Michael Ray Charles

Total Page:16

File Type:pdf, Size:1020Kb

Michael Ray Charles MICHAEL RAY CHARLES TEACHING EXPERIENCE 2005 – present Professor, University of Texas at Austin, TX 2000 – 2005 Associate Professor, University of Texas at Austin, TX 1994 – 1999 Assistant Professor, University of Texas at Austin, TX SOLO EXHIBITIONS 2007 Galerie Cimaise d’ Or, Luxemburg , Germany Cotthem Gallery, Gallery, Brussels, Belgium 2006 Cotthem Gallery, Gallery, Brussels, Belgium 2005 Cotthem Gallery, Gallery, Brussels, Belgium, Cotthem Gallery, Barcelona, Spain, 2004 Weatherspoon Art Museum, Greensboro, NC 2003 Universite Libre De Bruxells , Bruxells , Belgium Cotthem Gallery, Barcelona, Spain Hans Myer Galleri, Berlin, Germany DeBerman Gallery, Austin, Texas, " The Property of..." 2002 Cotthem Gallery, Brussels, Belgium Cotthem Gallery, Barcelona, Spain ,"Shiny Figures" John Michael Kohl Arts Center, Sheboygan, WI 2001 Cotthem Gallery, Knokke, Belgium Galerie Enrico Navarra Gallery, Paris, France 2000 Tony Shafrazi Gallery, New York, New York 1999 Tony Shafrazi Gallery, New York, New York Cotthem Gallery, Knokke, Belgium 1998 Cotthem Gallery, Barcelona, Spain Galerie Hans Mayer, Dusseldorf, Germany 1997 Tony Shafrazi Gallery, New York, New York Blaffer Gallery, Houston, Texas, "Michael Ray Charles 1989-1997," Traveling Exhibit: (Where there is an asterisk the show traveled there) Austin Museum of Art, Austin, Texas* The Contemporary Arts Center, Cincinnati, Ohio* Albright Knox Museum, Buffalo, New York, "Recent Acquisitions" Galerie Lucien-Durand, Paris, France Cotthem Gallery, Knokke, Belgium 1996 Dishman Gallery, Beaumont, Texas Galerie 56th, Budapest, Hungary Tony Shafrazi Gallery, New York, New York Barry Whistler Gallery, Dallas, Texas 1995 Galerie Hans Mayer, Dusseldorf, Germany Moody Gallery, Houston, Texas 1994 Tony Shafrazi Gallery, New York, New York Barry Whistler Gallery, Dallas, Texas 1993 Moody Gallery, Houston, Texas 1991 Barnes Blackman Gallery, Houston, Texas SELECTED GROUP EXHIBITIONS 2008 Houston Collects: African American Art, MFA Houston ,TX. Modern Art. Modern Lives. Then + Now, MOMA, Austin, TX Points of Convergence: Masters of Fine Arts, Arlington, TX Atelier 2008, Blanton Museum, Austin, TX 2007 San Antonio Museum of Art, San Antonio, TX. “Taking Aim: From the Elliot L.Perry Collection, Rhodes College, Memphis ,TN 2006 The PPMK, Musee D’Art Moderne, Ostende, Belgium 2005 "Soul", Bruges, Belgium Sarah Moody Gallery of Art, The University of Alabama, "ULTERIOR MOTIFS", Buddy Holly Center, Lubbock TX , 2004 Art from the Permanent Collection , ASU Museum Tempe, AZ , Fall 2004 "Democracy In America" ASU Museum Tempe, AZ , Fall 2004 "Splat Boom Pow!" The Influence of Cartoons in Contemporary, Heni Onstad Kunstsenter , Norway, June 2004 Flatbed Press " Texas Grit," William Campbell Contemporary Art African American Art from the Permanent Collection MFA Houston, Spring 2004 Comic Release! Negotiating Identity for A New Generation, University of Arizona Museum of Art, Nov. 2003 Comic Release! Negotiating Identity ..., Western Gallery, Western Washington University, May 2004 Comic Release! Negotiating Identity ..., Armory Center for the Arts, August 2004 Comic Release! Negotiating Identity for A New Generation, Art House, September 