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Boo-Hooray Catalog #10: Flyers
Catalog 10 Flyers + Boo-hooray May 2021 22 eldridge boo-hooray.com New york ny Boo-Hooray Catalog #10: Flyers Boo-Hooray is proud to present our tenth antiquarian catalog, exploring the ephemeral nature of the flyer. We love marginal scraps of paper that become important artifacts of historical import decades later. In this catalog of flyers, we celebrate phenomenal throwaway pieces of paper in music, art, poetry, film, and activism. Readers will find rare flyers for underground films by Kenneth Anger, Jack Smith, and Andy Warhol; incredible early hip-hop flyers designed by Buddy Esquire and others; and punk artifacts of Crass, the Sex Pistols, the Clash, and the underground Austin scene. Also included are scarce protest flyers and examples of mutual aid in the 20th Century, such as a flyer from Angela Davis speaking in Harlem only months after being found not guilty for the kidnapping and murder of a judge, and a remarkably illustrated flyer from a free nursery in the Lower East Side. For over a decade, Boo-Hooray has been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Evan, Beth and Daylon. -
Ismael Rivera: El Eterno Sonero Mayor
• Ismael Rivera, ca. 1982 Ismael Rivera: el eterno Sonero mayor Ismael Rivera, o eterno Ismael Rivera: the eternal Sonero mayor Sonero mayor Robert Téllez Moreno* DOI: 10.30578/nomadas.n45a13 El artículo presenta un recorrido biográico y musical en torno al cantante y compositor puer- torriqueño Ismael Rivera, “El Sonero Mayor”. De la mano del artista, el texto provee claves para entender el surgimiento de la salsa como género musical, así como muestra algunos hitos en la historia del género. Concluye que la intervención de Rivera en la escena musical isleña y continental constituyó una revolución que dispersó las fronteras sociales de la exclusión cultu- ral. Por su parte, su estilo interpretativo se caracteriza por un inmenso sentimiento popular y una gran capacidad de improvisación. Palabras clave: Ismael Rivera, Puerto Rico, música popular, clave de son, salsa, racismo. O artigo apresenta um recorrido biográico e musical acerca do cantor e compositor Ismael Ri- vera, “El sonero mayor”, nascido em Puerto Rico. Da mão do artista, o texto oferece chaves para compreender o surgimento da salsa como gênero musical, ao tempo que mostra alguns marcos da história desse gênero. O autor conclui que a intervenção de Rivera no cenário musical da ilha e do continente constituiu uma revolução que dissipou as fronteiras sociais da exclusão cultural. O estilo interpretativo de Rivera é caraterizado por um enorme sentimento popular e por uma grande capacidade de improvisação. Palavras-chave: Ismael Rivera, Puerto Rico, música popular, clave de son, salsa, racismo. * Director y realizador del programa This article shows a biographical and musical overview of the Puerto Rican singer and son- Conversando la salsa de la Radio gwriter, Ismael Rivera, “El Sonero Mayor”. -
Beyond Bricks and Mortar
BEYOND BRICKS AND MORTAR Rethinking Sites of Cultural History Report of a Symposium held at Riverside Church in New York City on October 1, 2018 First Edition, 2020 TABLE OF CONTENTS ACKNOWLEDGMENTS iv CREDITS v Section 1: INTRODUCTION 1 Section 2: DETERMINING AND DEFINING CULTURAL SIGNIFICANCE 2 Section 2I: Introduction 2 Section 2II: Criteria and Challenges 2 Section 2II(a): What Are the Criteria? 2 Section 2II(b): Challenges 3 Section 2II(c): History Is Not Always in the Past 3 Section 2II(d): Real Estate Versus Heritage Conservation 4 Section 2II(e): ‘Deep, Deep Research’ 4 Section 2III: Differing Standards in Recognition and Protection 4 Section 2III(a): NYC Is Not Like New York State 5 Section 2III(b): A Brush With Broadway 5 Section 2III(c): Only One Per Customer 6 Section 2III(d): Not Just a Federal Rowhouse – Julius’ 6 Section 2III(e): Where the Public First Heard the Telephone 6 Section 2IV: Preserving Intangible Culture 7 Section 2IV(a): Cultural Preservation and the Architecture of Environments 7 Section 2IV(b): Hidden in Plain Sight 8 Section 2IV(c): Not Just American, Chinese-American 8 Section 2IV(d): Blurring the Divide 9 Section 2IV(e): The Beijing Example 9 Section 2IV(f): Building Bridges 9 Section 2V: Discussion 10 Section 2V(a): ‘What Is Necessary to Be Preserved?’ 10 Section 2V(b): On the Question of Permanence 11 Section 2V(c): How to Build New in Old Neighborhoods 11 Section 2V(d): ‘Important to Listen to the Needs of the People’ 12 Section 2V(e): Can Proscriptive Rules Work? 12 Section 2V(f): ‘Conversation Between -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
