DOCSLIB.ORG

Guide to Galleries + Museums

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Guide to Galleries + Museums GUIDE TO GALLERIES + MUSEUMS ALBERTA BRITISH COLUMBIA WASHINGTON OREGON September - October 2019 preview-art.com JONATHAN GLEED The Way Things Are September 7 – 30, 2019 Opening Reception: Saturday, Sept 7th from 2 to 4 pm VANESSA LAM A Handmade Night October 5 – 31, 2019 Opening Reception: Saturday, Oct 5th from 2 to 4 pm 2342 Granville Street, Vancouver iantangallery 604 738 1077 iantangallery.com BRITISH COLUMBIA ALBERTA Laxgalts’ap Prince Rupert Prince George St. Albert Skidegate Edmonton HAIDA GWAII North Vancouver West Vancouver Port Moody Williams Lake Vancouver Coquitlam Burnaby Maple Ridge Richmond New Westminster Banff Canmore Chilliwack Calgary Surrey Fort Langley Salmon Arm Tsawwassen White Rock Abbotsford Foothills Kamloops Vernon Black Diamond Lake Country Whistler Kelowna Medicine Hat Black Creek Sunshine Coast Penticton Nelson Qualicum Beach Vancouver Keremeos Lethbridge Port Alberni (see inset) Grand Forks Castlegar Nanaimo Salt Spring Isl Osoyoos Cowichan Valley Bellingham Oroville Victoria La Conner Friday Harbor Everett Port Angeles Bellevue Spokane Bainbridge Island Seattle Ellensburg Tacoma WASHINGTON Pacific Ocean Astoria Cannon Beach Portland Manzanita Salem Sisters Eugene OREGON 6 SEP - OCT 2019 H OPEN LATE ON FIRST THURSDAYS September - October 2019 Vol.33 No.4 ALBERTA PREVIEWS & FEATURES 8 Banff, Black Diamond, Calgary 12 Canmore, Edmonton 14 Foothills 10 Alberta Vignettes 15 Lethbridge, Medicine Hat 16 St. Albert 11 Attila Richard Lukacs - HERRINGER KISS GALLERY BRITISH COLUMBIA 15 Lisa Lipton - ART GALLERY OF ALBERTA 16 Abbotsford 17 Black Creek, Burnaby, Castlegar 19 Hockey - NANAIMO MUSEUM 18 Chilliwack, Coquitlam, Cowichan Valley 19 Fort Langley, Grand Forks 21 Art in Lake Country - LAKE COUNTRY ARTWALK 20 Kamloops, Kelowna, Keremeos 21 Lake Country & LAKE COUNTRY ART GALLERY 22 Laxgalts'ap, Maple Ridge 23 Nanaimo, Nelson 25 Spill - MORRIS AND HELEN BELKIN ART GALLERY 24 New Westminster 26 British Columbia Vignettes 25 North Vancouver 30 Osoyoos, Penticton, Port Alberni, 28 SSNAP Finalists' Exhibition - MAHON HALL Port Coquitlam, Port Moody, Prince George 31 Prince Rupert, Qualicum Beach, Richmond 32 Olivia Whetung - CONTEMPORARY ART GALLERY 32 Salmon Arm, Salt Spring Island, Skidegate, Sunshine Coast 42 Transits and Returns - VANCOUVER ART GALLERY 33 Surrey, Vancouver 52 Vernon 44 Tomoyo Ihaya - VISUALSPACE GALLERY 53 Victoria 56 West Vancouver, Whistler 46 Emily Carr - AUDAIN ART MUSEUM 58 White Rock, Williams Lake 51 Close-Up: Mark Heine - GLOBAL AWARD WINNER WASHINGTON 58 Bainbridge Island, Bellevue 54 Steven Davies - FLUX MEDIA GALLERY 59 Bellingham 60 Ellensburg, Everett, Friday Harbor 57 Washington Vignettes 61 La Conner, Oroville, Port Angeles, Seattle 62 Flesh and Blood - SEATTLE ART MUSEUM 66 Spokane 67 Tacoma 65 Robert Pruitt - KOPLIN DEL RIO GALLERY OREGON 67 From Pollution to Art - DUNE PENINSULA PARK 68 Astoria 70 Cannon Beach 69 Tom Cramer - JORDAN SCHNITZER MUSEUM OF ART 71 Eugene, Manzanita, Portland 74 Salem, Sisters 70 Earth & Ocean Arts Festival - CANNON BEACH © 1986-2019 Preview Art Media Inc. ISSN 1481-2258 73 Oregon Vignettes Member of Tourism Vancouver and