Scott A. Sherer

Department of Art and Art History, The University of Texas at San Antonio, One UTSA Circle, San Antonio, TX 78249 [email protected]; office: 210-458-4402; cell: 210-241-3937; fax: 210-458-4356

Current rank: Professor

§ Education Ph.D., 2002, Studies in Discourse and Society, Cultural Studies and Comparative Literature, University of Minnesota, Minneapolis. Dissertation: The Aesthetics of Cruel Embodiment. Research in art, architectural, and film history, theory, and criticism; cultural studies and comparative literature; gender and sexuality studies. Research focused on the intersections of cultural/political theory with visual and performative representations of embodiment and gender and sexual identity.

M.A., 1993, Art History, University of Kentucky, Lexington. Thesis: The Politics of Photography: Garry Winogrand Knows? & Shows? which “Women are Beautiful.” Research in art history, emphasizing feminist perspectives in criticism and the study of artists’ roles in society, museum training, American history and poetry, printmaking and artist’s bookmaking.

B.A., 1987, Architecture, Yale University, New Haven, Connecticut. Thesis project exhibit, 1987. Drawing, design, and painting in group exhibits, 1984-87. Course work in architecture, fine arts, urban studies, social sciences, languages, and literatures.

The Architectural Association School of Architecture, London, England, 1986. Course work in architecture, art history, and photography.

§ Professional Employment Experience Professor, Department of Art and Art History, University of Texas at San Antonio, Fall 2017-present. Director, UTSA Main Art Gallery and Terminal 136 (formerly Satellite Space), Department of Art and Art History, UTSA, Fall 2006-present. Coordinator, Museum Studies Minor, College of Liberal and Fine Arts, UTSA, August 2014-present. Associate Professor, Department of Art and Art History, University of Texas at San Antonio, Fall 2008-Spring 2017. Assistant Professor, Department of Art and Art History, University of Texas at San Antonio, Fall 2006- Summer 2008. Assistant Professor (tenure track), Division of Art History, School of Art, Kent State University, Fall 2001- Summer 2006. Visiting Assistant Professor, Critical Theory and Cultural Studies, MFA Program, Maine College of Art, Portland, Summer 2001. Instructor, Department of Art, University of Kentucky, Lexington, Summers 1994, 1995, 1996, 1997. Instructor, Department of Cultural Studies and Comparative Literature, University of Minnesota, Winter 1995, Spring 1995, Fall 1995, Spring 1996, Spring 1998, Fall 1999, Fall 2000, Spring 2001. Sherer, 2

Research Assistant, “Introduction to Visual Cultures,” Prof. John Archer, University of Minnesota, Summer 1999. Instructor, Department of English, University of Kentucky, Lexington, Fall 1996, Spring 1997. Research Assistant, “Reframing Suburbia,” McKnight Faculty Fellowship, Professors John Archer, CSCL, and Katherine Solomonson, Department of Architecture, Univ. of Minnesota, Fall 1997, Winter 1998. Instructor, Honors Division, College of Liberal Arts, University of Minnesota, Winter 1996. Research Assistant, “Enlightenment History of Sexuality,” Graduate School Faculty Research Grant, Professor Gary Thomas, University of Minnesota, Fall 1994. Teaching Assistant, Department of Cultural Studies and Comparative Literature, University of Minnesota “Cinema and Ideology,” Spring 1994. “The Body and the Politics of Representation,” Winter 1994. “Gay Men and Homophobia in the Modern West,” Fall 1993.

§ Awards and Honors § Art History and Exhibition Outstanding Academic Award, Mid-America College Art Association, October 2016. 2016 President’s Distinguished Diversity Award, as member of African American Studies Symposium Committee, Faculty/Staff Group Category, April 2016. Special Recognition as exhibition curator for 2014 Choice Award, for Dornith Doherty, “Photographer - Comprehensive Body of Work”, Exhibition: Seeds, Science, Sustenance & Snacks: The Photography of Dornith Doherty, FotoSeptiembre USA. 2013 Choice Award, “Curator—University Gallery Exhibition,” FotoSeptiembre USA.

§ Pedagogy Moulton Scholars Program, Faculty Professional Development Center, Spring 2006 ($3000), declined. Workshop Award, “Workshop: The Business of Contemporary Printmaking,” University Teaching Council, KSU, Summer 2005. Summer Teaching Development Award, “Interdisciplinary Content in Discipline-Based Courses: Creating a Model for Interdisciplinary Teaching,” (with Sarah Wilcox, KSU Sociology), University Teaching Council, KSU, Summer 2002.

§ Cultural Studies Dissertation Fellowship, Cultural Studies and Comparative Literature, University of Minnesota, Spring 2000. Harold Leonard Memorial Film Study Fellowship, Graduate School, University of Minnesota, 1998-99. Foreign Language and Area Studies Fellowship, Center for European Studies, Institute of International Studies, University of Minnesota, Summer 1998. Lifson Scholarship, Office of Scholarships and Financial Aid, University of Minnesota, 1996-97, 1997-98. Dissertation Award, Minnesota Gay, Lesbian, Bisexual, Transgender Educational Fund, Spring 1996. Department Tuition Fellowship, CSCL, University of Minnesota, Fall 1993; Winter, Spring, and Fall 1994; Fall, Winter, and Summer 1996; Summer 1999; Spring 2002.

§ Curatorial and Arts Programming § Exhibition Curator San Antonio African American Artists at the Tricentennial: An Exhibition Presented by St. Philip’s College, St. Philip’s College, April-May 2018. Sherer, 3

Re:Konstriksyon, exhibition curator with Kirsten Thompson, UTSA Main Art Gallery, February 21-28, 2018 (in progress. Making Fact and Fiction, exhibition co-curator with Libby Rowe, UTSA Main Art Gallery, August 31- September 30, 2016. New Art/Arte Nuevo: San Antonio 2016, exhibition juried by Kimberly Arp, UTSA Main Art Gallery, June 8-July 28, 2016. Friendship, curator with UTSA Museum Studies students, Gallery 23, UTSA Student Center, April 4-29, 2016. QUEENS: Re-drawing the Base of Beauty, solo exhibition of the work of Deborah Roberts, exhibition curator, Carver Community Cultural Center, San Antonio, March 2-30, 2016. Conversations, exhibition curator, Planned Parenthood and French & Michigan Gallery, San Antonio, November 7-21, 2015. The Uncertainty of a Life in Security: Veterans Back Home, exhibition curator with Marissa Del Toro, UTSA Main Art Gallery, September 2-30, 2015. Elemental ‘Scapes, exhibition curator with Marissa Del Toro, UTSA Main Art Gallery, June 3-July 31, 2015. Members Juried Exhibition, 2014 Mid-America College Art Association, exhibition juried by Paula Owen, UTSA Main Art Gallery, October 22 – November 21, 2014. Seeds, Science, Sustenance & Snacks: The Photography of Dornith Doherty, exhibition curator, UTSA Main Art Gallery, San Antonio, September 3 – October 3, 2014. Sour Grapes: From Street to Studio, exhibition curator, UTSA Main Art Gallery, July 2-July 30, 2014. New Art/Arte Nuevo: San Antonio 2014, exhibition juried by Catherine Lee, UTSA Main Art Gallery, June 4-25, 2014. For All the World to See: Selections from the Collection of Paula and Edwin Miles, exhibition curator, UTSA Main Art Gallery, San Antonio, January 22-February 26, 2014. The Struggle for Civil Rights in Texas, exhibition curator within museum studies topics course and independent practicum, Institute of Texan Cultures, January 11-March 30, 2014. What Is Important Is, exhibition curator, UTSA Main Art Gallery, San Antonio, September 4-October 4, 2013. San Antonio Ethnic Arts Society Thirtieth Anniversary Exhibition, exhibition curator, UTSA Main Art Gallery, San Antonio, June 5-August 9, 2013. Alien Contexts: Mexico and the US, exhibition curator, UTSA Main Art Gallery, San Antonio, September- November, 2012. New Art/Arte Nuevo: San Antonio 2012, exhibition juried by Kate Bonansinga, UTSA Main Art Gallery, June-August, 2012. Sky Patterson: Swimming Pool, exhibition curator, Blue Star Contemporary Art Center, May-August, 2012. XIANG Yaping: The Traditional and the Modern in Chinese Landscape Painting, exhibition curator, UTSA Main Art Gallery, May 2011. New Art/Arte Nuevo: San Antonio 2010, exhibition juried by Valerie Cassel Oliver and Malaquias Montoya, UTSA Main Art Gallery, June-August, 2010. The Tradition of Trabajo Rústico: Fantasies in Cement, exhibition co-curator with Patsy Pittman Light and Kent Rush, Southwest School of Art & Craft, San Antonio, May 2010. Intense Concentration, exhibition curator, UTSA Main Art Gallery, San Antonio, January-February, 2010. Far Places Close: Photographic Essays of South Asia, exhibition curator, UTSA Main Art Gallery, San Antonio, September-October, 2009. Sherer, 4

