Disrupting the Symbolic Hamlet
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Bibliography for the Study of Shakespeare on Film in Asia and Hollywood
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 6 (2004) Issue 1 Article 13 Bibliography for the Study of Shakespeare on Film in Asia and Hollywood Lucian Ghita Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Critical and Cultural Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Ghita, Lucian. "Bibliography for the Study of Shakespeare on Film in Asia and Hollywood." CLCWeb: Comparative Literature and Culture 6.1 (2004): <https://doi.org/10.7771/1481-4374.1216> The above text, published by Purdue University Press ©Purdue University, has been downloaded 2531 times as of 11/ 07/19. -
FRIDAY 17Th NOVEMBER 2017 4:00 - 5:00 Pm Exhibition Inauguration and Opening Ceremony (Gallery) 5:30 - 6:00 Pm Guests to Be Seated (Hall 2)
FAIZ INTERNATIONAL FESTIVAL 17th – 19th November 2017 Alhamra Halls, Mall Road Lahore All events are free and open for all. (Except Tina Sani performance) FRIDAY 17th NOVEMBER 2017 4:00 - 5:00 pm Exhibition Inauguration and Opening Ceremony (Gallery) 5:30 - 6:00 pm Guests to be seated (Hall 2) لو پھر بسنت آئی pm 7:20 – 6:00 Play by Ajoka Theatre (Hall 2) SATURDAY 18th NOVEMBER 2017 Time Hall 1 Hall 2 Hall 3 Adbi Baithak Gallery Exhibition Area حلقہء زن ج یر م یں ز باں م ت پھر کوئی آ با سر ق ل 11:00 am Urdu language and information technology Discussion on Qawwali Faiz ki shairi main umeed-o-yass 12:00 pm Dr Sarmad Hussain, Dr Agha Ali Raza, Zehra Nigah, Dr Arfa Syeda Dr. Amir Jafri Musharaf Ali Farooqi, Aamir Wali Children Activity (Qasim Jafri) (Sumera Khalil) ب ول (Dr Umar Saif) Children’s Debate competition Literature Schools Festival ی ڑھنے والوں کے بام طلسمات کے در بات کہاں پھہری ہے 12: 15 pm My journey theatre, TV, film The City - A site for history and identity Book launch: A Sentimental Journey ت pm Irfan Khoosat, Navid Shehzad, Samina Shatha Safi, Kamran Lashari Haroon Khalid, Anum Zakaria, Dr. Tahir 1:15 - کوئی صوی ر گائی رہی Peerzada, Samiya Mumtaz Dr Asma Ibrahim Kamran in conversation with Pran رات پھر Sarmad Khoosat) (Attiq Ahmed) Nevile) Photographic ص بح آزادی ق ق ہم تے سب شعر م یں سنوارے پھے کب کب ساق تا ! ر ص کوئی ر ص ص تا کی صورت years of Partition exhibition of Faiz 70 ھی ھی باد م یں ا پھرتے ہ یں - pm 1:30 Dance Performance Faiz ki shairi meiN naghmagii 2:30 pm Remembering Riaz Shahid Dr. -
The Tragedy of Hamlet
THE TRAGEDY OF HAMLET THE WORKS OF SHAKESPEARE THE TRAGEDY OF HAMLET EDITED BY EDWARD DOWDEN n METHUEN AND CO. 36 ESSEX STREET: STRAND LONDON 1899 9 5 7 7 95 —— CONTENTS PAGE Introduction ix The Tragedy of Hamlet i Appendix I. The "Travelling" of the Players. 229 Appendix II.— Some Passages from the Quarto of 1603 231 Appendix III. Addenda 235 INTRODUCTION This edition of Hamlet aims in the first place at giving a trustworthy text. Secondly, it attempts to exhibit the variations from that text which are found in the primary sources—the Quarto of 1604 and the Folio of 1623 — in so far as those variations are of importance towards the ascertainment of the text. Every variation is not recorded, but I have chosen to err on the side of excess rather than on that of defect. Readings from the Quarto of 1603 are occa- sionally given, and also from the later Quartos and Folios, but to record such readings is not a part of the design of this edition. 1 The letter Q means Quarto 604 ; F means Folio 1623. The dates of the later Quartos are as follows: —Q 3, 1605 161 1 undated 6, For ; Q 4, ; Q 5, ; Q 1637. my few references to these later Quartos I have trusted the Cambridge Shakespeare and Furness's edition of Hamlet. Thirdly, it gives explanatory notes. Here it is inevitable that my task should in the main be that of selection and condensation. But, gleaning after the gleaners, I have perhaps brought together a slender sheaf. -
New Sufi Sounds of Pakistan: Arif Lohar with Arooj Aftab
