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Tate Report 08-09
Tate Report 08–09 Report Tate Tate Report 08–09 It is the Itexceptional is the exceptional generosity generosity and and If you wouldIf you like would to find like toout find more out about more about PublishedPublished 2009 by 2009 by vision ofvision individuals, of individuals, corporations, corporations, how youhow can youbecome can becomeinvolved involved and help and help order of orderthe Tate of the Trustees Tate Trustees by Tate by Tate numerousnumerous private foundationsprivate foundations support supportTate, please Tate, contact please contactus at: us at: Publishing,Publishing, a division a divisionof Tate Enterprisesof Tate Enterprises and public-sectorand public-sector bodies that bodies has that has Ltd, Millbank,Ltd, Millbank, London LondonSW1P 4RG SW1P 4RG helped Tatehelped to becomeTate to becomewhat it iswhat it is DevelopmentDevelopment Office Office www.tate.org.uk/publishingwww.tate.org.uk/publishing today andtoday enabled and enabled us to: us to: Tate Tate MillbankMillbank © Tate 2009© Tate 2009 Offer innovative,Offer innovative, landmark landmark exhibitions exhibitions London LondonSW1P 4RG SW1P 4RG ISBN 978ISBN 1 85437 978 1916 85437 0 916 0 and Collectionand Collection displays displays Tel 020 7887Tel 020 4900 7887 4900 A catalogue record for this book is Fax 020 Fax7887 020 8738 7887 8738 A catalogue record for this book is available from the British Library. DevelopDevelop imaginative imaginative education education and and available from the British Library. interpretationinterpretation programmes programmes AmericanAmerican Patrons Patronsof Tate of Tate Every effortEvery has effort been has made been to made locate to the locate the 520 West520 27 West Street 27 Unit Street 404 Unit 404 copyrightcopyright owners ownersof images of includedimages included in in StrengthenStrengthen and extend and theextend range the of range our of our New York,New NY York, 10001 NY 10001 this reportthis and report to meet and totheir meet requirements. -
Bringing the Future Faster
6mm hinge Bringing the future faster. Annual Report 2019 WorldReginfo - 7329578e-d26a-4187-bd38-e4ce747199c1 Bringing the future faster Spark New Zealand Annual Report 2019 Bringing the future faster Contents Build customer intimacy We need to understand BRINGING THE FUTURE FASTER and anticipate the needs of New Zealanders, and Spark performance snapshot 4 technology enables us Chair and CEO review 6 to apply these insights Our purpose and strategy 10 to every interaction, Our performance 12 helping us serve our Our customers 14 customers better. Our products and technology 18 Read more pages 7 and 14. Our people 20 Our environmental impact 22 Our community involvement 24 Our Board 26 Our Leadership Squad 30 Our governance and risk management 32 Our suppliers 33 Leadership and Board remuneration 34 FINANCIAL STATEMENTS Financial statements 38 Notes to the financial statements 44 Independent auditor’s report 90 OTHER INFORMATION Corporate governance disclosures 95 Managing risk framework roles and 106 responsibilities Materiality assessment 107 Stakeholder engagement 108 Global Reporting Initiative (GRI) content 109 index Glossary 112 Contact details 113 This report is dated 21 August 2019 and is signed on behalf of the Board of Spark New Zealand Limited by Justine Smyth, Chair and Charles Sitch, Chair, Audit and Risk Management Committee. Justine Smyth Key Dates Annual Meeting 7 November 2019 Chair FY20 half-year results announcement 19 February 2020 FY20 year-end results announcement 26 August 2020 Charles Sitch Chair Audit and Risk Management Committee WorldReginfo - 7329578e-d26a-4187-bd38-e4ce747199c1 Create New Zealand’s premier sports streaming business Spark Sport is revolutionising how New Zealanders watch their favourite sports events. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Thinktv FACT PACK NEW ZEALAND
ThinkTV FACT PACK JAN TO DEC 2017 NEW ZEALAND TV Has Changed NEW ZEALAND Today’s TV is a sensory experience enjoyed by over 3 million viewers every week. Powered by new technologies to make TV available to New Zealanders anywhere, any time on any screen. To help advertisers and agencies understand how TV evolved over the last year, ThinkTV has created a Fact Pack with all the stats for New Zealand TV. ThinkTV’s Fact Pack summarises the New Zealand TV marketplace, in-home TV viewing, timeshifted viewing and online video consumption. And, because we know today’s TV is powered by amazing content, we’ve included information on some top shows, top advertisers and top adverts to provide you with an insight into what was watched by New Zealanders in 2017. 