Building Vernacular Imaginations: Paho Mann and Libby Rowe, exhibition curator, Satellite Space, Blue Star Complex, San Antonio, September 2009. Benito Huerta: Shock & Awe, exhibition curator, UTSA Main Art Gallery, San Antonio, July-August, 2009. Apparatus, exhibition curator, Satellite Space, Blue Star Complex, March 2009. The Culture Series, exhibition curator, in association with Marcia Gygli King: Forty Years, a collaboration with the San Antonio Museum of Art and the Southwest School of Art & Craft, UTSA Main Art Gallery, San Antonio, January-March 2009. Figure and Illusion: Recent Work by Susan kae Grant and Kenda North, exhibition curator, Satellite Space, Blue Star Complex, San Antonio, September 2008. New Art/Arte Nuevo: San Antonio 2008, exhibition juried by Benito Huerta and Kathy Vargas, UTSA Main Art Gallery, July-August, 2008. The Lam Collection of Aboriginal Art, exhibition curator, UTSA Main Art Gallery, San Antonio, January- March, 2008. Spiritual Dreaming, exhibition curator, Satellite Space, Blue Star Complex, San Antonio, January- February, 2008. Still Life in New Time, exhibition curator, UTSA Main Art Gallery, San Antonio, August-September, 2007. Play and Re-Play, exhibition curator, Satellite Space, Blue Star Complex, San Antonio, June-July, 2007. Texas Uprising II, juried exhibition of contemporary work by Texas sculptors, co-juried and co-organized with Bill FitzGibbons, Executive Director, Blue Star Contemporary Art Center, multiple venues throughout San Antonio, June-August, 2007. New Artists in the Mix Machine, exhibition co-curator with Liz Maugans, Heights Arts Gallery, Cleveland Heights, Ohio, April 22-June 2, 2006. Refereed. Pressing On: Alumni Artists Create Master Printshops, exhibition co-curator with Michael Loderstedt and Noel Reifel, Kent State University School of Art Gallery, September 6-October 1, 2005. Refereed. Once Familiar, exhibition curator, The Sky Lounge Exhibition series, Museum of Contemporary Art, Cleveland, Ohio, April 15-August 14, 2005. Refereed. Structures of Experience: an exhibition in response to Robert Smithson at Kent State University, exhibition curator, Kent State University School of Art Gallery, March 28-April 15, 2005. Refereed. Experience and Exchange: Documentary as the Art of Collaboration, exhibition curator, Kent State University School of Art Gallery, October 2-21, 2003. Refereed.

§ Exhibition Director UTSA Tricentennial Fine Arts Exhibitions, 5-part exhibition series, UTSA Main Art Gallery, January 1- December 31, 2018. Worlds Apart/Together, curated by Julie Ledet, UTSA Main Art Gallery, August 30-September 29, 2017. Daydreams and Other Monsters, curated by Alana Coates, UTSA Main Art Gallery, June 4-August 7, 2017. Three Decades Plus: Printmaking at UTSA, juried by Meredith Dean, Gregory Elliott, Janet Flohr, Kent Rush, Scott Sherer, UTSA Main Art Gallery, January 18-February 24, 2017. Locations: Buster Graybill & Humberto Saenz, Terminal 136, January 5-21, 2017. Jorge Yázpik: Sacred Geometries to Modern Topographies, curated by Gabriella Boschi Scott, UTSA Main Art Gallery, October 12 -November 16, 2016. 31K Portraits for Peace: Diego Huerta, curated by Claudia Zapata, Satellite Space, San Antonio, September 2012. Margins, curated by Larry Graeber, UTSA Main Art Gallery, June-August, 2011. Steve Reynolds: Serial Investigations in Sculpture curated by Catherine Lee, UTSA Main Art Gallery, January-February, 2011. Sherer, 5

Breakthrough! 20 Years After German Unification: Critical Perspectives of Berlin Artists, UTSA Main Art Gallery, San Antonio, October-November 2010. Today’s China: Images Speak to the World, UTSA Main Art Gallery, San Antonio, September-October, 2010. Globalization and War—The Aftermath: Works by Malaquias Montoya, UTSA Main Art Gallery, San Antonio, March-April, 2010

§ Program Coordinator Co-Coordinator, “A Life in Transition: Veterans Back Home,” forum with veterans and activists, UTSA Main Art Gallery, September 30, 2015. Coordinator, “Art and Ecology Forum,” interdisciplinary forum with graduate students from Art/Art History, Environmental Studies, and Anthropology, UTSA Faculty Center, September 4, 2014. Coordinator, “Civil Rights in Images and Documentary,” film series and community discussions associated with exhibitions on civil rights, UTSA Main Art Gallery and Libraries, January-February 2014. Coordinator, For All the World to See: Visual Culture and the Struggle for Civil Rights, programming in relation to traveling exhibition, “NEH on the Road,” January-February 2014. Co-Coordinator of programming with Angelika Jansen-Brown and panel facilitator, Breakthrough! 20 Years After German Unification: Critical Perspectives of Berlin Artists, UTSA Main Art Gallery, October 2010. Co-Coordinator of programming with Patsy Pittman Light and Kent Rush and the San Antonio Conservation Society, Trabajo Rústico: Fantasies in Cement, Southwest School of Art & Craft, San Antonio, May 2010. Co-Coordinator, Rooms with a View, COLFA Advisory Committee, UTSA, 2007-2008. Co-Coordinator, The Business of Contemporary Printmaking, workshop, (with Michael Loderstedt and Noel Reifel, KSU Art), School of Art, Kent State University, September 8-9, 2005. Coordinator, Artist-in-residence earthworks project, Steven Siegel, tilt 2005, April 7-15, 2005. Co-Coordinator, Acquiring its Own History: a symposium on Smithson’s Partially Buried Woodshed after 35 Years, (with Christine Havice, KSU Art), School of Art, Kent State University, April 7-8, 14-15, 2005. General programming, publicity, and coordination of lectures with visiting scholars Robert Hobbs, Virginia Commonwealth University and Suzaan Boettger, Bergen Community College. Co-Facilitator, Visiting Artist Lecture (with Kathleen Browne, KSU Crafts), Keith Lewis, Central Washington University, “Bawdy Bauble: Grandma's Brooch as Sexual Emissary,” November 2004. Facilitator, Visiting Scholar Lecture, Kevin Concannon, University of Akron, “Yoko Ono's Cut Piece (1964): Bad Girl or Buddha?,” November 2004. Coordinator, “Documentary in Theory and Practice,” workshop, School of Art, Kent State University, October 21-22, 2003.

§ Reviews of Curatorial Work Christina Rees and Rainey Knudson, “Top Five: January 18, 2018,” Glasstire (January 18, 2018) http://glasstire.com/2018/01/18/top-five-january-18-2018/. Christopher Breakell, “Making Fact and Fiction, an exhibition at UTSA,” The Paisano (September 13-20, 2016). Christopher Breakell, “Conversations,” The Paisano (November 18, 2015). Elda Silva, “Veterans share their experiences through art,” San Antonio Express-News (September 1, 2015). Steve Bennett, “Artists Navigate Our Place in the Landscape,” San Antonio Express-News (June 9, Sherer, 6

2015). Sarah Fisch, “Fotoseptiembre Pick)s: 5 shows not to miss at this year’s fest,” San Antonio Current (September 2, 2014). Joan Fabian, Interview on Artist Palette for inTV, produced by San Antonio College. (Aired August 2 and 3, 2014). Elda Silva, “Graffiti crew Sour Grapes a tight bunch,” San Antonio Express-News (July 20, 2014): J8. Steve Bennett, “Exhibition explores ‘visual culture’ of civil rights movement,” San Antonio Express-News (February 14, 2014). Aissatou Sidime-Blanton, “Building an Art Collection from the Ground Up,’ Black Focus Magazine [inaugural issue] (February 2014): 11. Jack Morgan, “New UTSA Exhibit Highlights Black History And Civil Rights In America,” Arts & Culture, Texas Public Radio (January 16, 2014) http://tpr.org/post/new-utsa-exhibit-highlights-black-history- and-civil-rights-america. Vincent T. Davis, “Institute of Texan Cultures sponsors exhibit on civil rights in Texas,” San Antonio Express-News (January 12, 2014). Steve Bennett, “Exhibit celebrates society’s 30 years of ethnic artwork,” San Antonio Express-News (June 29, 2013). Steve Bennett, “Little-known monuments haunt U.S.-Mexico border,” San Antonio Express-News (October 12, 2012). Paul Flahive, “New Exhibits Opening Around San Antonio,” The Newsmaker Hour, Texas Public Radio (September 9, 2012) http://www.tpr.org/programs/newsmakerhour.html. Emily Messer, “Patterson’s swimmers may be out of their depth.” San Antonio Express-News (July 13, 2012). Kristina Jackson, “‘New Art’ reflects the times,” San Antonio Express-News (July 2, 2012). Steve Bennett, “Collection marks the fall of the Berlin Wall,” San Antonio Express-News (November 5, 2010). Vagnie Bradley, “Breakthrough! Art Exhibit presents artwork from former East Germany,” The Paisano (November 2, 2010): P5. Jennifer Cisneros, “Confucius Institute: A Site to See,” The Paisano (September 21, 2010): P8. Steve Bennett, “A Breakthrough view of China,” San Antonio Express-News (September 19, 2010): 8K. Steve Bennett, “Texas artists stretch boundaries in UTSA biennial exhibit (July 18, 2010): 1K. Steve Bennett, “Drawings as “finished” work,” San Antonio Express-News (January 29, 2010). Elda Silva and Steve Bennett, “The Best of 2009,” San Antonio Express-News (December 27, 2009): 1G. Elaine Wolff, “Mind of the Beholder,” San Antonio Current (September 23, 2009): 27. Steve Bennett, “Childlike drawings of home inspire photographer, San Antonio Express-News (September 13, 2009): 5G. Elda Silva, “Beauty Marks,” San Antonio Express-News (July 26, 2009): G1. Steve Rockwell, “Marcia Gygli King: Forty Years,” Dart International 12.1 (Spring/Summer 2009). Alison Hearst, “San Antonio, Texas: Marcia Gygli King: forty years,” artcritical: online magazine of art and ideas (March 1, 2009). Dan R. Goddard, “Strangely Familiar,” San Antonio Express-News (February 15, 2009): G1. Jordan Breal, “Progressive Art,” Texas Monthly (February 2009): 35. Lesli Hicks, “Coming Home,” San Antonio Express-News (January 19, 2009). Lisa Chontos, “Art for All,” Ovations (Winter 2008): 12-13. Dan R. Goddard, “Catching Light at UTSA showcases non-toxic printmaking,” San Antonio Express- News (November 12, 2008). Sherer, 7

