Marvin Santiago

Marvin Santiago (December 26, 1947 – October 6, 2004) was a Puerto Rican salsa singer who became famous all across Latin America during the 1970s. He was also a part-time comedian on Puerto Rican television.

Early life

Santiago was born in the Santurce district of San Juan, . In his younger years Santiago lived between the Bólivar and Sánchez streets in the Parada 22 area of Santurce. At the age of 13, Santiago and his family moved to the public housing project where he was eventually nicknamed “El Grifo de Canales” (“The kinky-haired, fair- skinned-one of Canales”) by close friends and fans. Santiago was diagnosed with type 1 diabetes at a young age.

During his youth, Santiago would participate in jam sessions in his neighborhood as well as in school. His first professional job as a singer was in 1966 with Roberto Valdés group “Los Trotamundos“.

Recording career

Rafael Cortijo

Upon a recommendation from conga player Celso Clemente, famed Puerto Rican composer met Santiago and brought him to an audition for ’s group. Santiago was hired to sing with Cortijo’s group and in three weeks time learned the bands repertoire and started touring with them throughout , and . On an impulse, Santiago decided to stay in Chicago.[2] During breaks from Cortijo’s group, Santiago played with local bands “Gilberto Y Su Sexteto” & “La Sonora De Felipe Rodríguez“.[1][3] Santiago’s first recorded tracks appeared on Rafael Cortijo Y Su Bonche’s album “Ahí Na Má! Put It There“, released in 1968.[2][4] Two of the tracks recorded where Santiago provided lead vocals, “Vasos En Colores” and “La Campana Del Lechón”, were later recorded by Santiago as a solo artist. Santiago provided background vocals on other tracks from the album.

Roberto Angleró

In 1969 Santiago left Chicago and returned to Puerto Rico where he joined Johnny “El Bravo” López’s group and toured with them briefly.[3] On one engagement with López in Coamo, Puerto Rico, Santiago met Roberto Angleró and offered his services as a backup singer if he ever needed one. Soon after that meeting, Angleró needed a background singer and called López to see if he could lend Santiago to do some background vocals for his group and López told Angleró “you can keep him if you want to”.[2][5] Santiago joined Angleró’s group and in 1970 recorded an album with them. The album had a minor hit with the track “Chán Con Chán”. The track “Salao” from the album was later recorded as “Safa Diablo” by Bobby Valentín’s group with Santiago on lead vocals. Another track from the album, “El Pantalón”, was later recorded as “El Filo Del Pantalón” by Santiago as a solo artist.

Bobby Valentín

Late in 1970 Bobby Valentín, another type 1 diabetic, hired Santiago as the lead singer of his band after Frankie Hernández left his group.[1] Valentin was one of the original members of the Fania All-Stars, an exclusive Salsa conglomerate of musicians that showcased other performers such as , Rubén Blades, Hector Lavoe, and many others. Santiago would become an impromptu member of the group, and later a member in his own right. Santiago’s first recording with Valentin’s group was the album “Rompecabezas”, released in 1971. The songs “Amolador”, “Beso Borracho”, “Papel De Payaso” & “Vete Pa’ llá” were big hits from that album.

Santiago’s second recording with Valentin’s group was the album “Soy Boricua”, released in 1972. Many considered the album a classic and the title track, written by Roberto Angleró, an informal patriotic anthem for . The album’s title song, and the Curet Alonso written “Pirata De La Mar”, became major international hits.

Santiago was part of the band when Valentín played a concert at the Río Piedras State Penitentiary. The concert was recorded and released as two separate albums in 1975.[1]“Préstame Tu Caballo & “Dos Soneros” were the most popular tracks performed by Santiago on the recording.

On Valentín’s 1976 album, “Afuera”, Santiago had a few hits. Among them “Son Son Chararí” (Written by Angleró) and “El Jíbaro Y La Naturaleza”. The latter a nostalgia/protest song with environmental overtones, which featured Fania All-Stars member in a trombone solo. Valentín was forced to drop Santiago off his band due to Santiago’s drug addiction at the time.

Puerto Rico All Stars

Late in 1976, Santiago provided background vocals and was the lead singer for the track “Los Tambores” on Puerto Rico All Stars self-titled first album. Puerto Rico All Stars featured Puerto Rican musicians exclusively and was a rival to NY based Fania All-Stars.