MIC Buzz Magazine Article 10402 Reference Table1 Cuba Watch 040517 Cuban Music Is Caribbean Music Not Latin Music 15.Numbers
Reference Information Table 1 (Updated 5th June 2017) For: Article 10402 | Cuba Watch NB: All content and featured images copyrights 04/05/2017 reserved to MIC Buzz Limited content and image providers and also content and image owners. Title: Cuban Music Is Caribbean Music, Not Latin Music. Item Subject Date and Timeline Name and Topic Nationality Document / information Website references / Origins 1 Danzon Mambo Creator 1938 -- One of his Orestes Lopez Cuban Born n Havana on December 29, 1911 Artist Biography by Max Salazar compositions, was It is known the world over in that it was Orestes Lopez, Arcano's celloist and (Celloist and pianist) broadcast by Arcaño pianist who invented the Danzon Mambo in 1938. Orestes's brother, bassist http://www.allmusic.com/artist/antonio-arcaño- in 1938, was a Israel "Cachao" Lopez, wrote the arrangements which enables Arcano Y Sus mn0001534741/biography Maravillas to enjoy world-wide recognition. Arcano and Cachao are alive. rhythmic danzón Orestes died December 1991 in Havana. And also: entitled ‘Mambo’ In 29 August 1908, Havana, Cuba. As a child López studied several instruments, including piano and cello, and he was briefly with a local symphony orchestra. His Artist Biography by allmusic.com brother, Israel ‘Cachao’ López, also became a musician and influential composer. From the late 20s onwards, López played with charanga bands such as that led by http://www.allmusic.com/artist/orestes-lopez- Miguel Vásquez and he also led and co-led bands. In 1937 he joined Antonio mn0000485432 Arcaño’s band, Sus Maravillas. Playing piano, cello and bass, López also wrote many arrangements in addition to composing some original music. -
CONGRESSIONAL RECORD— Extensions of Remarks E684 HON
E684 CONGRESSIONAL RECORD — Extensions of Remarks March 17, 2009 TRIBUTE TO KENT OLSON, EXECU- Not only will this initiative increase Internet Madam Speaker, I encourage my col- TIVE DIRECTOR OF THE PROFES- speed and accessibility for customers, but per- leagues to join me in wishing my brothers of SIONAL INSURANCE AGENTS OF haps more importantly it will create 3,000 new Omega Psi Phi Fraternity a successful political NORTH DAKOTA jobs. summit as these men continue to build a Over the next ten years, AT&T also plans to strong and effective force of men dedicated to HON. EARL POMEROY create or save an additional one thousand its Cardinal Principles of manhood, scholar- jobs through a plan to invest $565 million in OF NORTH DAKOTA ship, perseverance, and uplift. replacing its current fleet of vehicles with IN THE HOUSE OF REPRESENTATIVES f 15,000 domestically manufactured Com- Tuesday, March 17, 2009 pressed Natural Gas and alternative fuel vehi- REMEMBERING THE LIFE OF Mr. POMEROY. Madam Speaker, I rise to cles. MUSIC IMPRESARIO RALPH honor the distinguished career of Kent Olson. Research shows that this new fleet will save MERCADO I am pleased to have known Kent Olson for 49 million gallons of gasoline over the next ten the many years he served as the Executive years. It also will reduce carbon emissions by HON. CHARLES B. RANGEL Director of the Professional Insurance Agents 211,000 metric tons in this same time frame. OF NEW YORK of North Dakota working with him on important Madam Speaker, I applaud AT&T for its ini- IN THE HOUSE OF REPRESENTATIVES tiative in taking the lead in the movement to insurance issues for North Dakota farmers. -
Mario Ortiz Jr