2004 "Splat, Boom, Pow: The Influence of Cartoons in Contemporary Art, 1970 – 2000," Wexner Center for the Arts, Columbus, Ohio Jan.31- Apr.30, 2004 Basel Art Fair, Basel, Switzerland Arco Art Fair, Madrid, Spain Art Brussels, Brussels Belgium FIAC, Paris, France Miami Arts Festival, Miami, FL 2003 "Splat, Boom, Pow: The Influence of Cartoons in Contemporary Art, 1970 – 2000,” Institute of Contemporary Art Boston, MA, Sept. 17, 2003- Jan.4, 2004 PORTRAIT OF THE ART WORLD, A Century of ARTnews Photographs, Museum of Fine Arts, Santa Fe, NM, Sept. 19, 2003–Jan. 4, 2004 Beyond The Academy, Galveston Arts Center, May 17-Jun. 22, Galveston, TX PORTRAIT OF THE ART WORLD, A Century of ARTnews Photographs, Elmhurst Art Museum, Elmhurst, Illinois, May 2, 2003–Jul. 29, 2003 "WINDSTIL" Cotthem Gallery, Belgium, Apr 4-March 30,2003 "Splat, Boom, Pow: The Influence of Cartoons in Contemporary Art, 1970 - 2000" Contemporary Museum of Arts, Houston, TX, Traveling Exhibition PORTRAIT OF THE ART WORLD, A Century of ARTnews Photographs, International Gallery, Smithsonian Institution Washington, DC, Feb. 7, 2003–Apr. 6, 2003 Beyond The Academy, Art House, Austin TX, Jan. 18-Mar. 9 Basel Art Fair, Basel, Switzerland Arco Art Fair, Madrid, Spain Art Brussels, Brussels, Belgium FIAC, Paris, France Miami Arts Festival, Miami, FL 2002 PORTRAIT OF THE ART WORLD, A Century of ARTnews Photographs, New York Historical Society, New York City, Sept. 27, 2002–Jan. 5, 2003, Traveling Exhibition, Catalogue Color of the Advent Gard, The Landmark Gallery, Lubbock, TX, Oct.18-Dec.2 MCSARNOK, Kunsthalle, Budapest, Hungry, Black-White, Fekete-FehÈr Walker Art Center, "Continued Reflections: Walker Art Center Celebrates Black History Month," Jan-Jun 2002, Minneapolis, MN Regina Gouger Miller Gallery, "Comic Release: Negotiating Identity for a New Generation," Carnegie Mellon University, Pittsburgh, PA "Not Just February," Steve Turner Gallery, Beverly Hills, CA Creative Research Lab, "Faculty Show," Austin, TX 2002 Korea, "80 Artists around the Mundial,” Traveling Exhibit Japan, "80 Artists around the Mundial,” Traveling Exhibit Basel Art Fair, Basel, Switzerland Arco Art Fair, Madrid, Spain Art Brussels, Brussels, Belgium FIAC, Paris, France Chicago Art Fair, Chicago, Ill Miami Arts Festival, Miami , FL. 2001 Lyndon Baines Johnson Presidential Library and Museum, Austin, Texas, "Our New Day Begun: African American Artists entering the Millennium" Feb-May, Traveling Exhibit Marta Herford "Schwartz Weiss," November 18, 2001 - Feb 3, 2002, Germany Traveling Exhibit, Catalogue Brazil, "80 Artists around the Mundial,," Traveling Exhibit Cotthem Gallery, "Talking Heads," Madrid, Spain Brooklyn Museum of Art, "Digital Printmaking Now," June-Sept. 2001 "Looking Forward Looking Black," University of Denver, School of Art and Art History, Victoria H. Myhren Gallery, Denver, CO, Sept. 14- Nov. 2, 2001 Basel Art Fair, Basel, Switzerland Arco Art Fair, Madrid, Spain Art Brussels, Brussels, Belgium FIAC, Paris, France 2000 Harvard University, Boston, Massachusetts, "Strength and Diversity: A Celebration of African American Artists," April-May Flatbed Press, Austin, TX, "Flatbed at Eleven," University of Texas, Austin, TX, "62nd Annual Faculty Art Exhibit," Nov-Dec