Reportaje De International Salsa Magazine
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ismael Rivera: El Eterno Sonero Mayor
• Ismael Rivera, ca. 1982 Ismael Rivera: el eterno Sonero mayor Ismael Rivera, o eterno Ismael Rivera: the eternal Sonero mayor Sonero mayor Robert Téllez Moreno* DOI: 10.30578/nomadas.n45a13 El artículo presenta un recorrido biográico y musical en torno al cantante y compositor puer- torriqueño Ismael Rivera, “El Sonero Mayor”. De la mano del artista, el texto provee claves para entender el surgimiento de la salsa como género musical, así como muestra algunos hitos en la historia del género. Concluye que la intervención de Rivera en la escena musical isleña y continental constituyó una revolución que dispersó las fronteras sociales de la exclusión cultu- ral. Por su parte, su estilo interpretativo se caracteriza por un inmenso sentimiento popular y una gran capacidad de improvisación. Palabras clave: Ismael Rivera, Puerto Rico, música popular, clave de son, salsa, racismo. O artigo apresenta um recorrido biográico e musical acerca do cantor e compositor Ismael Ri- vera, “El sonero mayor”, nascido em Puerto Rico. Da mão do artista, o texto oferece chaves para compreender o surgimento da salsa como gênero musical, ao tempo que mostra alguns marcos da história desse gênero. O autor conclui que a intervenção de Rivera no cenário musical da ilha e do continente constituiu uma revolução que dissipou as fronteiras sociais da exclusão cultural. O estilo interpretativo de Rivera é caraterizado por um enorme sentimento popular e por uma grande capacidade de improvisação. Palavras-chave: Ismael Rivera, Puerto Rico, música popular, clave de son, salsa, racismo. * Director y realizador del programa This article shows a biographical and musical overview of the Puerto Rican singer and son- Conversando la salsa de la Radio gwriter, Ismael Rivera, “El Sonero Mayor”. -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
| | Reapportionment Vote in House
6 THE EYENTXH STAR. TYASHTXfiTOy. P. C, SATURDAY. JANUARY TO. WW. [THE EVENING STAR ? ferences and seiztng an opportunity be- ha* perfected a tube which, through a set with perils. He has yet to conclude color change of its content, unerringly THE LIBRARY TABLE With Sunday Morning Edition. -1 I ANSWERS TO QUESTIONS | his dealings with the Shlnwarls, who indicate* the presence of ga*. That I THIS AND THAT I WASHINGTON, C. are still on the road of insurgency, but will supplant the l D. science feathered i By th« Booklovtr J. HASKIN. Kabul reports confidence that he will songsters in is almost BY FREDERIC | . 1929 > future conflicts SATURDAY. .January 19, effect an adjustment with them. certain. BY CHARLES E. TRACER'ELL. Augustine Birrell says in his “Obiter. public Instruction, reports that it . Afghanistan's new king will not be Doubtless it la better so. The soldier Stop a minute and think about this of , THEODORE W. NOYES... .Editor They are all Dicta,” “History is a pageant and not fact: You can aak our Information is sll4. At the beginning of this cen- known as Bacha Sagao, which Is not a now seldom uses horse* or rpules, which i There is nothing like getting mad have arisen from them. average salary $24. of their origins, just philosophy.” This dictum would ap- Bureau any question of fact and get the tury the was royal designation. He has, it is stated, once played ao important so , 1 to make one forget minor ills. the finer because a The Star Newspaper Company r and tragic powers of anger, in not as a coward who performs bravely on history well as to the answer back in a personal letter. -
Mario Ortiz Jr
