New Dvds – December - 2013

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NEW DVDS – DECEMBER - 2013 FEATURE FILMS: GANGS OF NEW YORK A GOOD DAY TO DIE HARD BEFORE MIDNIGHT HOMELAND: SEASON 1 PACIFIC RIM TOO BIG TO FAIL SNITCH THE GREAT GATSBY GET THE GRINGO FREELANCERS LAWLESS THE CONJURING LORD OF THE FLIES SMASHED BYZANTIUM THE HALLOWEEN COLLECTION THE BOONDOCKS: SEASONS 1,2,3 HOMELAND: SEASON 2 THE ICEMAN SCHINDLER’S LIST PRINCE AVALANCHE WORLD WAR Z PEEPLES MEMENTO LUTHER LUTHER 2 IN THE FOG HUSBANDS AND WIVES THE LAST STAND KISS KISS BANG BANG THE ATTACK BEHIND THE CANDELABRA CURSE OF CHUCKY CLOUD ATLAS HOT FUZZ BARBARA ALIEN TRIPLE PACK SUPERBAD BLOW OUT HEAD OF STATE TRUST WHITE DAWN BREAKING BAD: FINAL SEASON REN & STIMPY SHOW UNCUT: SEASONS 1&2 RESOLUTION EASTERN PROMISES DOCUMENTARIES: THE WEIGHT OF THE NATION WE STEAL SECRETS RISE OF THE DRONES THE CENTRAL PARK FIVE RAISING ADAM LANZA THE WAITING ROOM CONSTITUTION USA MY TRIP TO AL-QAEDA LATINO AMERICANS CALL ME KUCHU GOOD HAIR KEY & PEELE: SEASON 1 COLIN QUINN: LONG STORY SHORT BLACKFISH I’M CAROLYN PARKER MEA MAXIMA CULPA CLIMATE OF DOUBT CHASING ICE INTO THE DEEP STRONGMAN THE DADDY OF ROCK N ROLL DECEPTIVE PRACTICE NEW MUSIC CD’s December 2013 POP Julia Holter Loud City Song Tye Tribbett Greater Than Drake Nothing Was the Same Darkside Psychic Tom Waits Bad as Me Bone Machine Justin Timberlake The 20/20 Experience Eccentric Soul The Forte Label Percy Sledge The Platinum Collection Valerie June Pushin Against a Stone Neko Case The Worse Things Get Janelle Monae The Electric Lady Velvet Underground 45th Anniversary Remaster Roky Erickson Gremlins Have Pictures COUNTRY Brandy Clark 12 Stories CLASSICAL Massimo Giordano Amore E Tormento WORLD Ana Tijoux La Bala Luis Coronel Con La Frente En Alto Rodion GA The Lost Tapes .

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MEIEA 2016 Color.Indd
Journal of the Music & Entertainment Industry Educators Association Volume 16, Number 1 (2016) Bruce Ronkin, Editor Northeastern University Paul Linden, Associate Editor (Book Reviews) Butler University David Schreiber, Associate Editor Belmont University Published with Support from The Journal of the Music and Entertainment Industry Educators As- sociation (the MEIEA Journal) is published annually by MEIEA in order to increase public awareness of the music and entertainment industry and to foster music and entertainment business education. The MEIEA Journal provides a scholarly analysis of technological, legal, historical, educational, and business trends within the music and entertainment industries and is designed as a resource for anyone currently involved or interested in these industries. Topics include issues that affect music and entertainment industry education and the music and entertain- ment industry such as curriculum design, pedagogy, technological innova- tion, intellectual property matters, industry-related legislation, arts admin- istration, industry analysis, and historical perspectives. Ideas and opinions expressed in the MEIEA Journal do not necessar- ily reflect those of MEIEA. MEIEA disclaims responsibility for statements of fact or opinions expressed in individual contributions. Permission for reprint or reproduction must be obtained in writing and the proper credit line given. Music & Entertainment Industry Educators Association 1900 Belmont Boulevard Nashville, TN 37212 U.S.A. www.meiea.org The MEIEA Journal (ISSN: 1559-7334) © Copyright 2016 Music & Entertainment Industry Educators Association All rights reserved Insistency: A New Methodology for Lyrical Analysis Paul Linden Butler University Abstract This study proposes and demonstrates “insistency-based analysis” as a research tool for the study of popular music lyrics. Insistency analysis supports content analysis by considering lyrical repetition (motifs) over time as significant of artistic intent within a given body (population) of lyrics, in this case, those of Tom Waits.
