The Hilltop 10-6-1995
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District of Columbia Inventory of Historic Sites Street Address Index
DISTRICT OF COLUMBIA INVENTORY OF HISTORIC SITES STREET ADDRESS INDEX UPDATED TO OCTOBER 31, 2014 NUMBERED STREETS Half Street, SW 1360 ........................................................................................ Syphax School 1st Street, NE between East Capitol Street and Maryland Avenue ................ Supreme Court 100 block ................................................................................. Capitol Hill HD between Constitution Avenue and C Street, west side ............ Senate Office Building and M Street, southeast corner ................................................ Woodward & Lothrop Warehouse 1st Street, NW 320 .......................................................................................... Federal Home Loan Bank Board 2122 ........................................................................................ Samuel Gompers House 2400 ........................................................................................ Fire Alarm Headquarters between Bryant Street and Michigan Avenue ......................... McMillan Park Reservoir 1st Street, SE between East Capitol Street and Independence Avenue .......... Library of Congress between Independence Avenue and C Street, west side .......... House Office Building 300 block, even numbers ......................................................... Capitol Hill HD 400 through 500 blocks ........................................................... Capitol Hill HD 1st Street, SW 734 ......................................................................................... -
Appendix C Evolution of Arts Uses in the Arts Overlay Zone
Appendix C Evolution of Arts Uses in the Arts Overlay Zone A short (and incomplete) history of the arts on 14 th and U Streets While there has been a significant amount of research and writing about the “Black Broadway” of U Street during the early part of the 20 th century, less information is available about the renaissance of arts and arts institutions in the neighborhood since the riots of 1968, and why the neighborhood can claim as many arts institutions as it does. This is a first attempt to put together a history of the theatric, visual, and musical arts as these institutions appear at the end of the first decade of the 21 st century, and is not meant to serve as a comprehensive review. A more thorough study of the history of arts in the community needs to be undertaken in order to capture a complete picture. In addition, much of the history is due to the initiative and accomplishments of a few key individuals, and those people each deserve to tell their story in their own words. As the arts district continues to develop, it will be important to return to this document and expand upon it to better appreciate why arts institutions are among us, how they have been able to sustain, and what can be done to encourage their longevity and growth in the decades to come. Theatres and theatrical groups The riots that followed the assassination of Martin Luther King left 14 th and U Streets largely intact, but scarred. Merchants used metal grates and sliding garage-style barriers to close their businesses at the end of the day. -
MEIEA 2016 Color.Indd
Journal of the Music & Entertainment Industry Educators Association Volume 16, Number 1 (2016) Bruce Ronkin, Editor Northeastern University Paul Linden, Associate Editor (Book Reviews) Butler University David Schreiber, Associate Editor Belmont University Published with Support from The Journal of the Music and Entertainment Industry Educators As- sociation (the MEIEA Journal) is published annually by MEIEA in order to increase public awareness of the music and entertainment industry and to foster music and entertainment business education. The MEIEA Journal provides a scholarly analysis of technological, legal, historical, educational, and business trends within the music and entertainment industries and is designed as a resource