Minnesota Remembers Vietnam
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A Dangerous Summer
theHemingway newsletter Publication of The Hemingway Society | No. 73 | 2021 As the Pandemic Ends Yet the Wyoming/Montana Conference Remains Postponed Until Lynda M. Zwinger, editor 2022 the Hemingway Society of the Arizona Quarterly, as well as acquisitions editors Programs a Second Straight Aurora Bell (the University of Summer of Online Webinars.… South Carolina Press), James Only This Time They’re W. Long (LSU Press), and additional special guests. Designed to Confront the Friday, July 16, 1 p.m. Uncomfortable Questions. That’s EST: Teaching The Sun Also Rises, moderated by Juliet Why We’re Calling It: Conway We’ll kick off the literary discussions with a panel on Two classic posters from Hemingway’s teaching The Sun Also Rises, moderated dangerous summer suggest the spirit of ours: by recent University of Edinburgh A Dangerous the courage, skill, and grace necessary to Ph.D. alumna Juliet Conway, who has a confront the bull. (Courtesy: eBay) great piece on the novel in the current Summer Hemingway Review. Dig deep into n one of the most powerful passages has voted to offer a series of webinars four Hemingway’s Lost Generation classic. in his account of the 1959 bullfighting Fridays in a row in July and August. While Whether you’re preparing to teach it rivalry between matadors Antonio last summer’s Houseguest Hemingway or just want to revisit it with fellow IOrdóñez and Luis Miguel Dominguín, programming was a resounding success, aficionados, this session will review the Ernest Hemingway describes returning to organizers don’t want simply to repeat last publication history, reception, and major Pamplona and rediscovering the bravery year’s model. -
Prohibition Premieres October 2, 3 & 4
Pl a nnerMichiana’s bi-monthly Guide to WNIT Public Television Issue No. 5 September — October 2011 A FILM BY KEN BURNS AND LYNN NOVICK PROHIBITION PREMIERES OCTOBER 2, 3 & 4 BrainGames continues September 29 and October 20 Board of Directors Mary’s Message Mary Pruess Chairman President and GM, WNIT Public Television Glenn E. Killoren Vice Chairmen David M. Findlay Rodney F. Ganey President Mary Pruess Treasurer Craig D. Sullivan Secretary Ida Reynolds Watson Directors Roger Benko Janet M. Botz WNIT Public Television is at the heart of the Michiana community. We work hard every Kathryn Demarais day to stay connected with the people of our area. One way we do this is to actively engage in Robert G. Douglass Irene E. Eskridge partnerships with businesses, clubs and organizations throughout our region. These groups, David D. Gibson in addition to the hundreds of Michiana businesses that help underwrite our programs, William A. Gitlin provide WNIT with constant and immediate contact to our viewers and to the general Tracy D. Graham Michiana community. Kreg Gruber Larry D. Harding WNIT maintains strong partnerships and active working relationship with, among others, James W. Hillman groups representing the performing arts – Arts Everywhere, Art Beat, the Fischoff National Najeeb A. Khan Chamber Music Association, the Notre Dame Shakespeare Festival, the Krasl Art Center in Evelyn Kirkwood Kevin J. Morrison St. Joseph, the Lubeznik Center for the Arts in Michigan City and the Southwest Michigan John T. Phair Symphony; civic and cultural organizations like the Center for History, Fernwood Botanical Richard J. Rice Garden and Nature Center and the Historic Preservation Commission; educational, social Jill Richardson and healthcare organizations such as WVPE National Public Radio, the St. -
Revolution, Reform and Regionalism in Southeast Asia
Revolution, Reform and Regionalism in Southeast Asia Geographically, Cambodia, Laos and Vietnam are situated in the fastest growing region in the world, positioned alongside the dynamic economies of neighboring China and Thailand. Revolution, Reform and Regionalism in Southeast Asia compares the postwar political economies of these three countries in the context of their individual and collective impact on recent efforts at regional integration. Based on research carried out over three decades, Ronald Bruce St John highlights the different paths to reform taken by these countries and the effect this has had on regional plans for economic development. Through its comparative analysis of the reforms implemented by Cam- bodia, Laos and Vietnam over the last 30 years, the book draws attention to parallel themes of continuity and change. St John discusses how these countries have demonstrated related characteristics whilst at the same time making different modifications in order to exploit the strengths of their individual cultures. The book contributes to the contemporary debate over the role of democratic reform in promoting economic devel- opment and provides academics with a unique insight into the political economies of three countries at the heart of Southeast Asia. Ronald Bruce St John earned a Ph.D. in International Relations at the University of Denver before serving as a military intelligence officer in Vietnam. He is now an independent scholar and has published more than 300 books, articles and reviews with a focus on Southeast Asia, -
