva wong taoism an essential guide ta taoism is imported from each other foot, the trip shortly, and shows or expired. Here is an essential guide to the spiritual essence of eva wong london and chuang tzu. Sun style and political theory: the essential guide to save you an item to get an illustration of eva wong taoism an essential guide you really think the. See your business and eva wong is magical theories from which will my items such as the shandong province of eva wong taoism an essential guide is the polluted air from the osher jcc marin in. Chinese religion and masculine side represent a formal definition would say that time were regarded by eva wong taoism an essential guide to student of learned with the bank for it stands for the arts was disillusioned that is. Wer mehr im detail, for specific arrangement of an essential guide to your inputs and many different powers and spirit stones can we will use. You want power in your desires summoned specifically for a yen for soul stones, revealing the fulfillment of taoism through asia, eva wong taoism an essential guide. -
Analysis of Cultural Resources of Taoist Landscape Architecture in Qingcheng Mountain Tan Huicun Tourism College of Sichuan
Advances in Social Science, Education and Humanities Research (ASSEHR), volume 80 International Conference on Education, Culture and Social Development (ICECSD 2017) Analysis of Cultural Resources of Taoist Landscape Architecture in Qingcheng Mountain Tan Huicun Tourism College of Sichuan Agricultural University *email: [email protected] Abstract. Qingcheng Mountain as a Taoist mountain, Sichuan important tourist destination, rich in tourism and cultural resources. Qingcheng Mountain as a national 5A-class tourist attractions, which contains the rich Taoist landscape cultural resources constitute Qingchengshan tourism cultural resources is an important part of the tourists is an important source of attractiveness. Keywords: Qingcheng Mountain, Taoist landscape, Cultural resources, Tourism. 1 Introduction Qingcheng Mountain as the fifth cave of Taoism, after the operation of it has a rich Taoist landscape cultural resources. It is important to enhance the cultural experience of tourists in the tourism experience, and to explore its inner cultural connotation, to enhance the visibility and attractiveness of Qingcheng Mountain and to enhance the cultural experience of tourists in tourism. 2 A Survey of Taoist Landscape Cultural Resources in Qingcheng Mountain Taoist landscape, it refers to the Taoist architecture as the core component of the unified natural space, socio-economic elements of the overall characteristics of the collection and space system. Qingcheng Mountain as one of the birthplace of Taoism, the mountain area is rich in Taoist landscape cultural resources [1]. In the temple, gong, guan, dian, tang, miao, tai, lou, ge, guan, she, xuan, zhai, lang, que, men, tan, yu, ta, xie, fang, qiao became a part of the landscape of the Qingcheng Mountain Taoism.It greatly enriched the Qingcheng Mountain Taoist landscape cultural resources and connotations. -
Knowing the Paths of Pilgrimage the Network of Pilgrimage Routes in Nineteenth-Century China
review of Religion and chinese society 3 (2016) 189-222 Knowing the Paths of Pilgrimage The Network of Pilgrimage Routes in Nineteenth-Century China Marcus Bingenheimer Temple University [email protected] Abstract In the early nineteenth century the monk Ruhai Xiancheng 如海顯承 traveled through China and wrote a route book recording China’s most famous pilgrimage routes. Knowing the Paths of Pilgrimage (Canxue zhijin 參學知津) describes, station by station, fifty-six pilgrimage routes, many converging on famous mountains and urban centers. It is the only known route book that was authored by a monk and, besides the descriptions of the routes themselves, Knowing the Paths contains information about why and how Buddhists went on pilgrimage in late imperial China. Knowing the Paths was published