Translation and Transtextuality
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Joanna Kucharska Also These Voices : Technology and Gender in the Practice of Fanvidding
Joanna Kucharska Also These Voices : Technology and Gender in the Practice of Fanvidding Kultura Popularna nr 4 (38), 14-28 2013 14 kultura popularna 2013 nr 4 (38) Joanna Kucharska Also These Voices Technology and Gender in the Prac- tice of Fanvidding DOI: 10.5604/16448340.1109973 Joanna Kucharska Also these voices 15 Joanna Kucharska Audiences have always been an integral part of media and media studies, but is a PhD candidate they gained prominence in the age of television, and then internet. Studies at the Institute of Audio‑ of television audiences turned the light on them, showcasing the passive and visual Arts, Jagiellonian University. Her research active ways of approaching the media. But it was the internet emergence that interests include really made the audiences visible, allowing for various channels of participation: transmedia narratives, the forum boards, comment sections appearing practically everywhere, from audience and fandom studies, and televisual blog posts to youtube videos; the widespread tagging and recommendation and para ‑televisual texts. system, blogging and microblogging, picture and video sharing, and social media profiles. Modern technology not only enabled the viewers to access information quickly, but also made sharing opinions incredibly easy. Creators who ignore the opinions posted online do it at their own peril – the word of mouth, the recommendations, and the viral marketing are powerful tools both in the hands of a television showrunner or a movie director and in the hands of a media ‑savvy single audience member, turning a personal watching experience into a communal effort. Just as the modern media channels have enabled the audiences to speak up and opine, they have also enabled them to share their creativity with oth‑ ers. -
SOLAR PONS 6Th August 1984 SOCIETY of LONDON
THE SHERLOCK HOLMES SOCIETY OF LONDON: GRAPEVINE THE 22, Wisteria Lodge, Lupin Drive, Chelmsford, Essex. SOLAR PONS 6th August 1984 SOCIETY OF LONDON A11 books this time, unless something else turns up before I've finished typing this. The industrious Mr Kelvin I. Jones has sent me a list of his currently available Sherlockian monographs. In short supply are the following: The Carfax Syndrome, being a study of vampirism in the canon (Magico Magazine 1984), 18 pages, red card covers, A5 size, price £££1,00 including postage & packing; Upon the Tracing of Footsteps, by Sherlock Holmes edited by Kelvin I. Jones (Magico 1983; the title page says "London 1878"), 9 pages, green card covers, A5 size, price ££££££1.75 including postage and packing; Thank You. Watson - the Matches (Kelvin Jones 1981), 40 pages, yellow card covers, A5 size, 75 pence including postage and packing. This last brochure, the first thorough guide to the smoking habits of Sherlock Holmes, is in very short supply indeed. Forthcoming are; A Study in Streetnames , a biographical investigation into the origins of Canonical names, especially in TWIS (this -will be a new edition of a monograph published by Mr Jones a couple of years ago); Sherlock and Porlock, a study in the literary influences of the Holmes stories , a hardcover book of approximately 60 pages on quality paper with an introduction by Edward D. Hoch, due out in October 1984 in a 500 copy edition; Sherlock Holmes and the Criminologists , the background to STUD and the formative influences. If you are interested in these books, please write to Mr Jones at 18 Ross Street, Rochester, Kent ME1 2DF, and he will forward information about the forthcoming items when it is available. -
2. Case Study: Anime Music Videos
2. CASE STUDY: ANIME MUSIC VIDEOS Dana Milstein When on 1 August 1981 at 12:01 a.m. the Buggles’ ‘Video Killed the Radio Star’ aired as MTV’s first music video, its lyrics parodied the very media pre- senting it: ‘We can’t rewind, we’ve gone too far, . put the blame on VTR.’ Influenced by J. G. Ballard’s 1960 short story ‘The Sound Sweep’, Trevor Horn’s song voiced anxiety over the dystopian, artificial world developing as a result of modern technology. Ballard’s story described a world in which natu- rally audible sound, particularly song, is considered to be noise pollution; a sound sweep removes this acoustic noise on a daily basis while radios broad- cast a silent, rescored version of music using a richer, ultrasonic orchestra that subconsciously produces positive feelings in its listeners. Ballard was particu- larly criticising technology’s attempt to manipulate the human voice, by con- tending that the voice as a natural musical instrument can only be generated by ‘non-mechanical means which the neruophonic engineer could never hope, or bother, to duplicate’ (Ballard 2006: 150). Similarly, Horn professed anxiety over a world in which VTRs (video tape recorders) replace real-time radio music with simulacra of those performances. VTRs allowed networks to replay shows, to cater to different time zones, and to rerecord over material. Indeed, the first VTR broadcast occurred on 25 October 1956, when a recording of guest singer Dorothy Collins made the previous night was broadcast ‘live’ on the Jonathan Winters Show. The business of keeping audiences hooked 24 hours a day, 7 days a week, promoted the concept of quantity over quality: yes- terday’s information was irrelevant and could be permanently erased after serving its money-making purpose. -