Gazomettre, Oberhausen, Germany, "80 Artists around the Mundial," catalogue May-Oct University Museum, Texas Southern University, Houston, Texas, "Our new Day Begun: African American Artists entering the Millennium" (Traveling Exhibit) Nov-Feb 2001, Extended African American Museum, Dallas, Texas "Our new Day Begun: African American Artists entering the Millennium," June-Aug, Traveling Exhibit LBJ Presidential Library and Museum, Austin, Texas, "Our New Day Begun: African American Artists entering the Millennium," Feb-May, Traveling Exhibit Illinois State University, "Clowns," University Galleries, Normal, Illinois, June-Sept Tufts University, Aidekman Arts Center, Boston, Massachusetts, "Looking Forward, Looking Black," Oct.-Dec., Traveling Exhibit Georgia State University School of Art and Design Gallery, Atlanta, Georgia "Looking Forward, Looking Black," July-Sept Traveling Exhibit Umlauf Sculpture Garden, Austin, TX, "The Garden Party," May The Yager Museum, Hartwick College, Oneonta, New York, "Looking Forward, Looking Black,” March-June, Traveling Exhibit AZ/NY Gallery, Scottsdale, Arizona Dallas Visual Art Center, Dallas, Texas "Austin at Dallas,” March-June Basel Art Fair, Basel, Tony Shafrazi Gallery, Switzerland, June Arco Art Fair, Cotthem Gallery, Spain Art Brussels, Cotthem Gallery, Belgium FIAC, Paris, France Susquehanna Art Museum, Harrisburg, Pennsylvania, "Post Pop," April – June 1999 Scottsdale Museum of Contemporary Art, Scottsdale, Arizona, "Looking Forward Looking Black," Dec-Mar 2000, Traveling Exhibit University of Texas at Austin, Austin, Texas, "Faculty Exhibit," Nov1999 Arizona State University, (2 person show) "Face Off: Michael Ray Charles/Jean-Michel Basquiat," Dec 99-April 2000 University of North Carolina, Weatherspoon Art Gallery, Greensboro, North Carolina, "Looking Forward, Looking Black," Aug-Oct, Traveling Exhibit Florida Atlantic University, Boca Raton, Florida, Michael Ray Charles/Joyce Scott Basel Art Fair, Basel, Switzerland Arco Art Fair, Madrid, Spain, Art Brussels, Brussels, Belgium, FIAC, Paris, France Katonah Museum of Art, New York, "Re/Righting History: Counter narratives by Contemporary African-American Artists," March-May Galerie Enrico Navarra, Paris, France, "80 Artistes Autour du Mondail," Traveling Exhibit through 2002 Helm Fine Arts Center, Austin, Tx, "Art of the African Diaspora," Aug-Oct 1998 The Guggenheim Gallery, Orange, CA, "Same Difference" Hobart and William Smith Colleges, Geneva, N.Y., "Looking Forward, Looking Black: Re-Encountering the Sexualized Black Female Body" Lineart Art Fair, Ghent, Belgium, December 1997 Austin Museum of Art, Austin, Texas, "Fresh Ink," Print Show Barry Whistler Gallery, Dallas, Texas Art Pace, San Antonio, Texas Lineart Art Fair, Ghent, Belgium, 1996 Museum of Fine Arts Houston, Houston, Texas, “Texas Modern and Post Modern,” Moody Gallery, Houston, Texas University of Texas at Austin, Austin, Texas, 58th Annual Faculty Exhibition Tony Shafrazi Gallery, Paris, France, FICA Austin Museum of Art, Austin, Texas, "Bucking the Texas Myth" Irving Arts Center, Irving , Texas,
Recommended publications
  • Bibiliography
