United Media Licensing Newsletter 24
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AL PLASTINOPLASTINO His Era, Plastino Was the Last Surviving Penciler/Inker of Superman Comic Books
LAST SUPERMAN STANDING: THE STANDING: SUPERMAN LAST LAST SUPERMAN STANDING Alfred John Plastino might not be as famous as the creators of Nancy, Joe Palooka, Batman, and other classic daily and THE STORY Sunday newspaper strips, but he worked on many of them. And of ALAL PLASTINOPLASTINO his era, Plastino was the last surviving penciler/inker of Superman comic books. In these pages, the artist remembers both his struggles and triumphs in the world of cartooning and beyond. A near-century of history and insights shared by Al, his family, and contemporaries Allen Bellman, Nick Cardy, Joe Giella, and Carmine Infantino— along with successors Jon Bogdanove, Jerry Ordway, and Mark Waid —paint a layered portrait of Plastino’s life and career. From the author and designer team of Curt Swan: A Life In Comics. PLASTINO AL Foreword by Paul Levitz. STORY EDDY ZENO EDDY An illustrated biography EDDY ZENO Plastino cover.indd 1 8/19/14 2:26 PM LAST SUPERMAN STANDING THE STORY AL PLASTINO EDDY ZENO Plastino.indd 1 9/3/14 1:52 PM Contents Foreword By Paul Levitz .................................................................................................. 4 Introduction ...................................................................................................................... 6 Globs Of Clay, Flecks Of Paint ...................................................................................... 8 Harry “A” ............................................................................................................................ 16 The War -
I Peanuts Get Fuzzy Dilbert Robotman
24 domenica 10 novembre 2002 71 Sono formate da 60 minuti - 72 Va all'altare col velo e lo strascico - 73 Si oppone al toro in borsa - 74 Lunga fila di dimostranti. VERTICALI 1 Secondo in breve - 2 Stracci - 3 Campicello in cui si coltivano zucchi- ne e pomodori - 4 Socialisti Italiani - 5 Attivo (abbr.) - 6 Una bottiglia di forma cilindrica - 7 Iniziali di Pacinot- ti - 8 Verso del corvo - 9 Corridori motociclisti - 10 Un difetto visivo - 11 Il partito di Bettino Craxi (sigla) - 12 Il fiume di Cremona - 13 La pro- Uno, due o tre? vincia pugliese di Martina Franca (si- gla) - 14 Organizzazione Mondiale della Sanità - 15 L'alta pressione san- guigna - 17 Saccoccia - 18 Il suo ini- zio si festeggia il primo di gennaio - Tra le varie attività che non esistono più c'è quella del postie- 20 Un nome composto di uomo - 22 re. Sapete dire cosa faceva? Vi proponiamo tre risposte, una La casa degli eschimesi - 26 Scrisse La condizione umana - 29 Merenda sui sola delle quali è esatta. Quale? prati - 31 Marco della tv - 33 Grosso sgabello cilindrico imbottito - 34 Idee, opinioni - 36 Il... sostegno del pappagallo - 38 Con tap nel nome del 1 - Era l'addetto a collocare gli spettatori a teatro, condu- ballo di Fred Astaire - 39 Teatro Ama- toriale Italiano - 40 Circa sessanta mi- cendoli al posto prenotato. ORIZZONTALI zioni - 21 Vasti - 23 Centro della buito al pontefice - 49 Qui non inizia nuti - 41 Funesto, luttuoso - 42 Tribu- 2 Sigla di Como - 4 Marca automobili- Brianza - 24 Scherzi anche mancini - - 50 Iniziali della Dandini - 52 Siste- nale -
Peanuts and Politics New Exhibition at the Charles M
FOR IMMEDIATE RELEASE – April 6, 2016 Gina Huntsinger, Marketing Director Charles M. Schulz Museum and Research Center (707) 579-4452 #268 [email protected] “Whether through newspapers, television, books or movies, Peanuts has made us laugh, challenged us to think, and encouraged us to dream.” – President Bill Clinton “Through the years you have brought joy and laughter into millions of homes worldwide with your comic strips, television specials, and books. Characters like Charlie Brown, Snoopy, and Lucy have a warm place in our national heart.” – President Ronald Reagan Sometimes history repeats itself. Snoopy weighed in during the tumultuous election of 1968. ©1968 Peanuts Worldwide LLC