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The Web That Has No Weaver
THE WEB THAT HAS NO WEAVER Understanding Chinese Medicine “The Web That Has No Weaver opens the great door of understanding to the profoundness of Chinese medicine.” —People’s Daily, Beijing, China “The Web That Has No Weaver with its manifold merits … is a successful introduction to Chinese medicine. We recommend it to our colleagues in China.” —Chinese Journal of Integrated Traditional and Chinese Medicine, Beijing, China “Ted Kaptchuk’s book [has] something for practically everyone . Kaptchuk, himself an extraordinary combination of elements, is a thinker whose writing is more accessible than that of Joseph Needham or Manfred Porkert with no less scholarship. There is more here to think about, chew over, ponder or reflect upon than you are liable to find elsewhere. This may sound like a rave review: it is.” —Journal of Traditional Acupuncture “The Web That Has No Weaver is an encyclopedia of how to tell from the Eastern perspective ‘what is wrong.’” —Larry Dossey, author of Space, Time, and Medicine “Valuable as a compendium of traditional Chinese medical doctrine.” —Joseph Needham, author of Science and Civilization in China “The only approximation for authenticity is The Barefoot Doctor’s Manual, and this will take readers much further.” —The Kirkus Reviews “Kaptchuk has become a lyricist for the art of healing. And the more he tells us about traditional Chinese medicine, the more clearly we see the link between philosophy, art, and the physician’s craft.” —Houston Chronicle “Ted Kaptchuk’s book was inspirational in the development of my acupuncture practice and gave me a deep understanding of traditional Chinese medicine. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Conservation of Ancient Sites on the Silk Road
PROCEEDINGS International Mogao Grottes Conference at Dunhuang on the Conservation of Conservation October of Grotto Sites 1993Mogao Grottes Ancient Sites at Dunhuang on the Silk Road October 1993 The Getty Conservation Institute Conservation of Ancient Sites on the Silk Road Proceedings of an International Conference on the Conservation of Grotto Sites Conference organized by the Getty Conservation Institute, the Dunhuang Academy, and the Chinese National Institute of Cultural Property Mogao Grottoes, Dunhuang The People’s Republic of China 3–8 October 1993 Edited by Neville Agnew THE GETTY CONSERVATION INSTITUTE LOS ANGELES Cover: Four bodhisattvas (late style), Cave 328, Mogao grottoes at Dunhuang. Courtesy of the Dunhuang Academy. Photograph by Lois Conner. Dinah Berland, Managing Editor Po-Ming Lin, Kwo-Ling Chyi, and Charles Ridley, Translators of Chinese Texts Anita Keys, Production Coordinator Jeffrey Cohen, Series Designer Hespenheide Design, Book Designer Arizona Lithographers, Printer Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 © 1997 The J. Paul Getty Trust All rights reserved The Getty Conservation Institute, an operating program of the J. Paul Getty Trust, works internation- ally to further the appreciation and preservation of the world’s cultural heritage for the enrichment and use of present and future generations. The listing of product names and suppliers in this book is provided for information purposes only and is not intended as an endorsement by the Getty Conservation Institute. Library of Congress Cataloging-in-Publication Data Conservation of ancient sites on the Silk Road : proceedings of an international conference on the conservation of grotto sites / edited by Neville Agnew p. -
{PDF EPUB} Five Lost Classics Tao Huang-Lao and Yin-Yang in Han China by Robin D.S
Read Ebook {PDF EPUB} Five Lost Classics Tao Huang-lao and Yin-yang in Han China by Robin D.S. Yates Learn - Explore | Bibliographical notes for the Ma Wang Dui texts. Mawang Dui 馬王堆 - the Horse King Mound - is an archaeological site located in Changsha, China. It is the site of three tombs belonging to the first Marquis of Dai, his wife, and a male who is believed to be their son. The site was excavated from 1972 to 1974. Most of the artifacts from Mawangdui are displayed at the Hunan Provincial Museum. This discovery was monumental, one of the most significant of the 20th century and has changed our view of the history of medicine and Daoism in China. The tomb contained various medical texts, including depictions of qigong (dao yin) exercises. For our purposes we will mainly focus on these philosophical and medical texts, but the tombs contained political and historical texts as well. the texts. These text were “written to advise ruling Han dynasty authorities on how to attune themselves to the cosmos at a time of rapidly changing political and social climate.” From the sleeve of Yates' Five Lost Classics : “In 1973, among the many unique documents discovered in the richly furnished tomb of a Han-dynasty aristocrat, were five books written on silk, primary texts of Huang-lao Daoism and Yin-yang philosophy that had been lost to mankind for more than 2,000 years. A discovery as important in China as the unearthing of the Dead Sea Scrolls was in the West, the Mawangdui texts created a sensation when they were first published, even leading to the foundation of a new religion on Taiwan… The recovery of the five lost classics sheds new light on a critical transitional period of Chinese political and intellectual history. -
