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Scrisuri 3 2000-2009 3 PAUL GOMA - SCRISURI 3 2000-2009 3 P a u l G o m a S C R Ì S U R I 3 2000 - 2009 interviuri, dialoguri, articole CURTEA VECHE 2009 PAUL GOMA - SCRISURI 3 2000-2009 5 2 0 0 0 * Paris, 1 februarie 2000 O AGEND™… LITERAR™ Am primit un colet din România. Cum n-am fost atent la expeditor, când l-am deschis, am fost surprins: “Funda∞ia Cultural¶ România”, Ea ïns¶§i îmi trimisese… o agend¶ din mu§ama veritabil¶, ro§catìe, cu litere §i col∞are de aur… Mi-am zis c¶ o fi o agend¶ obi§nuit¶ - mai ales c¶ pe copert¶ scrie: 2000. M-am în§elat : agenda nu este una obi§nuit¶, ci… special¶ : “5+366 scriitori români” - cincii prezen∞i doar prin fotografii : Eminescu, Creang¶, Slavici, Caragiale, Maiorescu, iar restul… Mi-am zis apoi c¶, fiind o agend¶ - cum ar veni : un calendar, voi fi de g¶sit (dac¶ nu m-ar fi inclus, nu mi-ar fi trimis agenda, nu ?), la 2 octombrie, ziua de na§tere a mea… Nu m-am g¶sit acolo. Atunci am constatat : «Nu m-au inclus…» M¶ în§elasem înc¶ o dat¶ - a câta oar¶ ? Am b¶gat de seam¶ o ordine alfabetic¶. De ast¶ dat¶ nu m-am mai în§elat (era §i timpul) ; figuram la G, între Golopen∞ia §i Grigorescu. Am priceput : fiec¶ruia din cei 366 de scriitori cuprin§i i se rezervase o pagin¶, echivalînd cu o zi (la ceva tot a fost bun¶, agenda: am aflat din ea c¶ anul acesta are un februarie de 29 zile). Eu sânt de g¶sit la 28 mai ; într-o duminic¶. Pagina este împ¶r∞it¶ în dou¶, pe lung : superioarele trei cincimi sunt rezervate not¶rilor viitoare ; inferioarele dou¶ au, în centru, fotografia agendatului, în stânga o noti∞¶ indicînd “specialitatea” §i o bibliografie (foarte) selectiv¶. Urmeaz¶ un citat din un critic - la mine: un fragment din articolul lui Ion Simu∞ pentru Dic∞ionarul Scriitorilor Români - editat tot de FCR. Partea dreapt¶ este consacrat¶ echival¶rii într-un fel de englez¶ a notei §i a citatului. Sânt prezentat ca : “prozator, memorialist §i publicist”. Nimic de obiectat la “restrângerea” activit¶∞ilor mele (de§i am fost §i trompetist §i fotografist, §i zugr¶vist §i, desigur, înjur¶torist na∞ionale). Treburile se complic¶ la rezumatul bibliografiei : pe de o parte, fiindc¶ d¶ titlurile fran∞uze§ti §i române§ti a dou¶ volume - drept care reiese c¶ ar fi dou¶ c¶r∞i PAUL GOMA - SCRISURI 3 2000-2009 6 diferite : Elles étaient quatre §i Ura noastr¶ cea de toate zilele… - neadev¶rat: ambele fac… o singur¶ carte : U§a (nu Ura) noastr¶ cea de toate zilele. Acela§i lucru §i la : Les chiens de mort §i (sic) Patimile dup¶ Pite§ti. S¶ nu fiu consolat c¶ mi s-au pus cu dou¶ titluri mai mult decât… merit, nu asta m¶ intereseaz¶ (am destule volume scrise), ci lucrul f¶cut de mântuial¶ ; la foarte futuim¶sa. Am tot c¶utat… vinovatul/vinova∞ii de aceast¶ treab¶ de mare ru§ine. N-am g¶sit nic¶iri vreo indica∞ie din care a§ putea în∞elege cine este redactorul, m¶car îngrijitorul volumului (c¶ci volum e§ti §i în agend¶ te vei întoarce…). Aflu c¶ Funda∞ia Cultural¶ Cândìa are un pre§edinte : Buzura, doi vicepre§edin∞i : Mircea