Hom e | Features | Columns | Hit Parades | Reviews | Calendar | News | Contacts | Shopping | E-Back Issues NOVEMBER 2009 ISSUE FROM THE EDITOR Welcome to the home of Latin Beat Magazine Digital! After publishing Latin Beat Magazine for 19 years in both print and online, Yvette and I have decided to continue pursuing our passion for Latin music with a digital version only. Latin Beat Magazine will continue its coverage of Latin music through monthly in-depth articles, informative Streaming Music columns, concert and CD reviews, and extensive news and information for everyone. Access to Somos Son www.lbmo.com or www.latinbeatmagazine.com (Latin Beat Magazine Online) is free for a limited Bilongo time only. Windows Media Quicktime Your events and new music submissions are welcome and encouraged by emailing to: [email protected]. The Estrada Brothers Latin beat is number one in the world of authentic Latin music. For advertising opportunities in Mr. Ray lbmo.com, call (310) 516-6767 or request advertising information at Windows Media [email protected]. Quicktime Back issues are still in print! Please order thru the Shopping section! Manny Silvera Bassed in America This issue of Latin Beat Magazine Volume 19, Number 9, November 2009, is our annual "Special Windows Media Percussion/Drum Issue", which celebrates "National Drum Month" throughout North America. Our Quicktime featured artist this month is Puerto Rican percussionist/bandleader Richie Flores. In addition, also featured are Poncho Sanchez (who's enjoying the release of his latest production Psychedelic Blues), and trumpeter/bandleader Mario Ortiz Jr. (who has one of the hottest salsa Bobby Matos productions of the year). -
Music at Lehman College Dr
Panel Featuring: Students and Faculty of the Celia Cruz Bronx High School of Music Eganam Segbefia, Award Winning Trumpeter Moderated by Victoria Smith ('20) and Dania Miguel ('21) 2019 The 2019 Pacheco Festival Commemorative Program Current and Past Festival Events The Johnny Pacheco Latin Music Dr. Johnny Pacheco and Jazz Festival at Lehman College For decades, Johnny Pacheco has been at the center of the Latin m u s i c u n i v e r s e . H i s n i n e G r a m m y nominations, ten Gold records and numerous Mission Statement: awards pay tribute to his creative talent as composer, arranger, bandleader, and producer. The Johnny Pacheco Latin Music and Jazz Festival at Lehman College is Moreover, he is the pioneer of an unforgettable an annual event which provides performance and learning opportunities for musical era that changed the face of tropical talented young musicians who are studying music in New York City music history, the Fania All-Stars era. schools. The Pacheco Festival is committed to developing a world-wide Throughout his 40-year involvement with the development of Latin music, Johnny Pacheco audience via live Internet streaming and other forms of broadcast media. has received many kudos for his extraordinary genius. In November of 1998, he was inducted into the International Latin Music Hall of Fame. In 1997, he was the recipient of the Bobby Capo' Lifetime Achievement Award, awarded by Governor George Pataki. In 1996 the president of the Dominican Republic, Juaquin Balaguer 2018 Pacheco Festival Memories bestowed him with the prestigious Presidential Medal of Honor. -
Almanaque Marc Emery. June, 2009
CONTENIDOS 2CÁLCULOS ASTRONÓMICOS PARA LOS PRESOS POLÍTICOS PUERTORRIQUEÑOS EN EL AÑO 2009. Jan Susler. 6ENERO. 11 LAS FASES DE LA LUNA EN LA AGRICULTURA TRADICIONAL. José Rivera Rojas. 15 FEBRERO. 19ALIMÉNTATE CON NUESTROS SUPER ALIMENTOS SILVESTRES. María Benedetti. 25MARZO. 30EL SUEÑO DE DON PACO.Minga de Cielos. 37 ABRIL. 42EXTRACTO DE SON CIMARRÓN POR ADOLFINA VILLANUEVA. Edwin Reyes. 46PREDICCIONES Y CONSEJOS. Elsie La Gitana. 49MAYO. 53PUERTO RICO: PARAÍSO TROPICAL DE LOS TRANSGÉNICOS. Carmelo Ruiz Marrero. 57JUNIO. 62PLAZA LAS AMÉRICAS: ENSAMBLAJE DE IMÁGENES EN EL TIEMPO. Javier Román. 69JULIO. 74MACHUCA Y EL MAR. Dulce Yanomamo. 84LISTADO DE ORGANIZACIONES AMBIENTALES EN PUERTO RICO. 87AGOSTO. 1 92SOBRE LA PARTERÍA. ENTREVISTA A VANESSA CALDARI. Carolina Caycedo. 101SEPTIEMBRE. 105USANDO LAS PLANTAS Y LA NATURALEZA PARA POTENCIAR LA REVOLUCIÓN CONSCIENTE DEL PUEBLO.Marc Emery. 110OCTUBRE. 114LA GRAN MENTIRA. ENTREVISTA AL MOVIMIENTO INDÍGENA JÍBARO BORICUA.Canela Romero. 126NOVIEMBRE. 131MAPA CULTURAL DE 81 SOCIEDADES. Inglehart y Welzel. 132INFORMACIÓN Y ESTADÍSTICAS GENERALES DE PUERTO RICO. 136DICIEMBRE. 141LISTADO DE FERIAS, FESTIVALES, FIESTAS, BIENALES Y EVENTOS CULTURALES Y FOLKLÓRICOS EN PUERTO RICO Y EL MUNDO. 