Hom e | Features | Columns | Hit Parades | Reviews | Calendar | News | Contacts | Shopping | E-Back Issues NOVEMBER 2009 ISSUE FROM THE EDITOR Welcome to the home of Latin Beat Magazine Digital! After publishing Latin Beat Magazine for 19 years in both print and online, Yvette and I have decided to continue pursuing our passion for Latin music with a digital version only. Latin Beat Magazine will continue its coverage of Latin music through monthly in-depth articles, informative Streaming Music columns, concert and CD reviews, and extensive news and information for everyone. Access to Somos Son www.lbmo.com or www.latinbeatmagazine.com (Latin Beat Magazine Online) is free for a limited Bilongo time only. Windows Media Quicktime Your events and new music submissions are welcome and encouraged by emailing to: [email protected]. The Estrada Brothers Latin beat is number one in the world of authentic Latin music. For advertising opportunities in Mr. Ray lbmo.com, call (310) 516-6767 or request advertising information at Windows Media [email protected]. Quicktime Back issues are still in print! Please order thru the Shopping section! Manny Silvera Bassed in America This issue of Latin Beat Magazine Volume 19, Number 9, November 2009, is our annual "Special Windows Media Percussion/Drum Issue", which celebrates "National Drum Month" throughout North America. Our Quicktime featured artist this month is Puerto Rican percussionist/bandleader Richie Flores. In addition, also featured are Poncho Sanchez (who's enjoying the release of his latest production Psychedelic Blues), and trumpeter/bandleader Mario Ortiz Jr. (who has one of the hottest salsa Bobby Matos productions of the year). -
Effects of State-Wide Salary Equity Provisions on Institutional Salary
' . * o :0 '4 41,1,4 MINED! RUDE mt. ID 152,205 .HE 009 800 . JUTHOR Nittin, NaryP. 'Mitts, Johat.D. TITLE: Affects ,of State -Wide Salary Equity Provisions on Xpdtitutionhl Salary Policies: A Regression fAlysis; , , . 111SirrillIZON Plorilla'StatelnAv., TalltlAssee.Laorth Dakiita. Univ., Grand Perks. 11.18 DiT.) 78. , , - 17p. 110T3 % . pRicv NP -10,83 Plus-Postage.' RIpIORS., *College Eacultt; *Contracts; Higher Education; si VrivateColleges***Salary Differentials;.*State . : Action; State.Coileges; State Universities; 'Statistical Analysis; Statistical Data; *teacher' Salaries: Tenure. lb$NTIFIERS. .North Dakota; *Univeetity of Nortb-Dalota . A SBSTRAC2 . 4 . fla A procese cl4 equalization of salariel "has- taken plagAl _in thef*State of forth:Dakota-for higher eddcaticn 4uring' the 1977:78- school year. She stab cf North Dakota suppa*ts eight:instittrtionsof kigherleducation: tmoagiveisities, four state colleges, and tvb . two-.y partinstitutions. fhe equalization process as it effected the ,decid4.oa leaking at the .University 01 North Dakota is docualhted. , -:Table 0are, presented" that report' the results for the 1977-78 contracted., salary and the 1977 -78,salary after the equity' adjittaeits. (SPG) ! - :- I 4 ) ************************4****************************** 4,************** * - Reproductions sipplied'by16RS are the best that cab be made - * frothe original document. * *********************4**********************.*************************** , Ai f. 4 4 1 -ewe- teagil I tt-e, ..i_:10 EFFECTS OF STATE-WIDE SALARY EQUITY PROVISIONS ON. (gt-p;,2. _ 10-Is INSTITUTIONAL SALARY POLICIES: A REGRESSION ANALYSIS LiA* 44).;0=0_I ,,_c§f0zaz /. Duz e xi.A0.-0.79, 2 ..0.01, 0 ,Mary P:' Martin and John D. Williams Florida State University University of North Dakota t A process of equalization of sa3aries has taken place in the State Of Ntrth Dakota for.highertducation during the 1977/-78 schoolyear. -
Almanaque Marc Emery. June, 2009