    Parodies of Ownership: Hip-Hop Aesthetics and Intellectual Property Law Richard L. Schur http://www.press.umich.edu/titleDetailDesc.do?id=822512 The University of Michigan Press, 2009. Bibiliography A&M Records v. Napster. 2001. 239 F.3d 1004 (9th Cir.). Adler, Bill. 2006. “Who Shot Ya: A History of Hip Hop Photography.” Total Chaos: The Art and Aesthetics of Hip Hop. Ed. Jeff Chang. New York: Basic Books. 102–116. Alim, Salim. 2006. Roc the Mic Right: The Language of Hip Hop Culture. New York: Routledge. Alkalimat, Abdul. 2002a. Editor’s Notes. “Archive of Malcolm X For Sale.” By David Chang. February 20. www.h-net.org/~afro-am/. People can ‹nd the dis- cussion loss there H-Afro-Am. August 9, 2004. http://h-net.msu.edu/cgi- bin/logbrowse.pl?trx=vx&list=H-Afro-Am&month=0202&week=c&msg=c PR4wypSByppLKU61e5Diw&user=&pw=. Alkalimat, Abdul. 2002b. Editor’s Notes. “Archive of Malcolm X For Sale.” By Gerald Horne. February 20. H-Afro-Am. August 9, 2004. http://h- net.msu.edu/cgi-bin/logbrowse.pl?trx=vx&list=H-Afro-Am&month=0202& week=c&msg=JQnoJ7FS8tJmazqZ6J5S3Q&user=&pw=. Allen, Ernest, Jr. 2002. “Du Boisian Double Consciousness: The Unsustainable Ar- gument.” Massachusetts Review 43.2: 215–253. Alridge, Derrick. 2005. “From Civil Rights to Hip Hop: Toward a Nexus of Ideas.” Journal of African American History 90.3: 226–252. Ancient Egyptian Order of Nobles of the Mystic Shrine v. Michaux. 1929. 279 U.S. 737. Angelo, Bonnie. 1994. “The Pain of Being Black: An Interview with Toni Morri- son.” Conversations with Toni Morrison.
    [Show full text]
  • Annotated Bibliography -- Trailtones
    Annotated Bibliography -- Trailtones Part Three: Annotated Bibliography Contents: Abdul, Raoul. Blacks in Classical Music. New York: Dodd, Mead and Company, 1977. [Mentions Tucson-born Ulysses Kay and his 'New Horizons' composition, performed by the Moscow State Radio Orchestra and cited in Pravda in 1958. His most recent opera was Margeret Walker's Jubilee.] Adams, Alice D. The Neglected Period of Anti-Slavery n America 1808-1831. Gloucester, Massachusetts: Peter Smith, 1964. [Charts the locations of Colonization groups in America.] Adams, George W. Doctors in Blue: the Medical History of the Union Army. New York: Henry Schuman, 1952. [Gives general information about the Civil War doctors.] Agee, Victoria. National Inventory of Documentary Sources in the United States. Teanack, New Jersey: Chadwick Healy, 1983. [The Black History collection is cited . Also found are: Mexico City Census counts, Arizona Indians, the Army, Fourth Colored Infantry, New Mexico and Civil War Pension information.] Ainsworth, Fred C. The War of the Rebellion Compilation of the Official Records of the Union and Confederate Armies. General Index. [Volumes I and Volume IV deal with Arizona.] Alwick, Henry. A Geography of Commodities. London: George G. Harrop and Co., 1962. [Tells about distribution of workers with certain crops, like sugar cane.] Amann, William F.,ed. Personnel of the Civil War: The Union Armies. New York: Thomas Yoseloff, 1961. [Gives Civil War genealogy of the Black Regiments that moved into Arizona from the United States Colored troops.] American Folklife Center. Ethnic Recordings in America: a Neglected Heritage. Washington: Library of Congress, 1982. [Talks of the Black Sacred Harping Singing, Blues & Gospel and Blues records of 1943- 66 by Mike Leadbetter.] American Historical Association Annual Report.
