University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Theses, Dissertations, and Student Creative Activity, Art, Art History and Design, School of School of Art, Art History and Design Spring 5-2014 Constructions of Black Identity in the Work of Glenn Ligon and Kara Walker Shadé R. Ayorinde University of Nebraska-Lincoln,
[email protected] Follow this and additional works at: http://digitalcommons.unl.edu/artstudents Part of the American Art and Architecture Commons, Contemporary Art Commons, and the Theory and Criticism Commons Ayorinde, Shadé R., "Constructions of Black Identity in the Work of Glenn Ligon and Kara Walker" (2014). Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design. 52. http://digitalcommons.unl.edu/artstudents/52 This Article is brought to you for free and open access by the Art, Art History and Design, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 1 CONSTRUCTIONS OF BLACK IDENTITY IN THE WORK OF GLENN LIGON AND KARA WALKER by Shadé R. Ayorinde A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: Art History Under the Supervision of Professor Marissa Vigneault Lincoln, Nebraska May, 2014 2 CONSTRUCTIONS OF BLACK IDENTITY IN THE WORK OF GLENN LIGON AND KARA WALKER Shadé R. Ayorinde, M.A University of Nebraska, 2014 Advisor: Marissa Vigneault In this thesis I reference artworks and installations by Glenn Ligon and Kara Walker, as well as contemporary mass media images, to offer a reading of various constructions of black identity in the 1990s and into the 21st century.