2017 THE NEW ZEALAND TV MARKETPLACE BIG, SMALL, MOBILE, SMART, CONNECTED, 1. HD-capable TV sets are now in CURVED, VIRTUAL, 3D, virtually every home in New Zealand DELAYED, HD, 4K, 2. Each home now has on average ON-DEMAND, CAST, 7.6 screens capable of viewing video STREAM… 3. Almost 1 in every 3 homes has a internet-connected smart TV THE TV IS AS CENTRAL TO OUR ENTERTAINMENT AS IT’S EVER BEEN. BUT FIRST, A QUICK PEAK INSIDE NEW ZEALAND’S LIVING ROOMS • In 2015 New Zealand TV celebrated 55 years of broadcast with the first transmission on 1 June, 1960 • Today’s TV experience includes Four HD Free-to-air channels Two Commercial Free-to-Air broadcasters One Subscription TV provider • Today’s TV is DIGITAL in fact, Digital TV debuted in 2006 followed by multi-channels in 2007 • In its 58th year, New Zealand TV continues to change and evolve. -
Bryan Donnell • Director of Photography [email protected] • Website Bryandonnell.Com • 213.321.3909 M
Bryan Donnell • Director of Photography [email protected] • website bryandonnell.com • 213.321.3909 m DOCUMENTARY TELEVISION E.P./PRODUCER/DIRECTOR NETWORK/CO. Untitled doc feature Chai Vasarhelyi/Jimmy Chin HBO/Little Monsters Untitled doc feature Erin Lee Carr Netflix/Story Syndicate This Is Life w/ Lisa Ling (multiple eps) Lisa Ling/multiple CNN/Part2 We’re Here Peter Logreco HBO/IPC • nominee best doc series Emmy, IDA, Independent Spirit Untitled doc series Nikki Calabrese HBO/WoW Rick James biopic Steve Rivo/Sacha Jenkins Showtime/Mass Appeal The Con Star Price ABC/IPC Empires of New York (add’l) Matthew Galkin CNBC/IPC The Witnesses Matt Testa Oxygen/Herzog Broken Steve Rivo Netflix/ZeroPointZero The Redemption Project w/ Van Jones Jason Cohen CNN/Citizen Jones Murder Mountain Jon Chinn/Matt Testa/Joshua Zeman Netflix/Lightbox QB1 Peter Berg/Rachel Libert Netflix/Film45 Kids Behind Bars Peter Logreco A&E/IPC Afflicted Peter Logreco Netflix/Doc Shop Criminal Confessions Dick Wolf/Adam Kassen Oxygen/Shed Media Religion of Sports Tom Brady/Sam French Dish/Dirty Robber Invisible Killers Steve Rivo/BJ Perlmutt Discovery/Doc Group Hot Girls Wanted: Turned On Peter Logreco Netflix/Herzog Truth and Power Brian Knappenberger Pivot/Luminant Media DB Cooper: Case Closed? Ted Skillman History Channel truInside: Iconic Comedies Lisa Kalikow, Meri Haitkin, et al. truTV/left/right Morgan Spurlock: Inside Man Morgan Spurlock/Matt Galkin CNN/Warrior Poets • IDA AWARD, best doc series Living in Secret Sarah Skibitzke LMN/Brownstone Years of Living Dangerously (add’l) James Cameron/Joel Bach Showtime/Years Project • EMMY AWARD, best doc series Summer Dreams Jonathan Chinn/Ted Skillman CBS/Mandalay Sport in America (add’l) Adam del Deo/James Stern HBO/Endgame 30 for 30: The Dotted Line Morgan Spurlock/Matt Galkin ESPN/Warrior Poets Intervention Dan Partland A&E/GRB • EMMY AWARD, best reality series • EMMY NOM, best cinematography (for me) 30 Days: Animal Rights Morgan Spurlock/Jonathan Chinn FX/Actual Reality DOCUMENTARY FILMS PRODUCER/DIRECTOR DISTRIBUTOR/PROD. -
Siren Song: a Rhetorical Analysis of Gender and Intimate Partner Violence in Gotham City Sirens
Graduate Research Symposium (GCUA) (2010 - 2017) Graduate Research Symposium 2015 Apr 20th, 1:00 PM - 2:30 PM Siren Song: A Rhetorical Analysis of Gender and Intimate Partner Violence In Gotham City Sirens Scarlett Schmidt University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/grad_symposium Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Public Affairs Commons Repository Citation Schmidt, Scarlett, "Siren Song: A Rhetorical Analysis of Gender and Intimate Partner Violence In Gotham City Sirens" (2015). Graduate Research Symposium (GCUA) (2010 - 2017). 1. https://digitalscholarship.unlv.edu/grad_symposium/2015/april20/1 This Event is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Event in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Event has been accepted for inclusion in Graduate Research Symposium (GCUA) (2010 - 2017) by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. Siren Song: A Rhetorical Analysis of Gender and Intimate Partner Violence in Gotham City Sirens Scarlett Schmidt Abstract Justification Communication Studies 1. Superheroes have been cultural fixtures since 1938 and have been growing in This project investigates comic book discourse. Specifically, I investigate how comic popularity over the past ten years. -
The Export of European Films on SVOD Outside Europe