Anghelescu, Ion Ungureanu, o secretar¶ : Angela Martin, un director pentru programele interna∞ionale: Catrinel Ple§u, un director pentru rela∞iile cu presa : Cipriana Petre. Nici la sfâr§itul obiectului nu este divulgat redactorul. Drept care sânt îndrept¶∞it s¶-i consider autori pe to∞i cei în§ira∞i mai sus - în frunte cu prezidentul. Opera lor (colectiv¶), acest mini-dic∞ionar al literaturii este o imens¶ porc¶rie. £i nu prin inten∞ie, prin program - ca sinistrul Dic∞ionar de literatur¶ român¶ coordonat de P¶curariu, ap¶rut în 1979, la Univers, din care erau exlu§i cei care nu se aflau în gra∞iile g¶§tii lui Romul Munteanu §i a lui Marcea §i introdu§i pe dindos tot felul de active∞i B¶l¶ie∞i, de tov¶r¶§oi Bucuroi - ci prin… îns¶§i realizarea : str¶lucit¶ dovad¶ de neprofesionism, uimitoare la un organism de diversiune na∞ional¶ (§i interna- ∞ional¶, n-o uit¶m pe Catrinel Ple§u) ca FCR §i al s¶u ne§ov¶- ielnic organ Dilema. Cu ce s¶ încep ? Cu începutul : Nu §tiu §i nu m¶ intereseaz¶ în care alte culturi vor fi întâlnit culturali§tii de pe Aleea Alexandru formula agend¶- minidic∞ionar de literatur¶, dar ideea este idioat¶. Fiindc¶ dac¶ a devenit acceptabil arbitrarul : “100 (sau 120, sau 222) scriitori” - pe care §i-l asum¶ un autor ori un coordonator - greu de acceptat Patul lui Procust al celor 356 nume câte zile sunt în an : treab¶ farfuridic¶, curajos-anonim¶. Câte un scriitor pentru fiecare zi de preste an ? Dar asta este o “vedere” de cretin, de analfabet. Bine : de infantil. Am mai auzit de “calendar de scriitori”, dar acea solu∞ie era cinstit¶ în limitarea ei, inten∞ia fiindu-i s¶-fac¶-frumos, nu corect, informa∞ia de istorie literar¶ fiind subordonat¶ celeilalte, generale - de… agend¶. Mai exist¶ - a fost §i la noi, în România - formula Almanahului literar, gândit §i realizat ca volum cu apari∞ie anual¶, nu catalog - §i acela incomplet §i r¶u f¶cut. PAUL GOMA - SCRISURI 3 2000-2009 7 Tot la FCR au ap¶rut primele dou¶ volume din Dic∞ionarul Scriitorilor Români, coordonat de M. Zaciu. Solu∞ia cea mai pu∞in rea de a da o imagine a literaturii române (fire§te, cu sc¶p¶rile, omisiunile-abuzurile ei). Deci Funda∞ia posed¶ întregul material documentar §i, dac¶ prin, de-o pild¶, Angela Martin ar fi f¶cut apel la doi studen∞i din anul I de la Litere §i le-ar fi cerut s¶ redacteze mini-bio-bibliografii, rezumate din DSR, înso∞ite de câte un citat reprezentativ - rezultatul ar fi fost mult mai onest ; oricum, infinit mai corect. Pentru c¶ ceea ce ofer¶ Agenda Funda∞iei Culturale este un spectacol lamentabil de amatorism violent, de nep¶s¶torism agresiv - §i beat : ai zice c¶ “autorii” s-au trezit afla∞i în treab¶ pe la ceasurile patru dimine∞a dintr-un ïntâi Ianuarie abundent stropit. Ca la orice dic∞ionar se pot discuta “introducerile” §i “exclu-derile”. S¶ nu mi se spun¶ c¶ num¶rul “scaunelor” fiind limitat (de num¶rul zilelor din an), nu se puteau acorda mai multe locuri. Nu sânt, din principiu, de acord cu propria-mi propunere, dar risc s¶ o fac cunoscut¶ : dintre exila∞i i-a§ fi introdus (corect: nu i-a§ fi exclus) pe Rodica Iulian, pe Iv¶nceanu, pe Ion Omescu, pe Oana Orlea, pe Alexandru Papilian, pe Horia Stamatu, pe Virgil T¶nase… - poate cineva jura cu mâna pe inim¶ c¶ fiecare din ace§tia este mai pu∞in scriitor decât tovar¶§ul S¶raru ?; decât tov¶r¶§ica Firan ? Dac¶ a§ fi silit s¶ renun∞ la al∞ii, deja b¶ga∞i, cu inima frânt¶ a§ renun∞a la : - George Banu - de ce ? Fiindc¶, potrivit indica∞iei “critic teatral”, el nu intr¶ în categoria scriitor - adic¶ de produc¶tor de texte (de teatru), ci în aceea de comentator. Altfel, de ce n-ar fi intrat §i Valentin Silvestru, cel de trist¶ amintire ?; §i Iosif Sava, de înveselitoare suvenire? Bine, bine, George Banu este o persoan¶ extrem de simpatic¶, particip¶ cu drag §i cu avânt la toate manifesta∞iunile culturaliste ale Ambasadei Securit¶∞ii de la Paris, ca apropiat colaborator al Funda∞iei Colabora∞ioniste “România” - dar de aici pân¶ la a-l unge “scriitor” calea este lung¶ ; - Carmen Firan - toat¶ lumea §tie cine este, §i în sine §i ce/pe cine reprezint¶ ea în America - dealtfel Andrei Codrescu, din iu∞eal¶ de condei §i neb¶gare de seam¶ o deconspir¶ astfel : “Scrierea ei despre Lumea Nou¶ nu se suprapune peste scrierile (subl. mea) despre Lumea Veche - pe care o cunoa§te adânc §i în profunzime (nu “profund, în adâncime”? P.G.); ea este o scufundare care invit¶ limba s¶-i (ce anume s¶-i? P.G.) urmeze. £i aceasta o urmeaz¶, cu siguran∞¶. Carmen la New York, precum Lorca la New York, este §i tonic¶ §i necesar¶”. Un mod cu totul §i cu totul hopuros de a suprapune-peste, PAUL GOMA - SCRISURI 3 2000-2009 8 adânc-§i-în-profunzime, într-o aproximativ¶ român¶, vorbe- vorbe-vorbe. Emigrantul Codrescu nu §tie (nici nu vrea s¶ afle) c¶ Românii ajun§i în America se împart în trei categorii : a. refugia∞i din pricina comunismului ; b. emigran∞i (ca el, Codrescu - preponderent evrei, ce aleser¶ libertatea Occidentului via Israel) - §i c. trimi§i. Ace§tia din urm¶ pot fi bursieri, sau ca… Carmen (‘ofonie admis¶) Lorca de pe Calea Rahovei, în misie de dezinformare ; - Gabriel Gafi∞a : într-o situa∞ie ca cea din Agend¶, cu “scaune” numerotate, bunul-sim∞ cerea ca Gafi∞a s¶ libereze locul abuziv ocupat - dealtfel activitatea sa de c¶p¶tâi este aceea de traduc¶tor. Traduc¶tori au fost §i Arghezi §i Blaga §i Ion Barbu §i Ion Vinea, cu deosebirea c¶ ei nu au lucrat pentru Exteriorul Ministerului de Interne - unica justificare a prezen∞ei lui Gabriel Gafi∞a într-o Istorie literar¶ : - S¶raru - apari∞ia lui nu se explic¶ decât prin faptul c¶ este prezentat de raportorul S¶pt¶mânii, în special, în general al Securit¶∞ii, pe numele s¶u neconspirativ : Marian Popa - în acest caz, de ce nu vor fi fost infiltra∞i §i Traian Filip §i Hobana, de ce n-a fost b¶gat (sic!) §i Mihai Pelin - doar §i ei sunt scriitori MAI cinsti∞i ? Dac¶ num¶rul celor propu§i a fi (re)introdu§i dep¶§e§te cu doar unu pe cel al sco§ilor, s¶ fiu exclus §i eu - am obi§nuin∞a expulz¶rilor §i nu mor de dorin∞a de a “face parte”.
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