Choosing Pattern for Knife Steel

Total Page:16

File Type:pdf, Size:1020Kb

Choosing Pattern for Knife Steel Working With Damasteel® for the first time? Are you sharp enough to choose the right pattern? Each knife maker and customer have their own ways that respectively a larger pattern suits a larger knife. and favorites regarding sizes and patterns. This is our Of course this is up to the designer or maker. Also own preference and nothing else. You must judge some of the pattern we believe are more suited for for yourself which pattern suits your application or deep bevel grinds and we find this particular true design best. Our preferences comes from our view for the twisted patterns. that a more detailed pattern suits a smaller knife and suitable pattern BLADE SIZE BEVEL GRIND SMALLER MEDIUM LARGER HOLLOW HOLLOW FLAT FLAT SIZED PIECES SIZED PIECES PIECES SMALL LARGE SMALL LARGE Hymer™ x x x x Ægir™ x x x x x x Bifrost™ x x x x x x x Draupner™ x x x x x x Thor™ x x x x x x x Gysinge™ x x x x Hugin™ x x x x Odin Heim™ x x x x x x x Vinland™ x x x x x x Dense Twist™ x x x x x x x Rose x x x x x Odins Eye™ x x x x x Grosserosen x x x x x Hakkapella™ x x x x x Heimskringla™ x x x x x Ladder x x x x x x x Munin™ x x x x Less curves Björkmans Twist™ x x in pattern x x x x RWL 34™ Steel x x x x x x x BLADE SIZE BEVEL GRIND Small: width up to 25 mm or 1" (length up to 75 mm or 3"). Medium: width Small: 1/3 of the blade width. Large: more than ½ the blade width. from 25 mm or 1" to 38 mm or 1 ½" (length from 75 mm or 3" to 150 mm or 6"). Large: width over 38 mm or 1 ½" (length over 150 mm or 6"). Any doubts with extremes, you can always ask us! © 2017 Damasteel AB. All rights reserved. Damasteel® and other products are trademarks of Damasteel®. DS93X™ Ægir™ DS93X™ Heimskringla™ Suitable for small to large sized Suitable for any sizes but benefits knives and similar applications. from a large bevel. The deep grind Ægir™ was a frost giant who brings out the magic in pattern. owned a large ale kettle and were A given favorite. The Icelandic often hosting parties for the Gods. name for Empire. DS93X™ Hymer™ DS93X™ Björkmans Twist™ Suitable for small to medium An allround, very special pattern sized knives and applications. suitable for any application. Natural Named after the giant who often grain look. Not one piece is identical went fishing with the God Thor. the other. Named after a Swedish bladesmith who wanted a more intense Dense Twist™. DS93X™ Bifrost™ DS93X™ Vinland™ An allround pattern suitable for Beautiful on kitchen knives, any application. Named after the medium sized knives and jewelries. rainbow bridge in Norse mythology A random pattern and a popular separating the Gods in Asgard favorite by many. The first Viking from men in Midgard. to set foot in North America called the land Vinland. DS93X™ Draupner™ DS93X™ Dense Twist™ Suitable for medium sized and Suitable for any application. Will larger pieces. A special favorite for develop very nice star pattern on large blades typical a chef knife. the back of the blade. Comes with Named after a gold ring possessed a proud heritage from gun barrels. by the God Odin. DS93X™ Thor™ DS93X™ Grosserosen An allround and very lively A traditional pattern that looks pattern. A perfect choice for really nice on medium sized and a larger folder. Our 20th larger pieces. The beautiful pattern anniversary pattern. makes you think of large lush roses. Named after the God Thor. DS93X™ Gysinge™ DS93X™ Hakkapella™ Suitable for small to medium sized Suitable for small to medium sized pieces. The pattern is surface pieces. Symmetrical pattern with intense and the effect will be many possibilities. Named after strongest with a small bevel. famous Finnish tracks. Named after the village Gysinge. DS93X™ Odin Heim™ DS93X™ Rose An allround pattern suitable for Suitable for small to medium sized any application. Takes a deep pieces. Gives a neat effect when grind very good and has a lot grinding a bevel. One of our bestsellers. of movements in the pattern. The pattern looks like plenty of tiny Named after our forge. roses with dew drops. DS93X™ Hugin™ DS93X™ Odins Eye™ Suitable for smaller pieces. Suitable for medium and larger sized A classical style symmetrical pieces. Tradition makes this pattern pattern looks good on a small stand out. Looks good on a dagger. folder. Named after one of Named after the God Odin who the God Odin’s two ravens. placed one of his eyes in the well of wisdom. DS93X™ Munin™ DAMASTEEL® RWL34™ Suitable for smaller sized pieces. MARTENSITIC STEEL The textile look stands out in Our non-patterned steel. the crowd. Named after one of The best choice for any size of blade. the God Odin’s two ravens. DS93X™ Ladder An allround pattern that looks good in most conditions and especially on medium sized pieces. A classic choice for an artisan knife. Named after the traditional pattern Muhammad’s ladder. © 2017 Damasteel AB. All rights reserved. Damasteel® and other products are trademarks of Damasteel®. .