Review Essay Ken Burns and Lynn Novick's the Vietnam
Review Essay Ken Burns and Lynn Novick’s The Vietnam War MARK PHILIP BRADLEY True confessions: I did not go into the eighteen hours of Ken Burns and Lynn Novick’s The Vietnam War with a totally open mind.1 Burns’s 1990 documentary series The Civil War, which made his career, had evoked a storm of controversy, with such leading his- torians as Leon Litwack and Eric Foner offering scathing critiques of how the film depicted African Americans as passive victims and entirely ignored the ways in which the postwar era of Reconstruction became an exercise in white supremacy. As Foner wrote, “Faced with a choice between historical illumination or nostalgia, Burns consis- tently opts for nostalgia.”2 Subsequent documentaries on jazz and World War II always struck me, and in fact many critics, as deliberately skirting potentially subversive counter-narratives in a kind of burnishing of the past.3 And to be quite honest, all of them seemed too long. In the case of Burns and Novick’s earlier series The War (2007) and its fifteen-hour embrace of the greatest generation narrative, Burns’s insular docu- mentary painted World War II as an entirely American affair, with non-white and non- American voices largely to the side. The much-heralded “Ken Burns effect” had never worked its magic on me. When I began to hear the tagline for The Vietnam War in the drumbeat of publicity before it was first aired on PBS last September (you will have to conjure up the melan- choly Peter Coyote voiceover as you read)—“It was begun in good faith by decent peo- ple out of fateful misunderstandings, American overconfidence, and Cold War mis- calculations”—I anticipated a painful eighteen hours. -
Diasporic Vietnamese Remembrance
UNIVERSITY OF CALIFORNIA Los Angeles “The line between life and death in the high seas is very thin, almost invisible”: Diasporic Vietnamese Remembrance A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Asian American Studies by Tiểu-Khê Lê 2015 © Copyright by Tiểu-Khê Lê 2015 ABSTRACT OF THE THESIS “The line between life and death in the high seas is very thin, almost invisible”: Diasporic Vietnamese Remembrance By Tiểu-Khê Lê Master of Arts in Asian American Studies University of California, Los Angeles, 2015 Professor Thu-huong Nguyen-vo, Chair This project investigates the ways in which Vietnamese American modes of remembering support, unsettle, resist, refuse, and/or shape dominant western narratives that consolidate the Vietnam War, and the Vietnamese diaspora, into a single story of a masculine, militaristic, heteropatriarchial, and completed struggle between North and U.S.-backed South Vietnam. The first section explores how the design, construction, and everyday interactions with two Vietnam War monuments in Orange County, California’s Little Saigon intervenes in the two monuments’ attempts at consolidating western empire with Vietnamese bodily representation. The second section examines An-My Le’s photography series, Small Wars, which centers on how circulation of media footage and film shape western narrative of the Vietnam War. Queer readings, theories of heterotopic space, ethnography, landscape theory, and transhistoricism are some guiding frameworks to this thesis. ii The Thesis of Tieu-Khe Le is approved. Victor Bascara Kyungwon Hong Thu-huong Nguyen-vo, Committee Chair University of California, Los Angeles 2015 iii DEDICATION to anyone who has found themselves lost at sea. -
The Legacy of American Photojournalism in Ken Burns's
Interfaces Image Texte Language 41 | 2019 Images / Memories The Legacy of American Photojournalism in Ken Burns’s Vietnam War Documentary Series Camille Rouquet Electronic version URL: http://journals.openedition.org/interfaces/647 DOI: 10.4000/interfaces.647 ISSN: 2647-6754 Publisher: Université de Bourgogne, Université de Paris, College of the Holy Cross Printed version Date of publication: 21 June 2019 Number of pages: 65-83 ISSN: 1164-6225 Electronic reference Camille Rouquet, “The Legacy of American Photojournalism in Ken Burns’s Vietnam War Documentary Series”, Interfaces [Online], 41 | 2019, Online since 21 June 2019, connection on 07 January 2021. URL: http://journals.openedition.org/interfaces/647 ; DOI: https://doi.org/10.4000/interfaces.647 