Assessing Media Coverage of the War in Iraq: Press Reports, Pentagon Rules, and Lessons for the Future"
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Review Essay Ken Burns and Lynn Novick's the Vietnam
Review Essay Ken Burns and Lynn Novick’s The Vietnam War MARK PHILIP BRADLEY True confessions: I did not go into the eighteen hours of Ken Burns and Lynn Novick’s The Vietnam War with a totally open mind.1 Burns’s 1990 documentary series The Civil War, which made his career, had evoked a storm of controversy, with such leading his- torians as Leon Litwack and Eric Foner offering scathing critiques of how the film depicted African Americans as passive victims and entirely ignored the ways in which the postwar era of Reconstruction became an exercise in white supremacy. As Foner wrote, “Faced with a choice between historical illumination or nostalgia, Burns consis- tently opts for nostalgia.”2 Subsequent documentaries on jazz and World War II always struck me, and in fact many critics, as deliberately skirting potentially subversive counter-narratives in a kind of burnishing of the past.3 And to be quite honest, all of them seemed too long. In the case of Burns and Novick’s earlier series The War (2007) and its fifteen-hour embrace of the greatest generation narrative, Burns’s insular docu- mentary painted World War II as an entirely American affair, with non-white and non- American voices largely to the side. The much-heralded “Ken Burns effect” had never worked its magic on me. When I began to hear the tagline for The Vietnam War in the drumbeat of publicity before it was first aired on PBS last September (you will have to conjure up the melan- choly Peter Coyote voiceover as you read)—“It was begun in good faith by decent peo- ple out of fateful misunderstandings, American overconfidence, and Cold War mis- calculations”—I anticipated a painful eighteen hours. -
The Legacy of American Photojournalism in Ken Burns's
Interfaces Image Texte Language 41 | 2019 Images / Memories The Legacy of American Photojournalism in Ken Burns’s Vietnam War Documentary Series Camille Rouquet Electronic version URL: http://journals.openedition.org/interfaces/647 DOI: 10.4000/interfaces.647 ISSN: 2647-6754 Publisher: Université de Bourgogne, Université de Paris, College of the Holy Cross Printed version Date of publication: 21 June 2019 Number of pages: 65-83 ISSN: 1164-6225 Electronic reference Camille Rouquet, “The Legacy of American Photojournalism in Ken Burns’s Vietnam War Documentary Series”, Interfaces [Online], 41 | 2019, Online since 21 June 2019, connection on 07 January 2021. URL: http://journals.openedition.org/interfaces/647 ; DOI: https://doi.org/10.4000/interfaces.647 Les contenus de la revue Interfaces sont mis à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International. THE LEGACY OF AMERICAN PHOTOJOURNALISM IN KEN BURNS’S VIETNAM WAR DOCUMENTARY SERIES Camille Rouquet LARCA/Paris Sciences et Lettres In his review of The Vietnam War, the 18-hour-long documentary series directed by Ken Burns and Lynn Novick released in September 2017, New York Times television critic James Poniewozik wrote: “The Vietnam War” is not Mr. Burns’s most innovative film. Since the war was waged in the TV era, the filmmakers rely less exclusively on the trademark “Ken Burns effect” pans over still images. Since Vietnam was the “living-room war,” played out on the nightly news, this documentary doesn’t show us the fighting with new eyes, the way “The War” did with its unearthed archival World War II footage. -
The American Newsroom: a Social History, 1920 to 1960
The American Newsroom: A Social History, 1920 to 1960 Will T. Mari A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2016 Reading Committee Richard Kielbowicz Randy Beam Doug Underwood Program Authorized to Offer Degree Communication © Copyright 2016 Will Mari University of Washington Abstract The American Newsroom: A Social History, 1920 to 1960 Will Mari Chair of the Supervisory Committee Richard Kielbowicz, associate professor, communication Dept. of Communication One of the most important centering places in American journalism remains the newsroom, the heart of the occupation’s vocational community since the middle of the nineteenth century. It is where journalists have engaged with their work practices, been changed by them, and helped to shape them. This dissertation is a thematic social history of the American newsroom. Using memoirs, trade journals, textbooks and archival material, it explores how newsrooms in the United States evolved during a formative moment for American journalism and its workers, from the conclusion of the First World War through the 1950s, the Cold War, and the ascendancy of broadcast journalism, but prior to the computerization of the newsroom. It examines the interior work culture of news workers “within” their newsroom space at large, metropolitan daily newspapers. It investigates how space and ideas of labor transformed the ideology of the newsroom. It argues that news workers were neither passive nor predestinated in how they formed their workplace. Finally, it also examines how technology and unionization affected the newsroom and news workers, and thus charts the evolution of the newsroom in the early-to-middle decades of the twentieth century. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Journalist Lowell Mellett
Working for Goodwill: Journalist Lowell Mellett (long version) by Mordecai Lee University of Wisconsin-Milwaukee Note: This paper is an extended version of “Working for Goodwill: Journalist Lowell Mellett,” published in Traces of Indiana and Midwestern History (quarterly of the Indiana Historical Society) 27:4 (Fall 2015) 46-55. (All copyright protections of the article apply to this longer version.) This revision contains additional text, about twice as much as in the article. It also contains references and endnotes, which the journal’s house style omits. In addition, a chronological bibliography of Mellett’s non-newspaper writings has been added at the end of the article. Abstract: Lowell Mellett was a major figure in President Franklin Roosevelt’s unprecedented communications apparatus. He is largely remembered for his role as liaison between the federal government and Hollywood during World War II. However, Mellett had a major career in journalism before joining the administration in 1938 and was an influential syndicated columnist after leaving the White House in 1944. As his pre- and post-White House service is less known, this article seeks to provide an historical sketch of his journalism career. Presidential assistant Lowell Mellett (1884-1960) looms relatively large in one aspect of the history of Franklin Roosevelt’s administration and World War II. He was the senior federal 1 liaison between the film industry and Washington during the early years of the war. Holding a series of changing titles, he was President Roosevelt’s point man for the Hollywood studios, working to promote productions that supported FDR’s internationalist orientation and the nation’s war goals. -
United Media Licensing Newsletter 24
Plug-in content June, 2009 The 2009 Licensing International Expo kicks off on June 2 in its new location in the west at the Mandalay Bay Convention Center in Las Vegas. Be sure to stop by United Media's booth (#917) to check out what's happening with our entire portfolio of brands. Each property has a great story to tell and opportunities for growth. DOMESTIC NEWS: HALLMARK TAPPED AS EXCLUSIVE RETAIL HOME FOR THE 60TH ANNIVERSARY OF PEANUTS IN 2010 As United Media gears up for the launch of the 60th anniversary program for PEANUTS, long term partner Hallmark has signed on as Peanuts the exclusive domestic retail partner for the brand in 2010. Beginning in January, merchandise, including seasonal and everyday plush, Hallmark Keepsake Ornaments and greetings cards will be featured front of store in all Hallmark Gold Crown doors. For almost 50 years, PEANUTS has enjoyed great success at Hallmark, so kicking off this iconic celebration with such a strong and dedicated partner, who also happens to be celebrating its 100th anniversary in 2010, is sure to set the tone for this momentous anniversary. FANCY NANCY IS TRES MANIFIQUE! Fancy Nancy continues to garner recognition, extend retail partnerships and sign new deals. This month, Fancy Nancy received two nominations for the 2009 LIMA Fancy Nancy International Licensing Excellence Awards for Best Character Brand License – Hard Goods and Best Character Brand Program of the Year. Target and Jakks Pacific extended their exclusive partnership for Fancy Nancy dolls and role-play through April 2010! Look out for the following products at retail soon: shoes from ACI International, HBA from SJ Creations, t-shirts from Junk Food, fabric from Springs Creative Product Group and backpacks from Accessory Innovations. -
AL PLASTINOPLASTINO His Era, Plastino Was the Last Surviving Penciler/Inker of Superman Comic Books