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BEST of 2011 – OUR FAVOURITE ALBUMS of the YEAR 1317 Commercial Drive Vancouver, BC Tel: 604-251-6964 Email: [email protected] Web: Highlifeworld.Com
HIGHLIFE Donec Egestas Scelerisque WORLD dolor: MUSIC BEST OF 2011 – OUR FAVOURITE ALBUMS OF THE YEAR 1317 Commercial Drive Vancouver, BC tel: 604-251-6964 email: [email protected] web: highlifeworld.com BEST OF 2011 BOMBINO Agadez Niger From the Saharan sands of Niger comes this recording by the brilliant guitarist/vocalist Bombino, who manages to create a distinctive desert blues style with echoes of both Ali Farka Toure and Tinariwen. An essential recording! TOM WAITS Bad As Me USA Gravelly-voiced poet and musical maverick Tom Waits returns with this strong batch of rocking blues stompers and tender ballads, joined by the likes of Keith Richards, Marc Ribot and David Hidalgo. Beginning with a train journey north to Chicago and ending in a bar on New Year’s eve (singing ‘Auld Lang Syne’ no less) this is a trip worth taking. Highly recommended! KIRAN AHLUWALIA Aam Zameen: Common Ground Canada Indo-Canadian vocalist Kiran Ahluwalia, known for her beautifully updated Ghazal music, this time does some continent hopping as she collaborates with desert blues sensations Tinariwen and Terakaft. From the opening take on Nusrat Fateh Ali Khan’s classic ‘Mustt Mustt’, propelled by handclaps and call and response vocals, we are in for an exciting cross-cultural musical feast. WILCO The Whole Love USA The 8th release by Jeff Tweedy and cohorts impressively reprises the various musical inclinations of this effortlessly creative group. From the off-kilter whirlwind of the opener to the epic beauty of the 12 minute closer, this is an album by a band at the top of their game.
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Cd Musicali – Rock Artisti Stranieri
CD MUSICALI – ROCK ARTISTI STRANIERI Leonard Cohen – Dear Heather R. E. M. – Around the Sun Steely Dan – Aja Yes – Close to the Edge Faiport Convention – Unhalfbricking MC 5 – Kick out the jams Black Sabbath – Paranoid The Strokers – Room on fire Jain Mitchell – Blue Bang Gang – Something wrong Jamiroquai – A fun adyssey Moby – I like to score Garky’s Zygotic Mynci – How long feel that summer in my heart Radiohead – I might be wrong live recording Bob Marley & The Wailers – Uprising Alanis Morisette – Under Rug Swept Lou Reed – NYC Man Blur – Think Tank Bill Bragg & Wilco – Mermaid Avenue Radioheah – Hai to the thief Peter Gabriel – Hit Elvis Costello – North The Rocking Chairs – Sparkes of Passion Rickie Lee Jones _ The evening of my best day The Rolling Stones – Beggars Banquet Robert Wyatt – Rock Bottom Patti Smith Group – Wave The Kills – Keep on your mean side Fairport Convention – Full house Era – Tha masy Belle e Sebastian – Dear catastrophe waitress Van Marrison – What’s wrong with this picture? Nick Drake – Tink Moon The Black Eyed Peas – Elephunk Tom Waits – Real Gone The Who – Live at Leeds Joy Division – Substance 1977 – 1980 Elliot Smith – Figure 8 Caravan – In the Land of Grey and Pink Happy Trails – Quicksilver Messenger Service The Allman Brothers Band – Eat a Peach Julian Cope – Fried Mudhoney – Superfuzz Bigmuff plus Early Singles Jane’s Addiction – Ritual de lo habitual 1 Eels – Daisies of the galaxy Mallard – In a different climate Frank Zappa – Over – nite Sensation Tom Waits – Blood Money Patty Smith – Land ( 1995
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Village Green Preservation Society Est Une Splendeur À La Perfection Diabolique
LE ROMAN DU ROCK NICOLAS UNGEMUTH Le Roman du rock Ces pages ne sont pas disponibles à la pré- visualisation. elles, ne suivent pas. Depuis 1962 et Return To Sender, plus aucun single d’Elvis ne s’est vendu à un million d’exemplaires. Elvis, lui-même, commence à voir l’ampleur de sa chute. Dans la presse, on se moque de ses films, de ses dialogues et de ses maigres talents d’acteur. Pour ce fan de cinéma idolâtrant Marlon Brando, James Dean mais également Peter Sellers, le constat est difficile à accepter. Et les titres quasi dadaïstes de ses films sont déjà suffisamment embarrassants… Entre Chatouille- moi, En embrassant les cousins et L’Idole d’Acapulco, il est clair qu’Elvis a du mal à rivaliser avec ce Dr Folamour qu’il vénère. Et pendant que le King chante La Chanson de la crevette, le monde entier écoute, sidéré, Like A Rolling Stone, Satisfaction ou Day Tripper. Elvis est devenu has been. Et il s’en rend compte. Il a conscience d’être comme une belle antiquité qu’on vient admirer rapidement chez lui à Graceland, comme le font les Fab Four qui passent lui rendre visite, consternés par son entourage de copains white trash. Autour de lui, une révolution a lieu, mais il n’en fait pas partie. Elvis admire Dylan, exècre sa voix, mais est impressionné par la qualité de ses compositions, particulièrement lorsqu’elles sont interprétées par Odetta (il reprend même, presque en catimini, Tomorrow Is A Long Long Time, qui l’obsède). Il s’enthousiasme pour les Beatles et apprécie leur fraîcheur.