Asia Society and CaravanSerai Present New Sufi Sounds of Pakistan: Arif Lohar with Arooj Aftab Saturday, April 28, 2012, 8:00 P.M. Asia Society 725 Park Avenue at 70th Street New York City This program is 2 hours with no intermission New Sufi Sounds of Pakistan Performers Arooj Afab lead vocals Bhrigu Sahni acoustic guitar Jorn Bielfeldt percussion Arif Lohar lead vocals/chimta Qamar Abbas dholak Waqas Ali guitar Allah Ditta alghoza Shehzad Azim Ul Hassan dhol Shahid Kamal keyboard Nadeem Ul Hassan percussion/vocals Fozia vocals AROOJ AFTAB Arooj Aftab is a rising Pakistani-American vocalist who interprets mystcal Sufi poems and contemporizes the semi-classical musical traditions of Pakistan and India. Her music is reflective of thumri, a secular South Asian musical style colored by intricate ornamentation and romantic lyrics of love, loss, and longing. Arooj Aftab restyles the traditional music of her heritage for a sound that is minimalistic, contemplative, and delicate—a sound that she calls ―indigenous soul.‖ Accompanying her on guitar is Boston-based Bhrigu Sahni, a frequent collaborator, originally from India, and Jorn Bielfeldt on percussion. Arooj Aftab: vocals Bhrigu Sahni: guitar Jorn Bielfeldt: percussion Semi Classical Music This genre, classified in Pakistan and North India as light classical vocal music. Thumri and ghazal forms are at the core of the genre. Its primary theme is romantic — persuasive wooing, painful jealousy aroused by a philandering lover, pangs of separation, the ache of remembered pleasures, sweet anticipation of reunion, joyful union. Rooted in a sophisticated civilization that drew no line between eroticism and spirituality, this genre asserts a strong feminine identity in folk poetry laden with unabashed sensuality. -
Hamletmachine” by Heiner Müller
Journal of History Culture and Art Research (ISSN: 2147-0626) Tarih Kültür ve Sanat Araştırmaları Dergisi Vol. 8, No. 4, December 2019 DOI: 10.7596/taksad.v8i4.2381 Citation: Kolpakova, S. G., Gataullina, V. L., & Smyslova, E. V. (2019). Historical and Political Allusions in the Drama “Hamletmachine” by Heiner Müller. Journal of History Culture and Art Research, 8(4), 313-319. doi:http://dx.doi.org/10.7596/taksad.v8i4.2381 Historical and Political Allusions in the Drama “Hamletmachine” by Heiner Müller Svetlana Georgievna Kolpakova1 Veronika Lubimovna Gataullina2 Ekaterina Vladimirovna Smyslova3 Abstract In terms of postmodernism а classical plot becomes more active, mobile and begins to travel through the cultural discourses in different social and political channels, thereby indirectly achieving its full inner creative potential in the minds of "postmodern" readers. The paper focuses on Müller’s "Hamletmachine" which uses the Shakespearean plot. The authors of the article explore the new features introduced by the writer into the classic plot by placing it in postmodern principles (game, changes of meanings, rhizome, blissful ignorance of consumer society) which are woven together in a syncretic way. Müller masterfully uses these devices to transmit the political ideas and describe the history of communism and the historical events. The comparative method in combination with complex descriptive analysis of the text is chosen as the main methodology. The aim of the study is to find out what purposes and what political events Müller involves -
Hamlet-Production-Guide.Pdf
ASOLO REP EDUCATION & OUTREACH PRODUCTION GUIDE 2016 Tour PRODUCTION GUIDE By WILLIAM SHAKESPEARE ASOLO REP Adapted and Directed by JUSTIN LUCERO EDUCATION & OUTREACH TOURING SEPTEMBER 27 - NOVEMBER 22 ASOLO REP LEADERSHIP TABLE OF CONTENTS Producing Artistic Director WHAT TO EXPECT.......................................................................................1 MICHAEL DONALD EDWARDS WHO CAN YOU TRUST?..........................................................................2 Managing Director LINDA DIGABRIELE PEOPLE AND PLOT................................................................................3 FSU/Asolo Conservatory Director, ADAPTIONS OF SHAKESPEARE....................................................................5 Associate Director of Asolo Rep GREG LEAMING FROM THE DIRECTOR.................................................................................6 SHAPING THIS TEXT...................................................................................7 THE TRAGEDY OF HAMLET CREATIVE TEAM FACT IN THE FICTION..................................................................................9 Director WHAT MAKES A GHOST?.........................................................................10 JUSTIN LUCERO UPCOMING OPPORTUNITIES......................................................................11 Costume Design BECKI STAFFORD Properties Design MARLÈNE WHITNEY WHAT TO EXPECT Sound Design MATTHEW PARKER You will see one of Shakespeare’s most famous tragedies shortened into a 45-minute Fight Choreography version -