Solo Artist

In 1977 Santiago recorded and released his first solo album “De Los Soneros”. Tito Valentín and Wito Morales produced the album. The recording had the hits“Al Revés” & “De Los Soneros”.

After that album, Santiago joined ’s group for about a year and recorded tracks destined to appear on Olivencia’s album “Sweat Trumpet Hot “Salsa””. During the recording sessions Olivencia found out that Santiago was still under contract with his previous label and had Simón Pérez re–record Santiago’s vocals. Three tracks from those sessions with Santiago’s vocals, “Que Dichoso Es”, “La Pela” & “Del Montón”, later appeared on Santiago’s compilation “15 Éxitos De Marvin Santiago” released by TH Records in 1984.

Famous arranger and producer Jorge Millet knew Santiago well and their friendship could be traced back to the late 1960s when they met while both lived in the city of Chicago. Millet was aware of Santiago’s potential and as a friend wanted to lend him a helping hand by giving him the opportunity to record as a solo artist. As producer and talent scout for TH Records, Millet was able to provide the arrangements, musicians and artwork for Santiago’s debut album with the label.[7][8] The album, “Fuego A La Jicotea[9]“, was released in 1979. The album was very successful and considered a classic for many music fans. The album’s title track, written by Cortijo, was a major hit in Puerto Rico and Venezuela. The song was a thinly-veiled ode to marijuana. Santiago’s remake of a song from his days in Cortijo, “Vasos En Colores”, was also a major hit from the album and remained in his live repertoire throughout his career. Other hits from the album were “La Picúa”, a veiled homage to the female anatomy, and “El Mangoneo” (a Mozambique very much in the style of Cortijo’s “Sorongo”).

Santiago’s follow-up album, “Caliente Y Explosivo”, was another success. It also had Millet as arranger, piano player and musical director. Millet also designed the cover art for this album. The album contained the hits “Al Son De La Lata Baila El Chorizo” (Originally played by when he was part of Cortijo Y Su Combo), “El Tiburón De Agua Dulce” (Written by Millet and the longest studio track Santiago ever recorded at just over seven minutes with an amazing piano solo by Millet), “La Buruquena De Doña Inés” & “Esta Noche Sale El Lobo”.

Many of the songs in Santiago’s solo albums were fast paced, full of intensity and laden with humor and double entendres. Santiago was a master improviser that used “soneos” (rhyming verses common to ) with a strong sense of alliteration, consonance and rhythm that was described once by Rubén Blades this way: “(Rhythm-wise) Marvin is capable of fitting a Mack truck into a parking space where a Volkswagen Beetle won’t fit.” He also used strong Puerto Rican figures of speech and slang that eventually granted him the moniker of “El Sonero del Pueblo”.

Drug Arrest And Sentence

In 1980, at the height of his popularity, Santiago was arrested and imprisoned for possession. He served in prison a little over five out of the ten years he was sentenced due to good behavior. Ruben Blades visited Santiago while in prison something for which Santiago was eternally grateful to Blades.

Shortly after he entered prison, Santiago became a born-again Christian and stopped using drugs. As part of his rehabilitation program, Santiago became the director of a group of prisoners that dedicated their efforts towards drug prevention awareness programs (Confinados En Acción Y Prevención). Santiago went to universities and public schools to give talks about drug prevention.

In July 1981 Millet died from a massive heart attack. Santiago was allowed a prison pass to attend the funeral home where Millet’s body rested and pay respects to his friend. In late 1981, Santiago released the album“Adentro” (“Inside”). The title of the album referred to the fact that Santiago was in prison. The album was recorded live at the Bayamón regional jail and the vocals were later overdubbed in a makeshift studio at the jail. A minor hit from the album was “Auditorio Azul” (Based on the fact that prison uniforms at that facility were blue in color).

In 1982, Santiago was invited and participated on the Third Penitentiary Theater Festival held in Venezuela.

Santiago recorded three more studio albums while serving his sentence. The albums were not received as well as previous albums due to a combination of factors. Among those factors were; arrangements that were not at the same level as the ones provided by Millet produced albums, Santiago’s spiritual reawakening and the considerably cleaned up lyrics on his later work, something that his hardcore fans did not approve of, and the surge of merengue groups such as the Puerto Rico- based Conjunto Quisqueya and Freddie Kenton Orchestra, as well as new local talent such as Eddie Santiago, , and who popularized the so-called “Romantic Salsa”, which eventually displaced more urban-based subject matter in Salsa songs.