Local Authority in the Han Dynasty: Focus on the Sanlao
Local Authority in the Han Dynasty: Focus on the Sanlao Jiandong CHEN 㱩ڎ暒 School of International Studies Faculty of Arts and Social Sciences University of Technology Sydney Australia A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Technology Sydney Sydney, Australia 2018 Certificate of Original Authorship I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This thesis is the result of a research candidature conducted with another University as part of a collaborative Doctoral degree. Production Note: Signature of Student: Signature removed prior to publication. Date: 30/10/2018 ii Acknowledgements The completion of the thesis would not have been possible without the help and support of many people. Firstly, I would like to express my sincere gratitude to my supervisor, Associate Professor Jingqing Yang for his continuous support during my PhD study. Many thanks for providing me with the opportunity to study at the University of Technology Sydney. His patience, motivation and immense knowledge guided me throughout the time of my research. I cannot imagine having a better supervisor and mentor for my PhD study. Besides my supervisor, I would like to thank the rest of my thesis committee: Associate Professor Chongyi Feng and Associate Professor Shirley Chan, for their insightful comments and encouragement; and also for their challenging questions which incited me to widen my research and view things from various perspectives. -
Enlightenment of the Changxin Palace Lamp from Xihan Dynasty on Chinese Modern Design
Frontiers in Art Research ISSN 2618-1568 Vol. 2, Issue 2: 52-56, DOI: 10.25236/FAR.2020.020214 Enlightenment of the Changxin Palace Lamp from Xihan Dynasty on Chinese Modern Design GAO Yue School of Design and Art, Beijing Institute of Technology, Beijing, China ABSTRACT. “The Book of Changes - Xici” said a saying: “Taking metaphysical as Tao, taking physical as tangible, a true gentleman doesn’t go with the latter.”, which roughly means that we should pay more attention to the “Tao” in the understanding of things, instead of merely imitating their superficial practices. “Tao” is the unique ideology of Chinese philosophy, which contains the law of all things, the whole processing cycles and the methods. Yet China's most modern designs lack souls, always just blindly imitating and copying, are “Tangible” followers as well as losing the meaning of design itself. That results in creating seemingly good appearance however not practical goods at usage from the designs, furthermore these designs are not only short of the Chinese tradition but also lose the “Tao” spirit of China. Today let’s try to discover the “Tao” philosophy of design in ancient times and hope to acquire some inspiration for the modern Chinese design by introducing the outstanding representative of the bronze lamps from the Xihan dynasty – the Changxin Palace Lamp, which sets aesthetic, practical, scientific characteristics as one, and is the world's earliest green-concept design lamp product. KEYWORDS: Changxin palace lamp; Modern; Chinese design; Aesthetic; Practical; Scientific; Green and environmental protection 1. About "The Changxin Palace Lamp" The Changxin Palace Lamp, an outstanding representative of Han dynasty lamps, was unearthed in July 1968 in Mancheng county, Hebei province (about 1.5 km southwest of Mancheng county, Baoding city, Hebei province). -
Adaptive Fuzzy Pid Controller's Application in Constant Pressure Water Supply System