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Clangxboomxstea ... Vxtomxwaitsxxlxterxduo.Pdf
II © Karl-Kristian Waaktaar-Kahrs 2012 Clang Boom Steam – en musikalsk lesning av Tom Waits’ låter Forsidebilde: © Massimiliano Orpelli (tillatelse til bruk er innhentet) Konsertbilde side 96: © Donna Meier (tillatelse til bruk er innhentet) Trykk: Reprosentralen, Universitetet i Oslo III IV Forord Denne oppgaven hadde ikke vært mulig uten støtten fra noen flotte mennesker. Først av alt vil jeg takke min veileder, Stan Hawkins, for gode innspill og råd. Jeg vil også takke ham for å svare på alle mine dumme (og mindre dumme) spørsmål til alle døgnets tider. Spesielt i den siste hektiske perioden har han vist stor overbærenhet med meg, og jeg har mottatt hurtige svar selv sene fredagskvelder! Jeg skulle selvfølgelig ha takket Tom Waits personlig, men jeg satser på at han leser dette på sin ranch i «Nowhere, California». Han har levert et materiale som det har vært utrolig morsomt og givende å arbeide med. Videre vil jeg takke samboeren min og mine to stadig større barn. De har latt meg sitte nede i kjellerkontoret mitt helg etter helg, og all arbeidsroen jeg har hatt kan jeg takke dem for. Jeg lover dyrt og hellig å gjengjelde tjenesten. Min mor viste meg for noen år siden at det faktisk var mulig å fullføre en masteroppgave, selv ved siden av en krevende fulltidsjobb og et hektisk familieliv. Det har gitt meg troen på prosjektet, selv om det til tider var slitsomt. Til sist vil jeg takke min far, som gikk bort knappe fire måneder før denne oppgaven ble levert. Han var alltid opptatt av at mine brødre og jeg skulle ha stor frihet til å forfølge våre interesser, og han skal ha mye av æren for at han til slutt endte opp med tre sønner som alle valgte musikk som sin studieretning.
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Pandora Media, Inc.’S Proposed Findings of Fact and Conclusions of Law
PUBLIC VERSION Before the UNITED STATES COPYRIGHT ROYALTY JUDGES THE LIBRARY OF CONGRESS Washington, D.C. In re ) ) DETERMINATION OF ROYALTY ) RATES AND TERMS FOR ) Docket No. 14-CRB-0001-WR (2016-2020) EPHEMERAL RECORDING AND ) DIGITAL PERFORMANCE OF ) SOUND RECORDINGS (WEB IV) ) PANDORA MEDIA, INC.’S PROPOSED FINDINGS OF FACT AND CONCLUSIONS OF LAW R. Bruce Rich (N.Y. Bar No. 1304534) Benjamin E. Marks (N.Y. Bar No. 2912921) Todd Larson (N.Y. Bar No. 4358438) David Yolkut (N.Y. Bar No. 4444543) Reed Collins (N.Y. Bar No. 4628152) Elisabeth M. Sperle (N.Y. Bar No. 5035571) WEIL, GOTSHAL & MANGES LLP 767 Fifth Avenue New York, NY 10153 Tel: 212.310.8000 Fax: 212.310.8007 [email protected] [email protected] [email protected] [email protected] [email protected] [email protected] Jacob B. Ebin (N.Y. Bar No. 4774618) AKIN GUMP STRAUSS HAUER & FELD LLP Two Commerce Square 2001 Market Street, Suite 4100 Philadelphia, PA 19103 Tel: 212.965.1200 Fax: 212.965.1210 [email protected] Counsel for Pandora Media, Inc. June 19, 2015 PUBLIC VERSION TABLE OF CONTENTS INTRODUCTION ...........................................................................................................................1 I. THE GENESIS OF PANDORA, ITS PRODUCT OFFERING, AND THE NATURE OF THE MARKETPLACE IN WHICH IT OPERATES ......................7 A. Pandora’s Early History and the Development of the Music Genome Project ............................................................................................7 B. Pandora’s Playlist Technology ..................................................................10 C. The Pandora Listener Experience ..............................................................12 D. Pandora’s Position in the Digital Music Ecosystem ..................................14 II. THE WILLING BUYER/WILLING SELLER RATE-SETTING STANDARD, THE REQUIREMENT OF EFFECTIVE COMPETITION, AND THE IMPLICATIONS FOR THE PARTIES’ RESPECTIVE BENCHMARKS IN THIS PROCEEDING ..........................................................17 A.