CONTENIDOS 2CÁLCULOS ASTRONÓMICOS PARA LOS PRESOS POLÍTICOS PUERTORRIQUEÑOS EN EL AÑO 2009. Jan Susler. 6ENERO. 11 LAS FASES DE LA LUNA EN LA AGRICULTURA TRADICIONAL. José Rivera Rojas. 15 FEBRERO. 19ALIMÉNTATE CON NUESTROS SUPER ALIMENTOS SILVESTRES. María Benedetti. 25MARZO. 30EL SUEÑO DE DON PACO.Minga de Cielos. 37 ABRIL. 42EXTRACTO DE SON CIMARRÓN POR ADOLFINA VILLANUEVA. Edwin Reyes. 46PREDICCIONES Y CONSEJOS. Elsie La Gitana. 49MAYO. 53PUERTO RICO: PARAÍSO TROPICAL DE LOS TRANSGÉNICOS. Carmelo Ruiz Marrero. 57JUNIO. 62PLAZA LAS AMÉRICAS: ENSAMBLAJE DE IMÁGENES EN EL TIEMPO. Javier Román. 69JULIO. 74MACHUCA Y EL MAR. Dulce Yanomamo. 84LISTADO DE ORGANIZACIONES AMBIENTALES EN PUERTO RICO. 87AGOSTO. 1 92SOBRE LA PARTERÍA. ENTREVISTA A VANESSA CALDARI. Carolina Caycedo. 101SEPTIEMBRE. 105USANDO LAS PLANTAS Y LA NATURALEZA PARA POTENCIAR LA REVOLUCIÓN CONSCIENTE DEL PUEBLO.Marc Emery. 110OCTUBRE. 114LA GRAN MENTIRA. ENTREVISTA AL MOVIMIENTO INDÍGENA JÍBARO BORICUA.Canela Romero. 126NOVIEMBRE. 131MAPA CULTURAL DE 81 SOCIEDADES. Inglehart y Welzel. 132INFORMACIÓN Y ESTADÍSTICAS GENERALES DE PUERTO RICO. 136DICIEMBRE. 141LISTADO DE FERIAS, FESTIVALES, FIESTAS, BIENALES Y EVENTOS CULTURALES Y FOLKLÓRICOS EN PUERTO RICO Y EL MUNDO. 145CALENDARIO LUNAR Y DÍAS FESTIVOS PARA PUERTO RICO. 146ÍNDICE DE IMÁGENES. 148MAPA DE PUERTO RICO EN BLANCO PARA ANOTACIONES. 2 3 CÁLCULOS ASTRONÓMICOS PARA LOS PRESOS Febrero: Memorias torrenciales inundarán la isla en el primer aniversario de la captura de POLÍTICOS PUERTORRIQUEÑOS EN EL AÑO 2009 Avelino González Claudio, y en el tercer aniversario de que el FBI allanara los hogares y oficinas de independentistas y agrediera a periodistas que cubrían los eventos. Preparado por Jan Susler exclusivamente para el Almanaque Marc Emery ___________________________________________________________________ Marzo: Se predice lluvias de cartas en apoyo a la petición de libertad bajo palabra por parte de Carlos Alberto Torres. -
Lakeland Overall Score Reports
Lakeland Overall Score Reports Mini (8 yrs. & Under) Solo Recreational Platinum 1st Place 1 547 I Like to Fuss - Dance Dynamix - Leesburg, FL 82.0 Landi Hicks Platinum 1st Place 2 578 Hallelujah Hop - Debbie Cole's School of Dance - Homosassa Springs, FL 81.7 Alyceea Marcic Gold 1st Place 3 352 Constant As the Stars - Showtime Dance Studios - Altamonte Springs, FL 81.2 Shaina Smith Gold 1st Place 4 577 Head Over Heels - Debbie Cole's School of Dance - Homosassa Springs, FL 80.2 Gabrielle Marcic Gold 1st Place 5 106 Opus 1 - Deborah Vinton School of Ballet - Bradenton, FL 79.8 Will Miller Gold 1st Place 6 195 Castle on a cloud - Community Dance Connection - Coco, FL 79.6 Kathryn Meagher Gold 1st Place 7 349 Black Horse and a Cherry Tree - Showtime Dance Studios - Altamonte Springs, FL 79.3 Alexa Adams Competitive Platinum 1st Place 1 303 Some Kind of Wonderful - Deltona Academy of Dance - Deland, FL 84.3 Sydney Bettes Platinum 1st Place 2 780 Little Bitty - Studio 5D - Winter Springs, FL 83.9 Alexandria Navarro Platinum 1st Place 3 335 I've Got the World on a String - Erin's Danceworks - Spring Hill, FL 83.6 Kelcey Morris Platinum 1st Place 4 345 Pink Dancer - Showtime Dance Studios - Altamonte Springs, FL 83.2 Logan Misuraca Gold 1st Place 5 350 Dare You To Move - Showtime Dance Studios - Altamonte Springs, FL 82.5 Ashleigh Hambleton Gold 1st Place 6 253 Shop Around - Jayde Howard's Dance Legacy - Bradenton, FL 82.4 Karyssa Wong Gold 1st Place 7 885 Cruella de Vil - Tammy's Dance Co - , 82.2 Makinsy Wendel Gold 1st Place 8 110 Wish Upon -
N° Artiste Titre Formatdate Modiftaille 14152 Paul Revere & the Raiders Hungry Kar 2001 42 277 14153 Paul Severs Ik Ben
N° Artiste Titre FormatDate modifTaille 14152 Paul Revere & The Raiders Hungry kar 2001 42 277 14153 Paul Severs Ik Ben Verliefd Op Jou kar 2004 48 860 14154 Paul Simon A Hazy Shade Of Winter kar 1995 18 008 14155 Me And Julio Down By The Schoolyard kar 2001 41 290 14156 You Can Call Me Al kar 1997 83 142 14157 You Can Call Me Al mid 2011 24 148 14158 Paul Stookey I Dig Rock And Roll Music kar 2001 33 078 14159 The Wedding Song kar 2001 24 169 14160 Paul Weller Remember How We Started kar 2000 33 912 14161 Paul Young Come Back And Stay kar 2001 51 343 14162 Every Time You Go Away mid 2011 48 081 14163 Everytime