for anyone currently involved or interested in these industries. Topics include issues that affect music and entertainment industry education and the music and entertain- ment industry such as curriculum design, pedagogy, technological innova- tion, intellectual property matters, industry-related legislation, arts admin- istration, industry analysis, and historical perspectives. Ideas and opinions expressed in the MEIEA Journal do not necessar- ily reflect those of MEIEA. MEIEA disclaims responsibility for statements of fact or opinions expressed in individual contributions. Permission for reprint or reproduction must be obtained in writing and the proper credit line given. Music & Entertainment Industry Educators Association 1900 Belmont Boulevard Nashville, TN 37212 U.S.A. www.meiea.org The MEIEA Journal (ISSN: 1559-7334) © Copyright 2016 Music & Entertainment Industry Educators Association All rights reserved Insistency: A New Methodology for Lyrical Analysis Paul Linden Butler University Abstract This study proposes and demonstrates “insistency-based analysis” as a research tool for the study of popular music lyrics. Insistency analysis supports content analysis by considering lyrical repetition (motifs) over time as significant of artistic intent within a given body (population) of lyrics, in this case, those of Tom Waits. -
BEST of 2011 – OUR FAVOURITE ALBUMS of the YEAR 1317 Commercial Drive Vancouver, BC Tel: 604-251-6964 Email: [email protected] Web: Highlifeworld.Com
HIGHLIFE Donec Egestas Scelerisque WORLD dolor: MUSIC BEST OF 2011 – OUR FAVOURITE ALBUMS OF THE YEAR 1317 Commercial Drive Vancouver, BC tel: 604-251-6964 email: [email protected] web: highlifeworld.com BEST OF 2011 BOMBINO Agadez Niger From the Saharan sands of Niger comes this recording by the brilliant guitarist/vocalist Bombino, who manages to create a distinctive desert blues style with echoes of both Ali Farka Toure and Tinariwen. An essential recording! TOM WAITS Bad As Me USA Gravelly-voiced poet and musical maverick Tom Waits returns with this strong batch of rocking blues stompers and tender ballads, joined by the likes of Keith Richards, Marc Ribot and David Hidalgo. Beginning with a train journey north to Chicago and ending in a bar on New Year’s eve (singing ‘Auld Lang Syne’ no less) this is a trip worth taking. Highly recommended! KIRAN AHLUWALIA Aam Zameen: Common Ground Canada Indo-Canadian vocalist Kiran Ahluwalia, known for her beautifully updated Ghazal music, this time does some continent hopping as she collaborates with desert blues sensations Tinariwen and Terakaft. From the opening take on Nusrat Fateh Ali Khan’s classic ‘Mustt Mustt’, propelled by handclaps and call and response vocals, we are in for an exciting cross-cultural musical feast. WILCO The Whole Love USA The 8th release by Jeff Tweedy and cohorts impressively reprises the various musical inclinations of this effortlessly creative group. From the off-kilter whirlwind of the opener to the epic beauty of the 12 minute closer, this is an album by a band at the top of their game. -
The Portrayal of African American Women in Hip-Hop Videos
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 6-2005 The Portrayal of African American Women in Hip-Hop Videos Ladel Lewis Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Sociology Commons Recommended Citation Lewis, Ladel, "The Portrayal of African American Women in Hip-Hop Videos" (2005). Master's Theses. 4192. https://scholarworks.wmich.edu/masters_theses/4192 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE PORTRAYAL OF AFRICAN AMERICAN WOMEN IN HIP-HOP VIDEOS By Ladel Lewis A Thesis Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Master of Arts Department of Sociology Western Michigan University Kalamazoo, Michigan June 2005 Copyright by Ladel Lewis 2005 ACKNOWLEDGEMENTS I wish to thankmy advisor, Dr. Zoann Snyder, forthe guidance and the patience she has rendered. Although she had a course reduction forthe Spring 2005 semester, and incurred some minor setbacks, she put in overtime in assisting me get my thesis finished. I appreciate the immediate feedback, interest and sincere dedication to my project. You are the best Dr. Snyder! I would also like to thank my committee members, Dr. Douglas Davison, Dr. Charles Crawford and honorary committee member Dr. David Hartman fortheir insightful suggestions. They always lent me an ear, whether it was fora new joke or about anything. -