Dan R. Goddard, “Art Guys fly to ‘Cloud Cuckoo Land’ at UTSA gallery,” San Antonio Express-News (September 28, 2008). Elizabeth B. Reese, “Distinctive Contemporary Works: Aboriginal art is designed to preserve group’s culture,” Corpus Christi Caller Times (September 24, 2008). Sarah Fisch, “Shadow Puppets and Water Music,” San Antonio Current (September 17, 2008). Dan R. Goddard, “Art exhibit highlights South, West Texas,” San Antonio Express-News (July 25, 2008): 4F. Collette Braha, “San Antonio Report: Review of The Lam Collection of Aboriginal Art,” NY Arts Magazine (July 11, 2008). Dan R. Goddard, “Ancient-yet-modern art enchants collector,” San Antonio Express-News (Feb.10, 2008): 1H. Dan R. Goddard, “UTSA exhibit examines Yoko Ono, John Lennon’s ‘Year of Peace,’” San Antonio Express-News ( October 21, 2007): 13J. Elaine Wolff, “Double jeopardy,” San Antonio Current, (September 26-October 2, 2007): 23-25. Dan R. Goddard, “Gallery Stroll,” (review of Play and Re-Play), San Antonio Express-News (July 15, 2007). Dan R. Goddard, “The State of Sculpture,” San Antonio Express-News (June 20, 2007): 1G. Dan R. Goddard, “Indoor sculptures often fool the eye,” San Antonio Express-News (June 20, 2007): 10G. Dan Tranberg, “Powerful Displays by new talent offers insightful views of society,” The Plain Dealer (May 12, 2006): T30. Dorothy Shinn, “Kent alumni skill on display,” Akron Beacon-Journal (September 11, 2005): E5. Dan Tranberg, “Things are looking up as artists create bright spots in a gray city,” The Plain Dealer (May 6, 2005): 44. Zachary Lewis, “Once Familiar,” Cleveland Scene, (April 20, 2005). Julie Grant, “After 35 years, Debate Over ‘Partially Buried Woodshed’ Continues,” public radio broadcast, WKSU, Kent, Ohio, 6 April 2005. Jason Prufer, “Shed His Grace: The strange history of Kent’s Partially Buried Woodshed,” The Free Times 12.50 (April 6-12, 2005): 58. Steven Harbaugh, “Inspiration Unearthed,” photos by Ken Love, Akron Beacon-Journal (March 31, 2005): E1-2. Jackie Mantey, “Artists discuss their paths to success at meeting,” Daily Kent Stater (September 9, 2005): 8. Jennifer Zemanek, “Students, artists add a new angle to Art Building,” Daily Kent Stater (April 18, 2005): A3. Jennifer Zemanek, “Smithson’s art draws crowd, artists to gallery,” Daily Kent Stater (April 8, 2005): 7. Jennifer Zemanek, “A sculpture designed to decay,” Daily Kent Stater (April 7, 2005): 7.

§ Publication § Catalogues as Curator Sour Grapes: From Street to Studio, exhibition catalogue, (San Antonio: UTSA Main Art Gallery, July 2014). San Antonio Ethnic Arts Society Thirtieth Anniversary Exhibition with Elizabeth Abston, exhibition catalogue, (San Antonio: UTSA Main Art Gallery, June 2013). Intense Concentration, exhibition catalogue, (San Antonio: UTSA Main Art Gallery, January 2010). Apparatus, exhibition catalogue, San Antonio: UTSA Department of Art and Art History, March 2009. Sherer, 8

Marcia Gygli King: Forty Years, editor, exhibition catalogue for three concurrent exhibitions (San Antonio: UTSA Department of Art and Art History, San Antonio Museum of Art, Southwest School of Art & Craft, January 2009). The Lam Collection of Aboriginal Art, exhibition catalogue, (San Antonio: UTSA Department of Art and Art History, January 2008). Spiritual Dreaming, exhibition catalogue, (San Antonio: UTSA Department of Art and Art History, January 2008). Still Life in New Time, exhibition catalogue, (San Antonio: UTSA Department of Art and Art History, August 2007). Play and Re-Play, exhibition catalogue, (San Antonio: UTSA Department of Art and Art History, June 2007). Marlene Alt: home/land: moths to the flame, exhibition catalogue, (San Antonio: UTSA Department of Art and Art History, January 2007). Steven Siegel: tilt 2005, project brochure, (Kent, Ohio: Kent State University School of Art, April 2005). Structures of Experience: an exhibition in response to Robert Smithson at Kent State University, exhibition catalogue, (Kent, Ohio: Kent State University School of Art Gallery, March 2005). Experience and Exchange: Documentary as the Art of Collaboration, exhibition catalogue, (Kent, Ohio: Kent State University School of Art Gallery, October 2003).

§ Catalogues as Editor I, Too, Sing San Antonio: An Exhibition at St. Philip’s College of the Works of Local African American Artists in Celebration of San Antonio’s Tricentennial, St. Philip’s College, exhibition catalogue, San Antonio (April 2018): 11-13+. The River that Remembers: Visions of San Antonio’s Landscape, exhibition brochure, curated by Taylor Bates, UTSA Main Art Gallery, January 10-February 9, 2018. Three Decades Plus: Printmaking at UTSA, juried by Meredith Dean, Gregory Elliott, Janet Flohr, Kent Rush, Scott Sherer, UTSA Main Art Gallery, January 18-February 24, 2017. Jorge Yázpik: Sacred Geometries to Modern Topographies, editor exhibition catalogue, curated by Gabriella Boschi Scott (UTSA Main Art Gallery, October-November 2016). New Art/Arte Nuevo: San Antonio 2016, exhibition catalogue, juried by Kimberly Arp (San Antonio: UTSA Main Art Gallery, June 2016). Members Juried Exhibition, 2014 Mid-America College Art Association, exhibition catalogue, juried by Paula Owen (San Antonio: UTSA Main Art Gallery, October 22 – November 21, 2014). New Art/Arte Nuevo: San Antonio 2014, exhibition catalogue, juried by Catherine Lee (San Antonio: UTSA Main Art Gallery, June 2014). New Art/Arte Nuevo: San Antonio 2012, exhibition catalogue, juried by Kate Bonansinga (San Antonio: UTSA Main Art Gallery, June 2012). Margins, editor, exhibition catalogue, curated by Larry Graeber (UTSA Main Art Gallery, June-August, 2011). Signs of Change, editor, exhibition catalogue, curated by Dennis Olsen (San Antonio: UTSA Main Art Gallery, March 2011). Steve Reynolds: Serial Investigations in Sculpture, editor, exhibition catalogue, curated by Catherine Lee, (San Antonio, UTSA Main Art Gallery, January 2011). New Art/Arte Nuevo: San Antonio 2010, exhibition catalogue, curated by Malaquias Montoya and Valerie Cassel Oliver (San Antonio: UTSA Main Art Gallery, June 2010). Relative Distances, editor, exhibition catalogue, curated by Ovidio Giberga (San Antonio: UTSA Main Art Gallery, January 2010). Sherer, 9

All Ladies Video Review, editor, exhibition catalogue, curated by Leslie Raymond and Cornelia White Swann (San Antonio: UTSA Department of Art and Art History, January 2009). Sana Sana Colita de Rana: Artists Influenced by La Cultura, editor, exhibition catalogue, curated by Ricky Armendariz (San Antonio: UTSA Department of Art and Art History, October 2008). New Art/Arte Nuevo: San Antonio 2008, exhibition catalogue, juried by Benito Huerta and Kathy Vargas (San Antonio: UTSA Department of Art and Art History, July 2008).

§ Scholarly Journal as Editor Black Art in San Antonio, special issue of The International Review of African American Art 27.1 (Spring 2017).