You Go Away (2) kar 1998 50 169 14164 Everytime You Go Away kar 1996 41 586 14165 Hope In A Hopeless World kar 1998 60 548 14166 Love Is In The Air kar 1996 49 410 14167 What Becomes Of The Broken Hearted kar 2001 37 672 14168 Wherever I Lay My Hat (That's My Home) kar 1999 40 481 14169 Paula Abdul Blowing Kisses In The Wind kar 2011 46 676 14170 Blowing Kisses In The Wind mid 2011 42 329 14171 Forever Your Girl mid 2011 30 756 14172 Opposites Attract mid 2011 64 682 14173 Rush Rush mid 2011 26 932 14174 Straight Up kar 1994 21 499 14175 Straight Up mid 2011 17 641 14176 Vibeology mid 2011 86 966 14177 Paula Cole Where Have All The Cowboys Gone kar 1998 50 961 14178 Pavarotti Carreras Domingo You'll Never Walk Alone kar 2000 18 439 14179 PD3 Does Anybody Really Know What Time It Is kar 1998 45 496 14180 Peaches Presidents Of The USA kar 2001 33 268 14181 Pearl Jam Alive mid 2007 71 994 14182 Animal mid 2007 17 607 14183 Better -
How to Identify Old Chinese Porcelain
mmmKimmmmmmKmi^:^ lOW-TO-IDENTIFY OLD -CHINESE - PORCELAIN - j?s> -ii-?.aaig3)g'ggg5y.jgafE>j*iAjeE5egasgsKgy3Si CORNELL UNIVERSITY LIBRARY THE WASON CHINESE COLLECTION DATE DUE 1*-^'" """"^*^ NK 4565!h69" "-ibrary 3 1924 023 569 514 The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924023569514 'a4^(A<-^^ %//3 HOW TO IDENTIFY OLD CHINESE PORCELAIN PLATE r WHITE PORCELAIN "BLANC-DE-CHINE" PAIR OF BOWLS of pierced fret-work divided by five circular panels or medallions of raised figures in relief, supposed 10 represent the Pa-Sien or eight Immortals and the God of Longevity. Height, if in. Diameter, sfin. SEAL in the form of a cube surmounted by the figure of a lion Height, i^in. INCENSE BURNER, eight sided and ornamented by moulding in relief with eight feet and four handles. The sides have three bands enclosing scrolls in ancient bronze designs. At each angle of the cover is a knob; it is ornamented with iris and prunus, and by pierced spaces. The stand has eight feet and a knob at each angle ; in the centre is a flower surrounded by detached impressed scrolls, round the outside are similar panels to those on the bowl. Height, 4|in. Diameter of stand, 6f in. THE FIGURE OF A CRAB on a lotus leaf, the stem of which terminales in a flower. Length, 6| in. From Sir PV. fraiik^s Collection at the BritisJi Museum. S3 HOW TO IDENTIFY OLD CHINESE PORCELAIN BY MRS. -
The Dialectics of Virtuosity: Dance in the People's Republic of China
The Dialectics of Virtuosity: Dance in the People’s Republic of China, 1949-2009 by Emily Elissa Wilcox A dissertation submitted in partial satisfaction of the requirements for the degree of Joint Doctor of Philosophy with the University of California, San Francisco in Medical Anthropology of the University of California, Berkeley Committee in charge: Professor Xin Liu, Chair Professor Vincanne Adams Professor Alexei Yurchak Professor Michael Nylan Professor Shannon Jackson Spring 2011 Abstract The Dialectics of Virtuosity: Dance in the People’s Republic of China, 1949-2009 by Emily Elissa Wilcox Joint Doctor of Philosophy with the University of California, San Francisco in Medical Anthropology University of California, Berkeley Professor Xin Liu, Chair Under state socialism in the People’s Republic of China, dancers’ bodies became important sites for the ongoing negotiation of two paradoxes at the heart of the socialist project, both in China and globally. The first is the valorization of physical labor as a path to positive social reform and personal enlightenment. The second is a dialectical approach to epistemology, in which world-knowing is connected to world-making. In both cases, dancers in China found themselves, their bodies, and their work at the center of conflicting ideals, often in which the state upheld, through its policies and standards, what seemed to be conflicting points of view and directions of action. Since they occupy the unusual position of being cultural workers who labor with their bodies, dancers were successively the heroes and the victims in an ever unresolved national debate over the value of mental versus physical labor. -