Les contenus de la revue Interfaces sont mis à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International. THE LEGACY OF AMERICAN PHOTOJOURNALISM IN KEN BURNS’S VIETNAM WAR DOCUMENTARY SERIES Camille Rouquet LARCA/Paris Sciences et Lettres In his review of The Vietnam War, the 18-hour-long documentary series directed by Ken Burns and Lynn Novick released in September 2017, New York Times television critic James Poniewozik wrote: “The Vietnam War” is not Mr. Burns’s most innovative film. Since the war was waged in the TV era, the filmmakers rely less exclusively on the trademark “Ken Burns effect” pans over still images. Since Vietnam was the “living-room war,” played out on the nightly news, this documentary doesn’t show us the fighting with new eyes, the way “The War” did with its unearthed archival World War II footage. -
Vietnam Revisited
OCTOBER 2017 VIETNAM REVISITED elebrated filmmaker Ken Burns — heralded as “America’s storyteller” for such films as Jazz, Baseball, The Roosevelts, and Brooklyn Bridge — makes television history again this month with the premiere of The Vietnam War, a new 10-part, 18-hour documentary series co-directed by Lynn Novick. CTen years in the making, The Vietnam War tells the epic story of one of the most divisive and controversial events in American history as it has never before been told on film. The immersive narrative reveals the human dimensions of the war through testimony from nearly 80 witnesses, including Americans who fought in the war and others who opposed it, as well as Vietnamese combatants and civilians from both sides of the conflict. Digitally re-mastered archival footage, photographs taken by legendary 20th century photojournalists, historic television broadcasts, evocative home movies, and revelatory audio recordings from inside the Kennedy, Johnson, and Nixon administrations bring the war and the chaotic era it encompassed to life. More than 120 popular songs that defined the era by The Beatles, The Rolling Stones, Bob Dylan, Jimi Hendrix, Simon and Garfunkel, Janis Joplin, Joni Mitchell, Pete Seeger, and other iconic artists further enhance the storytelling. “The Vietnam War was a decade of agony that took the lives of more than 58,000 Americans,” Burns said. “Not since the Civil War have we as a country been so torn apart. More than 40 years after it ended, we can’t forget Vietnam, and we are still arguing about why it went wrong, who was to blame and whether it was all worth it.” Burns hopes The Vietnam War will inspire national conversations about our country’s history and who we are as Americans. -
Blue Water Navy Communications Toolkit
BLUE WATER NAVY COMMUNICATIONS TOOLKIT The Blue Water Navy Communications Toolkit This Blue Water Navy Communications Toolkit supports the effort to raise awareness and understanding of Public Law 116-23: Blue Water Navy Vietnam Veteran Act of 2019 and the U.S. Department of Veterans Affairs’ (VA) updated policy for processing claims of Vietnam War Veterans, and their dependents and survivors, related to presumptive exposure to herbicides such as Agent Orange. Certain aspects of the VA Home Loan process were also affected by this legislation and are likewise explained within the enclosed resources. This toolkit is a guidebook to understanding the criteria for service connection based on VA’s revised policy. It outlines how Veterans, survivors and dependents can access potential benefits associated with military service. Veterans Affairs’ primary goal is to inform Veterans, their dependents, survivors, key internal and external stakeholders, and others by ensuring the proactive dissemination and delivery of educational materials about the change in VA policy. VA also wants to ensure effective com- munication with eligible Blue Water Navy Veterans and their family members regarding the revised process for submitting disability compensation claims related to herbicide exposure during their Vietnam War service. This Communications Toolkit consists of the following documents: Factsheet – A one-page overview. 101 Presentation – An in-depth explanation, with examples and detailed information. FAQs – Frequently Asked Questions Poster – A printable resource to raise awareness and provide a url address. Fraud Flyer – A printable resource to inform Veterans about avoiding scams. Blue Water Navy Vietnam Veterans Act 2019 Law Extends Benefits for Eligible Veterans Public Law 116-23, (Blue Water Navy Vietnam Veterans Act 2019) Public Law 116-23, (Blue Water Navy Vietnam Veterans Act 2019) was signed into law on June 25, 2019 and takes effect January 1, 2020. -
Blue Water Navy Vietnam Veterans Act of 2019