Post-Prison

Santiago played several shows outside prison while he served his sentence. Santiago earned over $100,000 from those presentations. By the time he left prison, the bank account holding the earnings of his presentations while in prison had about $2,500 left.[2] Shortly after Santiago found out, he divorced his wife.

Even though Santiago’s fame waned a bit by the time he finished his prison sentence, he was able to keep a busy schedule by touring in Puerto Rico and other Latin American countries. Santiago also appeared on Puerto Rican TV several times, often as a comedian in Luisito Vigoreaux’s produced TV shows.

Santiago rejoined Valentín in 1991 to record new versions of old songs he did with Valentín for a CD commemorating Valentín’s 25th anniversary in the music business. Santiago also participated on a concert celebrating Valentín’s 25th anniversary, later released on DVD.

Santiago last studio album with Valentín, “Donde Lo Dejamos”, was released in 1992. By this release it was noticeable that Santiago’s voice was starting to fade and becoming hoarse and raspy due to poor vocal coaching.

In 1999, the House of Representatives of Puerto Rico had a tribute at the Capitol Building to honor Santiago’s musical career.[2]

In 2000, Santiago participated on the theater play“El Hospitalillo” at the Carmen Delia Dipiní Theater gathering critical acclaim.

In August 2000, Santiago participated in Tommy Olivencia’s 40th anniversary celebration as a bandleader at the amphitheater, in San Juan, P.R. The concert was recorded and released on CD the following year.

In July 2001, a few of his musical colleagues organized a tribute concert to Santiago. The concert was held at the Tito Puente amphitheater and some of the performers sharing the stage with Santiago were Vitín Avilés, Carlos “Cano” Estremera, Meñique, Guillo Rivera & Luigi Texidor

In 2002 Santiago joined the all-star roster of singers and musicians that took part of Bobby Valentin’s 35th anniversary live concert held at the Río Piedras State Penitentiary. Among the all-star lineup were Rubén Blades, , Pedro Guzmán, Giovanni Hidalgo, Papo Lucca, Roberto Roena & Luigi Texidor. The concert was filmed and released on DVD. For a few years until early 2003, Santiago shared a popular radio program every Saturday night with JC “El Babalao” Cordero. The program, “Salsa Gorda”, featured Salsa music from the 1970s and 1980s.

In March 2004 a tribute concert was held at the Tito Puente amphitheater, in San Juan, P.R. by several musicians to celebrate Santiago’s musical career.[12] Among the performers were Luisito Carrión, Oscar D’León, Elías Lopes, Andy Montañez, Luis “Perico” Ortíz & Domingo Quiñones. The concert was filmed and released on CD and DVD.

In May 2004 Santiago was part of the singers and musical colleagues that participated on a tribute concert dedicated to the 45th anniversary of Tommy Olivencia musical career.

Santiago, who adopted Marvin Hagler’s “Marvelous” nickname (both because of their common first name and the fact that, at one time, his head was shaved bald like Hagler’s), had begun conversations to join a Fania All-Stars comeback as a tribute to Celia Cruz by the summer of 2004, but then, he became severely ill.

Santiago’s diabetes started taking a toll on his health during the 1990s. In October 1996 Santiago had his right leg amputated after having three toes amputated in three separate occasions a few months earlier.[2] He also started having problems with his sight. In November 2002 Santiago suffered two heart attacks followed by a major kidney failure in February 2003.[2] After the kidney failure incident, Santiago had to undergo dialysis treatment. Santiago’s name was placed on a waiting list for a kidney transplant but was not able to get a donor.[2] Santiago lost vision from one eye and suffered severe kidney, heart and liver damage on the weeks prior to his death. On the afternoon of October 6, 2004 after many years of health issues, Santiago died at the San Pablo Hospital in Bayamón, Puerto Rico. His funeral was well attended by the public and music friends, with his brother Billyván paying a tribute to Marvin.

Legacy

In the Villa Palmeras neighborhood in Santurce, there is a square named “Plaza De Los Salseros” honoring the memory of distinguished Salsa music luminaries. In December 2009, a bust (Sculpture) of Santiago and a plaque were added to honor his music legacy. Other artists honored in the square are Rafael Cortijo, Héctor Lavoe, Tommy Olivencia, Tito Puente, Ismael Rivera and Pellín Rodríguez.