Recommended publications
  • Heimskringla III.Pdf
    SNORRI STURLUSON HEIMSKRINGLA VOLUME III The printing of this book is made possible by a gift to the University of Cambridge in memory of Dorothea Coke, Skjæret, 1951 Snorri SturluSon HE iMSKrinGlA V oluME iii MAG nÚS ÓlÁFSSon to MAGnÚS ErlinGSSon translated by AliSon FinlAY and AntHonY FAulKES ViKinG SoCiEtY For NORTHErn rESEArCH uniVErSitY CollEGE lonDon 2015 © VIKING SOCIETY 2015 ISBN: 978-0-903521-93-2 The cover illustration is of a scene from the Battle of Stamford Bridge in the Life of St Edward the Confessor in Cambridge University Library MS Ee.3.59 fol. 32v. Haraldr Sigurðarson is the central figure in a red tunic wielding a large battle-axe. Printed by Short Run Press Limited, Exeter CONTENTS INTRODUCTION ................................................................................ vii Sources ............................................................................................. xi This Translation ............................................................................. xiv BIBLIOGRAPHICAL REFERENCES ............................................ xvi HEIMSKRINGLA III ............................................................................ 1 Magnúss saga ins góða ..................................................................... 3 Haralds saga Sigurðarsonar ............................................................ 41 Óláfs saga kyrra ............................................................................ 123 Magnúss saga berfœtts .................................................................. 127
    [Show full text]
  • Heimskringla III, and Egils Saga
    c h a p t e r 5 Political Subtexts in Morkinskinna, Heimskringla III, and Egils saga To extract an underlying political attitude from the Olafs saga helga that forms the second part of Heimskringla is problematical because we do not have the original version from which the author worked. It is therefore not possible to extrapolate a point of view by comparison. When it comes to the third part of Heimskringla, however, we are in a much better position because we have the immediate source for most of the narrative after 1030 in the compilation known as Morkinskinna. Internal criteria suggest that Morkinskinna was written around 1220, and we may begin by reviewing the situation in Iceland at that time.1 The period 1215-1220 was in fact characterized by consider­ able hostility between Iceland and Norway, a degree of tension that amounted to not much less than a trade war.2 In 12 15 Smmundr Jonsson at Oddi and horvaldr Gizurarson at Hruni had set prices on the goods of some Norwegian merchants. In 12 16 Smmundr’s son Pall went to Bergen and was treated to such retaliatory abuse that he left Bergen and was drowned on the way to Trondheim. In 12 17 Smmundr gave vent to his wrath by exacting fines from Bergen and Greenland merchants. In 12 18 the Greenland traders killed Smmundr’s brother Ormr in reprisal. In 12 19 Norway appears to have imposed an embargo on shipping to Iceland, and in 1220 Jarl Skuli actually contemplated a naval expedition against Iceland.3 These events have been seen in the context of the long-standing designs on Iceland by the Norwegian kings, a view that is, as we will see, borne out by the underlying suspicion of Norwegian motives in Morkinskinna.4 120 The Partisan Muse The trade war originated in southern Iceland, but there is evidence of a traditional opposition to foreign intrusion in northern Iceland as well, specifically in EyjafjorSur.