Peanuts and Politics New Exhibition at the Charles M. Schulz Museum Mr. Schulz Goes to Washington April 30 through December 4, 2016 (Santa Rosa, CA) In this election year a little laughter from the Peanuts Gang is in order. The lighter- side of politics and its intersection with the life of Charles Schulz is the focus of the newest exhibition, Mr. Schulz Goes to Washington, running April 30 through December 4, 2016 at the Charles M. Schulz Museum in Santa Rosa, California. This exhibition features original presidential- themed Peanuts comic strips, correspondence with several American presidents, and Peanuts memorabilia, including campaign bumper stickers, buttons, and banners. Visitors of all ages can cast a ballot for their favorite Peanuts character, or write a postcard to the future president. 2301 Hardies Lane ● Santa Rosa, CA 95403 U.S.A. ● 707.579.4452 ● Fax 707.579.4436 www.SchulzMuseum.org © 2016 Charles M. Schulz Museum | ALL RIGHTS RESERVED | A non-profit 501(c)(3) organization PEANUTS © 2016 Peanuts Worldwide, LLC Charles Schulz learned the value of service from his father, who was deeply connected in his community of St. -
Assessing Media Coverage of the War in Iraq: Press Reports, Pentagon Rules, and Lessons for the Future"
THE BROOKINGS INSTITUTION "ASSESSING MEDIA COVERAGE OF THE WAR IN IRAQ: PRESS REPORTS, PENTAGON RULES, AND LESSONS FOR THE FUTURE" Tuesday, June 17, 2003 9:30 a.m. Falk Auditorium Moderator: RON NESSEN Journalist in Residence, The Brookings Institution Panelists: VICTORIA CLARKE Assistant Secretary of Defense for Public Affairs BOB FRANKEN CNN, an “embedded” reporter in Iraq TERENCE SMITH Media Correspondent, The NewsHour with Jim Lehrer, PBS JOHN WALCOTT Washington Bureau Chief, Knight Ridder Newspapers P R O C E E D I N G S MR. NESSEN: Good morning. Welcome to Brookings. I'm Ron Nessen. I want to welcome you to this forum at which we are going to assess press coverage of the war in Iraq, the Pentagon's press policies in Iraq, and what lessons each side learned from that experience. First of all, let me introduce you very briefly to the panelists. You all, I think, have probably picked up your packets at the registration desk where you have more detailed biographies, but just briefly to tell you who's on the panel. In the middle we have Torie Clarke, in her final days now as Assistant Secretary of Defense for Public Affairs. Down there at the end of the panel, Bob Franken of CNN. He was an embedded reporter in Iraq and will talk about that experience. Next to me here, John Walcott, the Washington Bureau Chief for the Knight Ridder Newspapers. Knight Ridder had more embeds in Iraq than any other news organization, 31 reporters and photographers and one artist. Terry Smith here, the media correspondent on the NewsHour with Jim Lehrer on PBS. -
CHAPTER I INTRODUCTION A. Background of the Study Humans
CHAPTER I INTRODUCTION A. Background of the Study Humans are thinking creatures who keep learning to know everything. One of the ways to understand everything is by reading. Reading is an interactive process through which the reader uses code, context analysis, prior knowledge, vocabulary, and language. Along with the executive control, a strategy to understand the message in a text is to find the meaning of new words through context. The reader can be able to predict the message of the text by making use of what he has already known about the topic. Reading can be variously formed. It requires many types and themes of reading. They are fiction, non-fiction, fairytale, drama, humor and many more. Humor is one of the most entertaining forms among others. Humor can be said as entertaining discourse because it is created in order to entertain the listener and the reader. Furthermore, it can be media of social criticism toward the violation in the society because humor is the most effective media when the other channels are not able to conduct their function (Wijana, 2003: 3). Humor can be presented in several forms. As stated by Danandjaya (1989: 47), humor can be in the form of fairy tale, anecdote, puzzle, folk poem, folk song, nickname, and even in the name of funny food. In addition, humor can be classified as follows: adviser, anecdote, antonyms, bull, caricature and cartoon (Audrieth, 1998: 8). 2 Cartoon as one of the humor forms requires an interesting and entertaining effects to the reader. For this reason, reading cartoon sometimes needs a sensitive perception to comprehend the humor that makes the reader having a big laughter. -