§ Refereed Essays “From the Infinitesimal to the Infinite: Rolando Briseño’s Celestial Tablescapes,” Artistic Interpretation of the Sky Experience, special issue Analecta Husserliana CXV, (Lancaster, England: Kluwer Academic Publishers, 2014). “King City/Richard Serra,” Art & Place: Site-specific Art of the Americas (London: Phaidon Press, 2013). “Judd Foundation/Donald Judd,” Art & Place: Site-specific Art of the Americas (London: Phaidon Press, 2013). “Bay Adelaide Centre/James Turrell,” Art & Place: Site-specific Art of the Americas (London: Phaidon Press, 2013). “Remains: Smithson’s Partially Buried Woodshed after 35 Years,” Ephemera, special issue Thresholds 31 (Spring 2006): 56-63; [ISSN: 1091-711X]. “Pausing in a Postmodern World,” catalogue essay, Katarina Wong: Still Center, Spaces World Artists Program, Spaces Gallery, 2006. “Imagination and Cultural Criticism in the Work of David Wojnarowicz,” Human Creation Between Reality and Illusion, special issue Analecta Husserliana LXXXII, (Lancaster, England: Kluwer Academic Publishers, 2005): 233-242; [ISBN: 1-4020-3577-2]. “Robert Hughes and the Art of Engagement,” The NCECA Journal XXVI (2005): 3-4; [ISSN 0739-1544]. “Brassaï,” Encyclopedia of Twentieth-Century Photography, ed. Lynne Warren, (New York: Routledge, 2005): 162-166; [ISBN: 1-5795-8393-8]. “Larry Clark,” Encyclopedia of Twentieth-Century Photography, ed. Lynne Warren, (New York: Routledge, 2005): 284-286; [ISBN: 1-5795-8393-8]. “Critical Thinking and Practice in Art History and Visual Culture Studies,” Enhancing Curricula: Towards the Scholarship of Teaching in Art, Design and Communication, ed. Allan Davies, (London: Centre for Learning and Teaching in Art and Design, 2004): 391-404; [ISBN: 0-9541439-3-0].

§ Unrefereed Essays “African American Art in Texas,” 250 Years of Art in Texas, exhibition catalogue, curated by Ron Tyler, Wiite Museum, (Fall 2018), in progress. “I, Too, Sing San Antonio,” I, Too, Sing San Antonio: An Exhibition at St. Philip’s College of the Works of Local African American Artists in Celebration of San Antonio’s Tricentennial, St. Philip’s College, exhibition catalogue, San Antonio (April 2018): 11-13+. “Disruptive Fantasies,” Daydreams and Other Monsters, exhibition catalogue, curated by Alana Coates, UTSA Main Art Gallery (June 7-August 4, 2017) 4-5. “Juror’s Statement,” exhibition brochure, 30th Annual Juried Undergraduate Art Student Exhibition, Texas Tech University, February 2017. Sherer, 10

“The Sidimé Blanton Collection,” Black Art in San Antonio,” special issue of The International Review of African American Art 27.1 (Spring 2017]: 33-40. “The Edwin and Paula Miles Collection,” Black Art in San Antonio, special issue of The International Review of African American Art 27.1 (Spring 2017]: 41-48. “Gallery Director’s Statement,” in Jorge Yázpik: Sacred Geometries to Modern Topographies, curated by Gabriella Boschi Scott (UTSA Main Art Gallery, October-November 2016). “Museum Studies: Introducing a New Minor in COLFA,” Ovations, volume 11, (San Antonio: UTSA COLFA, 2016): 20. “Dam the Torpedoes,” in Dam the Torpedoes: Gregory Elliott 2011, exhibition catalogue (San Antonio: Blue Star Contemporary Art Center, 2012). “Postmodern Storytelling: Images that Start a Story,” in Spinning Yarns: Photographic Storytelling, curated by Anne Leighton Massoni and Libby Rowe (Grand Rapids, Mich.: Kendall College of Art and Design of Ferris State University, 2011). “Essay” with Adriana Miramontes Olivas, Signs of Change, curated by Dennis Olsen, (San Antonio: UTSA Main Art Gallery, March 2011). “Drawing and Disorder: The Work of Heimo Wallner,” in Zwischen Nordlicht und Alpenglühen [Between Northern and Alpenglow], exhibition catalogue, (Brunsbüttel and Lübeck, Germany: City Gallery in the Elbe Forum Brunsbüttel and the Culture Forum Castle Monastery Lübeck, May 2009). “The Culture of Comfort and Discomfort,” in Marcia Gygli King: Forty Years, exhibition catalogue, (San Antonio: UTSA Department of Art and Art History, San Antonio Museum of Art, Southwest School of Art & Craft, January 2009). “Afterword,” in Reni Gower, The Divas and Iron Chefs of Encaustic, exhibition catalogue, (Richmond, Va.: Virginia Commonwealth University, November 2007). “Instruction, Imagination, Participation: Learning from Yoko Ono,” in Kevin Concannon, ed., Yoko Ono Imagine Peace Featuring John and Yoko’s Year of Peace, exhibition catalogue, (Akron, Ohio: Myers School of Art, University of Akron, July 2007).

§ Presentations § Refereed Scholarly Conference Presentations ” The Radical Aesthetics of David Wojnarowicz,” Midwest Art History Society, Indianapolis, Indiana, April 2018. Session Chair, “Photography II: Photography across Visual Discourses,” Midwest Art History Society, Indianapolis, Indiana, April 2018. Session Chair, “Photography I: Photography and Questions of Identity,” Midwest Art History Society, Indianapolis, Indiana, April 2018. “Dislocations in the work of Kerry James Marshall,” Southeastern College Art Conference, Columbus Ohio, October 2017. “Words in Black Art,” Midwest Art History Society, Cleveland, Ohio, April 2017. “Traumatic Memory,” Mid-America College Art Association Conference, Cincinnati, Ohio, October 2016. Session Chair, “Long Hallways, White Cubes, Galleries, and Websites,” Mid-America College Art Association Conference, Cincinnati, Ohio, October 2016. “Family narratives across African American Folk and Fine Art,” Southeastern College Art Conference, Roanoke, Virginia, October 2016. “Memory Matters,” Midwest Art History Society, Chicago, Illinois, April 2016. “Storytelling and Subjectivity: The Work of John Willard Banks,” Southeastern College Art Conference, Pittsburgh, Pennsylvania, October 2015. Sherer, 11

“John Willard Banks: Family and Community,” Midwest Art History Society, Minneapolis and St. Paul, Minnesota, March 2015. “Alternative Exhibition,” introductory notes and session chair, College Art Association, New York, February 2015. “The Radical Potential of Fractures of Text and Image,” Southeastern College Art Conference, Greensboro, North Carolina, October 2013. “Beyond Censorship,” Midwest Art History Society Annual Conference, Columbus, Ohio, March 2013. “Locations and Dislocations: Rolando Briseño’s Celestial Tablescapes,” Texas Association of Schools of Art, Annual Conference, San Antonio, October 2012. Invited. “Representation as Lived Experience,” Mid-America College Art Association Conference, Detroit, Michigan, October 2012. “From the Infinitesimal to the Infinite: Rolando Briseño’s Celestial Tablescapes,” International Society for Phenomenology, Fine Arts, and Aesthetics, Harvard University, Cambridge, Massachusetts, May 2012. “Portraiture Between Discourse and Fantasy,” Southeastern College Art Conference, Richmond, Virginia, accepted for October 2010. (Could not attend). Session Chair and Respondent, “Current Models for Integrating Research into Teaching,” College Art Association, Chicago, February 2010. Invited. “Narrative and Fractured Fantasy,” Southeastern College Art Conference, Mobile, Alabama, October 2009. “Technological Sense and the Multi-Dimensional Viewer: Possibilities of and Pressures on Contemporary Art,” Mid-America College Art Association, Indianapolis, Indiana, October 2008. Invited. “Aboriginal Traditions in Global Contexts,” Southeastern College Art Conference, New Orleans, Louisiana, September 2008. “Spectacular Objects,” Southeastern College Art Conference, Charleston, West Virginia, October 2007. “Cinematic Time in Matthew Barney’s Cremaster Cycle,” American Comparative Literature Association, Puebla, México, April 2007. “Artaud’s Portraits,” Southeastern College Art Conference and Mid-America College Art Association, joint conference, Vanderbilt University, Nashville, Tennessee, October 2006. Refereed. “‘They took the wood and left some words’: Robert Smithson’s Partially Buried Woodshed after 35 Years,” American Comparative Literature Association, Princeton University, Princeton, New Jersey, March 2006. “Imagination and Cultural Criticism in the Work of David Wojnarowicz,” International Society for Phenomenology, Fine Arts, and Aesthetics, Harvard University, Cambridge, Massachusetts, May 2004. “Roland Barthes’s Camera Lucida and Language and Perception in Contemporary Photography,” Midwest Art History Society, Notre Dame, Indiana, April 2004. “The Disruptive Erotics of Vision: Jean Genet on Rembrandt’s Bodies,” Genet in Performance Symposium, University of East Anglia, United Kingdom, October 2003. “Discourses of Disintegration in the Work of David Wojnarowicz,” Midwest Art History Society, Milwaukee, April 2002. “Vision and Intersubjectivity,” Subjects of Culture Conference, Program in Visual and Cultural Studies and the Department of English Literature, University of Rochester, March 1999. Refereed. “‘My solitude knows your own’: The Body as Cultural Criticism in Giacometti and Genet,” Bodies and Boundaries Symposium, Department of Art History, University of Arizona, February 1999. “Embodiment and Male Subjectivity: Film and Cultural Criticism,” Sex on the Edge Symposium, Concordia Sexuality Research Project, Concordia University, Montréal, November 1998. Sherer, 12

“Introduction to the Study of Gender and Sexuality,” lecture/seminar and “The Crisis of Identity Politics in the Era of AIDS,” closing lecture, Youth HIV Prevention Conference, University of Kentucky, April 1996. Refereed and Invited. “Demonstrating Difference in Space,” Annual Convention of the Midwest Modern Language Association, Chicago, Illinois, November 1994. Refereed.