    [Show full text]
  • Fort Gansevoort
    FORT GANSEVOORT March Madness 5 Ninth Avenue, New York, NY, 10014 On View: Friday March 18 – May 1, 2016 Opening Reception: March 18, 6-9pm When sports and art collide with the impact of “March Madness,” a show of 28 artists opening March 18 at Fort Gansevoort, our games become metaphors, our heroes are transformed, even our golf bags reveal secrets. The artist’s eye finds the corruption, violence and racism behind the scoreboard, and the artist’s hand enhances the protest. To fans, “March Madness” refers to the hyped fun and games of the current national college basketball tournament. To Hank Willis Thomas and Adam Shopkorn, organizers of these 44 works, it reflects the classic spirit of Tommie Smith and John Carlos raising the black power salute at the 1968 Olympics, of Leni Riefenstahl’s film of the 1936 Berlin Olympics, of George Bellows’ painting of Dempsey knocking Firpo out of the ring. The boxer in this show is still. The legendary photographer Gordon Parks reveals Muhammad Ali, the leading symbol of athletic protest, in a rare moment of stunning silence. The boxing champion is framed in a doorway, praying. Contrast that to the in-your-face fury of Michael Ray Charles’ “Yesterday.” A powerful black figure in a loin-cloth bursts through a jungle to slam-dunk his own head through what looks like basketball hoop of vines. A cameo of Abraham Lincoln looks on. Is the artist suggesting that the end of slavery is the beginning of March Madness? More subtle but no less troubling is Charles’ rendition of the face of O.J.
    [Show full text]
  • Press Release ENG
    SHARIF BEY EDDY KAMUANGA PAT PHILLIPS MICHAEL RAY CHARLES KATHIA ST HILAIRE 20th March – 8th May 2021 Zidoun-Bossuyt Gallery is pleased to present an exhibition of sculptures, paintings and works on paper by Sharif Bey, Eddy Kamunaga, Michael Ray Charles, Pat Phillips and Kathia St Hilaire. Sharif Bey “I was raised in an anti-imperialist household - that was the culture,” Sharif Bey explains, “a culture of asking, of questioning, of pushing back on the narratives that media has fed to us.” Over the past thirty years, Bey has channeled this impulse into his clay practice. Bey’s sculptures reference the visual heritage of Africa and Oceania, as well as present-day African American culture, exploring the significance of traditional beads and figurines through contemporary reinterpretations of these forms. He works primarily with ceramics, a medium historically used by communities to create both functional objects and objects of worship. Investigating the symbolic and formal properties of archetypal motifs, Bey questions how the meaning of icons transform across cultures and time. Bey does not shy away from stereotypical associations. Instead, he reappropriates and recontextualizes this imagery to challenge the cultural mainstream. For example, in the Protest Shields, the artist incorporates ceremonial elements with crowns of raised fists – another symbol whose meaning has continually shifted, from workers’ movements of the early twentieth century, to the Black Power movement of nineteen sixties and seventies, to today’s Black Lives Matter movement. Sharif Bey [b. 1974, Pittsburgh, PA] lives and works in Syracuse, NY, where in addition to this studio practice he is an associate professor in arts education and teaching and leadership in the College of Visual and Performing Arts and Syracuse University’s School of Education.
    [Show full text]
  • Interpreting Art : Reflecting, Wondering, and Responding
    E>»isa S' oc 3 Interpreting Art Interpreting Art Reflecting, Wondering, and Responding Terry Barrett The Ohio State University Boston Burr Ridge, IL Dubuque, IA Madison, Wl New York San Francisco St. Louis Bangkok Bogota Caracas Kuala Lumpur Lisbon London Madrid Mexico City Milan Montreal New Delhi Santiago Seoul Singapore Sydney Taipei Toronto McGraw-Hill Higher Education gg A Division of The McGraw-Hill Companies Interpreting Art: Reflecting, Wondering, and Responding Published by McGraw-Hill, an imprint of The McGraw-Hill Companies, Inc., 1221 Avenue of the Americas, New York, NY 10020. Copyright ® 2003 by The McGraw-Hill Companies, Inc. All rights reserved. No part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written consent of The McGraw- Hill Companies, Inc., including, but not limited to, in any network or other electronic storage or transmission, or broadcast for distance learning. This book is printed on acid-free paper. 34567890 DOC/DOC 0 9 8 7 6 5 4 ISBN 0-7674-1648-1 Publisher: Chris Freitag Sponsoring editor: Joe Hanson Marketing manager: Lisa Berry Production editor: David Sutton Senior production supervisor: Richard DeVitto Designer: Sharon Spurlock Photo researcher: Brian Pecko Art editor: Emma Ghiselli Compositor: ProGraphics Typeface: 10/13 Berkeley Old Style Medium Paper: 45# New Era Matte Printer and binder: RR Donnelley & Sons Because this page cannot legibly accommodate all the copyright notices, page 249 constitutes an extension of the copyright page. LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Barrett, Terry Michael, 1945- Interpreting Art: reflecting, wondering, and responding / Terry Barrett, p.