Visit Seattle. Reproduction in whole or in part is strictly forbidden 75 Art Books and Exhibition Catalogues of Interest EDITORIAL + ADVERTISING Tel 604-222-1883 Toll Free 1-844-369-8988 76 Art Services Email [email protected] Address PO Box 39041, 3695 W 10th Ave. 78 Index Vancouver, BC V6R 4P1 Canada Paula Fairweather, Publisher Cover: Jaad Kuujus (Meghann O’Brien) Meredith Areskoug, Listings Editor Naomi Pauls, Copy Editor West Coast finalist Trevor Martin, Production Manager 2019 Salt Spring National Art Prize Judith Mazari, Graphic Production Artist Kuugan Jaad II, III, 2015, The views, opinions and positions expressed are those cashmere, yellow cedar bark, sinew. of the authors and do not necessarily reflect those of the publisher. Please note that all gallery particulars are set Photo: Courtesy of Douglas Reynolds Gallery. out as submitted by clients prior to the date of publication. Banner Image: Courtesy of Salt Spring Arts Council. preview-art.com PREVIEW 7 under 12 & members free. To Oct and by appt. A destination for 6 Peter Whyte and Catharine handmade, one-of-a-kind fine art ALBERTA Robb Whyte: An Eclectic Eye for and craft. We represent close to 200 Collecting. A diverse and abundant artists, most of whom live and work BANFF collection of art and artifacts. Open- within 100 miles of the gallery. ing Oct 11 Unbridled. Spanning the Walter Phillips Gallery early 1900s to the present day, it CALGARY The Banff Centre celebrates the horse by combin- 107 Tunnel Mountain Rd ing historic photographs, archival Alberta Craft Gallery &403-762-6281 banffcentre.ca/ material and heritage artifacts from Suite 280 - 1721 29th Ave SW walter-phillips-gallery the Whyte Museum collections &587-391-0129 albertacraft.ab.ca wed-sun 12:30-5pm. Opening along with historic and contempo- wed-fri 11am-5 pm; sat 10am- Sept 21 Candice Lin: A materi- rary art borrowed from private and 5pm. Free admission. To Oct 5 alist history of Contagion. In A public lenders. Contemporary and SPOTLIGHT YYC: Salty Sea Dog materialist history of contagion, historical art weave a tale of the Designs. Sarah & Blair Dawes are Los Angeles-based artist Candice horse through various genres and the making hands and creative Lin traces the materialist history of interpretations. The role of the horse minds behind one of Calgary’s colours and their global circulation may have evolved over the years but most beloved and whimsy ceramic as exotic commodities intertwined it remains our constant companion creations. Reception: Sep 12, 5pm. with plantation economies and worthy of our enduring high esteem To Nov 2 Coming Up Next. Discover colonial expansion. and admiration. Ongoing Gateway the new voices of contemporary Opening reception: Sep 20, 6pm. to the Rockies and Gems Within: craft. The 2019 edition of this exhibi- 50 Years of Collecting. tion features 14 emerging artists, Whyte Museum from those in the last year of their of the Canadian Rockies BLACK DIAMOND undergraduate studies to students 111 Bear St &403-762-2291 attaining their master’s degrees whyte.org Bluerock Gallery and several who are self-taught daily 10am-5pm. Admission: adults 110 Centre Ave W &403-933-5047 or have returned to their practice $10; seniors $9; students & locals bluerockgallery.ca after several years