Adam S. Cohen Is Associate Professor in the Department of Art at the University of To­ Ronto

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Adam S. Cohen Is Associate Professor in the Department of Art at the University of To­ Ronto Contributors Adam S. Cohen is Associate Professor in the Department of Art at the University of To­ ronto. After receiving a Ph.D. in medieval art from The johns Hopkins University in 1995, he worked for two years in the Department of Manu­ scripts at the j. Paul Getty Museum in Los Angeles. His publications, in­ cluding The Uta Codex: Art, Philosophy, and Reform in Eleventh-Century Germany (University Park, Pa., 2000), have focused mainly on under­ standing the production and function of manuscripts in their historical context and in particular on elucidating the relationships between im­ ages and texts in German and Anglo-Saxon manuscripts from around the year 1000. He has recently edited the collected essays on Anglo-Saxon and early medieval art by Robert Deshman (Kalamazoo, MI, 2010), and is completing a book on the phenomenon of facing page illuminations in medieval and renaissance manuscripts. Dr. Cohen's current research project is devoted to complex visual exegesis in central European manu­ scripts ofthe eleventh through thirteenth centuries. Dario Dei Puppo is Professor of Language and Culture Sturlies at Trinity College, Hartford, CT. His research deals primarily with the manuscripts and early printed books of Medieval and Renaissance ltalian literature. In particular he is a co-editor of Tommaso Rimbotti's Rime and has written articles on Pet­ rarca's Canzoniere, Boccaccio's Decameron, Goro Dati's Sfera, Burchiello's Rime, and other 14th and 15th century authors. Greti Dinkova-Bruun is Associate Fellow at the Pontifical Institute of Mediaeval Sturliesin To­ ronto. She has published widely on a range of topics within the field of Medieval Studies. A noted manuscript scholar, she is the author of a number of critical editions and translations of medieval texts including the poetry of Alexander of Ashby, Alexandri Essebiensis Opera Poetica (ONTRIBUTORS 271 (2004) and The Ancestry of jesus (2005). Recently, she has been elected Editor-in-Chief for the Catalogus Translationum et Commentariorum (CTC). Her main interests are in the fields of Latin biblical versification, mnemonics, and medieval education. Lucie Dolezalova received her PhD in Medieval Studies at the Central European University in Budapest in 2005 and her habilitation in 2012 at the Charles Univer­ sity in Prague where she works as Associate Professor of Medieval Latin. She has authored monographs on the medieval reception of the Cena Cyp riani (Trier, 2007), and on a biblical mnemonic aid Summarium biblie (Krems, 2012), and edited several collective volumes (e.g., The Making of Memory in the Midd/e Ages, Leiden, 2010, and Retel/ing the Bible: Histori­ cal, Literary, and Social Contexts, Frankfurt am Main, 2011). Her current research concentrates on the art of memory and obscurity in late medie­ val Latin manuscript culture, biblical mnemonics, and parody. Stephane Gioanni is a former student of the Ecole Normale Superieure (ENS-LSH). He re­ ceived his Ph.D. in Classical Studies in 2004 at the Lumiere-University in Lyon and was a "Mattre de conferences" at the Paris-! Pantheon­ Sorbonne University (2005-2010). He has published the Letters of En­ nodius of Pavia (Les Beiles Lettres, 2006 and 2010) and edited collective volumes, among them L'Antiquite tardive dans /es collections medievales (Ecole Fran�aise de Rome, 2008). He is currently director of Medieval Studies at the French School in Rome. Diana Müller is a PhD candidate at the Johann Wolfgang Goethe University of Frank­ furt, Germany. She wrote a dissertation on German miscellanies of the late Middle Ages. Her research is focused on medieval manuscript cul­ ture and book history. She is also generally interested in the written cultural heritage of the late Middle Ages such as block books, incunabula, early prints or rare books. She is currently working at the University Li­ brary in Marburg, Germany. Csaba Nemeth is a PhD candidate of Medieval Studies at the Central European University in Budapest, defending his dissertation on the theological anthropology of Hugh and Richard of Saint Victor and its scholastic 272 CONTRißUTORS reception in 2013. His research is fo cused on intellectual history and philology of the twelfth century. His most important international publications are: "The Victorines and the Areopagite," in L'ecole de Saint­ Victor de Paris. Influence et rayonnement du Moyen Age a J'Epoque moderne, ed. Dominique Poirel (Turnhout: Brepols, 2010) and "Paulus raptus to raptus Pauli. Paul's rapture (2 Cor 12:2-4) in the pre-scholastic and scholastic theologies," in A Campanion to St. Paul in the Midd/e Ages, ed. Steven R. Cartwright (Leiden: Brill, 2012). Eva Nyström is a Research Fellow