Universidade Federal Do Rio De Janeiro Faculdade De Letras Comissão De Pós-Graduação E Pesquisa
Universidade Federal do Rio de Janeiro Faculdade de Letras Comissão de Pós-Graduação e Pesquisa DA TRADUÇÃO/ADAPTAÇÃO COMO PRÁTICA TRANSCULTURAL: UM OLHAR SOBRE O HAMLET EM TERRAS ESTRANGEIRAS Marcel Alvaro de Amorim Rio de Janeiro Março de 2016 Marcel Alvaro de Amorim DA TRADUÇÃO/ADAPTAÇÃO COMO PRÁTICA TRANSCULTURAL: UM OLHAR SOBRE O HAMLET EM TERRAS ESTRANGEIRAS Tese de Doutorado apresentada ao Programa Interdisciplinar de Pós-Graduação em Linguística Aplicada da Universidade Federal do Rio de Janeiro, como parte dos requisitos necessários para a obtenção do Título de Doutor em Linguística Aplicada. Orientador: Prof. Dr. Roberto Ferreira da Rocha Rio de Janeiro Março de 2016 A524d Amorim, Marcel Alvaro de Da tradução/adaptação como prática transcultural: um olhar sobre o Hamlet em terras estrangeiras / Marcel Alvaro de Amorim. — Rio de Janeiro: UFRJ, 2016. 183 f.; 30 cm Orientador: Roberto Ferreira da Rocha. Tese (Doutorado) - Universidade Federal do Rio de Janeiro, Faculdade de Letras, Pós-Graduação em Linguística Aplicada, 2016. Bibliografia: 165-175 1. Cinema. 2. Literatura. 3. Hamlet. 4. Shakespeare, William, 1564-1616. I. Rocha, Roberto Ferreira da. II. Universidade Federal do Rio de Janeiro, Faculdade de Letras. III. Título. CDD 791.43 DEDICATÓRIA A construção desta Tese foi (e continua a ser) um trabalho dialógico, em que várias vozes dialogaram (e ainda dialogam) na tentativa de construção de modos de se ler o ‘Hamlet’, de William Shakespeare, em territórios estrangeiros. No entanto, duas, dentre todas as vozes aqui refratadas, foram essenciais para o desenvolvimento da pesquisa: as vozes (e todos os discursos a elas relacionadas) de meu orientador de doutorado, Prof. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Emergence of Women's Organizations and the Resistance Movement In
Journal of International Women's Studies Volume 19 | Issue 6 Article 9 Aug-2018 Defying Marginalization: Emergence of Women’s Organizations and the Resistance Movement in Pakistan: A Historical Overview Rahat Imran Imran Munir Follow this and additional works at: http://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Imran, Rahat and Munir, Imran (2018). Defying Marginalization: Emergence of Women’s Organizations and the Resistance Movement in Pakistan: A Historical Overview. Journal of International Women's Studies, 19(6), 132-156. Available at: http://vc.bridgew.edu/jiws/vol19/iss6/9 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2018 Journal of International Women’s Studies. Defying Marginalization: Emergence of Women’s Organizations and the Resistance Movement in Pakistan: A Historical Overview By Rahat Imran1 and Imran Munir2 Abstract In the wake of Pakistani dictator General-Zia-ul-Haq’s Islamization process (1977-1988), the country experienced an unprecedented tilt towards religious fundamentalism. This initiated judicial transformations that brought in rigid Islamic Sharia laws that impacted women’s freedoms and participation in the public sphere, and gender-specific curbs and policies on the pretext of implementing a religious identity. This suffocating environment that eroded women’s rights in particular through a recourse to politicization of religion also saw the emergence of equally strong resistance, particularly by women who, for the first time in Pakistan’s history, grouped and mobilized an organized activist women’s movement to challenge Zia’s oppressive laws and authoritarian regime. -
Old-City Lahore: Popular Culture, Arts and Crafts