How Harry Potter Became the Boy Who Lived Forever
12/17/12 How Harry Potter Became the Boy Who Lived Forever ‑‑ Printout ‑‑ TIME Back to Article Click to Print Thursday, Jul. 07, 2011 The Boy Who Lived Forever By Lev Grossman J.K. Rowling probably isn't going to write any more Harry Potter books. That doesn't mean there won't be any more. It just means they won't be written by J.K. Rowling. Instead they'll be written by people like Racheline Maltese. Maltese is 38. She's an actor and a professional writer — journalism, cultural criticism, fiction, poetry. She describes herself as queer. She lives in New York City. She's a fan of Harry Potter. Sometimes she writes stories about Harry and the other characters from the Potterverse and posts them online for free. "For me, it's sort of like an acting or improvisation exercise," Maltese says. "You have known characters. You apply a set of given circumstances to them. Then you wait and see what happens." (See a Harry Potter primer.) Maltese is a writer of fan fiction: stories and novels that make use of the characters and settings from other people's professional creative work. Fan fiction is what literature might look like if it were reinvented from scratch after a nuclear apocalypse by a band of brilliant pop-culture junkies trapped in a sealed bunker. They don't do it for money. That's not what it's about. The writers write it and put it up online just for the satisfaction. They're fans, but they're not silent, couchbound consumers of media. -
Reading Nico Nico Douga with Gerard Genette
Götz Bachmann, Metadata Project, Goldsmiths College, 4.8.08 Series: Nico Nico Douga Texts1, Nr 11 Reading Nico Nico Douga with Gerard Genette Inspired by the discussions with Takashiro-san, Hamano-san and Yoshikawa-san, I think it might be just about time to start and come forward with some of my own initial ideas, how an analysis of Nico Nico Douga could be pushed forward. What follows is of course radically preliminary, not only because I still know far too little about Nico Nico Douga, but also because it is only the very beginning of a theoretical analysis. One way into the analysis could be through the work of the French structuralist and literary theorist Gerard Genette, who wrote in the late 70ties and 80ties extensively about the relations that connect texts to other texts. Genette’s term for the multiplicity of the relations between texts is “transtextuality”, and you can read more about it in his works “Introduction a l’Architexte” (1979), “Palimpseste. La Litterature au second degree” (1982), and “Seuils” (1987) – the latter two are translated into German, and the last one, as “Paratexts” (1997), also into English. Genette develops in my opinion in these works a precise alternative to the more known ideas of Julia Kristeva on this topic. Attention: He uses his terms slightly different to her. 1 In this series of short and preliminary (!!) texts we publish first results of the Metadata Project’s ethnographic research on Nico Nico Douga. You can find more on http://www.goldsmiths.ac.uk/media-research-centre/project2.php and on our research blog: http://d.hatena.ne.jp/metagold/. -
Acotaciones Y Sus Variaciones En Titulares De Prensa Económica Inglesa: Un Análisis Cognitivo
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE FILOLOGÍA DEPARTAMENTO DE FILOLOGÍA INGLESA I TESIS DOCTORAL Acotaciones y sus variaciones en titulares de prensa económica inglesa: un análisis cognitivo MEMORIA PARA OPTAR AL GRADO DE DOCTORA PRESENTADA POR María Piedad Fernández Arias DIRECTOR Michael C. White Hayes Madrid, 2016 © María Piedad Fernández Arias, 2015 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE FILOLOGÍA Departamento de Filología Inglesa I ACOTACIONES Y SUS VARIACIONES EN TITULARES DE PRENSA ECONÓMICA INGLESA: UN ANÁLISIS COGNITIVO Tesis doctoral M. Piedad Fernández Arias Director: Dr. Michael C. White Hayes Madrid, 2015 Acotaciones y sus variaciones en titulares de prensa económica inglesa: un análisis cognitivo Quotations and their variation patterns in business and politics English press headlines: A cognitive analysis Doctoral thesis M. Piedad Fernández Arias ([email protected]) Instructor: Dr. Michael C. White Hayes Madrid, 2015 2 Contents page List of Figures and Tables ........................................................................ 6 Acknowledgements ..................................................................................... 7 I) Abstract ……………………..………………..............…...…….. 8 Resumen ....................................................................................... 13 II) Introduction .................. ................................................................ 19 1. Scope of the study ..................................................... .............. 20 2. The concept of ‘intertextuality’ -
William of Ockham