§ Invited Scholarly Presentations other than Conferences “Contemporary Aboriginal Art,” San Antonio Museum of Art, May 2, 2017. “Evening for Educators: How to Look at Contemporary Art,” San Antonio Museum of Art, November 10, 2016. “How to Look at Art?,” COLFA Discourses, Dean’s Spring Event, April 2, 2015. “Histories of Art: From the Modern to the Postmodern,” docent lecture and training, San Antonio Museum of Art, October 27, 2014. “History and Pleasure: The Body as Foundation,” public lecture, Kent State University, April 14, 2014. “Presentación del libro,” Moctezuma’s Table: Rolando Briseño’s Chicano and Mexicano Tablescapes, public lecture and discussion, UTSA Downtown Campus, November 2010. “Creativity and Representation in The Art Guys,” public lecture with UTSA chapter of Sociology of the Arts, Culture, and Communication, October 2008. “Contemporary and Traditional Aboriginal Art,” public lecture, Texas A & M University, Corpus Christi, September 2008. “Sexuality and Subjectivity in Contemporary Photography,” public lecture, University of Akron, April 2005. “Once Familiar,” curator and artists’ talk, Museum of Contemporary Art, Cleveland, April 2005. “Embodiment and Abstraction,” Problems and Complexities in Conceptual Art, public lecture and panelist, Space Gallery, Portland, Maine, July 2004. “Sexuality and Contemporary Art,” lecture, Department of Sociology, KSU, November 2002. “Anime: Art and Global Commodity Culture,” public lecture and workshop presentation, “Learning from an Exhibition: My Reality, Contemporary Art and the Culture of Japanese Animation,” Akron Art Museum, October 2002. “Contemporary Art, 1969-Present,” docent training lecture, Weisman Art Museum, University of Minnesota, March 2001. “The Difficulty of Difference: Warhol’s Complex Identity in a Mass Culture,” public lecture, Walker Art Center, Minneapolis, October 1999. “Sexual Dissidence in Public Space,” public lecture, Weisman Art Museum, University of Minnesota, April 1995.

§ Pedagogy Conference Presentations “Critical Thinking and Practice in Art History and Visual Culture Studies,” Centre for Learning and Teaching in Art and Design, Barcelona, Spain, May 2004. Refereed. “Enhancing Students’ Learning: Using Critical Thinking From the Perspective of Different Disciplines,” interactive session presentation with nine colleagues from the KSU Junior Faculty Learning Community, Lily Conference on College and University Teaching-West, California State Polytechnic University, Pomona, California, March 2003. Refereed. “Interdisciplinary Content in Discipline Based Courses: Teaching Gender and Sexuality in Sociology and Art History,” poster session in collaboration with Dr. Sarah Wilcox, Sociology, KSU, Celebrating College Teaching, KSU, October 2002. Unrefereed.

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§ Invited Pedagogy Presentations other than Conferences “Art History, Critical Thinking, and Creative Practice,” Portraits in Practice presentation, faculty case studies in action, Faculty Professional Development Center, KSU, November 2003. “Critical Thinking in Art History,” Faculty Learning Communities presentation, Faculty Professional Development Center, KSU, May 2003.

§ Invited Service and Public Presentations Juror’s Presentation, 30th Annual Juried Undergraduate Art Student Exhibition, Texas Tech University, February 2017. “Critical Visual Analysis,” lecturer for “#Black Lives Matter,” Professor Sonja Lanehart, Department of English, March 2017. “From Visual Culture to Traumatic Art, ” lecturer for “#Black Lives Matter,” Professor Sonja Lanehart, Department of English, March 2016. “Curatorial Practices,” lecturer, “Senior Seminar,” Professor Ron Binks, Department of Art and Art History, UTSA, February 2014, September 2011, September 2010, January 2010, September 2009, January 2009, September 2008, August 2007, February 2007. “Critical Theory,” lecturer, “Research Methods,” Professor Judy Sobre, Department of Art and Art History, UTSA, October 2012. “Creativity and Representation in The Art Guys,” lecturer, “Integrating Reading and Language Arts,” Professor Roxanne Henkin (Early Childhood Education), September 2008. “Curatorial Practices,” lecturer, “Graduate Seminar,” Professor Constance Lowe, Department of Art and Art History, UTSA February 2007. “Grant Proposal Writing Workshop,” session leader, University Teaching Council, KSU, January 2006 and January 2005. “Preparing C.V.’s, Resumes, and other Professional Documents,” (with Gus Medicus, KSU Art), lecturer, 3rd Annual Kent State University Art Conference, March 2005. “Celebrating College Teaching,” moderator, University Teaching Council, KSU, October 2004. “Celebrating College Teaching,” moderator, University Teaching Council, KSU, October 2003. “Campus Conversations,” discussion leader, Celebrating College Teaching, KSU, October 2002.

§ Exhibition Collaborative Efforts, mixed media collaboration with Dylan Collins, Gallery West, Cuyahoga Community College, Parma, Ohio, January 17-February 18, 2006.

§ Granting Activities UTSA Mexico Center Educational Research Fellowship, UTSA Mexico Center, April 2018 (student and faculty mentorship, $2,200). National Endowment for the Humanities, “NEH on the Road,” grant for support of Bandits and Heroes, Poets and Saints, Washington, DC, 2017 for 2020 exhibition ($1,000). Arts Create Grant, Texas Commission on the Arts, Austin, 2017-19 ($10,000). Lead Humanities Scholar, for San Antonio Museum of Art, How do I Look at Contemporary Art?, a grant from Humanities Texas, 2016-17 (funded). Special Collections Faculty Grant, UTSA Libraries, Special Collections, 2016-17 ($1,000). Visiting Scholar, Institute of Texan Cultures, Summer 2016 ($4,500). Advisor, “Celebrando Trescientos Años (Celebrating 300 Years): San Antonio as Subject,” National Endowment for the Humanities Grant, Special Collections, UTSA Libraries, June 2016 (not funded). Arts Create Grant, Texas Commission on the Arts, Austin, 2015-17 ($9,000). Sherer, 14

Arts Create Grant, Texas Commission on the Arts, Austin, 2013-15 ($14,000). Elizabeth Firestone Graham Foundation, grant for support of exhibition catalogue for Sour Grapes: From Street to Studio, 2013 for 2014 exhibition ($5,000). Bridging Cultures, Initiative of the National Endowment for the Humanities in partnership with Gilder Lehrman Foundation, grant for support of “Created Equal: America’s Civil Rights Struggle,” for film and discussion series, 2013 for 2014 programming ($1,200). National Endowment for the Humanities, “NEH on the Road,” grant for support of For All the World to See: Visual Culture and the Struggle for Civil Rights, Washington, DC, 2011 for 2014 exhibition ($1,000). Advisor, NEH Planning Grant, “Traveling on Fredericksburg Road: 120 Years in 12 Miles,” Center for Cultural Sustainability, UTSA, Summer 2013-Summer 2014. Arts Create Grant, Texas Commission on the Arts, Austin, 2011-13 ($9,372). Valero Community Grant, for sponsorship of Society for Photographic Education South Central Regional Exhibition and Conference, 2011 ($2,500). Arts Create Grant, Texas Commission on the Arts, Austin, 2009-11 ($17,000). Exhibition Support Grant, Breakthrough! 20 Years After German Unification: Critical Perspectives of Berlin Artists, Office of Cultural Affairs, City of San Antonio, Fall 2010 ($1,500). Arts Respond Grant, Texas Commission on the Arts, Austin, 2009-2010 ($1,800). Exhibition Support Grant, The Tradition of Trabajo Rústico: Fantasies in Cement, Office of Cultural Affairs, City of San Antonio, awarded through San Antonio Public Library Foundation, Spring 2010 ($5,000). Core Support Grant, Texas Commission on the Arts, Austin, 2008-2009 ($2,831). Endowment Grant, Elizabeth Huth Coates Charitable Foundation of 1992, San Antonio, Spring 2008 ($25,000). Community Grant, “New Art/Arte Nuevo,” Target Corporation, San Antonio, Fall 2007 ($1,000). Community Education Grant, “New Art/Arte Nuevo,” Ford Salute to Education, Ford Motor Company, San Antonio, Spring 2007 ($1,000). Grant Development Award, “Contemporary Australian Aboriginal Art,” Office of Sponsored Programs, UTSA, Spring 2007 ($1,500). Academic Year Research and Creative Activity Appointment, “A Critical Study of Post-World War II American and French Abstract Art,” Division of Research, Graduate Studies, and Technology Transfer, Kent State University, Spring 2004 ($3,000). Faculty-Undergraduate Research/Creative Activity Award, “Modern Art in a Global Culture,” College of Fine and Professional Arts, KSU, Spring 2003 ($3,000). Libraries and Media Research Collection Award, KSU, Spring 2002 ($2,600). Projects Grant, Small Grants Program, Gay, Lesbian, Bisexual, Transgender Programs Office, Office of Human Resources, University of Minnesota, Winter 1996, Spring 1996. Department Block Grant, CSCL, University of Minnesota, 1993-94, 1994-95.