    [Show full text]
  • Representations of English History in Icelandic Kings‟ Saga: Haraldssaga Hardrada and Knytlinga Saga
    REPRESENTATIONS OF ENGLISH HISTORY IN ICELANDIC KINGS‟ SAGA: HARALDSSAGA HARDRADA AND KNYTLINGA SAGA A Master‟s Thesis By DENĠZ CEM GÜLEN Department of History Ġhsan Doğramacı Bilkent University Ankara August 2015 REPRESENTATIONS OF ENGLISH HISTORY IN ICELANDIC KINGS‟ SAGA: HARALDSSAGA HARDRADA AND KNYTLINGA SAGA Graduate School of Economics and Social Sciences of Ġhsan Doğramacı Bilkent University by DENĠZ CEM GÜLEN In Fulfilment of the Requirements for the Degree of MASTER OF ARTS in THE DEPARTMENT OF HISTORY ĠHSAN DOĞRAMACI BILKENT UNIVERSTY ANKARA August 2015 Abstract REPRESENTATIONS OF ENGLISH HISTORY IN ICELANDIC KINGS‟ SAGA: HARALDSSAGA HARDRADA AND KNYTLINGA SAGA Gülen, Deniz Cem Gülen MA, Department of History Supervisor: Assistant Professor Dr. David Thornton August, 2015 The Icelandic sagas are one of the most important historical sources for Viking studies. Although there are many different types of saga, only the kings‟ sagas and family sagas are generally considered historically accurate to some extent. Unfortunately, because they were composed centuries after the Viking age, even these sagas contain a number of historical inaccuracies. In this research, I will try to discuss this problem by focusing on the Heimskringla version of King Harald‟s saga and the Knýtlinga saga, and how English history is represented in them. After discussing the nature of the sagas and the problems of the Icelandic sources, I will consider the saga accounts of certain events that occurred in England during the reigns of Harald Hardrada and Cnut the Great. In order to show the possible mistakes in these sagas, primary sources from outside of Scandinavia and Iceland, notably the Anglo-Saxon Chronicle, as well as modern studies, will be used to assess these possible errors in the Heimskringla and Knýtlinga saga.
    [Show full text]
  • Sources and Attitudes in Olafs Saga Helga in Heimskringla
    ch a pter 4 Sources and Attitudes in Olafs saga helga in Heimskringla The prologues to Heimskringla and the Separate Saga o f Saint Olaf famously emphasize the role of poetic sources in reconstructing the early history of Scandinavia. The general prologue to Heimskringla argues that these sources are likely to be truthful despite the inherent danger of flattering princes (fF 26:5): MeS Haraldi konungi varu skald, ok kunna menn enn kv«Si heira ok allra konunga kv«Si, heira er s^San hafa verit ^ Noregi, ok tokum har mest drnmi af, hat er sagt er ^ heim kv^Sum, er kveSin varu fyrir sjalfum hpfSingjunum eSa sonum heira. Tpkum ver hat allt fyrir satt, er ^ heim kv^Sum finnsk um ferSir heira eSa orrostur. En hat er hattr skalda at lofa hann mest, er ha eru heir fyrir, en engi myndi hat hora at segja sjalfum honum hau verk hans, er allir heir, er heyrSi, vissi, at hegomi v«ri ok skrpk, ok sva sjalfr hann. Fat v«ri ha haS, en eigi lof. [There were skalds at the court of King Harald [Fairhair] and people still know their poems, and the poems about all the kings who reigned in Norway later. We have taken our chief support from what is said in the poems that were recited before the chieftains [rulers] themselves and their sons. We consider everything to be true that is found in those poems about their expeditions and battles. It is the custom of skalds to heap the greatest praise on the man in whose presence they find themselves, but no one would dare to recount to his very face deeds that 84 The Partisan Muse all the listeners knew to be nonsense and fantasy, even he [the ruler] himself.