Draft Development Framework for a Cultural Destination District Within Washington, Dc’S Greater Shaw / U Street 2
DUKE Government of the District of Columbia DC Office of Planning DRAFT DEVELOPMENT FRAMEWORK Assisted by Bay Area Economics FOR A CULTURAL DESTINATION DISTRICT Ehrenkrantz Eckstut & Kuhn Stanmore Associates PETR Productions WITHIN WASHINGTON, DC’S Street Sense Cultural Tourism DC GREATER SHAW / U STREET Justice & Sustainability September 2004 DUKE DRAFT DEVELOPMENT FRAMEWORK FOR A CULTURAL DESTINATION DISTRICT WITHIN WASHINGTON, DC’S GREATER SHAW / U STREET 2 “Music is my mistress, and she plays second fiddle to no one.” Edward Kennedy “Duke” Ellington Washington, DC’s Native Son & World Legend (1899 - 1974) DUKE DRAFT DEVELOPMENT FRAMEWORK FOR A CULTURAL DESTINATION DISTRICT WITHIN WASHINGTON, DC’S GREATER SHAW / U STREET 3 TABLE OF CONTENTS I. Overview 4 II. Existing Neighborhood Context 5 III. Historic / Cultural Context 6 IV. Planning Process (Development Goals) 8 V. Market Analysis Summary 9 VI. Public Sites Overview 9 VII. Public Policy & Placemaking 10 VIII. Planning & Implementation Principles 12 A. Placemaking 13 Howard Theatre Sub-District 14 Howard Theatre (Ellington Plaza) 15 NCRC + WMATA Parcels 18 WMATA + Howard CVS 20 9th Street Sub-District 22 Housing Finance Agency Site 23 Rhode Island Avenue Sub-District 24 NCRC + United House of Prayer Parcels 25 Watha T. Daniel/Shaw Neighborhood Library Site 26 African American Civil War Memorial Sub-District 28 Grimke School 29 Howard Town Center Area Sub-District 30 Lincoln Common Sub-District 31 B. Design Guides 32 1. Comprehensive Plan - Land Use 33 2. Shaw School Urban Renewal Plan 34 3. Historic Districts 35 4. Zoning 36 5. Mixed Land Uses 38 6. Transportation & Parking 39 5. -
New Dvds – December - 2013
NEW DVDS – DECEMBER - 2013 FEATURE FILMS: GANGS OF NEW YORK A GOOD DAY TO DIE HARD BEFORE MIDNIGHT HOMELAND: SEASON 1 PACIFIC RIM TOO BIG TO FAIL SNITCH THE GREAT GATSBY GET THE GRINGO FREELANCERS LAWLESS THE CONJURING LORD OF THE FLIES SMASHED BYZANTIUM THE HALLOWEEN COLLECTION THE BOONDOCKS: SEASONS 1,2,3 HOMELAND: SEASON 2 THE ICEMAN SCHINDLER’S LIST PRINCE AVALANCHE WORLD WAR Z PEEPLES MEMENTO LUTHER LUTHER 2 IN THE FOG HUSBANDS AND WIVES THE LAST STAND KISS KISS BANG BANG THE ATTACK BEHIND THE CANDELABRA CURSE OF CHUCKY CLOUD ATLAS HOT FUZZ BARBARA ALIEN TRIPLE PACK SUPERBAD BLOW OUT HEAD OF STATE TRUST WHITE DAWN BREAKING BAD: FINAL SEASON REN & STIMPY SHOW UNCUT: SEASONS 1&2 RESOLUTION EASTERN PROMISES DOCUMENTARIES: THE WEIGHT OF THE NATION WE STEAL SECRETS RISE OF THE DRONES THE CENTRAL PARK FIVE RAISING ADAM LANZA THE WAITING ROOM CONSTITUTION USA MY TRIP TO AL-QAEDA LATINO AMERICANS CALL ME KUCHU GOOD HAIR KEY & PEELE: SEASON 1 COLIN QUINN: LONG STORY SHORT BLACKFISH I’M CAROLYN PARKER MEA MAXIMA CULPA CLIMATE OF DOUBT CHASING ICE INTO THE DEEP STRONGMAN THE DADDY OF ROCK N ROLL DECEPTIVE PRACTICE NEW MUSIC CD’s December 2013 POP Julia Holter Loud City Song Tye Tribbett Greater Than Drake Nothing Was the Same Darkside Psychic Tom Waits Bad as Me Bone Machine Justin Timberlake The 20/20 Experience Eccentric Soul The Forte Label Percy Sledge The Platinum Collection Valerie June Pushin Against a Stone Neko Case The Worse Things Get Janelle Monae The Electric Lady Velvet Underground 45th Anniversary Remaster Roky Erickson Gremlins Have Pictures COUNTRY Brandy Clark 12 Stories CLASSICAL Massimo Giordano Amore E Tormento WORLD Ana Tijoux La Bala Luis Coronel Con La Frente En Alto Rodion GA The Lost Tapes . -
U.S. Bank Celebrates Reopening of Historic Howard Theatre