145CALENDARIO LUNAR Y DÍAS FESTIVOS PARA PUERTO RICO. 146ÍNDICE DE IMÁGENES. 148MAPA DE PUERTO RICO EN BLANCO PARA ANOTACIONES. 2 3 CÁLCULOS ASTRONÓMICOS PARA LOS PRESOS Febrero: Memorias torrenciales inundarán la isla en el primer aniversario de la captura de POLÍTICOS PUERTORRIQUEÑOS EN EL AÑO 2009 Avelino González Claudio, y en el tercer aniversario de que el FBI allanara los hogares y oficinas de independentistas y agrediera a periodistas que cubrían los eventos. Preparado por Jan Susler exclusivamente para el Almanaque Marc Emery ___________________________________________________________________ Marzo: Se predice lluvias de cartas en apoyo a la petición de libertad bajo palabra por parte de Carlos Alberto Torres. -
3.19.12Latinnewreleasebook.Pdf
WEEK OF MARCH 19, 2012 NORTENO SERCA MUSIC 5% UNTIL 4/17/12 STREET DATE: 4/17/2012 LA LEYENDA 7 7 7 - Features single "Por eso te destroce el Corazon," being promoted on all regional Mexican radio stations. - - Contains the great duet "Ccon Cualquiera" with Genitallica. KEY MARKETS:TEXAS, CALIFORNIA, CHICAGO, ARIZONA, NEW MEXICO, NORTH CAROLINA, SOUTH CAROLINA, FLORIDA Por eso te destroce el corazon - Promotional tour to all radio key markets. SERC 6948 Di - Magazine interviews in US publications. Como Quisiera Me haces falta 097037694821 No quiero verte feliz $9.99 No deberia amarte CATALOG El corazon y yo MARKETING TRACK LISTING Como fantasma En la cocina Cuando te conoci SALSA PINK CHAOS PROD. 5% UNTIL 5/1/12 STREET DATE: 5/1/2012 MARLOW ROSADO Y LA RIQUENA RETRO - Eleven Grammy nominations under Rosado's belt. - Album is a tribute to the music of the 70's, featuring 10 of Salsa music's heavy hitters. - Contains performances by Ismael Miranda, Bobby Cruz, Tony Vega, Papo Lucca, Luigi Texidor, Marlon Fernandez, Kevin Ceballo, Tito Puente Jr. and more. KEY MARKETS:PUERTO RICO, NEW YORK, MIAMI, ORLANDO, CHICAGO, PHILADELPHIA, DC, BOSTON, HARTFORD Tema Riquena - First single serviced to radio 2/13/12. PCPR 1223 Adoracion - Radio promotions No Me Digan Que Es Muy Tarde Ya - Giveaways & "win before you can buy" Anaconda contests. 097037122331 Ay No $9.99 Naci Moreno CATALOG El Callejero MARKETING TRACK LISTING Tu Llegaste A Mi Vida Fuego A La Jicotea Jibaro Soy, Senor Sereno WEEK OF MARCH 19, 2012 TRIBAL M & G SOUND 5% UNTIL 5/22/12 STREET DATE: 5/22/2012 VARIOUS ARTISTS LAS MAS PICUDAS DEL TRIBAL - Features the biggest names in Tribal music, including El Pelon del Mikrophone, DJ Cobra, Nikki X & Kike Play, DJ Morphius, Double D & DJ Marco Santos, DJ Zant & Maycot, The Babies and more. -
The Annenberg Center Presents Eddie Palmieri Afro-Caribbean Jazz Quartet, May 7
NEW S FOR IMMEDIATE RELEASE: April 27, 2021 The Annenberg Center Presents Eddie Palmieri Afro-Caribbean Jazz Quartet, May 7 (Philadelphia – April 27, 2021) — The Annenberg Center for the Performing Arts presents legendary pianist and bandleader Eddie Palmieri and his Afro-Caribbean Jazz Quartet streamed live, on Friday, May 7 at 7 PM. Visit AnnenbergCenter.org for more information. Renowned NEA Jazz Master Eddie Palmieri is at the top of his game. A beloved patriarch of Latin jazz, he has amassed nine Grammy® Awards while remaining on the cutting edge of Afro-Caribbean music since the early 1960s. Known for his bold charisma and innovative drive, Palmieri returns to the Annenberg Center stage with Luques Curtis on bass, Louis Fouché on alto saxophone, and Camilo Molina on drums. ABOUT THE ARTISTS Eddie Palmieri (Leader/Piano) Known as one of the finest pianists of the past 60 years, Eddie Palmieri is a bandleader, arranger and composer of salsa and Latin jazz. His playing skillfully fuses the rhythm of his Puerto Rican heritage with the complexity of his jazz influences including Thelonious Monk, Herbie Hancock, McCoy Tyner and his older brother, Charlie Palmieri. Palmieri’s parents emigrated from Ponce, Puerto Rico to New York City in 1926. Born in Spanish Harlem and raised in the Bronx, Palmieri learned to play the piano at an early age and at 13, he joined his uncle’s orchestra playing timbales. His professional career as a pianist took off with various bands in the early 1950s including Eddie Forrester, Johnny Segui and the popular Tito Rodríguez Orchestra.