away. (Lake Louise to Morley) $5; children daily 10am-6pm. including holidays Opening reception: Sep 7, 2pm. Nickle Galleries UNIVERSITY OF CALGARY 1 0 S t N W 1 Trans-Canada Hwy Edmonton Trail 1A Illingworth Kerr Gallery ALBERTA UNIVERSITY CALGARY OF THE ARTS orial Dr N em W M Bo W w S t Ri DOWNTOWN v S e 2 r 4 1 The New Gallery Ave SW 4 S t Contemporary Calgary S 8 Ave SW e r t TRUCK Contemporary Art 10 Ave SW 9 Ave n SW e Glenbow C Esker Foundation 10 Ave SW Herringer Kiss Newzones E S The Collectors' Gallery of Art 11 Ave SW t 9 S A ve 1 W W W 17 Ave SW SE S S S t t t CALGARY S S S 2 7 6 STAMPEDE E B S ow Rive il ow lb r ra R E T iv t e o kfo r W c Bla S l i a r T 29 Ave SW Alberta Craft Gallery E d l i S t h c S w 33 Ave SW 4 o r il W a l C r i S a T t r d S T o 42 Ave SE t 0 e l o 2 c o Leighton Art Centre a rf M e Founders’ Gallery e Bluerock Gallery D 8 SEP - OCT 2019 H OPEN LATE ON FIRST THURSDAYS Contemporary Calgary themilitarymuseums.ca 701 11 Street SW &403-770-1350 mon-fri 9am-5pm; sat & sun contemporarycalgary.com 9:30am-4pm. Check website for For visiting hours, please check our admission. Opening Sep 27 Mary website. Free admission. Ongoing Kavanagh: Daughters of Uranium, Collider, serves as a catalyst for a solo exhibition by artist and collaborative experimentation University of Lethbridge professor, and discovery through a collision Mary Kavanagh, encapsulates her of ideas and actions. Visitors will ongoing exploration of the legacy of encounter a dynamic and vibrant the atomic age from the perspective space of creativity and collaboration of the sentient body. A projection in an open studio, long term resi- based on interviews at the Trinity dency environment that responds site, works on paper, artifacts, ar- to our City’s appetite for inclusion chival documents and sculptural and diversity while showcasing presentations combine personal and Charles Lewton-Brain, Object C396, 2015 the extraordinary talent in our political narratives organized around Alberta Craft Discovery Gallery, Edmonton own backyard. Brutal Visions, an central themes and historic periods. Attila Richard Lukacs: Your Name exhibition acknowledging our iconic Co-curated by Christina Cuthbertson Here. This exhibition will showcase Brutalist building, will run in tandem and Lindsey Sharman. Co-organized a bold series of collage paintings by with Berlin-based artist, Clemens by the Southern Alberta Art Gallery acclaimed International artist, Attila Gritl’s show, A Future City from the with the Founders’ Gallery. Richard Lukacs. Done in 2013 and Past. Gritl’s large-scale architectural 2014 and never been shown before, photographs mine the aesthetics Glenbow H these canvases are colorful, textured and ideologies of the past to adopt a 130 9th Ave SE &403-268-4100 and incredibly rich in the artist’s critically optimistic lens in imagining glenbow.org oeuvre of personal iconography. our future. tue-thu 9am-5pm; fri 9am-8pm; 9am-5pm; sun noon-5pm. Admis- sion: adults $16, seniors & students Illingworth Kerr Gallery Esker Foundation Alberta University of the Arts $11, youth (7-17) $10, family 1011 9th Ave SE, 4th floor 1407 14th Ave NW &403-284-7633 & 403-930-2490 (2 adults & 4 youth) $40, children auarts.ca/ikg eskerfoundation.com under 6 free, members free.