2010 2nd International Conference on Information Science and Engineering (ICISE 2010) Hangzhou, China 4-6 December 2010 Pages 1-774 IEEE Catalog Number: CFP1076H-PRT ISBN: 978-1-4244-7616-9 1 / 10 TABLE OF CONTENTS ADAPTIVE FUZZY PID CONTROLLER'S APPLICATION IN CONSTANT PRESSURE WATER SUPPLY SYSTEM..............................................................................................................................................................................................................1 Xiao Zhi-Huai, Cao Yu ZengBing APPLICATION OF OPC INTERFACE TECHNOLOGY IN SHEARER REMOTE MONITORING SYSTEM ...............................5 Ke Niu, Zhongbin Wang, Jun Liu, Wenchuan Zhu PASSIVITY-BASED CONTROL STRATEGIES OF DOUBLY FED INDUCTION WIND POWER GENERATOR SYSTEMS.................................................................................................................................................................................9 Qian Ping, Xu Bing EXECUTIVE CONTROL OF MULTI-CHANNEL OPERATION IN SEISMIC DATA PROCESSING SYSTEM..........................14 Li Tao, Hu Guangmin, Zhao Taiyin, Li Lei URBAN VEGETATION COVERAGE INFORMATION EXTRACTION BASED ON IMPROVED LINEAR SPECTRAL MIXTURE MODE.....................................................................................................................................................................18 GUO Zhi-qiang, PENG Dao-li, WU Jian, GUO Zhi-qiang ECOLOGICAL RISKS ASSESSMENTS OF HEAVY METAL CONTAMINATIONS IN THE YANCHENG RED-CROWN CRANE NATIONAL NATURE RESERVE BY SUPPORT -
I. the Excellencies and Above Chancellor of State 相國 and Assisting Chancellor 丞相
THE HUNDRED OFFICES OF WEI AND JIN A Brief Summary of the Bureaucracy of Wei and Jin Times Yang Zhengyuan This grew largely from a collection of personal notes used in trying to achieve some degree of consistency in the translation of office titles in various other translation projects. Hundred Offices (baiguan) 百官 is a term for bureaucracy. Though a thorough study of the government of the Han dynasty already exists in the form of The bureaucracy of Han times by Hans Bielenstein, the book is limited in scope to the early and middle Han dynasty. Bielenstein himself calculates the date of the Treatise on Bureaucracy of the Hou Han shu (HHS), a major source for his book, to between September 141 and September 142, meaning that it provides no information on the evolution of the bureaucracy through the collapse of Han or through the Three States period (220 – 280) to Jin. This work is not meant to be a replacement for Bielenstein’s work, but a supplement. Therefore emphasis is placed on differences and changes from the Han bureaucracy, and some familiarity with Bielenstein’s work and the basic structure of the Han bureaucracy is assumed. As San Guo zhi (SGZ) itself does not contain Treatises or Tables, the main sources are the Treatises on Bureaucracy in the Song shu (SS) of Shen Yue and Jin shu (JS) of Fang Xuanling et al. The translation of bureaucracy titles derives mainly from the continually evolving Dubs-Bielenstein-de Crespigny system, with some additional modifications. The main departure from the Dubs-Bielenstein- de Crespigny system is the effort to group together offices by level to aid the casual reader in guessing relative rank. -
Xiao Gang (503-551): His Life and Literature
Xiao Gang (503-551): His Life and Literature by Qingzhen Deng B.A., Guangzhou Foreign Language Institute, China, 1990 M.A., Kobe City University of Foreign Languages, Japan, 1996 Ph.D., Nara Women's University, Japan, 2001 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Philosophy in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) February 2013 © Qingzhen Deng, 2013 ii Abstract This dissertation focuses on an emperor-poet, Xiao Gang (503-551, r. 550-551), who lived during a period called the Six Dynasties in China. He was born a prince during the Liang Dynasty, became Crown Prince upon his older brother's death, and eventually succeeded to the crown after the Liang court had come under the control of a rebel named Hou Jing (d. 552). He was murdered by Hou before long and was posthumously given the title of "Emperor of Jianwen (Jianwen Di)" by his younger brother Xiao Yi (508-554). Xiao's writing of amorous poetry was blamed for the fall of the Liang Dynasty by Confucian scholars, and adverse criticism of his so-called "decadent" Palace Style Poetry has continued for centuries. By analyzing Xiao Gang within his own historical context, I am able to develop a more refined analysis of Xiao, who was a poet, a filial son, a caring brother, a sympathetic governor, and a literatus with broad and profound learning in history, religion and various literary genres. Fewer than half of Xiao's extant poems, not to mention his voluminous other writings and many of those that have been lost, can be characterized as "erotic" or "flowery". -
P020110307527551165137.Pdf