U.S. Bank Celebrates Reopening of Historic Howard Theatre April 11, 2012 Bank Officials Join Developer, City Officials and Music Legends at Grand Opening Gala and Benefit for Nation’s Oldest African American Theatre WASHINGTON--(BUSINESS WIRE)--Apr. 11, 2012-- Officials from U.S. Bank, Howard Theatre Restoration, Inc., Ellis Development Group, and City officials will gather on Thursday, April 12 to celebrate the grand reopening of the Howard Theatre with a star-studded gala and benefit concert featuring performances and appearances by some of the most legendary figures in the worlds of music, comedy and dance. U.S. Bank, through its community development subsidiary, provided more than $10 million in financing in support of the $29 million historic renovation. The financing package included New Markets and Historic Tax Credit financing structured in partnership with Hampton Roads Ventures, Mid-City Community CDE, and DC Housing Enterprises. U.S. Bank also serves as a gala event sponsor. “We’re proud to be a partner of choice in the revival of this social, cultural and architectural landmark,” said Laura Vowell, Vice President of U.S. Bank. “Howard Theatre Restoration and Ellis Development had a vision that this historically-important but badly-neglected structure could be brought back to life, and they assembled a team to do it. Financial support from U.S. Bank and our partners helped ensure that a building which played a significant role in Washington DC’s past will do so again in the future.” Located near the corner of 7th and T Streets, the Howard Theatre—"The Theatre for the People”—was originally constructed in 1910 and served as one of the oldest and most popular performing arts venues for African American singers and musicians when the nation was deeply divided by segregation. -
Village Green Preservation Society Est Une Splendeur À La Perfection Diabolique
LE ROMAN DU ROCK NICOLAS UNGEMUTH Le Roman du rock Ces pages ne sont pas disponibles à la pré- visualisation. elles, ne suivent pas. Depuis 1962 et Return To Sender, plus aucun single d’Elvis ne s’est vendu à un million d’exemplaires. Elvis, lui-même, commence à voir l’ampleur de sa chute. Dans la presse, on se moque de ses films, de ses dialogues et de ses maigres talents d’acteur. Pour ce fan de cinéma idolâtrant Marlon Brando, James Dean mais également Peter Sellers, le constat est difficile à accepter. Et les titres quasi dadaïstes de ses films sont déjà suffisamment embarrassants… Entre Chatouille- moi, En embrassant les cousins et L’Idole d’Acapulco, il est clair qu’Elvis a du mal à rivaliser avec ce Dr Folamour qu’il vénère. Et pendant que le King chante La Chanson de la crevette, le monde entier écoute, sidéré, Like A Rolling Stone, Satisfaction ou Day Tripper. Elvis est devenu has been. Et il s’en rend compte. Il a conscience d’être comme une belle antiquité qu’on vient admirer rapidement chez lui à Graceland, comme le font les Fab Four qui passent lui rendre visite, consternés par son entourage de copains white trash. Autour de lui, une révolution a lieu, mais il n’en fait pas partie. Elvis admire Dylan, exècre sa voix, mais est impressionné par la qualité de ses compositions, particulièrement lorsqu’elles sont interprétées par Odetta (il reprend même, presque en catimini, Tomorrow Is A Long Long Time, qui l’obsède). Il s’enthousiasme pour les Beatles et apprécie leur fraîcheur. -
Billboard-1987-11-21.Pdf
ICD 08120 HO V=.r. (:)r;D LOE06 <0 4<-12, t' 1d V AiNE3'c:0 AlNClh 71. MW S47L9 TOO, £L6LII.000 7HS68 >< .. , . , 906 lIOIa-C : , ©ORMAN= $ SPfCl/I f011I0M Follows page 40 R VOLUME 99 NO. 47 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT November 21, 1987/$3.95 (U.S.), $5 (CAN.) CBS /Fox Seeks Copy Depth Many At Coin Meet See 45s As Strong Survivor with `Predator' two -Pack CD Jukeboxes Are Getting Big Play "Predator" two-pack is Jan. 21; indi- and one leading manufacturer Operators Assn. Expo '87, held here BY AL STEWART vidual copies will be available at re- BY MOIRA McCORMICK makes nothing else. Also on the rise Nov. 5-7 at the Hyatt Regency Chi- NEW YORK CBS /Fox Home Vid- tail beginning Feb. 1. CHICAGO While the majority of are video jukeboxes, some using la- cago. More than 7,000 people at- eo will