Load more

Recommended publications
  • The Needle Art of Kathleen O'reilly
    Volume 35, No. 4 BRITISH COLUMBIA Fall 2002 $5.00 HISTORICAL NEWS ISSN 1195-8294 Journal of the British Columbia Historical Federation Womanly Arts Expressions of and creations by women in Victorian British Columbia. Left: Kathleen O’Reilly, age 21, December of 1888. Photo taken at the studio of Lambert Weston & Sons, Folkestone, England. See “How Shall I Frame Myself?” by Liberty Walton in this issue. BC Archives Archives HP50082 BC Our Web site <bchistory.ca> is hosted by Selkirk College in Castlegar, BC British Columbia Historical News British Columbia Historical Federation Journal of the PO Box 5254, Station B., Victoria BC V8R 6N4 British Columbia Historical Federation Under the Distinguished Patronage of Her Honour Published Winter, Spring, Summer, and Fall. The Honourable Iona Campagnolo. PC, CM, OBC Lieutenant-Governor of British Columbia Editor: Fred Braches PO Box 130 Honorary President: Helen B. Akrigg, Whonnock BC, V2W 1V9 Phone 604.462.8942 Officers [email protected] President: Wayne Desrochers Book Review Editor: 13346 57th Avenue, Surrey BC V3X 2W8 Anne Yandle Phone 604. 599.4206 Fax. 604.507.4202 [email protected] 3450 West 20th Avenue First Vice President: Jacqueline Gresko Vancouver BC, V6S 1E4 5931 Sandpiper Court, Richmond BC V7E 3P8 Phone 604.733.6484 Phone 604.274.4383 [email protected] [email protected] Second Vice President: Roy J.V. Pallant Subscription Secretary: 1541 Merlynn Crescent, North Vancouver BC V7J 2X9 Joel Vinge Phone 604.986.8969 [email protected] 561 Woodland Drive Secretary: Ron Hyde Cranbrook BC V1C 6V2 #20 12880 Railway Ave., Richmond BC V7E 6G2 Phone/Fax 250.489.2490 Phone: 604.277.2627 Fax 604.277.2657 [email protected] [email protected] Recording Secretary: Gordon Miller 1126 Morell Circle, Nanaimo BC V9R 6K6 Publishing Committee: Phone 250.756.7071 [email protected] Tony Farr Treasurer: Ron Greene 125 Castle Cross Road, PO Box 1351, Victoria BC V8W 2W7 Salt Spring Island BC V8K 2G1 Phone 250.
    [Show full text]
  • The Gospel and Globalization
    the Gospel and Globalization Exploring the Religious Roots of a Globalized World Edited by Michael W. Goheen Erin G. Glanville Regent College Press • Geneva Society Vancouver, B.C., Canada THE GOSPEL AND GLOBALIZATION: EXPLORING THE RELIGIOUS ROOTS OF A GLOBALIZED WORLD Copyright © 2009 Regent College Publishing All rights reserved. Published 2009 by REGENT COLLEGE PUBLISHING 5800 University Boulevard / Vancouver, British Columbia V6T 2E4 / Canada / www.regentpublishing.com with GENEVA SOCIETY www.genevasociety.org Cover image by Ben Goheen Typeset by Dan Postma No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher or the Copyright Licensing Agency. Views expressed in works published by Regent College Publishing are those of the authors and do not necessarily represent the official position of Regent College (www.regent-college.edu). Library and Archives Canada Cataloguing in Publication The Gospel and globalization : exploring the religious roots of a globalized world / edited by Michael W. Goheen and Erin G. Glanville. Includes bibliographical references. ISBN 978-1-57383-440-7 1. Globalization—Religious aspects—Christianity. 2. Globalization— Religious aspects—Islam. 3. Capitalism—Religious aspects—Christianity. 4. Capitalism—Religious aspects—Islam. 5. Globalization—Moral and ethical aspects. 6. Globalization—Economic aspects. 7. Christian ethics. 8. World politics. I. Goheen, Michael W., 1955- II. Glanville, Erin G., 1980- BL65.G55G68 2009 201’.7 C2009-902767-4 For Phoebe Shalom, because the future is secure Table of Contents Preface 7 Introduction 11 Michael W. Goheen and Erin G.
    [Show full text]
  • An Interview with Tania Willard on Beat Nation, Indigenous Curation and Changing the World Through Art
    Decolonization: Indigeneity, Education & Society Vol. 3, No. 1, 2014, pp. 218-224 An interview with Tania Willard on Beat Nation, Indigenous curation and changing the world through art Jarrett Martineau Jarrett Martineau: First, many thanks about your own creative and curatorial from everyone at Decolonization for taking practice? What guides or informs the art the time to participate in this interview! you make and curate? We are pleased to have you join us for this special issue on “Indigenous art, aesthetics Beat Nation has grown and become and decolonial struggle.” Please introduce something less intimate than how it started yourself and what nation you are from. and I have learned lessons in that. So, first of all, I never really set out to be a curator; I Tania Willard: My name is Tania Willard, come to it as an artist and an activist, which I Secpwemc Nation... and mixed Euro- think is a well understood trajectory in Indian Canadian. At times other white people and Country. We have amazing models and family have asked why I don’t define the histories to see of all kinds of creative minds, other ‘half’ of me. For me it is political to philosophers, and leaders who sought uphold my Secwepemc heritage: first, as an creative ways to have their voices heard. attempt to address the purposeful erasure of Aboriginal story, place, culture, spirituality I went to art school at the University of and land. I reassert my Secwepemc heritage, Victoria, before Taiaiake Alfred and all of story, land and rights in recognition of the the Indigenous Governance programming whole story of these Indigenous territories there now.