CONTENT 1.MESSAGE FROM DIRECTOR …………………………………………………………………………………………………………………………………………………… 03 2.ORGANIZATION STRUCTURE …………………………………………………………………………………………………………………………………………………… 05 3.HIGHLIGHTS OF ACHIEVEMENTS …………………………………………………………………………………………………………………………………………… 06 Coexistence of Conserve and Research----“The Germplasm Bank of Wild Species ” services biodiversity protection and socio-economic development ………………………………………………………………………………………………………………………………………………… 06 The Structure, Activity and New Drug Pre-Clinical Research of Monoterpene Indole Alkaloids ………………………………………… 09 Anti-Cancer Constituents in the Herb Medicine-Shengma (Cimicifuga L) ……………………………………………………………………………… 10 Floristic Study on the Seed Plants of Yaoshan Mountain in Northeast Yunnan …………………………………………………………………… 11 Higher Fungi Resources and Chemical Composition in Alpine and Sub-alpine Regions in Southwest China ……………………… 12 Research Progress on Natural Tobacco Mosaic Virus (TMV) Inhibitors…………………………………………………………………………………… 13 Predicting Global Change through Reconstruction Research of Paleoclimate………………………………………………………………………… 14 Chemical Composition of a traditional Chinese medicine-Swertia mileensis……………………………………………………………………………… 15 Mountain Ecosystem Research has Made New Progress ………………………………………………………………………………………………………… 16 Plant Cyclic Peptide has Made Important Progress ………………………………………………………………………………………………………………… 17 Progresses in Computational Chemistry Research ………………………………………………………………………………………………………………… 18 New Progress in the Total Synthesis of Natural Products ……………………………………………………………………………………………………… -
Chengdu, China 15
2013 International Conference on Communications, Circuits and Systems (ICCCAS 2013) Chengdu, China 15 - 17 November 2013 Volume 1 Pages 1-438 IEEE Catalog Number: CFP13807-POD ISBN: 978-1-4799-3052-4 1/2 Contents of Proceedings of ICCCAS 2013 Volume I Track 01. Wireless Communication Symposium (WCS) Scope TPC Co-Chairs: Co-Chairs: Gang Feng (University of Electronic Science and Technology of China) Ming Xiao (Royal Institute of Technology) Chau Yuen (Singapore University of Technology and Design) #SP_01_01 Link Quality Based EDCA MAC Protocol for WAVE Vehicular Networks 1 Lidong Zhu, Kwan L. Yeung National Key Laboratory of Science and Technology on Communications, UESTC, Chengdu, China #SP_01_02 Modeling and Analysis of Opportunistic Spectrum Sharing with Considering Access Strategy 7 Wanbin Tang, Jing Zhou, Jingdong Yu, Yanfeng Han, Shaoqian Li National Key Laboratory of Science and Technology on Communications University of Electronic Science and Technology of China Chengdu, 611731, China #SP_01_03 Sensing Efficiency in Cognitive Radio Networks 12 Wenjiong Zhou, Jun Wang and Shaoqian Li National Key Laboratory of Science and Technology on Communications University of Electronic Science and Technology of China (UESTC) Chengdu, 611731, China #SP_01_04 Effective Capacity of a Secondary User without Channel Side Informatuon in Nakagami Fading Channels 17 Wenjiong Zhou, Jun Wang and Shaoqian Li National Key Laboratory of Science and Technology on Communications University of Electronic Science and Technology of China (UESTC)Chengdu, 611731 -
[Re]Viewing the Chinese Landscape: Imaging the Body [In]Visible in Shanshuihua 山水畫
[Re]viewing the Chinese Landscape: Imaging the Body [In]visible in Shanshuihua 山水畫 Lim Chye Hong 林彩鳳 A thesis submitted to the University of New South Wales in fulfilment of the requirements for the degree of Doctor of Philosophy Chinese Studies School of Languages and Linguistics Faculty of Arts and Social Sciences The University of New South Wales Australia abstract This thesis, titled '[Re]viewing the Chinese Landscape: Imaging the Body [In]visible in Shanshuihua 山水畫,' examines shanshuihua as a 'theoretical object' through the intervention of the present. In doing so, the study uses the body as an emblem for going beyond the surface appearance of a shanshuihua. This new strategy for interpreting shanshuihua proposes a 'Chinese' way of situating bodily consciousness. Thus, this study is not about shanshuihua in a general sense. Instead, it focuses on the emergence and codification of shanshuihua in the tenth and eleventh centuries with particular emphasis on the cultural construction of landscape via the agency of the body. On one level the thesis is a comprehensive study of the ideas of the body in shanshuihua, and on another it is a review of shanshuihua through situating bodily consciousness. The approach is not an abstract search for meaning but, rather, is empirically anchored within a heuristic and phenomenological framework. This framework utilises primary and secondary sources on art history and theory, sinology, medical and intellectual history, ii Chinese philosophy, phenomenology, human geography, cultural studies, and selected landscape texts. This study argues that shanshuihua needs to be understood and read not just as an image but also as a creative transformative process that is inevitably bound up with the body.