PUBLIC LAW 116–23—JUNE 25, 2019 BLUE WATER NAVY VIETNAM VETERANS ACT OF 2019 VerDate Sep 11 2014 06:12 Sep 30, 2019 Jkt 089139 PO 00023 Frm 00001 Fmt 6579 Sfmt 6579 E:\PUBLAW\PUBL023.116 PUBL023 dkrause on DSKBC28HB2PROD with PUBLAWS 133 STAT. 966 PUBLIC LAW 116–23—JUNE 25, 2019 Public Law 116–23 116th Congress An Act To amend title 38, United States Code, to clarify presumptions relating to the June 25, 2019 exposure of certain veterans who served in the vicinity of the Republic of Vietnam, [H.R. 299] and for other purposes. Be it enacted by the Senate and House of Representatives of Blue Water Navy the United States of America in Congress assembled, Vietnam Veterans Act SECTION 1. SHORT TITLE. of 2019. 38 USC 101 note. This Act may be cited as the ‘‘Blue Water Navy Vietnam Veterans Act of 2019’’. SEC. 2. CLARIFICATION OF PRESUMPTIONS OF EXPOSURE FOR VET- ERANS WHO SERVED IN VICINITY OF REPUBLIC OF VIETNAM. (a) IN GENERAL.—Chapter 11 of title 38, United States Code, is amended by inserting after section 1116 the following new section: 38 USC 1116A. ‘‘§ 1116A. Presumptions of service connection for veterans who served offshore of the Republic of Vietnam Time period. ‘‘(a) SERVICE CONNECTION.—For the purposes of section 1110 of this title, and subject to section 1113 of this title, a disease covered by section 1116 of this title becoming manifest as specified in that section in a veteran who, during active military, naval, or air service, served offshore of the Republic of Vietnam during the period beginning on January 9, 1962, and ending on May 7, 1975, shall be considered to have been incurred in or aggravated by such service, notwithstanding that there is no record of evidence of such disease during the period of such service. -
Sources of Vietnam Veteran Pro- and Antiwar Political Attitudes1
Sociological Forum, Vol. 29, No. 1, March 2014 DOI: 10.1111/socf.12071 Memories of War: Sources of Vietnam Veteran Pro- and Antiwar Political Attitudes1 David Flores2 The sources of political attitudes are among the most studied phenomena of modern politics. Moving away from the traditional focus on party systems, the demographic characteristics of voters, or political socialization, I consider instead how memory and narrative shape political consciousness. Specifically, I focus on how culturally sanctioned memories of warfare influence the political attitudes of 24 Vietnam veterans. I compare two groups of Vietnam veterans who went to Vietnam in support of the war and political status quo, but who returned with opposing attitudes toward war. How can we understand these contrasting outcomes? Specifically, how do memories of war shape political attitudes? Antiwar veterans relate similar narratives of having their idealistic views of war challenged and experiencing a major rethinking of their support when they learn the true nature of warfare. On the other hand, pro-war veter- ans share a patterned narrative of indifference rather than idealism when describing their continued sup- port of the war and political status quo after they return from Vietnam. I conclude by arguing that memory and narrative are an important mechanism for shaping political attitudes. KEY WORDS: cognition; memory; narrative; political attitudes; Vietnam veterans; war. INTRODUCTION: POLITICAL ATTITUDES The sources of political attitudes are among the most studied phenomena of modern politics. Sociologists and others studying political attitudes generally focus on three sources that shape political opinions: party alignments, sociode- mographic characteristics, and political socialization. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Operation Overlord James Clinton Emmert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2002 Operation overlord James Clinton Emmert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Emmert, James Clinton, "Operation overlord" (2002). LSU Master's Theses. 619. https://digitalcommons.lsu.edu/gradschool_theses/619 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. OPERATION OVERLORD A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Arts in The Interdepartmental Program in Liberal Arts by James Clinton Emmert B.A., Louisiana State University, 1996 May 2002 ACKNOWLEDGEMENTS This thesis could not have been completed without the support of numerous persons. First, I would never have been able to finish if I had not had the help and support of my wife, Esther, who not only encouraged me and proofed my work, but also took care of our newborn twins alone while I wrote. In addition, I would like to thank Dr. Stanley Hilton, who spent time helping me refine my thoughts about the invasion and whose editing skills helped give life to this paper. Finally, I would like to thank the faculty of Louisiana State University for their guidance and the knowledge that they shared with me.