test a novel packaging and According to a major -distributor jukebox manufacturers are confi- ser technology, that manufacturers tended the confab, which featured pricing plan in January, aimed at re- source, the two -pack is likely to be dent that the vinyl 45 will remain a say are steadily gaining in populari- 185 exhibits of amusement, music, lieving what it calls a "critical offered to dealers for a wholesale viable configuration for their indus- ty. and vending equipment. depth -of-copy problem" in the rent- price of $98.99. Single copies, which try, most are beginning to experi- Those were the conclusions Approximately 110,000 of the al market. -
2020 DC HISTORIC PRESERVATION PLAN Plan Methodology Connections to Long-Range Planning B Seeking Public Views
2020 District of Columbia Historic Preservation Plan Preserving For Progress 1 introduction 1 Preserving for progress The district of columbia’s vision for historic preservation 2 dc history and heritage 9 People and progress A legacy of visionary plans Landmarks and milestones A succession of eras 3 preservation achievements 45 What works about preservation in dc 4 preservation challenges 55 Gathering public views Balancing growth and character Protecting neighborhoods Communicating preservation basics Leading the nation Planning for preservation Evaluating available resources 5 goals, objectives, and actions 65 Setting shared goals Sustaining our progress Preservation in context A new planning cycle Recognizing historic resources Engaging communities Improving protections Maintaining our heritage 6 implementation 79 Achieving our goals 7 resources and appendices 89 Bibliography Credits and acknowledgements introduction 1 Preserving for progress Introduction Continuing on a Path Forward A Guide for Everyone Plan Organization Now well into its third century, the District of Columbia is This plan for 2020 updates the goals established in the Preservation requires collective action. Community The 2020 plan is organized in seven chapters: fortunate in the exceptional value of its cultural, historical, District’s historic preservation plan for the four years ending organizations and volunteers foster pride in our history and and architectural heritage. This is a rich and varied legacy, in 2016. That plan introduced a new framework for planning advocate for the benefits of preservation. Schools, cultural • First, it describes a common vision, and reviews our manifested not just in the city’s majestic museums and that could be sustained through regular updates in the institutions, and a multitude of congregations maintain history and heritage — Chapters 1 and 2. -
“It's Gonna Be Some Drama!”: a Content Analytical Study Of
“IT’S GONNA BE SOME DRAMA!”: A CONTENT ANALYTICAL STUDY OF THE PORTRAYALS OF AFRICAN AMERICANS AND HISTORICALLY BLACK COLLEGES AND UNIVERSITIES ON BET’S COLLEGE HILL _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by SIOBHAN E. SMITH Dr. Jennifer Stevens Aubrey, Dissertation Supervisor DECEMBER 2010 © Copyright by Siobhan E. Smith 2010 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “IT’S GONNA BE SOME DRAMA!”: A CONTENT ANALYTICAL STUDY OF THE PORTRAYALS OF AFRICAN AMERICANS AND HISTORICALLY BLACK COLLEGES AND UNIVERSITIES ON BET’S COLLEGE HILL presented by Siobhan E. Smith, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Jennifer Stevens Aubrey Professor Elizabeth Behm-Morawitz Professor Melissa Click Professor Ibitola Pearce Professor Michael J. Porter This work is dedicated to my unborn children, to my niece, Brooke Elizabeth, and to the young ones who will shape our future. First, all thanks and praise to God, from whom all blessings flow. For it was written: “I can do all things through Christ which strengthens me” (Philippians 4:13). My dissertation included! The months of all-nighters were possible were because You gave me strength; when I didn’t know what to write, You gave me the words. And when I wanted to scream, You gave me peace. Thank you for all of the people you have used to enrich my life, especially those I have forgotten to name here.