LAST SUPERMAN STANDING: THE STANDING: SUPERMAN LAST LAST SUPERMAN STANDING Alfred John Plastino might not be as famous as the creators of Nancy, Joe Palooka, Batman, and other classic daily and THE STORY Sunday newspaper strips, but he worked on many of them. And of ALAL PLASTINOPLASTINO his era, Plastino was the last surviving penciler/inker of Superman comic books. In these pages, the artist remembers both his struggles and triumphs in the world of cartooning and beyond. A near-century of history and insights shared by Al, his family, and contemporaries Allen Bellman, Nick Cardy, Joe Giella, and Carmine Infantino— along with successors Jon Bogdanove, Jerry Ordway, and Mark Waid —paint a layered portrait of Plastino’s life and career. From the author and designer team of Curt Swan: A Life In Comics. PLASTINO AL Foreword by Paul Levitz. STORY EDDY ZENO EDDY An illustrated biography EDDY ZENO Plastino cover.indd 1 8/19/14 2:26 PM LAST SUPERMAN STANDING THE STORY AL PLASTINO EDDY ZENO Plastino.indd 1 9/3/14 1:52 PM Contents Foreword By Paul Levitz .................................................................................................. 4 Introduction ...................................................................................................................... 6 Globs Of Clay, Flecks Of Paint ...................................................................................... 8 Harry “A” ............................................................................................................................ 16 The War -
Operation Overlord James Clinton Emmert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2002 Operation overlord James Clinton Emmert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Emmert, James Clinton, "Operation overlord" (2002). LSU Master's Theses. 619. https://digitalcommons.lsu.edu/gradschool_theses/619 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. OPERATION OVERLORD A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Arts in The Interdepartmental Program in Liberal Arts by James Clinton Emmert B.A., Louisiana State University, 1996 May 2002 ACKNOWLEDGEMENTS This thesis could not have been completed without the support of numerous persons. First, I would never have been able to finish if I had not had the help and support of my wife, Esther, who not only encouraged me and proofed my work, but also took care of our newborn twins alone while I wrote. In addition, I would like to thank Dr. Stanley Hilton, who spent time helping me refine my thoughts about the invasion and whose editing skills helped give life to this paper. Finally, I would like to thank the faculty of Louisiana State University for their guidance and the knowledge that they shared with me. -
Hometown Teams: How Sports Shape America Children's Reading List
Hometown Teams: How Sports Shape America Children’s Reading List Children's Fiction Bagnold, Edith. National Velvet. Originally published in 1935. Buccaneer. 1981. 306 pages. National Velvet is the story of a 14‐year‐old girl named Velvet Brown, who rides her horse to victory in the Grand National Steeplechase. The classic novel focuses on the ability of ordinary persons, particularly women, to accomplish great things. Velvet and her horse become instant celebrities, with Velvet and her family nearly drowning in notoriety. Velvet strongly objects to the publicity, saying the horse is a creature of glory who shouldn't be cheapened in tabloid trash and newsreels. She insists that she did not win the race, the horse did. The book inspires the film by the same name (starring Elizabeth Taylor), a TV series and TV movie version and a lesser known sequel, International Velvet. Christopher, Matt. The Great Quarterback Switch (Matt Christopher Sports Classics). Little Brown Books. 1991. 97 pages. Can Michael and Tom read each other's minds? Michael and Tom Curtis are identical twins who share a love of football. Unfortunately, because of a tragic accident, Michael must watch from the sidelines as his brother calls the plays on the football field. During one game Michael concentrates very hard on a play he thinks could help the team, and Tom calls the exact play a split second later! Is it coincidence, or can the boys communicate through ESP? The boys try a daring experiment in which they push their telepathic powers to the limit ... and suddenly, impossibly, Michael is running the ball for a spectacular touchdown! Matt Christopher has a number of sports‐related books to his credit. -
I Peanuts Get Fuzzy Dilbert Robotman