    [Show full text]
  • Marian Penner Bancroft Rca Studies 1965
    MARIAN PENNER BANCROFT RCA STUDIES 1965-67 UNIVERSITY OF BRITISH COLUMBIA, Arts & Science 1967-69 THE VANCOUVER SCHOOL OF ART (Emily Carr University of Art + Design) 1970-71 RYERSON POLYTECHNICAL UNIVERSITY, Toronto, Advanced Graduate Diploma 1989 SIMON FRASER UNIVERSITY, Visual Arts Summer Intensive with Mary Kelly 1990 VANCOUVER ART GALLERY, short course with Griselda Pollock SOLO EXHIBITIONS 2019 REPUBLIC GALLERY, Vancouver, upcoming in May 2019 WINDWEAVEWAVE, Burnaby, BC, video installation, upcoming in May 2018 HIGASHIKAWA INTERNATIONAL PHOTOGRAPHY FESTIVAL GALLERY, Higashikawa, Hokkaido, Japan, Overseas Photography Award exhibition, Aki Kusumoto, curator 2017 REPUBLIC GALLERY, Vancouver, RADIAL SYSTEMS photos, text and video installation 2014 THE REACH GALLERY & MUSEUM, Abbotsford, BC, By Land & Sea (prospect & refuge) 2013 REPUBLIC GALLERY, Vancouver, HYDROLOGIC: drawing up the clouds, photos, video and soundtape installation 2012 VANCOUVER ART GALLERY, SPIRITLANDS t/Here, Grant Arnold, curator 2009 REPUBLIC GALLERY, Vancouver, CHORUS, photos, video, text, sound 2008 REPUBLIC GALLERY, Vancouver, HUMAN NATURE: Alberta, Friesland, Suffolk, photos, text installation 2001 CATRIONA JEFFRIES GALLERY, Vancouver THE MENDEL GALLERY, Saskatoon SOUTHERN ALBERTA ART GALLERY, Lethbridge, Alberta, By Land and Sea (prospect and refuge) 2000 GALERIE DE L'UQAM, Montreal, By Land and Sea (prospect and refuge) CATRIONA JEFFRIES GALLERY, Vancouver, VISIT 1999 PRESENTATION HOUSE GALLERY, North Vancouver, By Land and Sea (prospect and refuge) UNIVERSITY
    [Show full text]
  • Fabuleux Ouest Canadien
    1 Watson Lake YUKON 1 Grand Lac Fort Liard des Esclaves TERRITOIRES DU NUNAVUT Ouest canadien Dease Lake Liard River Fort Resolution Juneau Hot Springs NORD-OUEST À ne pas manquer Provincial Park Muncho Lake Telegraph Provincial Park Vaut le détour Creek 37 Fort Smith Baie 97 Intéressantd’Hudson Stone Mountain Fort Nelson Provincial Park Churchill Wildlife Mount Edziza Rainbow Churchill Management Area Northern Rocky Parc national Lac Athabasca Provincial Park M Lake 35 Mountains Wood Buffalo Parc national Provincial Park Wapusk and Protected Area High Level o Baie Fort d’Huson ALASKA Stewart Vermilion (É.-U.) COLOMBIE- n Kaskatamagan BRITANNIQUE Wildlife Management Area Nisga’a Memorial t ALBERTA Lava Bed Park Hazelton Fort Lynn Lake Gillam a St. John Prince Driftwood Canyon Peace 6 Rupert Terrace Provincial Park River Fort La Loche g Dawson Hudson’s Creek McMurray 16 Smithers Hope Dunvegan Thompson Kitimat Lakelse Lake n McLennan Provincial Park Fort St. James Lac La Ronge Archipel e Grande Provincial Park Prairie Valleyview Haida Gwaii Lac La Biche La Ronge Flin Flon Prince s MANITOBA George 16 Athabasca Tweedsmuir Cold Lake Bowron Lake SASKATCHEWAN Provincial Park 97 Smoky Provincial Park Lake Meadow Cumberland House Bella Quesnel Fort Saskatchewan St. Paul Lake Provincial Historic Park Coola Pinnacles McBride The Pas Hinton St. Albert Parc national ONTARIO Provincial Park Barkerville 11 Vegreville OCÉAN PACIFIQUE Jasper de Prince Albert Narrow Hills 20 Mt. Robson Prov. Park Edmonton R Parc national 4 Provincial Park and Protected
    [Show full text]
  • BC's Faith-Based Postsecondary Institutions
