Atilla Lukacs (Canadian, 1962 - )

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Atilla Lukacs (Canadian, 1962 - ) Fred with Funny Clown, 2013 two-colour etching, ed. 40 image: 35.5” x 27.5” paper: 44” x 30.5” $2300 (Canadian, 1962 - ) Atilla Lukacs Atilla Richard Lukacs was born in Alberta in 1962. In 1985, Lukacs graduated from the Emily Carr Institute of Art and Design in Vancouver, British Columbia. He moved to Berlin in 1986, working at the Künstlerhaus Bethanien Berlin. In 1996, he relocated to New York City in order to be closer to the centre of American art Lukacs is known predominantly for his paintings of male skinheads, primates and American military cadets during the early 1990s. These brutally explicit works shocked and provoked a generation of painters and critics alike. Although Lukacs is best known for paintings that depict exaggerated masculine figures, such as gay skinheads and military cadets (Military Series True North), he has also created a collection of paintings of flowers (Flowers) and trees (Arbor Vitae). His paintings frequently reference the historical compositions and themes of David and Caravaggio as well as the compositional devices of the miniature painters and illustrators of India (Of Monkeys and Men) and the Middle East. A more recent series of paintings depict conifer trees, dramatically painted in tar on a silver leaf field. The artist now lives inV ancouver. Fred with Funny Clown, 2013 Etching is an example of intaglio. Intaglio derives its name from the Italian intagliare, meaning to incise. Copper or zinc plates have a waxy ground applied to them, and an incising tool called a scribe is used to penetrate the ground. The plate is immersed in an acid bath, where the acid bites into the incised lines to emphasize them. When the plate is ready for inking, the ground is removed and the entire plate is covered in ink. The plate is then wiped clean on the surface and printed on damp paper, where the paper is forced into the etched lines and picks up the remaining ink, resulting in an image. For more information on this work, or any of the prints from the AFK Editions, please contact: Artists for Kids 604-903-3798 [email protected] All images are published exclusively through AFK in partneship with Canadian artists in support of students, their art education, and their future..

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“Male” Works from the Collection of Vince Aletti Attila Richard Lukacs / Polaroids / Michael Morris
FOR IMMEDIATE RELEASE PRESENTATION June 28 – August 3, 2008 HOUSE “Male” Works from the Collection of Vince Aletti GALLERY Attila Richard Lukacs / Polaroids / Michael Morris Presentation House Gallery is pleased to present two concurrent exhibitions that showcase extensive, provocative views of the male figure. “Male” is an exhibition of portrait works drawn from the personal collection of curator, writer and The New Yorker photography critic Vince Aletti. It features more than 100 photographs as well as drawings, sculptures, and paintings, juxtaposing works by celebrated figures with works by emerging artists, alongside anonymously authored images and flea market finds. “Male” presents a complex history of portraiture through an eclectic approach to collecting, conflating both historical and vernacular material in a highly idiosyncratic and fiercely independent articulation of visual culture. Attila Richard Lukacs / Polaroids / Michael Morris showcases over 600 Polaroid photographs by Vancouver painter Attila Richard Lukacs produced over the past twenty years as referents for paintings, assembled and collaged by Vancouver Island artist Michael Morris. Utilizing the unique characteristics of the Polaroid medium, Lukacs’ painter’s sensibility is evident in the photograph’s rich hues, deep chiaroscuro, romantic sensuality and graphic immediacy. Building on these strengths, Morris employs simple thematic and organizational schemas to create vibrant Polaroid grids, uncovering an From the exhibition, "Male:Work from the collection of Vince Aletti." archeology of Lukacs’ work and relationships through a formal link to his own Wilhelm von Gloeden, [boy in plaid shirt], c. 1900, albumen print, 23 ½ x 19 ½ in. Courtesy Vince Aletti. Colour Bar Research project of the early 1970s. Collected representations of males are, still, rarely located outside the idioms and arenas of fashion and pornography, and infrequently transcend these delineations.
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