    [Show full text]
  • HIS EXPEDITION AGAINST the PECHENEGS* Harald Hardrada
    K RIJ NIE CIGGAAR HARALD HARDRADA: HIS EXPEDITION AGAINST THE PECHENEGS* Harald Hardrada, half-brother of St. Olaf, had travelled far and wide before he became king of Norway in 1046. As A mercenary he served in the Varangian guard in Constantinople. First the Russians had formed the main element in this regiment, but gradually their role was taken over by the Scandi­ navians in the first half of the eleventh century (cf. note 52). Harald’s arrival in Miklagarth, the regular name for the Byzantine capital, took place about 10341. Here he served three successive emperors: Michael IV the Paphlagonian (1034-41), Michael V Calaphates (1041-2) and Constantine IX Monomachos (1042-55). When serving the Byzantine emperors he took part in many expedi­ tions of which only A few are known of2. Sometimes he campaigned under the command of Georges Maniakes, the famous Greek general, sometimes he went out with his own men3. In this article we hope to throw some more light on one of the expeditions Harald undertook with his band of Norther­ ners. The activities of the Norwegian prince are testified by several sources, Greek and Scandinavian. The Greeks, understanding^ enough where A foreign military commander was concerned, are very sparse with information on his military achievements. In the Admonition to the Emperor, an eleventh century *1 am greatly indebted to Andrea van Arkel—de Leeuw van Weenen and Christopher Sanders for their very valuable criticism and their suggestions. 1. J. Shepard, A Note on Harold Hardraada: the Date of his Arrival at Byzantium, Jahrbuch der Österreichischen Byzantinistik 22, 1973, p.
    [Show full text]
  • Boundaries of Female Agency in the Ynglinga Saga
    ISSN 2516-8568 ‘The cruel queen her thrall let slip’: Boundaries of Female Agency in the Ynglinga Saga Author(s): Markus Eldegard Mindrebø Source: Midlands Historical Review, Proceedings of the Medieval Midlands 2018 Postgraduate Conference Published: 28/06/2018 URL: http://www.midlandshistoricalreview.com/the-cruel-queen-her-thrall-let- slip-boundaries-of-female-agency-in-the-ynglinga-saga/ Midlands Historical Review ISSN 2516-8568 ‘The cruel queen her thrall let slip’: Boundaries of Female Agency in the Ynglinga Saga MARKUS ELDEGARD MINDREBØ Introduction The Old Norse sagas, written primarily in Iceland and Norway in the thirteenth century, represent a unique branch of Medieval European literature. They are distinct in that they are mostly written in the vernacular rather than Latin, but also for a variety of other reasons, including the fact that they contain a multitude of strong and independent female characters. This paper will examine the women of the Ynglinga saga. Based on the semi-legendary Scandinavian poem Ynglingatal, it makes up the first part of Snorri Sturluson’s Heimskringla, the most renowned of the Old Norse kings’ sagas. It primarily consists of a genealogical summary of the family known as the Ynglingar. As a narrative centred around kingship and war, and as part of a masculine, sometimes misogynistic genre, it unfortunately has few mentions of women. The women who are present, however, show a scope for agency that is far greater than might be expected at the time of writing, as many do not rely on men, but rather determine their own fates. What these women have in common are masculine behaviour and ideals, and this article will build on existing work on gender ambiguity in early Medieval Scandinavia to show how biological sex was overridden by fulfilling expectations of social behaviour.
    [Show full text]
  • Beowulf, Ynglingatal and the Ynglinga Saga
    Beowulf, Ynglingatal and the Ynglinga Saga : fiction or history? Rausing, Gad Fornvännen 80, 163-178 http://kulturarvsdata.se/raa/fornvannen/html/1985_163 Ingår i: samla.raa.se Beowulf, Ynglingatal and the Ynglinga Saga Fiction or History? By Gad Rausing Rausing, G. 1985. Beowulf, Ynglingatal and the Ynglinga Saga. Fiction or History? Fornvännen 80. Stockholm. Can Beowulf be used to test the value of the earliest Norse sagas as historical sources? Since at least one, and possibly two, of the persons and of the events mentioned in Beowulf can be corroborated and dated with the help of contem­ porary chronicles we must, until the opposite can be proved, accept the rest of the accounts as historical. Since several persons who figure in Beowulf are also mentioned in other, independent sagas, Ynglingatal, the Ynglinga Saga and Widsid, we must assume them to be historical and, if so, also the rest of the east of these sagas. The geographical notices in Beowulf also appear to fit reality and the conclusions appear to be confirmed by the distribution of the archaeological material. Thus, those modern historians who have denied the historical value of the sagas appear to bc wrong, since they have not taken into account all the material available. Beowulf should be taken as "history" and so should all the sagas with the same east, Ynglingatal, the Ynglinga Saga och the Sköldunga Saga. Gad Rausing, 78 Addison road, London W14 8ED, England. Our convcntional and arbitrary division of in Viking-age Seandinavia, where new fami­ the past into "prehistoric" and "historie" lies came into power, apparently in the up­ times is misleading, there being no clear bor- heavals during the "missionary period", derline between the two.