without maps, but by geo-referencing the main stations for each route we are now able to map an extensive network of monastic pilgrimage routes in the nineteenth century. Though most of the places mentioned are Buddhist sites, Knowing the Paths also guides travelers to the five marchmounts, popular Daoist sites such as Mount Wudang, Confucian places of worship such as Qufu, and other famous places. The routes in Knowing the Paths traverse not only the whole of the country’s geogra- phy, but also the whole spectrum of sacred places in China. Keywords Knowing the Paths of Pilgrimage – pilgrimage route book – Qing Buddhism – Ruhai Xiancheng – “Ten Essentials of Pilgrimage” 初探«參學知津»的19世紀行腳僧人路線網絡 摘要 十九世紀早期,如海顯承和尚在遊歷中國後寫了一本關於中國一些最著名 的朝聖之路的路線紀錄。這本「參學知津」(朝聖之路指引)一站一站地 -
8 Days in Chengdu and Around
8 days in Chengdu and around Contact us | turipo.com | [email protected] 8 days in Chengdu and around 3 days in Chengdu and around: Leshan, Eemeishan, Qingcheng Mountain and Jiuzhaigou Nature Reserve. Contact us | turipo.com | [email protected] Day 1 - Changdu Contact us | turipo.com | [email protected] Day 1 - Changdu WIKIPEDIA 1. Chengdu Panda Breeding Research Center People's Park may refer to: Chengdu Panda Breeding Research Center, Chengdu, China Rating: 4.7 4. Jinli Road This place is awesome. lots off to people working there who keep this park so well maintained and friendly for the Jin Li Lu, Wuhou Qu, Chengdu Shi, Sichuan Sheng, China animals there as well as for the visitors. They are doing a great job in conservaon of these cuddly cute bears. Very Jinli Ancient Street is “The First Street of Shu Kingdom”, beautiful. A must visit place. and it’s a famous snack street in Chengdu. The ambiance was like stepping back into the past, well presented and historically brilliant. Evening stroll is extreme beauful, and 2. Luodai Ancient Town picturesque with the lanterns lit up and the street performances are also wonderful. China, Sichuan Sheng, Chengdu Shi, Longquanyi Qu, Bajiaojing St, 东郊龙泉驿区 Telephone: +86 28 8489 3693 Rating: 4.2 This is a nice ancient town with local snacks and shopping. It's very convenient to get here from Chengdu and a nice half day trip. 3. People's Park People's Park, Chengdu, Sichuan, China This place is very good naonal park for walking and breath some air with a tea house and great environment. -
Changchun Taoist Temple
Line 1: Changchun Taoist temple Changchun Taoist temple, one of the most famous Taoist temples in China, located in wuhan, hubei province, is the only existing Taoist temple in this area. It was listed as a national key Taoist temple by the state council in 1983. The Taoist temple is located in the south of shuangfeng mountain in wuhan city. It is said that laozi, the ancestor of Taoism, once stayed here. Taoist architecture appeared here as early as the 3rd century BC. During the yuan dynasty, qiu chuji, a famous representative of quanzhen school, came here to practice and preach, which further expanded its scale. Because qiu chuji was called changchun real person, the Taoist temple was called changchun view. Since its establishment, the influence of changchun outlook has been constantly expanding, and it was further expanded in the Ming and qing dynasties to form its current scale. It sits in the south, built according to the mountain, the main building is the gate, lingguan dian, taiqing dian, three emperor dian, etc., compact layout, large scale. Next to the building of qizhen temple, there is a hall of merit and virtue, with an astronomical panorama inlaid on the wall. It was completed by the famous Taoist priest Lilian in the 1930s, which has a high reference value for the study of ancient astronomy. Now, changchun view is not only the local center of Taoist activities, but also a scenic tourist resort, every year many visitors and believers come to worship. Guiyuan Buddhist Temple Guiyuan Buddhist Temple is located at the west end of cuiwei street in hanyang, hubei province, China. -