Handout 25 William of Ockham (1280–1349) 1. Life • also spelled Occam • born in central England, died in Munich • Franciscan, nominalist, and ”doctor invincibilis” • William of Baskerville in U. Eco's The Name of the Rose • He received his bachelor's degree at Oxford, and his mas- ter's at Paris, where he taught from a date between 1315 and 1320. • The question of poverty which so deeply agitated his order determined the later course of his life. • Their common ground of opposition to the pope drew the extreme Franciscans together with the Emperor Louis the Bavarian, the opponent of John XXII. • In December, 1323, he was summoned with some others to appear before the pope at Avignon, and was imprisoned there for over four years. He then escaped. • Ockham became one of the emperor's principal advisers and literary defenders. • The belief that John XXII was a heretic and no true pope, that the poverty of Christ and the apostles was an article of faith, were as much a part of his fixed belief as that the State and the rights of the emperor were independent of pope and Church. 2 William of Ockham • He taught that the Roman people have the right to elect their bishop (the pope). • According to him every people has the right to elect its leader, if it wishes to. • He went to Munich in Feb., 1330, where most of his political writings were composed. 2. Writings • Expositio aurea et admodum utilis super totam artem veterem • Quaestiones et decisiones in quatuor libros sententiarum • Centiloquium theologicum • Quodlibeta septem • De Sacramento altaris and De corpore Christi 3. -
NARRATIVE Directions in Econarratology
ENVIRONMENT New NARRATIVE Directions in Econarratology edited by ERIN JAMES AND ERIC MOREL ENVIRONMENT AND NARRATIVE THEORY AND INTERPRETATION OF NARRATIVE James Phelan and Katra Byram, Series Editors ENVIRONMENT AND NARRATIVE NEW DIRECTIONS IN ECONARRATOLOGY EDITED BY Erin James AND Eric Morel THE OHIO STATE UNIVERSITY PRESS COLUMBUS Copyright © 2020 by The Ohio State University. This edition licensed under a Creative Commons Attribution-NonCommercial-NoDerivs License. Library of Congress Cataloging-in-Publication Data Names: James, Erin, editor. | Morel, Eric, editor. Title: Environment and narrative : new directions in econarratology / edited by Erin James and Eric Morel. Other titles: Theory and interpretation of narrative series. Description: Columbus : The Ohio State University Press, [2020] | Series: Theory and interpretation of narrative | Includes bibliographical references and index. | Summary: “Collection of essays connecting ecocriticism and narrative theory to encourage constructive discourse on narrative’s influence of real-world environmental perspectives and the challenges that necessitate revision to current narrative models”—Provided by publisher. Identifiers: LCCN 2019034865 | ISBN 9780814214206 (cloth) | ISBN 0814214207 (cloth) | ISBN 9780814277546 (ebook) | ISBN 0814277543 (ebook) Subjects: LCSH: Ecocriticism. | Environmental literature. | Narration (Rhetoric) Classification: LCC PN98.E36 E55 2020 | DDC 809/.93355—dc23 LC record available at https://lccn.loc.gov/2019034865 Cover design by Andrew Brozyna Text design by Juliet Williams Type set in Adobe Minion Pro for Ben and Freddie, my favorites From Erin for Grandmaman, an avid reader and early recommender of books From Eric CONTENTS Acknowledgments ix INTRODUCTION Notes Toward New Econarratologies ERIN JAMES AND ERIC MOREL 1 I. NARRATOLOGY AND THE NONHUMAN CHAPTER 1 Unnatural Narratology and Weird Realism in Jeff VanderMeer’s Annihilation JON HEGGLUND 27 CHAPTER 2 Object-Oriented Plotting and Nonhuman Realities in DeLillo’s Underworld and Iñárritu’s Babel MARCO CARACCIOLO 45 II. -
Fair Use Without Paying Homage
Fine Print Fair Use Without Paying Homage Chinese art students are taught to follow the practice of lin fair-use analysis of those five paintings was remanded to the mo, imitating the masters out of reverence for the past. As a lower court to determine whether the “relatively minimal result, contemporary art in China often pays homage to and alterations” of Cariou’s source photographs in those works closely resembles art created centuries ago. Embodying a were transformative and, therefore, fair use, or whether they centuries-old tradition, prominent Chinese artists, such as infringed on Cariou’s copyrights. One of the three judges on Zhang Daqian (1899–1983), have valued and sought to emulate the panel disagreed with the majority’s approach, arguing the style, method and even the personality of venerated that Prince’s testimony should not be disregarded and that predecessors when depicting beautiful objects in a traditional the Second Circuit, as an appellate court, should not “limit manner. Conversely, in the United States, the contemporary our inquiry to our own artistic perceptions of the original and practice of “appropriation art,” involving one artist’s secondary works.” Yet, that is just what the majority did when borrowing, without permission, of another artist’s copyrighted holding that fair use should be determined solely on the basis work, seems to run less risk of judicial disapproval if the of a side-by-side visual comparison, by judges rather than by a appropriator significantly alters the original, not in order to jury, of the original and secondary works in order to determine pay homage to it, but to “transform” it into something new whether the secondary work appeared to be “transformative.” and different. -
Download Download