    [Show full text]
  • The Succession and Coronation of Magnus Erlingsson
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NORA - Norwegian Open Research Archives UNIVERSITY OF OSLO INSTITUTE OF ARCHAEOLOGY, CONSERVATION AND HISTORY Dissertation for the degree of Master of Arts: Norwegian Kingship Transformed: the Succession and Coronation of Magnus Erlingsson (Depiction of Magnus Erlingsson, by Gerhard Munthe, 1899) Thomas Malo Tollefsen Spring 2015 1 2 Abstract This dissertation is an exploration of the succession and coronation of Magnus Erlingsson based upon three themes: Norwegian kingship in theory, Norwegian kingship in practise, and Norwegian kingship in context, and a search for points of similarity and contrast with European trends. In the first theme the focus of the analysis will be the coronation of Magnus Erlingsson, exploring this in two parts: the rules of kingmaking and the narration of Snorre in the Saga of Magnus Erlingsson, and motivations behind the coronation. In the second theme the focus will again be on the coronation of Magnus Erlingsson. First, this dissertation attempts to put together a workable timeline from when Magnus is acclaimed king in 1161 to his coronation in either 1163 or 1164. Then the analysis shifts to the coronation itself, before it falls on the coronation oath and the Letter of Privileges to see what they can tell us about Magnus’s kingship, and the Law of Succession and what it meant for the future. In the third theme this dissertation attempts to contextualise Magnus’s kingship and this chapter will focus on two things: acquisition, and by extension how to legitimise your rule once it has been acquired, and succession to kingship.
    [Show full text]
  • Seeking the Ideal in the Probable Works of Snorri Sturluson
    A Vision of the Skald Seeking the Ideal in the Probable Works of Snorri Sturluson Eirik Westcoat Master of Philosophy Thesis Viking and Medieval Norse Studies Department of Linguistics and Scandinavian Studies UNIVERSITETET I OSLO Faculty of Icelandic and Comparative Cultural Studies HÁSKÓLI ÍSLANDS Spring 2016 A Vision of the Skald Seeking the Ideal in the Probable Works of Snorri Sturluson Eirik Westcoat Master of Philosophy Thesis in Viking and Medieval Norse Studies Supervisor: Karl G. Johansson, Universitetet i Oslo Department of Linguistics and Scandinavian Studies UNIVERSITETET I OSLO Faculty of Icelandic and Comparative Cultural Studies HÁSKÓLI ÍSLANDS Spring 2016 © Eirik Westcoat 2016 A Vision of the Skald: Seeking the Ideal in the Probable Works of Snorri Sturluson Eirik Westcoat http://www.duo.uio.no/ Printer: Reprosentralen, Universitetet i Oslo !ii Table of Contents Summary ...................................................................................................................................v Acknowledgements .................................................................................................................vi Foreword ...............................................................................................................................viii Chapter 1: Introduction .............................................................................................................1 1.1 Purpose, Scope, and Rationale ..................................................................................1
    [Show full text]
  • THOR the WIND-RAISER and the EYRARLAND IMAGE the Eyrarland Image (fijms 10880)
    VIKING SOCIETY FOR NORTHERN RESEARCH TEXT SERIES GENERAL EDITORS Anthony Faulkes and Richard Perkins VOLUME XV THOR THE WIND-RAISER AND THE EYRARLAND IMAGE The Eyrarland image (fijms 10880). (By kind permission of the photographer, Páll Stefánsson.) THOR THE WIND-RAISER AND THE EYRARLAND IMAGE BY RICHARD PERKINS VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON 2001 © Richard Perkins 2001 ISBN 0 903521 52 0 Printed by Short Run Press Limited, Exeter The cover picture is of the amber figure from Feddet, Roholte parish, Sjælland, Denmark (= FI; DNM C24292; height: 4.6 cm.). (By per- mission of Nationalmuseet, Copenhagen.) Cf. also Figure 6. TILL INGEGERD 14 20–7 01 CONTENTS LIST OF FIGURES ........................................................................ viii PREFACE ......................................................................................... ix CHAPTER ONE: Wind-power and wind-gods ................................. 1 CHAPTER TWO: An episode in Rƒgnvalds fláttr ok Rau›s .......... 27 CHAPTER THREE: Three beard-clutching figures ....................... 53 CHAPTER FOUR: The Eyrarland image ....................................... 82 CHAPTER FIVE: Conclusions. Contexts ..................................... 150 APPENDIX: Rƒgnvalds fláttr ok Rau›s and ‘Rau›s fláttr ins ramma’ 159 BIBLIOGRAPHY AND ABBREVIATIONS ............................... 165 LIST OF FIGURES The Eyrarland image ...................................................... Frontispiece 1: Vignette from Olaus Magnus’s Historia ..................................