    [Show full text]
  • Newspaper Distribution List
    Newspaper Distribution List The following is a list of the key newspaper distribution points covering our Integrated Media Pro and Mass Media Visibility distribution package. Abbeville Herald Little Elm Journal Abbeville Meridional Little Falls Evening Times Aberdeen Times Littleton Courier Abilene Reflector Chronicle Littleton Observer Abilene Reporter News Livermore Independent Abingdon Argus-Sentinel Livingston County Daily Press & Argus Abington Mariner Livingston Parish News Ackley World Journal Livonia Observer Action Detroit Llano County Journal Acton Beacon Llano News Ada Herald Lock Haven Express Adair News Locust Weekly Post Adair Progress Lodi News Sentinel Adams County Free Press Logan Banner Adams County Record Logan Daily News Addison County Independent Logan Herald Journal Adelante Valle Logan Herald-Observer Adirondack Daily Enterprise Logan Republican Adrian Daily Telegram London Sentinel Echo Adrian Journal Lone Peak Lookout Advance of Bucks County Lone Tree Reporter Advance Yeoman Long Island Business News Advertiser News Long Island Press African American News and Issues Long Prairie Leader Afton Star Enterprise Longmont Daily Times Call Ahora News Reno Longview News Journal Ahwatukee Foothills News Lonoke Democrat Aiken Standard Loomis News Aim Jefferson Lorain Morning Journal Aim Sussex County Los Alamos Monitor Ajo Copper News Los Altos Town Crier Akron Beacon Journal Los Angeles Business Journal Akron Bugle Los Angeles Downtown News Akron News Reporter Los Angeles Loyolan Page | 1 Al Dia de Dallas Los Angeles Times
    [Show full text]
  • Interpreting Racial Politics
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Interpreting Racial Politics: Black and Mainstream Press Web Site Tea Party Coverage Benjamin Rex LaPoe II Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Mass Communication Commons Recommended Citation LaPoe II, Benjamin Rex, "Interpreting Racial Politics: Black and Mainstream Press Web Site Tea Party Coverage" (2013). LSU Doctoral Dissertations. 45. https://digitalcommons.lsu.edu/gradschool_dissertations/45 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. INTERPRETING RACIAL POLITICS: BLACK AND MAINSTREAM PRESS WEB SITE TEA PARTY COVERAGE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Manship School of Mass Communication by Benjamin Rex LaPoe II B.A. West Virginia University, 2003 M.S. West Virginia University, 2008 August 2013 Table of Contents Abstract .......................................................................................................................................... iii Introduction
    [Show full text]
  • African American Newsline Distribution Points
    African American Newsline Distribution Points Deliver your targeted news efficiently and effectively through NewMediaWire’s African−American Newsline. Reach 700 leading trades and journalists dealing with political, finance, education, community, lifestyle and legal issues impacting African Americans as well as The Associated Press and Online databases and websites that feature or cover African−American news and issues. Please note, NewMediaWire includes free distribution to trade publications and newsletters. Because these are unique to each industry, they are not included in the list below. To get your complete NewMediaWire distribution, please contact your NewMediaWire account representative at 310.492.4001. A.C.C. News Weekly Newspaper African American AIDS Policy &Training Newsletter African American News &Issues Newspaper African American Observer Newspaper African American Times Weekly Newspaper AIM Community News Weekly Newspaper Albany−Southwest Georgian Newspaper Alexandria News Weekly Weekly Newspaper Amen Outreach Newsletter Newsletter Annapolis Times Newspaper Arizona Informant Weekly Newspaper Around Montgomery County Newspaper Atlanta Daily World Weekly Newspaper Atlanta Journal Constitution Newspaper Atlanta News Leader Newspaper Atlanta Voice Weekly Newspaper AUC Digest Newspaper Austin Villager Newspaper Austin Weekly News Newspaper Bakersfield News Observer Weekly Newspaper Baton Rouge Weekly Press Weekly Newspaper Bay State Banner Newspaper Belgrave News Newspaper Berkeley Tri−City Post Newspaper Berkley Tri−City Post