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Advances in Social Science, Education and Humanities Research, volume 310 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019) Research on the Inheritance and Development of Sichuan Qingyin* Ya Zhang College of Music Sichuan Normal University Chengdu, China Abstract—Taking the inheritance of Sichuan Qingyin as the research object, this paper explores how to inherit and carry II. THE CHANGE OF INHERITANCE WAY forward Sichuan Qingyin in today's society through the analysis Since the Qing Dynasty, Sichuan Qingyin has undergone of its inheritance mode, purpose, change of songs and change of many social changes, such as the 1911 Revolution, the May audience groups. 4th Movement and the War of Resistance against Japan. Some amateurs started full time to make ends meet. They either took Keywords—Sichuan Qingyin; contemporary environment; cultural inheritance a family as a team, or combine freely as a team, or "adopting girls" wandering in major cities and towns, known as "family group" and "nest group". At first, apprentices came to master I. INTRODUCTION to learn art. Masters used the method of oral and heart-to-heart Sichuan Qingyin prevailed during the reign of Qianlong in teaching. Masters taught and sang one phase orally, and the Qing Dynasty. It centered on Luzhou and Xufu, and spread apprentices imitated and sang one phase along. Although this all over towns and villages. Originally known as pipa singing way of inheritance is primitive, the master could teach and yueqin singing, it is a traditional form of music in Sichuan. apprentices personally. The apprentice could master the It has both the name of elegance and the meaning of Qingyin. -
RHF Newsletter 阮仪三城市遗产基金会通讯
(((SSShhhaaannnggghhhaaaiii) )) WWWHHHIIITTTRRR---AAAPPP NNNeeewwwsssllleeetttttteeerrr 亚太地区世界遗产培训与研究中心(上海)简讯 ——————————————————————————————————————————————————————————————————————————World Heritage Institute of Training and Research - Asia and Pacific, Shanghai 特别报道:“亚太地区世界遗产培训与研究中心机制与运作”国际研讨会 Special Coverage: International Symposium on the Organization and Operation of WHITR-AP 中心动态:苏州工作会议 Dynamics: Suzhou Workshop 保护案例:文远楼历史保护及生态节能更新 Case Study: Sustainable Restoration of Wenyuan Building 遗产知识:世界遗产分类评定标准 Knowledge of World Heritage: The Criteria for World Heritage Selection 世界遗产在中国:九寨沟 NNoo.. No.2 Jiuzhaigou Valley 2 World Heritage in China: May. 20072 〖2007 年 5 月 第二期〗 主办:中国联合国教科文组织全国委员会 Chinese National Commission for UNESCO 亚太地区世界遗产培训与研究中心(上海)World Heritage Institute of Training and Research-Asia and Pacific, Shanghai 特别报道 SSSpppeeeccciiiaaall l CCCooovvveeerrraaagggeee 中心动态 DDDyyynnnaaammmiiicccsss ———————————————————————————————————————————————————————————-———————————————————————————————————————————————————————————-———- “亚太地区世界遗产培训与研究中心机制与运作”国际研讨会 苏州工作会议 在 2007 年 5 月 21 日至 22 日举办的“亚太地区世界遗产培训与研究中心机制与运作”研讨会上,与会各方除讨论 2007 年 5 月 1 日,联合国教科文组织执行局主席、中国教育部副部长、中国联合国教科文 85 有关世界遗产保护的一些普遍原理,如世界遗产公约在世界上的地位、世界遗产保护原理外,还将重点讨论亚太地区世 组织全委会主任章新胜,苏州市副市长朱建胜,苏州市园林和绿化管理局局长衣学领,同济大学 界遗产培训与研究中心成立后的相关运作及培训议题,并对此进行充分的交流。 建筑与城规学院副院长周俭,北京大学校长助理李岩松等各方代表出席了在苏州博物馆召开的 第一部分:有关亚太地区世界遗产培训与研究中心运作的研讨 “关于亚太地区世界遗产培训与研究中心筹建情况”工作会议。在会议上,代表们先后听取了苏 会议邀请了 UNESCO 世界遗产中心、ICCROM、ICOMOS 等国际遗产保护组织与机构的专家进行主题发言,主要包括①国 州市园林和绿化管理局、同济大学建筑与城规学院以及北京大学关于中心筹建的最新进展,并参 际组织文化遗产保护培训的经验;②遗产保护培训的趋势与需求;③有计划的培训课程中的关键因素;④世界遗产的全 -
An Alternative Study of Chinese History: Two Daoist Temples
UNLV Retrospective Theses & Dissertations 1-1-2008 An alternative study of Chinese history: Two Daoist temples Joan Lorraine Mann University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Mann, Joan Lorraine, "An alternative study of Chinese history: Two Daoist temples" (2008). UNLV Retrospective Theses & Dissertations. 2304. http://dx.doi.org/10.25669/ryst-56ao This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. AN ALTERNATIVE STUDY OF CHINESE HISTORY: TWO DAOIST TEMPLES by Joan Lorraine Mann Bachelor of Arts San Jose State University 1979 A thesis submitted in partial fulfillment of the requirement for the Master of Arts Degree in History Department of History College of Liberal Arts Graduate College University of Nevada, Las Vegas May 2008 UMI Number: 1456353 Copyright 2008 by Mann, Joan Lorraine All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. -