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Slate Interview
Tom Waits on His Grandma’s Pistol, His New Record, and Keith Richards By Seth Colter Walls | Posted Tuesday, Oct. 25, 2011, at 11:31 AM ET Tom Waits performs in Paris in 2008. Photo by PIERRE VERDY/AFP/Getty Images Tom Waits’ new record, Bad As Me, is his first album of brand new songs since 2004—though Waits will stop you right there and say that Orphans, a three-disc set of rarities from 2006, featured “a hell of a lot of what we call reconditioned songs,” new recordings of old standbys. “Who’s to say that when a song has been used it’s not any good anymore? Everybody’s all hung up on new, you know?” People aren’t just hung up on Bad As Me because it’s new. For the first time since Mule Variations, Waits has put out a record with the full range of his go-to song-forms. Real Gone (2004) went all-in on drum n’ dirge; the song-cycles Alice and Blood Money (both 2002) took their cues from stage works presented with director Robert Wilson. Bad As Me has the variety of instruments and composition styles of Rain Dogs and other Waits classics. I spoke with Waits about the new album earlier this month. Generally loath to speak in great detail about specific artistic choices, he says things like, “I’m not really conscious of those things,” or, “I’m not any different than anybody else.” Neither assertion may be true, but it’s best to let the man talk: He spins yarns mid-interview as impressively as he does on his records.
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Tom Waits 2011.Pdf
WILLISEEYOUTCfNIGHTONADOWNTOWNTRAINEVERYNIGHTISJUSTTHESAMEYOULEAVEMELONELYNOW TOM WAITS BY ROB BOWMAN § IS THE CASE Lord Buckley, and Charles Bukowski; the pri with a select few mal rock & roll crunch of the Rolling Stones; genre-defining the German cabaret stylings of Kurt artists such as Weill; the postwar, alternate world of invented Miles Davis, Bob instruments and rugged individualism o f avant- Dylan, and Joni garde composer Harry Partch; the proto-metal MitcheH,Tom Writs, blues of 1950s and 1960s Howlin’ Wolf and over the course of his nearly forty-year their extension into the w orld o f Captain B eef- career, has operated under the maxim “He heart’s late-i96os avant-rock; the archaic for not busy being born is busy dying.” Refus malism o f 19th-century parlor ballads; Dylan’s ing to stay still and rest on his laurels, Waits early- and mid-sixties transformation of the has continuously sought new influences, possibilities of language in the worlds of both dramatically reinventing himself and his art folk and rock; the elegance of pre-war Irving along the way. In Berlin, Cole Porter, the process, he has WAITS SEEM S and Hoagy Carmichael; forged a highly the sophistication of original, personal, TO HAVE NO postwar Frank Sinatra; and idiosyncratic LIMITS TO HIS and, more recently, the musical lexicon, bone-crushing grooves resulting in one of IMAGINATION of 1980s and 1990s the most distinc funk and hip-hop. In tive, rich, and diverse bodies of recorded deed, the art of Tom Waits has altogether tran work in American popular music history. scended time and, to some degree, place.