Looking for Calvin and Hobbes: the Unconventional Story of Bill Watterson and His Revolutionary Comic Strip
Looking For Calvin And Hobbes: The Unconventional Story Of Bill Watterson And His Revolutionary Comic Strip Nevin Martell - book free Free Download Looking For Calvin And Hobbes: The Unconventional Story Of Bill Watterson And His Revolutionary Comic Strip Ebooks Nevin Martell, PDF Looking For Calvin And Hobbes: The Unconventional Story Of Bill Watterson And His Revolutionary Comic Strip Popular Download, Read Best Book Online Looking For Calvin And Hobbes: The Unconventional Story Of Bill Watterson And His Revolutionary Comic Strip, I Was So Mad Looking For Calvin And Hobbes: The Unconventional Story Of Bill Watterson And His Revolutionary Comic Strip Nevin Martell Ebook Download, Free Download Looking For Calvin And Hobbes: The Unconventional Story Of Bill Watterson And His Revolutionary Comic Strip Full Version Nevin Martell, PDF Looking For Calvin And Hobbes: The Unconventional Story Of Bill Watterson And His Revolutionary Comic Strip Free Download, read online free Looking For Calvin And Hobbes: The Unconventional Story Of Bill Watterson And His Revolutionary Comic Strip, Nevin Martell ebook Looking For Calvin And Hobbes: The Unconventional Story Of Bill Watterson And His Revolutionary Comic Strip, Read Looking For Calvin And Hobbes: The Unconventional Story Of Bill Watterson And His Revolutionary Comic Strip Books Online Free, Read Looking For Calvin And Hobbes: The Unconventional Story Of Bill Watterson And His Revolutionary Comic Strip Ebook Download, Looking For Calvin And Hobbes: The Unconventional Story Of Bill Watterson And -
PEANUTS Peanuts Are a Small Vegetable Plant Resembling a Bean Plant
PEANUTS Peanuts are a small vegetable plant resembling a bean plant. Although semi-tropical, the light frosts of early spring, or late fall, do them little harm. However, they do require a long growing season. Through special growing methods, peanuts can be grown with reasonable success in the North. Varieties The Spanish red and the Mexican brown peanuts are the most commonly grown in the country. Both do equally well in Kansas. The Mexican peanut is the small variety used chiefly in making "salted peanuts". Spanish peanuts are usually boiled in oils, or sold roasted in their jackets. They do not produce as abundantly as the Mexican variety, but their flavor is far superior. The Spanish types require a longer growing season. Culture Work the soil deep and well, turning in compost, aged manure, or leaf mold if no previous organic materials have been added. Plant about 1½ - 2 inches deep. Shallow planting will encourage quicker growth, and prevent damp rot in case of a cold, wet spring. Plant four kernels to a hill, with hills 18 inches apart in rows two feet apart. Plant peanuts in early May. Care Do not be discouraged if plants fail to appear in seven days. If the weather is wet and cold, the kernels may not sprout for two weeks. Germination is quicker in sandy, well- drained soils. When the plants are six inches tall, begin cultivating to aerate the soil and control weeds. After plants have attained 12 inches, hill the soil high around each plant. Hilling is very important because as the branches grow, the lower leaves drop off and a long, pointed peduncle appears. -
Calvin and Hobbes Pdf, Epub, Ebook