Santiago left a legacy of songs still heard and popular phrases still in current use in Puerto Rico. One phrase was an affirmation: “¡O-fi-cial!”. Another was a stream of references to Puerto Rican towns: “¡Baya-móntate, Barran-quítate, Vega Bájate, Ad-júntate!”, roughly translated to “get on, get out of the way, get down, get together!”, mentioned along the names of Bayamón, Barranquitas, Vega Baja and Adjuntas. A third one was: “¡Linda Melodía!” (Beautiful Melody!), which he uttered when a musical arrangement was particularly complex or remarkable.

He also used code phrases to refer to drugs: “¡Guayacol, con uña rallá!” was his code phrase for cocaine, and “¡Acetileno!” his reference for heroin. After his religious conversion, however, Marvin affirmed that the only substance in his life from that moment on, besides the insulin he needed daily for his diabetes, was “Cristomicina”, a portmanteau of the name of Christ and erythromycin.

Credits

Release Record Artist Títle Year Label Roberto Angleró Rosa Blanca/Chan Con Y Su Combo 1970 GEMA 1662 Chan Candela Pobre Soy/Copas De Bobby Valentín 1971 FANIA 600 Soledad Beso Borracho/Papel De Bobby Valentín 1971 FANIA 608 Payaso Vete Pa’lla/Besos Bobby Valentín 1971 FANIA 629 Brujos Soy Boricua/Aquella Bobby Valentín 1972 FANIA 654 Mujer Guaraguao/Cuando Te Bobby Valentín 1974 FANIA 684 Vea Safa Diablo/Siempre Bobby Valentín 1974 FANIA 717 Junto A Tí Bella Mujer/ Porque Te Bobby Valentín 1974 FANIA 728 Fuiste Mujer De Discologro Marvin Santiago 1977 Cabaret/Caliplena 210 De Los Soneros/Novia Discologro Marvin Santiago 1977 Mía 712 Fuego A La Jicotea/Si Marvin Santiago 1979 THS-527 Dios Me Quita La Vida El Mangoneo/Me Mata O Marvin Santiago 1979 THS-538 Lo Mato La Una Canita Al Solución/Marvin Aire/Estaca De 1981 TH-709 Santiago Guayacán Me Está Que Se Marvin Santiago 1982 TH-799 Hace/Sonará Una Voz La Campana Del Marvin Santiago 1982 TH-814 Lechón/El Aroma El Regreso De Marvin Santiago 1987 TH-1246 Mambrú/Explicame Tú Marvin Santiago Cúbreme/Después 1988 TH-1350 Corazón Marvin Santiago Desesperado/Aquella 1988 TH-1396 Primera Noche LP’s

Release Artist Títle Record Label Year Rafael Cortijo Ahí Na Má! Put It Tico Records 1968[2][4] y Su Bonche There TSLP-1183 Roberto Roberto Angleró Y GEMA Records Angleró Y Su 1970 Su Combo LPGS-3088 Combo Bobby Valentín Rompecabezas 1971 FANIA LP 00418 Bobby Valentín Soy Boricua 1972 FANIA LP 00439 Bobby Valentín Rey Del Bajo 1974 FANIA LP 00457 Bobby Valentín In Motion 1974 FANIA LP 00469 Va A La Cárcel Bronco SLP Bobby Valentín 1975 Vol.1 00101 Va A La Cárcel Bronco SLP Bobby Valentín 1975 Vol.2 00102 Bronco SLP Bobby Valentín Afuera 1976 00104 Puerto Rico Puerto Rico All PRAS Records 1976 All Stars Stars LP-1976 Marvin De Los Soneros Vol. Discologro LP 1977 Santiago 1 00712 Marvin TH Records Fuego A La Jicotea 1979 Santiago THS-2061 Marvin Caliente Y TH Records 1980 Santiago Explosivo! THS-2089 Adentro: En Vivo Marvin TH Records TH Desde La Cárcel 1981 Santiago 2148 Regional De Bayamón Various Primer Concierto De TH Records TH- 1981 Artists La Familia TH AMF 2154 Marvin TH Records TH- El Hijo Del Pueblo 1982 Santiago AMF 2210 Various Segundo Concierto TH Records TH- 1983 Artists De La Familia TH AMF 2244 Marvin 15 Éxitos De Marvin TH Records TH- 1984 Santiago Santiago AMF 2289 Marvin El Sonero Del TH Records TH- 1985 Santiago Pueblo AMF 2326 Marvin Oficial! Y Ahora… TH Records TH- 1986 Santiago Con Tremenda Pinta! AMF 2433 Marvin Bregando Con Lo TH Records 1988 Santiago Mejor TH-2539 Marvin El Filo Del TH Records 1990 Santiago Pantalón TH-2748 25 Aniversario Del Bobby Valentín 1991 Bronco SO-2509 Rey Del Bajo Bobby Valentín Donde Lo Dejamos 1992 Bronco 163 Marvin Oficial 1995 Parcha 2008 Santiago Parrandas Que Grupo Mapeyé 1999 Max 72248 Llegan Tommy 40 Aniversario 2001 AJ Records 1176 Olivencia 35° Aniversario En Bobby Valentín Vivo – Vuelve A La 2002 Bronco 171 Cárcel Jazz Hamilton y las Las Estrellas Del Roosevelt 2004 Estrellas del Pueblo Records 2004 Pueblo Tributo Al Sonero Puerto Rican AJ Records Del Pueblo: Marvin 2005 Masters AJ-71440 Santiago Compilations