    Made In B.C. – Volume II A History of Postsecondary Education in British Columbia B.C.’s Faith-Based Postsecondary Institutions Bob Cowin Douglas College April 2009 The little paper that keeps growing I had a great deal of fun in 2007 using some of my professional development time to assemble a short history of public postsecondary education in British Columbia. My colleagues’ interest in the topic was greater than I had anticipated, encouraging me to write a more comprehensive report than I had planned. Interest was such that I found myself leading a small session in the autumn of 2008 for the BC Council of Post Secondary Library Directors, a group that I enjoyed meeting. A few days after the session, the director from Trinity Western University, Ted Goshulak, sent me a couple of books about TWU. I was pleased to receive them because I already suspected that another faith-based institution, Regent College in Vancouver, was perhaps BC’s most remarkable postsecondary success. Would Trinity Western’s story be equally fascinating? The short answer was yes. Now I was hooked. I wanted to know the stories of the other faith-based institutions, how they developed and where they fit in the province’s current postsecondary landscape. In the ensuing months, I poked around as time permitted on websites, searched library databases and catalogues, spoke with people, and circulated drafts for review. A surprisingly rich set of historical information was available. I have drawn heavily on this documentation, summarizing it to focus on organizations rather than on people in leadership roles.
    [Show full text]
  • FIERMAN Letterhead Template
    ! Jeneen Frei Njootli is a Canadian born Artist who lives and works in Vancouver, BC. [email protected] 604-726-3565 SELECTED EXHIBITIONS 2018 My Sister/Ma Soeur, Contemporary Indigenous Art Biennial/ La Biennale d’Art Contemporain Autochtone (BACA) (upcoming), with Tsēma Igharas, Montreal QC These Hands, Coney Island Baby with Gabrielle L’Hirondelle Hill, Chandra Melting Tallow, Tania Willard and Amy Kazymerchyk, Western Front, Vancouver BC Pink Noise Pop Up, ONE AND J + 1 with Space One, Instant Coffee and grunt gallery, Seoul ROK Inaugural Fashion Show, UnFURled, Whitehorse YT Common Cause: before and beyond the global, Mercer Union, Toronto ON Being Skidoo film screening and performance, Available Light Film Festival, Whitehorse YT 2017 Art Toronto, Macaulay & Co. Fine Arts, Toronto ON Western Canada Fashion Week, Ociciwan Collective, Edmonton AB Crafted Strangers, Center for Craft, Creativity and Design, Asheville NC Thunder in Our Voices, Interurban Gallery, Vancouver BC Vancouver Indigenous Fashion Week, Queen Elizabeth Theatre, Vancouver BC LandMarks2017, Vuntut Gwitchin Traditional Territory, Old Crow YT wnoondwaamin: we hear them, Platform Gallery (Saskatoon SK), Whitewater Gallery (North Bay 2016 ON), Art Gallery of South Western Manitoba (Brandon MB) Vancouver Special: Ambivalent Pleasures, Vancouver Art Gallery, Vancouver BCwnoondwaamin: we hear them, Trinity Square Video, Toronto ON Emergence, Fazakas Gallery, Vancouver BC Our Home is Our Gallery, Yukon Arts Centre, Whitehorse YTif this were a draft, would you dodge
    [Show full text]
  • Coney Island C Convo-Web Ready.Indd