24 domenica 10 novembre 2002 71 Sono formate da 60 minuti - 72 Va all'altare col velo e lo strascico - 73 Si oppone al toro in borsa - 74 Lunga fila di dimostranti. VERTICALI 1 Secondo in breve - 2 Stracci - 3 Campicello in cui si coltivano zucchi- ne e pomodori - 4 Socialisti Italiani - 5 Attivo (abbr.) - 6 Una bottiglia di forma cilindrica - 7 Iniziali di Pacinot- ti - 8 Verso del corvo - 9 Corridori motociclisti - 10 Un difetto visivo - 11 Il partito di Bettino Craxi (sigla) - 12 Il fiume di Cremona - 13 La pro- Uno, due o tre? vincia pugliese di Martina Franca (si- gla) - 14 Organizzazione Mondiale della Sanità - 15 L'alta pressione san- guigna - 17 Saccoccia - 18 Il suo ini- zio si festeggia il primo di gennaio - Tra le varie attività che non esistono più c'è quella del postie- 20 Un nome composto di uomo - 22 re. Sapete dire cosa faceva? Vi proponiamo tre risposte, una La casa degli eschimesi - 26 Scrisse La condizione umana - 29 Merenda sui sola delle quali è esatta. Quale? prati - 31 Marco della tv - 33 Grosso sgabello cilindrico imbottito - 34 Idee, opinioni - 36 Il... sostegno del pappagallo - 38 Con tap nel nome del 1 - Era l'addetto a collocare gli spettatori a teatro, condu- ballo di Fred Astaire - 39 Teatro Ama- toriale Italiano - 40 Circa sessanta mi- cendoli al posto prenotato. ORIZZONTALI zioni - 21 Vasti - 23 Centro della buito al pontefice - 49 Qui non inizia nuti - 41 Funesto, luttuoso - 42 Tribu- 2 Sigla di Como - 4 Marca automobili- Brianza - 24 Scherzi anche mancini - - 50 Iniziali della Dandini - 52 Siste- nale -
Ken Burns, Who Needs No Introduction to Millions of People
[ Music ] >> I'm Matt Raymond from the Library of Congress. Each year, thousands of book-lovers of all ages visit the nation's capital to celebrate the joys of reading and lifelong literacy at the National Book Festival sponsored by the Library of Congress and hosted by First Lady Laura Bush. Now in its seventh year, this free event, held on the National Mall Saturday, September 29th will spark readers' passion for learning as they interact with the nation's bestselling authors, illustrators and poets. Even those not attending in person can access the event online. These prerecorded interviews with well-known authors are available through the National Book Festival website in podcast format. To visit, go to www.LOC.gov/bookfest. [ Music ] We have the honor of talking with award-winning filmmaker Ken Burns, who needs no introduction to millions of people. He has directed, produced, and co-written more than 10 critically-acclaimed historical documentaries. His films include Brooklyn Bridge, The Civil War, Baseball, and Jazz, and have been recognized with Academy Award nominations, Emmy Awards, a Peabody Award and many others. His most recent film, The War, brings World War II to life through the personal accounts of those who experienced it directly. The seven-part series begins September 23rd on PBS. On September 29th, Mr. Burns will discuss the companion book, The War: An Intimate History, 1941 to 1945, which he co-authored with Geoffrey Ward at the National Book Festival. And welcome Mr. Burns, it is a pleasure to have you. >> Thank you for having me. -
Peanuts and Politics New Exhibition at the Charles M
FOR IMMEDIATE RELEASE – April 6, 2016 Gina Huntsinger, Marketing Director Charles M. Schulz Museum and Research Center (707) 579-4452 #268 [email protected] “Whether through newspapers, television, books or movies, Peanuts has made us laugh, challenged us to think, and encouraged us to dream.” – President Bill Clinton “Through the years you have brought joy and laughter into millions of homes worldwide with your comic strips, television specials, and books. Characters like Charlie Brown, Snoopy, and Lucy have a warm place in our national heart.” – President Ronald Reagan Sometimes history repeats itself. Snoopy weighed in during the tumultuous election of 1968. ©1968 Peanuts Worldwide LLC Peanuts and Politics New Exhibition at the Charles M. Schulz Museum Mr. Schulz Goes to Washington April 30 through December 4, 2016 (Santa Rosa, CA) In this election year a little laughter from the Peanuts Gang is in order. The lighter- side of politics and its intersection with the life of Charles Schulz is the focus of the newest exhibition, Mr. Schulz Goes to Washington, running April 30 through December 4, 2016 at the Charles M. Schulz Museum in Santa Rosa, California. This exhibition features original presidential- themed Peanuts comic strips, correspondence with several American presidents, and Peanuts memorabilia, including campaign bumper stickers, buttons, and banners. Visitors of all ages can cast a ballot for their favorite Peanuts character, or write a postcard to the future president. 2301 Hardies Lane ● Santa Rosa, CA 95403 U.S.A. ● 707.579.4452 ● Fax 707.579.4436 www.SchulzMuseum.org © 2016 Charles M. Schulz Museum | ALL RIGHTS RESERVED | A non-profit 501(c)(3) organization PEANUTS © 2016 Peanuts Worldwide, LLC Charles Schulz learned the value of service from his father, who was deeply connected in his community of St.