Release Artist Títle Record Label Year Bobby Bobby’s Best 1977 FANIA LP 00507 Valentín Jerry Masucci Various Presents Salsa 1978 FANIA JM 524 Artists Greats Vol. 2 Bobby Marvin Santiago & 1980 FANIA JM 563 Valentín Bobby Valentín Jerry Masucci Various Presents Salsa 1980 FANIA JM 571 Artists Greats Volume III Various Bailables Del Año 1982 TH Records TH-2218 Artists Vol. 1 Various Bailables Del Año TH Records TH-AMF 1983 Artists Vol. 2 2266 Various TH Records TH-AMF Bailables Del Año 1984 Artists 2313 Various Bailables Del Año 1986 TH Records TH-2437 Artists Vol. 5 Marvin Éxitos Volumen 1 1986 TH CD/102 Santiago Various Bailables Del Año 1987 TH Records TH-2493 Artists Vol. 6 Various Juntos Pa’ 1988 TH Records TH-2549 Artists Gozá..! Marvin Sonero De Verdad 1989 TH Records TH-2598 Santiago Marvin Super Éxitos 1990 TH Records TH-1074 Santiago La Década De La Salsa 1980-1990 Various Los Diez Años Que 1990 TH Records TH-2791 Artists Pusieron A Bailar Al Mundo Various Musica Latina Tesoro Romántico 1992 Artists International 62 Various Los Soneros De 1994 FANIA JM 679 Artists Siempre FANIA Records Various 1964-1994 30 1994 FANIA JM 702 Artists Great Years Volume 1 Marvin Oro Salsero 20 1994 Rodven-3128 Santiago Éxitos Marvin Platino 1994 Rodven-3169 Santiago Various Pura Salsa 1994 PSM 520557 Artists Various Salsa Explosiva 1994 K-Tel 6105 Artists Various Soneros Con Clave 1995 Bronco 165 Artists Various Lo Mejor De Roven 1996 TH Records TH-3255 Artists 15 Años De Éxitos Marvin Rodven/Polygram Fuego 1997 Santiago 537942 Various Lo Mejor De Lo 1998 T.H. Rodven 559765 Artists Mejor Oro Salsero Various Lo Mejor De La 1998 PSM 520428 Artists Música Tropical Marvin Antologia 1999 Rodven 531857 Santiago Tropical Serie Marvin Sensacional: La Universal Music 2000 Santiago Sensación De Latino 964 Marvin Santiago Various Se Botó La Salsa Universal Venezuela 2000 Artists Vol. 2 539601 Muchos Mas Various Recuerdos 2000 FANIA 724 Artists Románticos Volume 3 Salsa De Primera Various Clase Seis 2000 Protel 160056 Artists Grandes De Puerto Rico Salsa De Primera Various Clase Grandes 2000 Protel 160068 Artists Soneros Various Salsa Con To’ Los 2001 Protel 160090 Artists Hierros Bobby Many Sides 2001 FANIA 736 Valentín Various Soneros De Acero 2001 Universal 013808 Artists Vol. 1 Marvin Feeling’s 2001 Universal 3145379422 Santiago Salsa! 15 Hot Various Universal Salsa Dance 2001 Artists 731454437028 Classics Various Aquí Está La Platano Records 2001 Artists Salsa 155137 Marvin Leyendas Da La 2001 Eurotropical ET009048 Santiago Salsa Various Voces Del Milenio 2002 A.J. Records 71159 Artists Salsa Various Old School Salsa 2002 Universal 018295 Artists Classics, Vol.1 Various Old School Salsa 2002 Universal 018296 Artists Classics, Vol. 2 Various Los Hits Gordos Universal 2002 Artists Del Guateque D44006823928 Marvin 32 Serie 2003 Universal 980 957-8 Santiago Various Pure Salsa 2003 Platinum Disc 2818 Artists Los