CALVIN AND HOBBES PDF, EPUB, EBOOK Bill Watterson | 127 pages | 01 Jan 1987 | Andrews McMeel Publishing | 9780836220889 | English | Kansas City, United States Calvin and Hobbes PDF Book Schroeder interviews a starry array of cartoonists, including Berkeley Breathed "Bloom County" , Stephan Pastis "Pearls Before Swine" and Jan Eliot "Stone Soup" , plus authors, curators, historians and the toon's syndicators, all of whom wax poetic about Watterson's creation and its enduring influence. Bathtime, a nightmare for small children, saw Calvin turning into a tub shark or being attacked by a bubble-bath elemental. Categories :. It includes color prints of the art used on paperback covers, the treasuries' extra illustrated stories and poems and a new introduction by Bill Watterson in which he talks about his inspirations and his story leading up to the publication of the strip. May 14, Retrieved August 30, Archived PDF from the original on April 14, And maybe like them, we can still step out of our own heads and step into a changed place with new magic, eager to explore what comes next. Archived from the original on February 2, The Indispensable Calvin and Hobbes. However, Hobbes is shown as terrible at math and spelling, quite possibly worse than Calvin himself, seemingly reflective of Calvin's own limitation. But the second thing I remember was exactly why the kid had such a big imagination to begin with: Calvin was looking for a way out. As for his least favorite food, Hobbes says that chocolate frosted sugar bombs "[ my heart skip ]. Then you take 3 from the other side, so what times 3 equals 8? I try! Calvin's father is a patent attorney like Watterson's own father , [43] while his mother is a stay-at-home mom. -
[O4ltm.Ebook] Beginning Pearls (Pearls Before Swine Kids) Pdf Free
O4lTm [E-BOOK] Beginning Pearls (Pearls Before Swine Kids) Online [O4lTm.ebook] Beginning Pearls (Pearls Before Swine Kids) Pdf Free Stephan Pastis audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #387333 in Books Stephan Pastis 2013-07-09 2013-07-09Original language:EnglishPDF # 1 9.00 x .70 x 6.00l, .92 #File Name: 1449423035224 pagesBeginning Pearls | File size: 78.Mb Stephan Pastis : Beginning Pearls (Pearls Before Swine Kids) before purchasing it in order to gage whether or not it would be worth my time, and all praised Beginning Pearls (Pearls Before Swine Kids): 0 of 0 people found the following review helpful. Funny book for kidsBy Katherine AndersonI love Stephan Pastis' comic strip and my son loves the "Timmy Failure" series. I thought this was a great way to introduce him to other works by this author. The book is HILARIOUS, and my 9 year old read it WILLINGLY on summer vacation. Well done, Mr. Pastis! We'll be buying others.0 of 0 people found the following review helpful. Good Comedy spans the ages...By E. GysinI gave a set to my Grandson and he finished the whole thing in 2 days.Pastis is as funny to a kid as he is adults....0 of 0 people found the following review helpful. Great for ages 8 and upBy JenniferOur boys - 12 and 8 - love the whole series and read them repeatedly. Now younger readers can enjoy the wit and outlandish puns in the world of Pearls Before Swine!Meet the always hilarious cast of Pearls Before Swine. -
Events at the Charles M. Schulz Museum and Research Center JANUARY Through APRIL 2015
Gina Huntsinger Marketing Director Charles M. Schulz Museum & Research Center (707) 579-4452 ext. 268 [email protected] FOR IMMEDIATE RELEASE: December 23, 2014 Events at the Charles M. Schulz Museum and Research Center JANUARY through APRIL 2015 (Santa Rosa, CA) Charles M. Schulz Museum Public Programs are included with Museum admission unless otherwise stated. JANUARY EVENTS Mondays, January 5, 12, 19 and 26, 10:00 am – Noon Museum Mondays for Little Ones Enjoy stories, movement games, arts and craft activities every Monday through February 23. Activities are designed for children ages 1 – 5 and their caregivers. Cost: $5 per child. Up to 2 adults per child are free before 11am. After 11am, regular museum admission applies. Museum Monday participants create hand-made crafts each Monday through February 23. NEW EXHIBITION - Ghosting Schulz January 7, 2015 - June 7, 2015 Upstairs Changing Gallery Schulz proudly wrote, drew, and lettered every Peanuts strip. He did, however, employ cartoonists who assisted him with other cartoon