§ Pedagogy Teaching Development Grant, University Teaching Council, KSU, Spring 2006. Technology Grant, Faculty Professional Development Center, KSU, Spring 2006. Teaching and Learning Support Grant, conference presentation, University Teaching Council, KSU, Spring 2004. Research and Travel Grant, Faculty Professional Development Center, KSU, Spring 2004. ($600). Teaching Development Support Grant, “Documentary in Theory and Practice,” (with visiting artist Carolyn McGrath, Princeton, N.J.), University Teaching Council, KSU, Fall 2003. Sherer, 15

Individual Project Grant, “Linking the Future to the Present: Technologically Empowering Our Students,” Research Center for Educational Technology, College and Graduate School of Education, KSU, Spring 2003. Teaching Development Support Grant, University Teaching Council, KSU, Spring 2002 ($1,000).

§ Teaching Activities § Courses Taught in Art History and Museum Studies at the University of Texas at San Antonio “Critical Theory,” [u/g], Spring 2018. “Survey of Modern Art,” [u], Fall 2017, Summer 2012, Summer 2011 “Contemporary Art,” [u], Summer 2017, Fall 2016, Fall 2015, Summer 2015, Fall 2014, Summer 2014, Fall 2012. “Art and Activism,” [u/g], Spring 2017 “Creating Cultural Histories,” [Museum Studies), [u/g], Spring 2016. “Embodiment and Representation,” [g], Spring 2015, Spring 2013, Spring 2011 “Civil Rights and Visual Culture,” [u/g], Spring 2014. “Seminar in Research Methods and Writing,” [g], Fall 2013, Fall 2011, 2010, Fall 2009, Fall 2008. “Exhibiting Civil Rights,” [u/g], Summer 2013 “Cultural Difference and Postmodern Critique,” [g], Spring 2010. “Primitivism to Globalism,” [g], Spring 2009. “Art Gallery and Museum Internship,” “Practicum in Art History and Criticism,” “Project in Art History,” “Museum Internship,” multiple sections [u/g], Spring 2016, Fall 2015, Fall 2014, Spring 2014, Fall 2013, Spring 2013, Fall 2012, Summer 2012, Fall 2011, Summer 2011, Spring 2010, Fall 2009, Summer 2009, Spring 2009, Fall 2008, Fall 2007. “Critical Theory in the Arts,” [g], Spring 2008, Spring 2007. “Gender and Sexuality in the Arts,” [u/g],Fall 2007. “Art Gallery and Museum Practices,” [g], Fall 2007.

§ Courses Taught in Art History at Kent State University “Late Modern Art since 1940,” [u/g], Summer 2006; [g], Spring 2006; two sections [u/g], Spring 2006, Fall 2005; [u/g], Summer 2005; two sections [u/g), Spring 2005, Fall 2004; [u] Kent-Stark, Spring 2004; two sections [u/g], Fall 2003, Spring 2003, Fall 2002; separate [u] and [g], Spring 2002; two sections [u/g], Fall 2001. “Critical Issues in Contemporary Art,” graduate seminar, Fall 2005. “Individual Investigation,” individual studies advisor, four graduate students, Spring 2006; five undergraduate students Fall 2005; one graduate student and one undergraduate Spring 2005; one graduate student Fall 2004; one graduate student Summer 2004; three graduate students, Fall 2003; one undergraduate Fall 2002; two undergraduates Spring 2003. “Women’s Studies Senior Project,”[u], advisor, Fall 2005. “Smithson’s Legacies in Theory and Practice,” [u/g] workshop integrating art history and studio practice, team taught with Don Harvey, Spring 2005. “Film and Photography in Western Art,” [u/g] Spring 2005. “Gender and Sexuality in the Arts,” [u/g], Fall 2004 and Fall 2002. “Late Modern Art since 1940,” [g], Fall 2003. “Critical Theory in Visual Culture,” [u/g] advanced workshop-seminar, Spring 2003. “Modern and Contemporary Art Workshop, New York City,” [u/g] collaboration with Professors Isabel Farnsworth and Paul O’Keeffe, Spring 2003. “Honors Project: Critical Theory and Subjectivity,” [u], individual Honors Project advisor, Spring 2003. Sherer, 16

“Learning from an Exhibition: My Reality, Contemporary Art and the Culture of Japanese Animation,” [u/g] workshop series in collaboration with Dr. Lisa Safford, Hiram College, and Dr. Kevin Concannon, University of Akron, and staff of Akron Art Museum; Akron Art Museum, Fall 2002. “History of Photography,” [u/g], Spring 2002. “Body Art: Postmodernity, Embodiment, and Representation,” [u/g], Fall 2001.

§ Courses Taught in Art History at the University of Kentucky “Modern Art II: Twentieth Century Art,” [u], Summer 1997. “Renaissance Through Modern Art,” [u], Summers 1994, 1995, 1996.

§ Courses Taught in Cultural Studies at Maine College of Art “Philosophies of Embodiment,” [g], MFA program, Summer 2001.

§ Courses Taught in Cultural Studies at University of Minnesota “Gay Men and Homophobia in American Culture,” [u], Spring 1996, Fall 2000, Spring 2001. “Sexualities: From Perversity to Diversity,” [u], Spring 1998, Fall 2000. “Reading Culture: Theory and Practice,” [u], Fall 1999. “Discourse and Society I: Reading Culture,” [u], Fall 1995, Spring 1996. “Discourse and Society,” [u], Winter and Spring 1995.

§ Course Taught in Honors Division at University of Minnesota “Sexuality and Cultural Power: Queer Theory and Practice in Everyday Life,” [u], Winter 1996.

§ Course Taught in Undergraduate Studies at Kent State University “University Orientation,” [u], Fall 2004.

§ Courses Taught in English at University of Kentucky “Intermediate Writing,” [u], Spring 1997. “Writing II,” [u], Spring 1997. “Writing I,” two sections [u], Fall 1996.

§ Thesis Mentorship at UTSA § MA Committee Chair at UTSA Arminda Gandara, Contemporary Mythology: Performance and Spectacle in Lourdes Grobet’s series Retratos de Familia, (in progress). Elizabeth Paris, Suspension of grief (and disbelief): the evolution of postmodern photography in nineteenth century America, 2015 Vanessa Langton, Beauty and the street: the photographs and films of William Klein, 2014 Elizabeth Abston, Reconstructing the past: the power of visual culture in works by Glen Ligon, Carrie Mae Weems and Michael Ray Charles, 2013 Elizabeth Morse, The Haucaypata/Plaza de Armas, a nexus of conflict and resolution: an interpretation of space and spectator, 2012 Lauren Norwood, Body doubles: an exploration of representation in Lagunillas style E figures from west Mexico, 2012 Katharine E Carey, Madeline O’Connor: minimalism, spiritualism, and particularity, 2012 Carolee Moore, Challenge and formal construction in the works of Catherine Opie, 2009 Sherer, 17

Lisa Endresen, Neglected notions: theatricality, humor and time compression in the works of Arman, 2009 Michael Quinn Garza, The camouflaged political concerns in William Kentridge’s landmark film, Journey to the Moon, 2009

§ PhD Committee Member at UTSA Margaret Hilburn, (Interdisciplinary Learning and Teaching), Bridging the Gap between Elementary and Museum Educators: A Grounded Theory Approach toward a Theory of Collaboration in Arts Education, 2016-present.

§ MA Committee Member at UTSA Bianca Alvarez, The birth of a community-based mural movement: The story of San Anto Cultural Arts, 2016 Marissa Del Toro, Contesting categories of the ‘fantastic’ and ‘surreal’: A visual reading of Tilsa Tsuchiya’s and Francisco Toledo’s multidimensional and complex artistic visions, 2016 Jorge Gonzalez, (Sociology), Sistemi i artit: a comparative semiotic analysis of institutional discourse in Albania, 2015 Gabriella Scott, Dismantling cultural hierarchies: a prefiguration of Mexican postmodernism in Enrigue Guzmán’s paintings, 2014 Marco Aquino, Athletes, street thugs, and men at war: the art of Vincent Valdez, 2014 Adriana Miramontes, (En)countering gender violence and impunity: The art of Teresa Margolles and Regina Jose Galindo, 2012 Amelie Mauze, Myer Myers: Colonial New Yorker, Silversmith, Jew, 2011 Diana Roberts, Gesture, the body, and theatricality in the works of Egon Schiele, 2011 Jacqueline Edwards, Evolution and Revolution: El Greco’s Byzantine Roots in his Spanish painting, 2011 Katharine Scherff, Saint Quitera: virgin and martyr: an analysis of the cult veneration and iconography of Saint Quitera in France and the Iberian Peninsula, 2011 Edward Hayes, Francis Alÿs: Cuauhtémoc Medina and late twentieth-century at from Mexico City, 2010 Julio Benitez, Viewing the other: Jews, Moors and Afro-Moors in Alfonso X’s “Las Cantigas de Santa Maria,” (writing mentor), 2009.