    [Show full text]
  • Egils Saga, Heimskringla, and the Daughter of Eiríkr Blóðøx*
    Margaret Cormack Egils saga, Heimskringla, and the Daughter of Eiríkr blóðøx* eimskringla—or more precisely, the manuscript Kringla—has long dominated scholarship in two areas: medieval Norwegian history and saga studies. Although it is known to be based on earlier writings,1 HHeims kringla’s popularity in both medieval and modern times has caused it to be held up as a standard against which other historical writing is judged. The fact that it is attributed to Snorri Sturluson, a well-known literary fi gure and a prominent player in the power politics of thirteenth-century Iceland, adds to its attraction. Since the proposed author is also given credit for one of the best known (and perhaps the earliest) of the Icelandic family sagas—Egils saga Skalla-Gríms- sonar2—as well as the Edda, we appear to have examples of the works of a known author unparalleled in medieval Iceland. The temptation to draw biographical or literary-historical conclusions on the basis of these attributions is almost irresist- able. It should, however, be resisted. In the following I will argue that Snorri’s author- ship of Egils saga and Heimskringla should not be taken for granted, and that recent arguments reversing the traditional dating of the two works should be rejected. If Egils saga and Heimskringla are assumed to have been written by Snorri, scholars are faced with certain questions. Textual critics must explain why, although Egils saga and Heimskringla have many passages in common, there are also signifi - * Versions of this paper were presented at a meeting of the Society for the Advancement of Scan- dinavian Study in Amherst, Massachusetts, in 1991 and at the Tenth International Saga Conference in Trondheim, Norway, in 1997.
    [Show full text]
  • Morkinskinna and Icelandic Identity, C
    i i “VC22” — 2014/9/8 — 11:41 — page 1 — #1 i i THE VIKING COLLECTION Studies in Northern Civilization Founding Editors Preben Meulengracht Sørensen Gerd Wolfgang Weber General Editors Margaret Clunies Ross Matthew Driscoll Annette Lassen Mats Malm Volume 22 i i i i i i “VC22” — 2014/9/8 — 11:41 — page 2 — #2 i i i i i i i i “VC22” — 2014/9/8 — 11:41 — page 3 — #3 i i Ármann Jakobsson A SENSE OF BELONGING Morkinskinna and Icelandic Identity, c. 1220 Translated by Fredrik Heinemann UNIVERSITY PRESS OF SOUTHERN DENMARK 2014 i i i i i i “VC22” — 2014/9/8 — 11:41 — page 4 — #4 i i © The Viking Collection and Ármann Jakobsson Typesetting by Florian Grammel, Copenhagen Printed by Special-Trykkeriet Viborg a-s ISBN 978-87-7674-845-6 ISSN 0108-8408 i i i i i i “VC22” — 2014/9/8 — 11:41 — page 5 — #5 i i To Jakob Ármannsson (1939–1996) and Signý Thoroddsen (1940–2011) i i i i i i “VC22” — 2014/9/8 — 11:41 — page 6 — #6 i i i i i i i i “VC22” — 2014/9/8 — 11:41 — page 7 — #7 i i Contents Prologue 9 Introduction 11 I. ORIGINS 21 1 The Morkinskinna Manuscripts 23 2 The Search for the Origins of Morkinskinna 35 II. STRUCTURE 71 1 Medieval Structure 73 2 The Quest for Medieval Narrative Structure 77 3 Strands in the Saga Web 93 4 Dramatic Narrative 113 III. PORTRAITS OF A SOCIETY 137 1 The Courtly Cosmos 139 2 Courteous Brutality 169 3 A History of Private Life 195 7 i i i i i i “VC22” — 2014/9/8 — 11:41 — page 8 — #8 i i IV.
    [Show full text]