    [Show full text]
  • Court-‐Ordered Corrective Statements Remedy
    Court-Ordered Corrective Statements Remedy: Implementation Details United States v. Philip Morris USA Inc. In 2006, U.S. District Judge Gladys Kessler found the major tobacco companies guilty of violating civil racketeering laws (RICO) and engaging in a decades-long conspiracy to deceive the American public about the health effects of smoking and their marketing to children. Among her remedies, Judge Kessler ordered the tobacco companies to publish corrective statements about the adverse health effects of smoking and secondhand smoke and other topics. The companies must disseminate the corrective statements through television and newspaper advertising, their websites and cigarette packaging. After 11 years of appeals by the tobacco companies to weaken and delay the corrective statements, a federal judge issued a final order directing them to begin running the corrective statement ads in newspapers on Sunday, November 26, 2017, with the television ads beginning the following day. Implementation details are still being finalized for the company websites and cigarette packs. Television: The Defendant tobacco companies will purchase television ads with text and voice-over containing one of the five corrective statements. • The ads will run five times per week for one year (52 weeks) for a total of 260 spots. • The ads can run Monday through Thursday between 7:00 p.m. and 10:00 p.m. on one of the three major networks (CBS, ABC or NBC). Each month, up to one-third of the ads may be placed during programs on other networks or channels, provided that program has an overall audience at least as large as a program on one of the three major networks during the assigned time slots.
    [Show full text]
  • Diaspora/Strategies/Realities a Conference Paper on African
    n.paradoxa online, issue 7 July 1998 Editor: Katy Deepwell n.paradoxa online issue no.7 July 1998 ISSN: 1462-0426 1 Published in English as an online edition by KT press, www.ktpress.co.uk, as issue 7, n.paradoxa: international feminist art journal http://www.ktpress.co.uk/pdf/nparadoxaissue7.pdf July 1998, republished in this form: January 2010 ISSN: 1462-0426 All articles are copyright to the author All reproduction & distribution rights reserved to n.paradoxa and KT press. No part of this publication may be reprinted or reproduced or utilized in any form or by any electronic, mechanical or other means, including photocopying and recording, information storage or retrieval, without permission in writing from the editor of n.paradoxa. Views expressed in the online journal are those of the contributors and not necessarily those of the editor or publishers. Editor: [email protected] International Editorial Board: Hilary Robinson, Renee Baert, Janis Jefferies, Joanna Frueh, Hagiwara Hiroko, Olabisi Silva. www.ktpress.co.uk n.paradoxa online issue no.7 July 1998 ISSN: 1462-0426 2 List of Contents Pennina Barnett Materiality, Subjectivity & Abjection in the Work ofChohreh Feyzdjou, Nina Saunders and Cathy de Monchaux 4 Howardena Pindell Diaspora/Strategies/Realities 12 Jane Fletcher Uncanny Resemblances: The Uncanny Effect of Sally Mann's Immediate Family 27 Suzana Milevska Female Art Through the Looking Glass 38 Katy Deepwell Out of Sight / Out of Action 42 Diary of an Ageing Art Slut 46 n.paradoxa online issue no.7 July 1998 ISSN: 1462-0426 3 Diaspora/Realities/Strategies Howardena Pindell African-American artists in the diaspora face continuing cutbacks in American government funding of the arts due to conservative pressure in Congress, a situation which has led to the restriction and/ or curtailment of organisations serving African-American communities and the general public.