§ MFA Committee Member at UTSA Elizabeth Griego, May 2018 Alex Comminos, May 2012 Justin Korver, May 2016 Mat Kubo, May 2012 Brittany Ham, May 2016 Vikki Jones, May 2012 Kallie Pfeiffer, May 2016 Jessica Battes, May 2012 Sarah Fox, December 2015 Jamie Garrison, May 2012 Beth Devillier, January 2015 John Webb, December 2011 Lynnette Atchely, May 2014 Jennings Sheffield, May 2011 Justin Schneider, May 2014 Cornelia Swann, December 2009 Jessica Sailors, May 2014 Carlos Donjuan, May 2009 Benjamin McVey, December 2012 Scott Oldfield, May 2009

§ Independent Study and Project Advising at UTSA § Independent Study Advisor in Art History, undergraduate Alyosha Burkey, Spring 2009 Holly Northup, Summer 2008 Holly Northup, Fall 2008

§ African American Studies Instructor, undergraduate Marisol Aguilar, Summer 2013

§ Independent Study in Art History Advisor, graduate Elizabeth Kernaghan, Fall 2009 Diana Roberts, Summer 2009

§ Project in Art History Advisor, graduate Marco Aquino, Fall 2013 Joseph Cohen, Summer 2007 Elizabeth Paris, Fall 2013

§ Internship and Practicum Advising and Supervising at UTSA § Art History Internship Advisor, graduate Jordyn Patrias, Fall 2017 Vanessa Langton, Spring 2012 Marissa Del Toro, Summer 2014

§ Art History Internship Supervisor, graduate Blair Salt, Spring 2016 Kira Sandoval, Fall 2015

§ Art History Practicum Advisor, graduate Elizabeth Paris, Spring 2015 Elizabeth Paris, Fall 2014 Marissa Del Toro, Fall 2014 Cornelia Swann, Fall 2008

§ Art History Practicum Supervisor, graduate Eleazar Hernandez Fall 2010 Edward Hayes, Fall 2008 Melissa Bazan, Fall 2009 Edward Hayes, Summer 2008 Jacqueline Edwards, Fall 2009 Melisa Ramos, Summer 2008 Rebecca Gomez, Fall 2009 Stephanie Torres, Summer 2008 Rebecca Gomez, Summer 2009 Erika Hernandez, Fall 2007

§ Art History Internship Supervisor, undergraduate Victoria Mihalik, Spring 2018 Ana Gutierrez, Fall 2012 Barbara Minarro, Spring 2017 Susan Stall, Summer 2012 Amber Amezquita, Fall 2016 Shiri Chavez, Spring 2012 Gabrielle Zamora, Summer 2016 Ross Hutchinson, Fall 2011 Paulina Escobar-Cotera, Spring 2016 Navia Sedeno, Fall 2011 Lindsay Wade, Summer 2015 Lori Brennan, Summer 2011 Ross Hutchinson, Spring 2015 Yvonne Caballero, Summer 2011 Navia Sedeno, Spring 2015 Trina Faundeen, Summer 2011 Jesus Cerda, Spring 2014 Rachel Pecotte, Summer 2011 Annette Diaz, Fall 2013 Magdalena Yznaga, Summer 2011 Jennifer Kennedy, Fall 2013 Iris Cahill, Spring 2011 Lauren Thompson, Summer 2013 Andrea Huerta, Spring 2011 Helen Meyer, Spring 2013 Tiffany Lawrence, Spring 2011 Lauren Thompson, Spring 2013 Benjamin Tabor, Spring 2011 Alyssa Torres, Spring 2013 Christopher Castillo, Spring 2010 Monico Vitela, Spring 2013 Jessica Garcia, Spring 2010 Sherer, 19

Carina Gonzalez, Spring 2010 Gabriella Scott, Fall 2008 Evelyn Bryant, Fall 2009 Shannonann Walker-Pearson, Fall 2008 Joseph Duarte, Fall 2009 Bethany Feinstein, Summer 2008 Monica Gutierrez, Fall 2009 Holly Northup, Summer 2008 Margaret Carnahan, Summer 2009 Bethany Feinstein, Spring 2008 Chad Dawkins, Summer 2009 Amanda Martin, Spring 2008 Amy Estes, Summer 2009 Holly Northup, Spring 2008 Nicolas Morales, Summer 2009 Jessica Alonzo, Fall 2007 Susan Allen, Spring 2009 Christine Davila, Fall 2007 Analiza Guzman, Spring 2009 Jeffrey Diaz, Fall 2007 Raquel Maldonado, Spring 2009 Anna Duncan, Fall 2007 Juan Mora, Spring 2009 Veronique Meggett, Fall 2007 Giselle Reinhardt, Spring 2009

§ Museum Studies Internship Supervising at UTSA, undergraduate Marisol Martinez, Spring 2018 Carlos Garces, Spring 2017 Casie Robinson, Spring 2018 Roxanne Fuselier, Spring 2017 Nalia Venegas, Spring 2018 Zulliana Edwards, Spring 2017 Chelsea Willette, Spring 2018 Caitlin Bernstein, Spring 2017 Chloe Walker, Fall 2017 Christopher Breakell, Fall 2016 Diego Correa, Fall 2017 Sara Countryman, Fall 2016 Jason Boan, Fall 2017 Kimberly Grossett, Summer 2016 Chloe Walker, Summer 2017 Jamie Barrett, Spring 2016 Madison Vrazel, Summer 2017 Taylor Bird, Spring 2016 Laura Narvaez, Summer 2017 Tanner Norwood, Spring 2016 Lauren Lazik, Summer 2017 Mckenzie Radzik, Spring 2016 Riley Ham, Summer 2017 Lindsey Revel, Spring 2016 Tracey Cerda, Summer 2017 Taylor Bird, Fall 2015 Arland Schnacker, Spring 2017 Gabrielle Zepeda, Fall 2015

§ Thesis Mentorship at KSU § MA Committee Member at KSU Cheryl Morris, Art patronage and the Medici in Renaissance Florence, 2005 Tony Morris, Critically hindered: the effects of Greenberg and life on the late career of Jackson Pollock, 2004 Heidrun Hultgren, The Marienaltar in the Stiftskirche at Froendenberg, 2004 Julie Nero, From fin-de-siècle to feminist modernism: the art and life of Romaine Brooks, 2003 Peter Silva, William Caxton and Early Painting: Bruges and Cologne, 1460-1472, 2003 John Steiner, The journey within: reflections of a teacher/artist, 2003 (Art Education) Jennifer Plato-Hayden, Assessing the usefulness of visual parodies to teach critical inquiry in the elementary art classroom, 2003 (Art Education) Tammy Starzyk, Domestic art and its significance in the life of the Renaissance woman, 2003 Kathleen Zurko, A precarious balance: the role of gender in African masquerade, 2002

§ MFA Committee Member at KSU Nathan Dube, 2006 Donald Henson, 2006 Arlyn McCulloch, 2006 William Gudgel, 2006 Sherer, 20

Kortney Niewierski, 2005 David Wilder, 2003 Ryan Takaba, 2005 Lela Coope, 2003 Carol Hummel, 2004 Dennis Ryan, 2003 Brian Alloway, 2004 Todd Schroeder, 2002 Bill Lorton, 2003 David Dalton, 2001 Terry Clark, 2003

§ MA in Fine Arts Committee Member at KSU Jo Nelson, 2006 Ted Cowan, 2004

§ BFA Committee Member at KSU Cody Tomaselli, 2006 Jill Stralka, 2003 Justin Penov, 2006 Amanda Preusser, 2003 Genne Laasko, 2004 Meredith Shoop, 2003 Sam Beetler, 2003 Michael Kosko, 2003 Justin Pierce, 2003

§ Undergraduate Committee Advisor at KSU Wendy Alex, Honors, 2005

§ Undergraduate Committee Member at KSU Susan Vincent, Honors, 2005 Chad Hamilton, Honors, 2003 Maria Jenkins, Honors, 2005 Caren Pagel, Creative Writing, 2003 Jessica Noftsinger, Women’s Shawn Koening, Honors, 2003 studies minor, 2005

§ University Service Activities § University of Texas at San Antonio [university level] Member, President’s Distinguished Diversity Award Committee, August 2017-present. Facilitator, COLFA Tenure and Promotion Forum, February 15, 2018; February 16, 2017. Faculty Sponsor, Museum Studies Student Association, Spring 2018-present. Member, RFQ review committee, Institute of Texan Cultures, Summer 2016-present. Community Engagement Representative, UTSA Outreach Council, Fall 2013-present. Member, Faculty Advisory Committee, Institute of Texan Cultures, Fall 2012-present. Member, African American Studies Spring Symposium organizing committee, Spring 2013, 2014, 2015, 2016, 2017-present. Reviewer, UTSA NEH Summer Stipend Program, Office of Research Support, August 2015. Member, Gallery 23 Advisory Committee, Spring 2011-Fall 2013. Mentor, Provost Summer Research Mentor Program, Graduate School, Summer 2012. Panel moderator and participant, African American Studies Spring, February 2012. Primary co-author (with Kim Kline), Quality Enhancement Proposal for SACS/COC re-accreditation, Graduate School, “Program for Graduate Achievement: Maximizing the relevance of graduate education for current and prospective students,” Spring 2008-Fall 2008. Chair, Membership Committee, Graduate Council, Fall 2007-Summer 2011. Member, Executive Committee, Graduate Council, Fall 2007-Summer 2011. Member, Graduate Council, Fall 2007-Summer 2011. Member, University Art Commission, Fall 2006-Spring 2010. Sherer, 21