    Coney Island Baby 2 Jeneen Frei Njootli, Gabrielle L’Hirondelle Hill, Chandra Melting Tallow, Tania Willard September 13—November 3, 2018 A Conversation with Gabrielle L’Hirondelle Hill, Amy Kazymerchyk, Chandra Melting Tallow, and Jeneen Frei Njootli Originally published in C Magazine 136: Site-ation, edited by Peter Morin and Tania Willard (Winter 2018): pgs: 18-23. In the winter of 2016, Gabrielle L’Hirondelle Hill, Chandra Melting Tallow, Jeneen Frei Njootli, Tania Willard, Amy Kazymerchyk and Aaron Leon came together at BUSH gallery to make a film about trapping rabbits. Gabrielle, a previous resident at BUSH and a long-time collaborator of Tania’s, had proposed the project the year before, after speaking with Jeneen about her experiences hunting and trapping in Gwich’in territory. Chandra, a sound artist who heads the musical project Mourning Coup, was invited to score the film, as well as to come trapping. Amy, a curator who has made films, was asked to be the Director of Photography and Aaron, a photographer who had also previously worked with BUSH gallery, joined the group as a camera person. In this interview, four of the artists involved discuss what happened that week and the ideas at the heart of Coney Island Baby. Amy Kazymerchyk: Gabe, why don’t you start by telling us about where the title for the film came from? Gabrielle L’Hirondelle Hill: The title of the work, Coney Island Baby, refers to Coney Island in New York, I think it’s 1 Lenape territory, a place that was renamed by colonizers after the wild rabbits that populated that place.
    [Show full text]
  • Cross-Province Key Ferry Routes Airports RV Parks
    Cross-Province Visitor Information Centres, including the Peace Arch Border Crossing Key Ferry Routes BC Ferries - Victoria - Vancouver Nanaimo - Vancouver Sunshine Coast - Vancouver Vancouver Gulf Islands North Inside Passage (Port Hardy/Prince Rupert) Comox Powell River Nanaimo -Tsawwassen Coho Ferry Program (Port Angeles) Seattle Seattle Cruise Vancouver Vancouver Cruise Ship Terminals Airports Abbotsford Abbotsford Airport Comox Valley Comox Valley Airport Prince George Prince George Airport Prince Rupert Prince Rupert Airport Seattle Seattle Airport Program (6 ) Vancouver Vancouver International Airport, 3 terminals Victoria Victoria Airport RV Parks Coquitlam Go West Campers International Vancouver The Vancouver Trolly Company Delta Canadream Inc Burnaby Cariboo Road RV Park USA & Other Provinces Alberta Ponoka Visitor Information Centre Port Angeles Port Angeles Visitor Info Centre Seattle Seattle Airport Program (6 ) Seattle WSF Seattle Terminal Seattle Seattle Cruise Seattle Boeing Tour Centre Spokane The Northwest Museum of Arts and Culture (The MAC) Stony Plain Stony Plain & District Chamber of Commerce Distribution by Region & Community Cariboo Chilcotin Coast Barkerville Historic Barkerville Info Centre Quesnel Quesnel Visitor Info Centre Wells Wells & District Chamber of Commerce Williams Lake Williams Lake Visitor Info Centre Kootenay Rockies Cranbrook Best Western Cranbrook Hotel Cranbrook Cranbrook Visitor Info Centre Creston Creston Visitor Info Centre Field Yoho National Park Visitor Centre Golden Golden Visitor Centre Invermere Invermere Visitor Info Centre Kimberley Kimberley Visitor Info Centre Nelson Nelson Kootenay Lakr Tourism Centre Revelstoke Revelstoke Arts Council Revelstoke Revelstoke Visitor Info Centre Northern BC Chetwynd Chetwynd Visitor Info Centre Dawson Creek Dawson Creek Visitor Centre Fort Nelson Northern Rockies Regional Municipality & Tourism Fort St. John North Peace Regional Airport ( Fort St.