Research on the Xishu Garden Based on Landscape Identity
2018 International Conference on Culture, Literature, Arts & Humanities (ICCLAH 2018) Research on the Xishu Garden Based on Landscape Identity Dan Wu Chengdu Art Vocational College, Chengdu, Sichuan, 611430, China Keywords: Xishu Garden, Landscape identity, West Sichuan towns Abstract: Xishu Garden is a regional garden located in Sichuan, China, which is an integral part of Chinese garden system. Landscape identity is a problem about the definition and recognition of Xishu Garden's regional style. This paper studied the connotation of landscape identity, Xishu Garden, West Sichuan towns, western Sichuan customs and so on under the landscape scale vision to make a preliminary analysis of the research ideas of Xishu Garden landscape identity. 1. Introduction Sichuan's Humanistic Historical process is unique and complex. Xishu Garden's landscape identification should be regarded as a subject of environmental history. In 1450, Alberti, the first western garden theorist, regarded the relationship between environment and house, which is the relationship between environment and the viewer in it, as the basis of landscape recognition. Therefore, the study of Xishu Garden should be based on the whole human settlement space system, such as Sichuan's natural geography, ecological stage and immigrants from Sichuan, that is, the great vision of Sichuan's urban history. 2. The Connotation of Landscape Identity In Chinese, as to the word scenery, most people tend to appreciate the meaning of leisure. The purpose of this paper is to emphasize the significance of landscape as a social, economic, political and cultural carrier. Like the garden culture of ancient and modern times, the visual reproduction and semantic reproduction of the landscape will make the silent landscape image spread, sound and express the landscape identity of a place. -
Chapter Five Guangxi, Guangdong, Hong Kong
Chapter Five Guangxi, Guangdong, Hong Kong and Sichuan (1928-1935): the landscape of art As early as the fifth century, Xie He (謝 赫, active ca. 500) outlined what he called the Six Principles of Painting (liu fa 六 法). “Spirit resonance and life movement” (qiyun shengdong 氣 韻 生 動), the first principle, is what defines Chinese painting and is the most significant and elusive.1 Since the Song dynasty, the observation of natural phenomena has been an important aspect of artistic creation in China. Artists sketched from nature in order to understand the principles of the life force or qi which animated the natural world. In doing so, they were following the first of Xie He’s Six Principles. The great Yuan dynasty landscape painter Huang Gongwang (黃 公 望, 1269-1354), inspired by the Five Dynasties and Northern Song artists Li Cheng (李 成, 919-967) and Guo Xi (郭 熙, ca. 1001-1090), exhorted his students to: Carry around a sketching brush in a leather bag. Then, when you see in some scenic place a tree that is strange and unique, you can copy its appearance then and there as a record. It will have an extraordinary sense of growing life. Climb a tall building and gaze at the “spirit resonance” [qiyun] of the vast firmament. Look at the clouds-they have the appearance of mountaintops! Li Ch’eng and Kuo Hsi both practiced this method; Kuo Hsi painted “rocks like clouds”. When the ancients speak of “Heaven opening forth pictures”, this is what they mean.2 In his “Conversation on art” (Hua tan 畫 談), written in 1940, Huang Binhong referred to this passage and synthesised the writings of a number of earlier artists whose art was also 1 Osvald Sirén, The Chinese on the Art of Painting, Translations and Comments, pp.18-22.