    [Show full text]
  • Thenceforward, and Forever Free August 22 - December 22, 2012 2
    1 1 Thenceforward, and Forever Free August 22 - December 22, 2012 2 Cover image Michael Ray Charles American, b. 1967 (Forever Free) Mixed Breed, 1997 Acrylic latex, stain and copper penny on canvas tarp 99 x 111" Collection of Tony Shafrazi Gallery, New York 3 Thenceforward, and Forever Free August 22 - December 22, 2012 Thenceforward, and Forever Free is presented as part of Marquette University’s Freedom Project, a yearlong commemoration of the Sesquicentennial of the Civil War. The Project explores the many histories and meanings of emancipation and freedom in the United States and beyond. The exhibition features seven contemporary artists whose work deals with issues of race, gender, privilege, and identity, and more broadly conveys interpretations of the notion of freedom. Artists in Thenceforward are: Laylah Ali, Willie Birch, Michael Ray Charles, Gary Simmons, Elisabeth Subrin, Mark Wagner, and Kara Walker. Essayists for the exhibition catalogue are Dr. A. Kristen Foster, associate professor, Department of History, Marquette University, and Ms. Kali Murray, assistant professor, Marquette University Law School. Thenceforward, and Forever Free is sponsored in part by the Friends of the Haggerty, the Joan Pick Endowment Fund, the Marquette University Andrew W. Mellon Fund, a Marquette Excellence in Diversity Grant, the Martha and Ray Smith, Jr. Endowment Fund, the Nelson Goodman Endowment Fund, and the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts. 4 Art and the American Paradox A. Kristen Foster, Ph.D. Associate Professor Department of History Marquette University On December 1, 1862—before signing the Emancipation Proclamation, before the end of the Civil War, and before the ratification of the Thirteenth Amendment—President Abraham Lincoln sent his Annual Message to Congress.
    [Show full text]
  • Passioned, Radical Leader Who Incorporating Their Own
    Vol. 59 No. 11 March 13 - 19, 2019 CELEBRATING MARCH 14, 2018 25 Portland and Seattle Volume XL No. 24 CENTS BLACK MEN ARRESTED AT STARBUCKS WANT CHANGE IN U.S. RACIAL ATTITUDES - PG. 2 News ..............................3,8-10 A & E .....................................6-7 Opinion ...................................2 NRA Gives to Schools ......8 NATIONAL NEWSPAPER PUBLISHERS ASSOCIATION CHALLENGING PEOPLE TO SHAPE A BETTER FUTURE NOW Calendars ...........................4-5 Bids/Classifieds ....................11 THE SKANNER NEWS READERS POLL Should Portland Public Schools change the name of Jefferson High School? (451 responses) YES THE NATION’S ONLY BLACK DAILY 129 (29%) NO Reporting and Recording Black History 322 (71%) STUDENTS WALK OUT 75 Cents VOL. 47 NO. 28 FRIDAY, APRIL 20, 2018 Final Seventy-one percent of respondents to a The Skanner News poll favored keeping the name of Thomas Jefferson High School intact. CENTER192 FOCUSES ON YOUTH POLL RESULTS: YEARS OF THE 71 Percent of TO HELP SAVE THE PLANET The Skanner’s Readers Oppose BLACK PRESS Jefferson Name Change Alumni association circulating a petition OF AMERICA opposed to name change PHOTO BY SUSAN FRIED SUSAN BY PHOTO By Christen McCurdy Hundreds of students from Washington Middle School and Garfield High School joined students across the country in a walkout and 17 minutes of silence Of The Skanner News to show support for the lives lost at Marjory Stoneman Douglas High School in Florida Feb. 14 and to let elected officials know that they want stricter gun control laws. he results of a poll by The Skanner News, which opened Feb. 22 and closed Tuesday, favor keeping the Oregon Introduces ‘Gun Violence Restraining Orders’ Tname of North Portland’s Thomas Jefferson High School.
    [Show full text]