    [Show full text]
  • Activating Emily
    Activating Emily The Emily Carr P AP Activity Book HE T D A O L N W O D Free! This book has a life of its own! Colour and draw in it, “activate” it with your tablet or phone, and take it on a field trip! Tell your friends about it! Use your device to take photos of your work throughout this book, and share them on Instagram and Twitter with the hashtag #ActivatingEmily. The Art Gallery of Greater Victoria is located on the traditional territories of the Lekwungen peoples, today known as the Esquimalt and Songhees Nations. We are grateful for the opportunity to live and learn on this territory. Looking at Emily Carr p. 3 With the Whole Body For the Love of Nature p. 8 Emily’s Colours p. 10 The New Canadian p. 14 Field Trips! p. 17 Look for these corners! In conjunction with this book, the Activating Emily companion app provides an interactive experience with Emily Carr’s art. Look for artworks and images framed by corners like these. Download the app to your tablet or mobile device, open it, and follow the on-screen instructions to scan these pieces. There you’ll find additional videos, stories and more! Get the Activating Emily app for FREE on your iOS device now from the iTunes App Store, or visit the Gallery welcome desk to sign out a device to use. In some low-light areas of the Gallery the pieces might be more difficult to scan. Try shifting your angle of view or repositioning yourself for more light and better results.
    [Show full text]
  • “Male” Works from the Collection of Vince Aletti Attila Richard Lukacs / Polaroids / Michael Morris
    FOR IMMEDIATE RELEASE PRESENTATION June 28 – August 3, 2008 HOUSE “Male” Works from the Collection of Vince Aletti GALLERY Attila Richard Lukacs / Polaroids / Michael Morris Presentation House Gallery is pleased to present two concurrent exhibitions that showcase extensive, provocative views of the male figure. “Male” is an exhibition of portrait works drawn from the personal collection of curator, writer and The New Yorker photography critic Vince Aletti. It features more than 100 photographs as well as drawings, sculptures, and paintings, juxtaposing works by celebrated figures with works by emerging artists, alongside anonymously authored images and flea market finds. “Male” presents a complex history of portraiture through an eclectic approach to collecting, conflating both historical and vernacular material in a highly idiosyncratic and fiercely independent articulation of visual culture. Attila Richard Lukacs / Polaroids / Michael Morris showcases over 600 Polaroid photographs by Vancouver painter Attila Richard Lukacs produced over the past twenty years as referents for paintings, assembled and collaged by Vancouver Island artist Michael Morris. Utilizing the unique characteristics of the Polaroid medium, Lukacs’ painter’s sensibility is evident in the photograph’s rich hues, deep chiaroscuro, romantic sensuality and graphic immediacy. Building on these strengths, Morris employs simple thematic and organizational schemas to create vibrant Polaroid grids, uncovering an From the exhibition, "Male:Work from the collection of Vince Aletti." archeology of Lukacs’ work and relationships through a formal link to his own Wilhelm von Gloeden, [boy in plaid shirt], c. 1900, albumen print, 23 ½ x 19 ½ in. Courtesy Vince Aletti. Colour Bar Research project of the early 1970s. Collected representations of males are, still, rarely located outside the idioms and arenas of fashion and pornography, and infrequently transcend these delineations.
    [Show full text]
  • 2021 Catalog 2 3
    2020- 2021 1 Hillsdale College 2020 - 2021 Catalog 2 3 Welcome to Hillsdale College independent, four-year college in south-central Michigan, Hillsdale College offers the An rigorous and lively academic experience one expects of a tier-one liberal arts college, and it stands out for its commitment to the enduring principles of the Western tradition. Its core curriculum embodies this commitment through required courses in disciplines such as history, literature, science and politics in order to develop in students the “philosophical habit of mind” essential to sound education. Likewise, majors at Hillsdale are a rigorous and searching extension of these commitments. Ranging from classics or music to chemistry or business, academic fields of concentration build upon the core curriculum, deepening and specifying students’ appreciation for and understanding of the liberal arts. Hillsdale College is dedicated to intellectual inquiry and to learning, and it recognizes essential human dignity. Ordered liberty, personal responsibility, limited government, free enterprise and man’s moral, intellectual and spiritual nature illuminate this dignity and identify the service of the College to its students, the nation, and the Western intellectual and religious tradition. Far-ranging by design and incisive by method, study at Hillsdale College is intellectually demanding. Students work closely with faculty who guide them in their studies, helping students to prepare for a lifetime of accomplishment, leadership, and learning. For more information about Hillsdale College or to arrange a visit, call the Admissions Office at (517) 607-2327, or e-mail [email protected]. • College, founded in 1844, is an independent, coeducational, resi- Hillsdale dential, nonsectarian college for about 1,460 students.
    [Show full text]