Maestros De Various La Salsa Y El Son 2003 Universal Artists Montuno Vol 2 Marvin Aniversario 2003 Sony 8 54774 64221 4 Santiago Marvin Éxitos Eternos 2004 Universal B0003838-02 Santiago Various Aqui Esta La 2004 Universal 2498250358 Artists Salsa Various Old School Salsa 2005 Universal 880183 Artists Classics Vol. 5 Old School Various Original Salsa 2005 Universal 000584602 Artists Classics Deluxe Box Various Salsahits ’06 2005 J & N Records 96779 Artists Various The Essential The Essential Guide 2005 Artists Guide To Salsa 303 Various FANIA Soneros De 2006 Universal 653075 Artists Siempre Various Lo Mejor De Pura 2006 Universal 653448 Artists Salsa Various Salsa Gorda, Vol. 2006 Disco Hit 2154 Artists 1 Pura Salsa: A Marvin Universal/Rodven Ritmo De Marvin 2006 Santiago 701519 Santiago Various The Gringo Guide 2006 Universal 853336 Artists To Salsa The Greatest Various Salsa Ever, Vol. 2006 Universal 985764 Artists 1 The Greatest Various Salsa Ever, Vol. 2006 Universal 751102 Artists 2 FANIA Signature Various FANIA/Emusica 773 130 Volume I: Hot 2007 Artists 176 2 Salsa FANIA Signature Various FANIA/Emusica 773 130 Volume IV: Hard 2007 Artists 179 2 Salsa Bobby FANIA/Emusica 773 130 La Herencia 2007 Valentín 242 2 Various Leyendas De La 2007 FANIA Código 507014 Artists FANIA, Volume 2 Various Leyendas De La FANIA/Emusica 773 130 2007 Artists FANIA, Volume 4 280 2 The Greatest Various Salsa Ever, Vol. 2007 Universal 919202 Artists 3 Various Sun, Sand And 2007 Universal 174155 Artists Salsa Various Lo Mejor De Pura 2007 Universal 653477 Artists Salsa Vol. 2 20th Century Masters: Best Of Various Salsa Vol. 1 The 2007 Universal 9848449 Artists Millennium Collection 20th Century Masters: Best Of Various Salsa Vol. 2 The 2007 Universal 9848450 Artists Millennium Collection Marvin La Historia… Mis Vene Music VENM 2007 Santiago Éxitos 6535202 Marvin The Greatest 2008 Universal 766308 Santiago Salsa Ever Various FANIA/Emusica 773 130 Concierto De Amor 2008 Artists 334 2 Bobby FANIA/Emusica 773 130 Greatest Hits 2008 Valentín 341 2 Various FANIA Tropical FANIA/Emusica 773 130 2008 Artists Legends 393 2 Bobby Historia De La FANIA/Emusica 773 130 2009 Valentín Salsa 465 2 Various Tite Curet Alonso 2009 FANIA Código 507003 Artists Alma De Poeta Marvin Oro Salsero 15 Universal/Machete 2010 Santiago Éxitos 751291 35th Anniversary Puerto Rico – 15 Greatest 2011 Combo 2139 All Stars Hits Marvin Leyendas De La 8 54774 64270 2 Santiago Salsa Pedro Conga Super Duelo Marvin Salsoso CD-4194B Musical Vol. 2 Santiago Videos

Release Artist Títle Label Year 35° Aniversario En Bobby Vivo – Vuelve A La 2003 Bronco 173 DVD Valentín Cárcel Bobby En Vivo Desde Bellas 2004 Bronco 174 DVD Valentín Artes Tributo Al Sonero Del Universal Puerto Rican Pueblo: Marvin 2005 Music Latino Masters Santiago 371439 Marvin El Sonero Del Pueblo Shangai 1011 2005 Santiago Vida Y Obra DVD Source: https://en.wikipedia.org/wiki/Marvin_Santiago