at Uppsala University Library, Sweden, where she is currently in charge of the digitization and cataloguing project "Greek manuscripts in Sweden," financed by the Bank of Sweden Tercentenary Foundation. In recent years she has been a Cataloguer of Manuscripts at Skara Diocesan Library, and was involved in the development of ProBok, an online database for recording information about provenance and bookbindings in collections of prints from the handpress era (http:/ jprobok.alvin-portal.orgjalvin/). Her PhD thesis, Containing Multitudes: Codex Upsaliensis Graecus 8 in Perspective (Acta Universitatis Upsaliensis. Studia Byzantina Upsaliensia 11, Uppsala 2009), was awarded the Benzelius Prize from the The Royal Society of Seiences in Uppsala. Dr. Nyström's research interests include codicology and the positioning of medieval and early modern manuscripts within the wider histmy of the book. Kimberly Rivers received her PhD from the University of Toronto in 1995 and is currently a professor of history at the University of Wisconsin Oshkosh. She has published articles on the use of memory techniques in preaching and re­ ligious life and has recently published a monograph, Preaching the Memory of Virtue and Vice: Memory, Images and Mendicant Preaching in the Late Middle Ages (Sermo 4, Brepols, 2010). Kees Sehepers is an Assistant Professor at the Ruusbroec Institute of the University of Antwerp. He has published critical editions of the first Latin translation of john of Ruusbroec's Spiritual Espousa/s, of the Middle Dutch translation of a Latin commentary to the Song of Songs, and of an early fifteenth-century miscellany from the Southern Low Countries. He CONTRJBUTOI\5 273 currently works on the study and critical edition of a collection of unique 16th-century mystical sermons in Middle Dutch. Elizabeth Watkins is currently a Ph.D. candidate at the Centre for Medieval Studies at the University of Toronto. Her dissertation, entitled "French Romance and English Piety: Genre and Codex in Insular Romance," examines the rise of romance vis-a-vis its relationship with hagiography and what romances and their codicological contexts can reveal about the place of French lan­ guage, literature, and culture in the Iiterature of medieval England. Siegfried Wenzel Professor Emeritus, University of Pennsylvania, has specialized in medi­ eval literature and its religious backgrounds. A number of articles in this area have recently been republished as Elucidations: Medieval Poetry and Its Religious Backgrounds (Peeters, 2010). In addition, he has worked ex­ tensively on Medieval Latin works dealing with the vices and virtues and on Latin sermon literature. Representative books in this field are edi­ tions with translations of two medieval works: Summa virtutum de remediis anime (University of Georgia Press, 1984) and Fasciculus Morum. A Fourteenth-Century Preacher's Handbook (Pennsylvania State University Press, 1989). Other scholarly studies deal with medieval preaching: Verses in Sermons: "Fasciculus Morum" and /ts Midd/e English Poems (Medieval Academy of America, 1978); Preachers, Poets, and the Early English Ly ric (Princeton University Press, 1986); Latin Sermon Collections from Later Medieval Eng land: Orthodox Preaching in the Age of Wy clif (Cambridge University Press, 2005); and Preaching in the Age of Chaucer: Selected Sermons in Translation (Catholic University of America Press, 2008). His most recent work is The Art of Preaching: Five Medieval Texts and Translations (Catholic University of America Press, 2013). Alessandro Zironi (MA University of Verona, PhD University of Florence) is Associate Pro­ fe ssor of Germanie Philology at the Alma Mater Studiorum - University of Bologna. His research is focused on three main topics: Gothic language and literature, Middle High German Iiterature and rewriting of Teutonic cultural tradition in modern and contemporary eras. As far as Gothic and Middle High German are concerned, the core of Zironi's research is the codicological analysis of manuscripts together with a philological inves­ tigation oftexts in order to restore the cultural milieu in which a text was 274 CONTRIBUTORS copied. Recently, he published L'eredita dei Goti. Testi barbarici in eta carolingia, Spoleto 2009, in which he studied the survival of both Gothic language and cultural memory du ring the Carolingian age, and an article on "Elaborazione del mito nibelungico e creazione dell'identita tedesca nel cinema di Fritz Lang: Die Nibelungen (1924)," in Metamorfo si del mito classico nel cinema, ed. G. P. Brunetta (Bologna, 2011). Index librorum manuscriptorum Admont, Stiftsbibliothek 142 -155 203 - 155 433 - 155 592 - 155 Basel, Universitätsbibliothek B IX 34-212 Berlin, Staatsbibliothek germ. qu. 979 - 97, 98 Cambridge, Corpus Christi College 423 - 106, 110 441 -109 Pembroke College 9-197 275 - 109 Trinity
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