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Jesus Comes Face-To-Face with the Devil in the Hole, on the Leash, Inside Himself Matthew 4: 1-11 Rev
Jesus Comes Face-to-Face With The Devil In the Hole, On the Leash, Inside Himself Matthew 4: 1-11 Rev. Tom VandeStadt Dennis Murphy knows I like listening to Tom Waits. Unlike Dennis, I’m not a Tom Waits scholar. But I’m more than a casual listener, though I don’t know how anybody could be a casual listener of Tom Waits. One thing I like I about Tom Waits is the characters in some of his songs have interesting relationships with the devil. For example, the song Way Down in the Hole from the album Frank’s Wild Years, which by the way was a brilliant choice for the opening song in all six seasons of The Wire. In Way Down in the Hole, the character sings: You gotta keep the devil way down in the hole… Don’t pay heed to temptation For his hands are so cold You gotta help me keep the devil Way down in the hole Down in the hole, down in the hole Down in the hole, down in the hole Down in the hole, down in the hole You gotta keep the devil down in the hole Check it out on You Tube, it’s fantastic. You gotta keep the devil way down in the hole. Because if the devil gets out, watch out! The devil out of the hole means the devil out of control, and once the devil is out of control all bets are off. Who knows what the devil will do while loose, but make your life a living hell.
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Queens Park Music Club
Alan Currall BBobob CareyCarey Grieve Grieve Brian Beadie Brian Beadie Clemens Wilhelm CDavidleme Hoylens Wilhelm DDavidavid MichaelHoyle Clarke DGavinavid MaitlandMichael Clarke GDouglasavin M aMorlanditland DEilidhoug lShortas Morland Queens Park Music Club EGayleilidh MiekleShort GHrafnhildurHalldayle Miekle órsdóttir Volume 1 : Kling Klang Jack Wrigley ó ó April 2014 HrafnhildurHalld rsd ttir JJanieack WNicollrigley Jon Burgerman Janie Nicoll Martin Herbert JMauriceon Burg Dohertyerman MMelissaartin H Canbazerbert MMichelleaurice Hannah Doherty MNeileli Clementsssa Canbaz MPennyichel Arcadele Hannah NRobeil ChurmClements PRoben nKennedyy Arcade RobRose Chu Ruanerm RoseStewart Ruane Home RobTom MasonKennedy Vernon and Burns Tom Mason Victoria Morton Stuart Home Vernon and Burns Victoria Morton Martin Herbert The Mic and Me I started publishing criticism in 1996, but I only When you are, as Walter Becker once learned how to write in a way that felt and still sang, on the balls of your ass, you need something feels like my writing in about 2002. There were to lift you and hip hop, for me, was it, even very a lot of contributing factors to this—having been mainstream rap: the vaulting self-confidence, unexpectedly bounced out of a dotcom job that had seesawing beat and herculean handclaps of previously meant I didn’t have to rely on freelancing Eminem’s armour-plated Til I Collapse, for example. for income, leaving London for a slower pace of A song like that says I am going to destroy life on the coast, and reading nonfiction writers everybody else. That’s the braggadocio that hip who taught me about voice and how to arrange hop has always thrived on, but it is laughable for a facts—but one of the main triggers, weirdly enough, critic to want to feel like that: that’s not, officially, was hip hop.
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\The Three Musketeers Fall Flat on Their Faces My Life Makes You
NOVEMBER 16. 1993 T 1-1 E O O O P My Life Makes You Examine Your Own Ngor. Mr. Ho teaches Bob to gain Tom Miley Retriever Editorial Staff entry into his heart and find joy in life, and thus keep himself alive long In my many years of movie-going, enough to watch the birth of his new- very few movies have ever made me born son. cry. Not since Untamed Heart have I While spending his last days on shed even a flickering of a tear. That earth, Bob decides to leave behind a is, until I saw My Life, the new movie video memorial for his son to remem- ©1993 Columbia Pictures Inc. © The Walt Disney Co. All Rights Reserved from Columbia Pictures. The film is ber him by. This retrospective into his Michael Keaton and Nicole Kidman ward off impending the heart-wrenching story of Bob life shows him that he doesn't even I No, it's not Young Guns, but Kiefer and Charlie ride once death and anxiously await new life in the heartwarming Jones (Michael Keaton), a father-to- know himself very well. His quest to lagain in Disney's misguided Three Musketeers. movie "My Life". be with cancer who struggles to stay find internal peace of mind leads him T H E B SK P alive long enough to see the birth of back to his hometown of Detroit. movie events of the season, you'll see it. But Keaton and Kidman don't his baby, and in the process, make While he's home, the conflict be- The acting in this movie is phe- make this movie alone.
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Library 3398 Songs, 7.2 Days, 12.30 GB
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