Bronislava Nijinska in Revolutionary Russia
An Amazon of the Avant-Garde: Bronislava Nijinska in Revolutionary Russia LYNN GARAFOLA In August 1915 Alexander Kochetovsky, a graduate of Moscow's Bolshoi Ballet and a veteran of Diaghilev's Ballets Russes, arrived in Kiev to take up a position as ballet master and dancer at the Kiev City Theater [Kievskii Gorodskoi Teatr].1 With him was his wife, Bronislava Nijinska, a former Ballets Russes soloist trained at St. Petersburg's Imperial Ballet School and also hired as a dancer, their two-year-old daughter Irina, and Bronislava's mother, Eleanora Bereda, a retired dancer who began her career at Warsaw's Wielki Theater. For Kochetovsky, the Kiev years would be a brief interlude in a career that ended in Houston teaching ballet to the daughters of oil barons. For Nijinska, they marked the start of an international career as one of the twentieth-century's most innovative choreographers. Nijinska spent nearly six years in Kiev. There she gave birth to a second child and was abandoned not once but twice by Kochetovsky. More importantly, it was in Kiev that she became a modernist artist. In the experimental ferment that followed the 1917 Revolution and the short-lived Ukrainian republic, she opened her own studio, which she called the School of Movement. She worked with visual artists at the cutting edge of the era's avant-garde and with theater directors challenging the conventions of the dramatic stage. She created solos and group works and presented her first full evenings of choreography. She taught in studios identified with the artistic left and with Jewish and Ukrainian cultural organizations. -
“Orgulloso De Mi Caserío Y De Quien Soy”: Race, Place, and Space in Puerto Rican Reggaetón by Petra Raquel Rivera a Disser
“Orgulloso de mi Caserío y de Quien Soy”: Race, Place, and Space in Puerto Rican Reggaetón By Petra Raquel Rivera A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in African American Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Percy C. Hintzen, Chair Professor Leigh Raiford Professor Joceylne Guilbault Spring 2010 “Orgulloso de mi Caserío y de Quien Soy”: Race, Place, and Space in Puerto Rican Reggaetón © 2010 By Petra Raquel Rivera Abstract “Orgulloso de mi Caserío y de Quien Soy”: Race, Place, and Space in Puerto Rican Reggaetón by Petra Raquel Rivera Doctor of Philosophy in African American Studies University of California, Berkeley Professor Percy C. Hintzen, Chair My dissertation examines entanglements of race, place, gender, and class in Puerto Rican reggaetón. Based on ethnographic and archival research in San Juan, Puerto Rico, and in New York, New York, I argue that Puerto Rican youth engage with an African diasporic space via their participation in the popular music reggaetón. By African diasporic space, I refer to the process by which local groups incorporate diasporic resources such as cultural practices or icons from other sites in the African diaspora into new expressions of blackness that respond to their localized experiences of racial exclusion. Participation in African diasporic space not only facilitates cultural exchange across different African diasporic sites, but it also exposes local communities in these sites to new understandings and expressions of blackness from other places. As one manifestation of these processes in Puerto Rico, reggaetón refutes the hegemonic construction of Puerto Rican national identity as a “racial democracy.” Similar to countries such as Brazil and Cuba, the discourse of racial democracy in Puerto Rico posits that Puerto Ricans are descendents of European, African, and indigenous ancestors.