Book Reviews The Name of the Rose. UMBERTO ECO. Translated by William Weaver. San Diego, New York, London: Harcourt Brace Jovanovich, 1983. 502 p. ISBN 0-15-144647-4 $15.95. The Name of the Rose is a novel written on many levels. Set in a wealthy Italian abbey in the year 1327, it is, at its simplest, a fine blend of mystery and Gothic novel with a little sodomy and sex thrown in for good measure. On a mission from the Holy Roman Emperor to reach an accord with representatives of the Avignonese Pope, Franciscan Brother William of Baskerville arrives at the abbey to find the community in the grip of strange events which eventually lead to seven bizarre deaths and the destruction of the abbey. On another plane, the mystery itself serves as a way for Eco to indulge in his favourite topics: medieval philosophy, church history, and various skeins of heresy and corruption - all of which are probed with the detective techniques employed by William of Baskerville. Styling himself a moderate deconstructionist, the author builds his story on the questioning of texts. Eco has said: "There is not one immutable meaning or truth, intended or otherwise, but many. You have to extract all the implications or interpretations hidden within (a text)." (Vogue, April 1984, p. 393) Finally, the book exudes the author's leading passion, semiotics - the philosophical study of signs and symbols as linguistic portrayals of reality. Fine, but the patient reader may ask what makes this book merit review in a journal dedicated to archives and archival science? The major reason is that Eco focuses his philosophical questioning on the role of information and knowl- edge in a relatively primitive but rapidly changing society. -
Exploring Transtextuality in Competitive Games and Esports
Playing Across Media: Exploring Transtextuality in Competitive Games and eSports Ben Egliston The University of Sydney Sydney, NSW, Australia [email protected] ABSTRACT The aim of this paper is to explore the synthesis of digital games and observatory media facilitated by eSports and the competitive play of games. Borrowing from Genette's work in the field of literary studies, as well as media and game studies research, I describe the crossmedia assemblage occurring in competitive games as transtextual. A particular focus is the quantitative analysis of play in Valve's Dota 2. Using publicly archived player statistics, I describe how the broadcast play of professionals has come to exist as a locus of game knowledge and an impetus for styles of play for many amateur players. I argue that players must negotiate both the traditional gamespace and the space of surrounding texts with which gameplay has become conflated. Conversely, I posit that transtextual systems are situationally reflexive, and amateur players can assert change in professional domains. In addition to the compositional analysis of the crossmedia videogame form, I explore the phenomenological implications of this assemblage, namely digital games' movement away from its common conceptualisation as leisure based activity. Keywords Games, eSports, Transtextuality, Intertextuality, Paratext INTRODUCTION The competitive play of digital games has come to represent a complex dialectic between texts, namely the game-proper and the surrounding array of observatory media. The growing pervasiveness of spectator platforms and observatory practice across the contemporary gaming landscape has been impactful in forcing a reformulation of what games as a medium fundamentally involve and demand. -
Investigating Film Algorithm Transtextuality in the Age of Database Cinema
Cristiano Poian – Investigating Film Algorithm V MAGIS Gradisca Spring School “Cinema and Contemporary Visual Arts II” Cristiano Poian, University of Udine Investigating Film Algorithm Transtextuality in the age of database cinema Today my lecture aims to explore some peculiar passing modalities, so to say some “transtextual and transmedial migrations” among traditional narrative cinema and a group of digital artworks, in the context of what Lev Manovich has defined the “era of database”, to demonstrate that the acts of transcription from the filmic form into new media forms (the passage from film to interactive text, software, videogame and so on) is quite always a research practice towards what I will soon define “the film algorithm”. More generally, I would like in these minutes to think about the concepts of remediation and transtextuality in the transition from the so called paradigm of narrative to the paradigm of database, questioning their functioning, using for this objective on the one hand some theoretical indications coming from Manovich’s reflections upon the database form, end on the other hand a recent theory by Ian Bogost about “Unit operations”. The works which will help me along this path are basically two: the Cinema Redux series by the british artist Brendan Dawes, which translates into static images a set of films, and The Battle of Algiers by the French artist and filmmaker Marc Lafia in collaboration with the Taiwanese new media artist Fang Yu Lin, an interactive work based on the original film by Gillo Pontecorvo. In different ways, and leading to different outputs (a series of static images in the case of Cinema Redux, an interactive online installation in the case of The Battle of Algiers), the two artworks well represent the modalities in which the so called new (digital) media deal with contents that come from traditional media, trying to RE-WRITE them in a way that is the most peculiar to the interactive and procedural vocation of the digital medium.