§ University of Texas at San Antonio [college and department level] Chair, Faculty Emeritus Review Committee, Spring 2018. Coordinator, Museum Studies Minor, Fall 2014-present. Organizer and Author, Assessment Instruments and Reports for Art History undergraduate and graduate programs, Spring 2009-present. Member, DFRAC (Department Faculty Review and Advisory Committee), Fall 2008-present. Member, MA Committee, Fall 2006-present. Member, MFA Committee, Fall 2006-present. Member, Terminal 136 Advisory Committee, Fall 2014-present Chair, DFRAC tenure committees (Art History and Painting), Fall 2017. Member, Art History Search Committee (Senior Lecturer), Summer 2016. Member, Art Search Committee (Foundations), Fall 2015-Spring 2016. Member, Art History Search Committee (Medieval Art), Fall 2013-Spring 2014. Affirmative Action Advocate, Music Search Committee, Fall 2013-Spring 2014. Member, Satellite Space Advisory Committee, Fall 2006-Fall 2013. Member, Art Search Committee (New Media), Fall 2012-Spring 2013. Affirmative Action Advocate, Music Search Committee, Fall 2012-Spring 2013. Member, College Research Advisory Committee, Fall 2011-Spring 2012. Chair, Art History Search Committee (Pre-Hispanic and Spanish Colonial Art), 2011-2012. Member, Visual Resource Collection/Graphic Designer Search Committee, Fall 2008-Spring 2009. Member, COLFA Advisory Group, Art and Art History Committee, Fall 2006-Spring 2010. Juror, Sophomore Review, College of Architecture, December 2008. Member, Art History Search Committee (Spanish Colonial Art), Fall 2007-Spring 2008. Member, Art History Search Committee (Contemporary Latin American Art), Fall 2007-Spring 2008. Member, Department Chair Search Committee, Fall 2007-Spring 2008. Chair, Guest Lecture Series Committee, Fall 2007-Fall 2008. Member, COLFA Advisory Group, Art and Art History Committee, Fall 2006-Spring 2010. Member, Guest Lecture Series Committee, Fall 2006-Spring 2007.

§ Kent State University [university level] Chair-Elect, University Teaching Council, Faculty Senate appointment, Fall 2005-2006. Member, University Teaching Council, Faculty Senate appointment, Fall 2003-2006. Member, Council, American Association of University Professors-KSU, Spring 2003-2006. Faculty Affiliate, Women’s Studies Program, Spring 2002-2006. Faculty Affiliate, LGBT Studies Program, Spring 2002-2006. Member, Quality of Faculty Work/Life Committee, University Committee (faculty union and administration joint committee), Spring 2006 and Spring 2002-Spring 2004.

§ Kent State University [college and school level] Member, Faculty Advisory Committee, School of Art, Spring 2002-2006. Member, Digital Imaging Committee, School of Art, Spring 2002-2006. Member, Scholarship Committee, School of Art, Spring 2002-2006. Member, Creative Art Awards Committee, School of Art, Spring 2002-2006. Juror, Annual Small Works Competition, Downtown Gallery, Kent, Ohio, November 2005. Juror, Architecture Fifth Year Design, Fall 2005 Member, College of Fine and Professional Arts Mission/Transition Committee, Fall 2005. Sherer, 22

Juror, Architecture Fourth Year Design, Fall 2004. Member, Advisory Committee, Gallery 138, School of Art, Fall 2003-Fall 2004. Member, Graduate Studies Curriculum Committee, School of Art, Fall 2003-Spring 2004. Member, College Curriculum Committee, College of Fine and Professional Arts, Spring 2003-Spring 2004.

§ Additional Service Activities Member, Advisory Committee, Steven J. Schochet Center for Gay, Lesbian, Bisexual, Transgender Studies, University of Minnesota, Fall 1997-Spring 2001. Member, Advisory Committee, Gay, Lesbian, Bisexual, Transgender Programs Office, University of Minnesota, Fall 1994-Spring 1996, Fall 1997-Spring 2000. Member, Committee of the Whole, Department of Cultural Studies and Comparative Literature, University of Minnesota, Fall 1998-Spring 1999. Member, Subcommittee on Nonfiction Writing, Department of English, Univ. of Kentucky, Spring 1997. Member, University Senate’s Subcommittee on GLBT Concerns, University of Minnesota, Fall 1994- Spring 1996.

§ Professional and Public Service Activities Member, Conference Committee, 2018 Midwest Art History Society Annual Conference, Indianapolis, Indiana, Summer 2017-April 2018. Member, Board, Midwest Art History Society, Spring 2016-present. Member, Advisory Board, San Antonio Ethnic Arts Society, Fall 2015-present. Member, San Antonio Tricentennial History and Education Subcommittee, Fall 2015-present. Member, Board, Mid-America College Art Association, Fall 2008-present. Member, Yale Alumni Schools Committee 4807, Yale Club of South Texas, Fall 2007-present. Member, Southeastern College Art Conference Artist Fellowship Committee, Fall 2017. Juror, 30th Annual Juried Student Art Exhibition, Texas Tech University, February 2017. Lecturer, “How to Look at Contemporary Art,” San Antonio Museum of Art, November 10, 2016. Keynote Speaker, “Luncheon with the Artists Scholarship Fundraiser,” San Antonio Ethnic Arts Society, August 22, 2015. Committee Member, “A San Antonio Tribute to Maya Angelou: A Celebration of Poetry, Literature, Music, and Dance,” Carver Community Cultural Center, June 7, 2015. Writer, “SEAS’s Many Strengths,” program essay, Annual Scholarship Luncheon, San Antonio Ethnic Arts Society, August 2014. Chair, 2014 Mid-America College Art Association conference, San Antonio (October 2014), Fall 2012- Fall 2014. Juror, Stratosphere, Juried Art Exhibition, College of the Arts, Kent State University, April-May 2014. Lecturer, “Why Critical Theory in the Arts?,” Academy for Learning in Retirement, San Antonio, March 2009. Contributor, “Art and Academics: A look at how San Antonio’s university art departments are priming future artists to survive and thrive in the industry,” by Donna J. Tuttle, SA Business Journal (September 5, 2008). Member, Board of Directors, Zygote Press, Cleveland, Ohio, Spring 2005-2006. Moderator, Dream On: Lines of Escape, panel discussion (with Maureen Connor, Sharon Ellis, David Gibson, Stuart Horodner, David Pagel, and Adam Ross), Dreamweaver: the science and culture of escape, fantasy, and reverie, exhibition, lecture, and film series, Cleveland Institute of Art, October 2005. Sherer, 23

Co-coordinator, local premiere presentations, PBS series, Art 21: Art in the Twenty-First Century, with Kevin Concannon, The Myers School of Art, University of Akron, September 7-8. 2005. Juror, Interdisciplinary Arts Awards, Ohio Arts Council, December 2002. Director, Yale Alumni Schools Committee 4301 (central Kentucky), 1990-93.

§ Professional Development Participant, Online Teaching Academy, UTSA Office of Online Learning, June-July 2017. Participant, “Hunks, Chunks, and Bites: How to Get Your Writing Projects Planned So You Can Get Them Completed,” UTSA Faculty Center, February 2016. Participant, Provost Academy: “Engaging the 21st Century Learner,” UTSA, May 2015. Participant, “State of the Arts: Strategies for Success,” Texas Commission on the Arts, February 2013. Participant, “Creating Ways: A Conference on San Antonio’s Creative Economy,” San Antonio, November 2007. Participant, Texas Sculpture Symposium, Texas Tech University, Junction, Texas, November 2007. Moulton Scholar, Faculty Professional Development Center, KSU, 2006-07 (ultimately declined). Participant, Professional Development Institute, The Access to Higher Education Project, College of Education, KSU, June 2003. Issues regarding college students with disabilities. Participant, Information Literacy Workshop, Libraries and Media Services, March 2003. University Teaching Scholar, Teaching Scholars for Junior Faculty Learning Community, KSU, 2002-2003. Participant, 22nd Annual Lilly Conference on College Teaching, Miami University, Oxford, Ohio, November 2002. Participant, Writing Across the Curriculum Workshop, Department of English, University of Kentucky, May 1997. Participant, “Performative Subjectivities,” The Pennsylvania State University Summer Seminar in Theory and Culture, Department of English, the Committee on Institutional Cooperation Traveling Scholar Program, Summer 1996. Participant, Teaching Opportunity Program for Doctoral Students, Office of Human Resources with funding by the Bush Foundation, University of Minnesota, Fall 1995, Winter 1996, Spring 1996. Program provides exposure to and practice with issues, strategies, and skills to improve teaching abilities and prepare for careers in higher education.