The export of European films on SVOD services outside Europe Christian Grece September 2019 A publication of the European Audiovisual Observatory Table of Contents Overview of 79 SVOD services in 21 countries worldwide Analysis by region and country ▪ North America – Canada and USA ▪ Latin America – Argentina, Brazil and Mexico ▪ South East Asia – Indonesia, Malaysia, Philippines, Singapore and Thailand ▪ East Asia – China and Japan ▪ India ▪ Oceania –Australia and New Zealand ▪ Middle East – The United Arab Emirates, Egypt and Saudi Arabia ▪ Individual countries - Russian Federation, South Africa and Turkey Introduction The aim of this report is to give a picture on the export of EU films on SVOD services outside of the European Union. 79 SVOD services in 21 countries worldwide are part of the sample. The report looks at the circulation of unique film titles and the volume/occurrences of films available on these services, on a regional and service basis. The first part gives a snapshot of the availability of EU films around the globe after which a overview for each region is provided. Methodology The analysis has been carried out based on data provided by Ampere Analysis and comprehends SVOD catalogue data collected in June 2019. A film is defined as a feature film, fiction film, documentary or other film content available in the “Film” / “Movie” section of the SVOD catalogues part of the sample. For the origin of a film, only the first country of production is taken into account. The production countries are based on data collected from the Observatory’s LUMIERE database on admissions to films in Europe, IMDb and the Movie database. -
A Guide to Smartphone Astrophotography National Aeronautics and Space Administration
National Aeronautics and Space Administration A Guide to Smartphone Astrophotography National Aeronautics and Space Administration A Guide to Smartphone Astrophotography A Guide to Smartphone Astrophotography Dr. Sten Odenwald NASA Space Science Education Consortium Goddard Space Flight Center Greenbelt, Maryland Cover designs and editing by Abbey Interrante Cover illustrations Front: Aurora (Elizabeth Macdonald), moon (Spencer Collins), star trails (Donald Noor), Orion nebula (Christian Harris), solar eclipse (Christopher Jones), Milky Way (Shun-Chia Yang), satellite streaks (Stanislav Kaniansky),sunspot (Michael Seeboerger-Weichselbaum),sun dogs (Billy Heather). Back: Milky Way (Gabriel Clark) Two front cover designs are provided with this book. To conserve toner, begin document printing with the second cover. This product is supported by NASA under cooperative agreement number NNH15ZDA004C. [1] Table of Contents Introduction.................................................................................................................................................... 5 How to use this book ..................................................................................................................................... 9 1.0 Light Pollution ....................................................................................................................................... 12 2.0 Cameras ................................................................................................................................................ -
“Justice League Detroit”!
THE RETRO COMICS EXPERIENCE! t 201 2 A ugus o.58 N . 9 5 $ 8 . d e v r e s e R s t h ® g i R l l A . s c i m o C C IN THE BRONZE AGE! D © & THE SATELLITE YEARS M T a c i r e INJUSTICE GANG m A f o e MARVEL’s JLA, u g a e L SQUADRON SUPREME e c i t s u J UNOFFICIAL JLA/AVENGERS CROSSOVERS 7 A SALUTE TO DICK DILLIN 0 8 2 “PRO2PRO” WITH GERRY 6 7 7 CONWAY & DAN JURGENS 2 8 5 6 And the team fans 2 8 love to hate — 1 “JUSTICE LEAGUE DETROIT”! The Retro Comics Experience! Volume 1, Number 58 August 2012 Celebrating the Best Comics of the '70s, '80s, '90s, and Beyond! EDITOR Michael “Superman”Eury PUBLISHER John “T.O.” Morrow GUEST DESIGNER Michael “BaTman” Kronenberg COVER ARTIST ISSUE! Luke McDonnell and Bill Wray . s c i m COVER COLORIST o C BACK SEAT DRIVER: Editorial by Michael Eury .........................................................2 Glenn “Green LanTern” WhiTmore C D © PROOFREADER & Whoever was sTuck on MoniTor DuTy FLASHBACK: 22,300 Miles Above the Earth .............................................................3 M T . A look back at the JLA’s “Satellite Years,” with an all-star squadron of creators a c i r SPECIAL THANKS e m Jerry Boyd A Rob Kelly f o Michael Browning EllioT S! Maggin GREATEST STORIES NEVER TOLD: Unofficial JLA/Avengers Crossovers ................29 e u Rich Buckler g Luke McDonnell Never heard of these? Most folks haven’t, even though you might’ve read the stories… a e L Russ Burlingame Brad MelTzer e c i T Snapper Carr Mi ke’s Amazing s u J Dewey Cassell World of DC INTERVIEW: More Than Marvel’s JLA: Squadron Supreme ....................................33 e h T ComicBook.com Comics SS editor Ralph Macchio discusses Mark Gruenwald’s dictatorial do-gooders g n i r Gerry Conway Eri c Nolen- r a T s DC Comics WeaThingTon , ) 6 J. -