Bāzyāft-31 (Jul-Dec 2017) Urdu Department, Punjab University, Lahore 21 Old-city Lahore: Popular Culture, Arts and Crafts Amjad Parvez ABSTRACT: Lahore has been known as a crucible of diversified cultures owing to its nature of being a trade center, as well as being situated on the path to the capital city Delhi. Both consumers and invaders, played their part in the acculturation of this city from ancient times to the modern era.This research paperinvestigates the existing as well as the vanishing popular culture of the Old-city Lahore. The cuisine, crafts, kites, music, painting and couture of Lahore advocate the assimilation of varied tastes, patterns and colours, with dissimilar origins, within the narrow streets of the Old- city. This document will cover the food, vendors, artisans, artists and the red-light area, not only according to their locations and existence, butin terms of cultural relations too.The paper also covers the distinct standing of Lahore in the South Asia and its popularity among, not only its inhabitants, but also those who ever visited Lahore. Introduction The Old City of Lahore is characterized by the diversity of cultures that is due tovarious invaders and ruling dynasties over the centuries. The narrow streets, dabbed patches of light andunmatched cuisine add to the colours, fragrance and panorama of this unique place. 22 Old-city Lahore: Popular Culture, Arts and Crafts Figure 1. “Old-city Lahore Street” (2015) By Amjad Parvez Digital Photograph Personal Collection Inside the Old-city Lahore, one may come the steadiness and stationary quality of time, or even one could feel to have been travelled backward in the two or three centuries when things were hand-made, and the culture was non-metropolitan. -
Copyright by Mohammad Raisur Rahman 2008
Copyright by Mohammad Raisur Rahman 2008 The Dissertation Committee for Mohammad Raisur Rahman certifies that this is the approved version of the following dissertation: Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India Committee: _____________________________________ Gail Minault, Supervisor _____________________________________ Cynthia M. Talbot _____________________________________ Denise A. Spellberg _____________________________________ Michael H. Fisher _____________________________________ Syed Akbar Hyder Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India by Mohammad Raisur Rahman, B.A. Honors; M.A.; M.Phil. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2008 Dedication This dissertation is dedicated to the fond memories of my parents, Najma Bano and Azizur Rahman, and to Kulsum Acknowledgements Many people have assisted me in the completion of this project. This work could not have taken its current shape in the absence of their contributions. I thank them all. First and foremost, I owe my greatest debt of gratitude to my advisor Gail Minault for her guidance and assistance. I am grateful for her useful comments, sharp criticisms, and invaluable suggestions on the earlier drafts, and for her constant encouragement, support, and generous time throughout my doctoral work. I must add that it was her path breaking scholarship in South Asian Islam that inspired me to come to Austin, Texas all the way from New Delhi, India. While it brought me an opportunity to work under her supervision, I benefited myself further at the prospect of working with some of the finest scholars and excellent human beings I have ever known. -
S.No Name Father Name Marks Deduction Net Marks Remarks 1 Dr. Farah Gul Mushtaq Khan 1393 1393 2 Dr. Muhamamd Tabish Ikram
Merit list of Khyber Medical College Graduates (Annual 2021) applied for Junior House Job Seats in KTH/LRH/HMC Interview on 29-06-2021 S.No Name Father Name Marks Deduction Net Marks Remarks 1 Dr. Farah Gul Mushtaq Khan 1393 1393 2 Dr. Muhamamd Tabish Ikram Muhammad Ikram 1384 1384 3 Dr. Kamal Uddin Azam Hashim Uddin Azam 1378 1378 4 Dr. Muhammad Abbas Muhammad Hussain 1364 1364 5 Dr. Saliha Wazir Shahin Shah 1358 1358 6 Dr. Shafiq Tanveer Tanveer Ahmad 1352 1352 7 Dr. Shehzad Alam Khan Muhammad Alamzeb Khan 1348 1348 8 Dr. Maryum Khilji Fakhruddin Khilji 1347 1347 9 Dr. Maryam Hamid Hamid Ali Khan 1346 1346 10 Dr. Zainoor Fida Anjum Fida Hussain 1342 1342 11 Dr. Saad Ali Muhammad Ali Khan 1341 1341 12 Dr. Sheeba Ishaq Muhammad Ishaq Mohmand 1338 1338 13 Dr. Gulsanga Iftikhar Ul Haq 1337 1337 14 Dr. Sidra Tul Muntaha Kamil Shah 1333 1333 15 Dr. Manal Gohar Qureshi Agha Iqbal Gohar 1332 1332 16 Dr. Palwasha Rasool Ghulam Rasool Khan Dawar 1331 1331 17 Dr. Sabiha Khan Muhammad Zaib Khan 1330 1330 18 Dr. Muhammad Saad Waqas Khan Nawaz Khan 1330 1330 19 Dr. Meehar-Un-Nisa Amanat Khan 1328 1328 20 Dr. Khizer Hamza Azam Khan 1327 1327 21 Dr. Saad Zahoor Zahoor Ahmad 1326 1326 22 Dr. Shereen Asghar Asghar Khan 1321 1321 23 Dr. Majid Rashid Muhammad Rashid 1321 1321 24 Dr. Alishba Khan Muhammad Shakil Noor 1320 1320 25 Dr. Talha Masood Masood Akhtar 1319 1319 26 Dr. Waseem Ullah Fazal Amin 1319 1319 27 Dr.