endeavors such as his sports-related comic strip It’s Only a Game and PEANUTS comic books. Learn about Jim Sasseville, Dale Hale, and the artists of Charles M. Schulz Creative Associates, who have attempted to capture Schulz’s indefinable line. Charles M. Schulz and Jim Sasseville, It’s Only a Game, May 25, 1958. © Schulz Family Intellectual Property Trust Saturday, January 10, 1:00– 3:00 pm Second Saturday Cartoonist - Gabriel Moore-Topazio Meet, watch, and talk to San Francisco-based comic artist Gabriel Moore-Topazio. Moore-Topazio began self-publishing as Wrought Comics in 2013, whose flagship title, Asylum explores themes of psychosis, identity, subversion and social power through the lens of dark fantasy. -
Blaming the Boss: Newsroom Professionals See Managers As
2 - Newspaper Research Joumal Blaming the Boss Newsroom professionals see managers as Public ... ft.l!....... ' by Ted Pease ho in the newspaper business doesn't know someone W Burnout, better money; stress, changing interests, beyond the newsroom all contribute to the industry's rp'70I~mllr. David Weaver and G. Oeveland Wilhoit found in their 1 Journalist study! and as this study confirms, newspaper ioull'lll~ than their mid-40s are relatively scarce.2 Most newspaper survive long enough to "retire" to other pursuits in their40s these responses, many instead are driven from the industly· respondents to this 1990-91 survey of newspaper or()f~;siC~naJl5lf'. if there's villain in the newspaper newsroom of the 19905, it's manager. "Newsroom management - or mismanagement -causes faction and career abandonment than racism," a white male Pease is associate professor and chair of the Department of Joum~ atSt.()bIo This article, based on data collected in the Newsroom Barometer Project at taken from Pease's dissertation. --,..,: BLAMING THE BOSS: Newsroom Managers as Public Enemy No.1 - 3 his late 205, working for a mid-sized Southern daily, said in responding , the survey. In every business, boss-bashing surely is among the most popular sports; at journal watering holes, com #Of particular concern to editors plaining about working should be the disparity of opinion _tions and editors has between newsroom managers and a time-honored pas their staffs over the effectiveness journalists are pro of management and the quality nal kvetchers," as a of the newspaper." te male features re porter for a California - Lee Stinnett, Executive Director , mid-40s, pointed ASNE in his response to the 1 survey. -
“When Does It Stop Being Peanut Butter?”: FDA Food Standards of Identity, Ruth Desmond, and the Shifting Politics of Consumer Activism, 1960S–1970S
“When does it stop being peanut butter?”: FDA food standards of identity, Ruth Desmond, and the shifting politics of consumer activism, 1960s–1970s. The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Boyce, Angie M. 2016. “When does it stop being peanut butter?”: FDA food standards of identity, Ruth Desmond, and the shifting politics of consumer activism, 1960s–1970s. Technology and Culture 57, no. 1:54-79. doi:0.1353/tech.2016.0016. Published Version 10.1353/tech.2016.0016 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:27022907 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 05_Boyce_final.qxp_03_49.3dobraszczyk 568– 2/14/16 2:36 PM Page 54 “When Does It Stop Being Peanut Butter?” FDA Food Standards of Identity, Ruth Desmond, and the Shifting Politics of Consumer Activism, 1960s–1970s ANGIE M. BOYCE ABSTRACT: This article uses a historical controversy over the U.S. Food and Drug Administration’s standard of identity for peanut butter as a site for investigating three topics of high importance for historians of technology, consumption, and food activism: how new industrial food-processing tech- nologies have become regulatory problems; how government, industry, and consumer actors negotiate standards development; and how laypeople try to shape technological artifacts in spaces dominated by experts. It examines the trajectory of consumer activist Ruth Desmond, co-founder of the organiza- tion the Federation of Homemakers.