Batwoman and Catwoman: Treatment of Women in DC Comics
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2013 Batwoman and Catwoman: Treatment of Women in DC Comics Kristen Coppess Race Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the English Language and Literature Commons Repository Citation Race, Kristen Coppess, "Batwoman and Catwoman: Treatment of Women in DC Comics" (2013). Browse all Theses and Dissertations. 793. https://corescholar.libraries.wright.edu/etd_all/793 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. BATWOMAN AND CATWOMAN: TREATMENT OF WOMEN IN DC COMICS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By KRISTEN COPPESS RACE B.A., Wright State University, 2004 M.Ed., Xavier University, 2007 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL Date: June 4, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kristen Coppess Race ENTITLED Batwoman and Catwoman: Treatment of Women in DC Comics . BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Kelli Zaytoun, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Language and Literature Committee on Final Examination _____________________________ Kelli Zaytoun, Ph.D. _____________________________ Carol Mejia-LaPerle, Ph.D. _____________________________ Crystal Lake, Ph.D. _____________________________ R. William Ayres, Ph.D. -
PDF Download Aquaman: Kingdom Lost 1St Edition Ebook
AQUAMAN: KINGDOM LOST 1ST EDITION PDF, EPUB, EBOOK John Arcudi | 9781401271299 | | | | | Aquaman: Kingdom Lost 1st edition PDF Book His plan now despoiled by his exile from their world, Namor returns to Earth to resume his war with the land dwellers after jokingly citing how the Non-Team up of the Defenders had saved it from annihilation. In Sword of Atlantis 57, the series' final issue, Aquaman is visited by the Lady of the Lake, who explains his origins. Vintage Dictionary. See All - Best Selling. In the Marvel limited series Fantastick Four , Namor is reinvented as Numenor , Emperor of Bensaylum, a city beyond the edge of the world. Archived from the original on April 22, Bill Everett. These included: the ability to instantly dehydrate to death anyone he touched, shoot jets of scalding or freezing water from it, healing abilities, the ability to create portals into mystical dimensions that could act as spontaneous transport, control and negate magic, manipulate almost any body of water he sets his focuses on [2] and the capability to communicate with the Lady of the Lake through his magic water hand. When his former friend Captain America presented himself to the Atlanteans to broker an agreement with Namor, he attacked Captain America in a rage while ranting about how Atlantis has taken the heat of the surface world's battles time and time again. Character Facts Powers: super strength, durability, control over sea life, exceptional swimming ability, ability to breathe underwater. Aquaman was given an eighth volume of his eponymous series, which started with a one-shot comic book entitled Aquaman: Rebirth 1 August Aquaman 1. -
Characters – Reference Guide
Player’s Guides 01 Player’s Guide to Playing HeroClix 02 Player’s Guide to Powers and Abilities 03 Player’s Guide to Characters: Errata and Clarifications 04 Player’s Guide to Characters: Reference 05 Player’s Guide to Team Abilities 06 Player’s Guide to Maps 07 Player’s Guide to Tactics I: Objects, Resources, and Hordes 08 Player’s Guide to Tactics II: Feats and Battlefield Conditions Any game elements indicated with the † symbol may only be used with the Golden Age format. Any game elements indicated with the ‡ symbol may only be used with the Star Trek: Tactics game. Items labeled with a are available exclusively through Print-and-Play. Any page references refer to the HeroClix 2013 Core Rulebook. All Player’s Guides can be found at http://www.heroclix.com/downloads/rules Table of Contents Legion of Super Heroes† .................................................................................................................................................................................................. 1 Avengers† ......................................................................................................................................................................................................................... 2 Justice League† ................................................................................................................................................................................................................ 4 Mutations and Monsters† ................................................................................................................................................................................................