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Captain America
The Star-spangled Avenger Adapted from Wikipedia, the free encyclopedia Captain America first appeared in Captain America Comics #1 (Cover dated March 1941), from Marvel Comics' 1940s predecessor, Timely Comics, and was created by Joe Simon and Jack Kirby. For nearly all of the character's publication history, Captain America was the alter ego of Steve Rogers , a frail young man who was enhanced to the peak of human perfection by an experimental serum in order to aid the United States war effort. Captain America wears a costume that bears an American flag motif, and is armed with an indestructible shield that can be thrown as a weapon. An intentionally patriotic creation who was often depicted fighting the Axis powers. Captain America was Timely Comics' most popular character during the wartime period. After the war ended, the character's popularity waned and he disappeared by the 1950s aside from an ill-fated revival in 1953. Captain America was reintroduced during the Silver Age of comics when he was revived from suspended animation by the superhero team the Avengers in The Avengers #4 (March 1964). Since then, Captain America has often led the team, as well as starring in his own series. Captain America was the first Marvel Comics character adapted into another medium with the release of the 1944 movie serial Captain America . Since then, the character has been featured in several other films and television series, including Chris Evans in 2011’s Captain America and The Avengers in 2012. The creation of Captain America In 1940, writer Joe Simon conceived the idea for Captain America and made a sketch of the character in costume. -
The Avengers (Action) (2012)
1 The Avengers (Action) (2012) Major Characters Captain America/Steve Rogers...............................................................................................Chris Evans Steve Rogers, a shield-wielding soldier from World War II who gained his powers from a military experiment. He has been frozen in Arctic ice since the 1940s, after he stopped a Nazi off-shoot organization named HYDRA from destroying the Allies with a mystical artifact called the Cosmic Cube. Iron Man/Tony Stark.....................................................................................................Robert Downey Jr. Tony Stark, an extravagant billionaire genius who now uses his arms dealing for justice. He created a techno suit while kidnapped by terrorist, which he has further developed and evolved. Thor....................................................................................................................................Chris Hemsworth He is the Nordic god of thunder. His home, Asgard, is found in a parallel universe where only those deemed worthy may pass. He uses his magical hammer, Mjolnir, as his main weapon. The Hulk/Dr. Bruce Banner..................................................................................................Mark Ruffalo A renowned scientist, Dr. Banner became The Hulk when he became exposed to gamma radiation. This causes him to turn into an emerald strongman when he loses his temper. Hawkeye/Clint Barton.........................................................................................................Jeremy -
A Federal Criminal Case Timeline
A Federal Criminal Case Timeline The following timeline is a very broad overview of the progress of a federal felony case. Many variables can change the speed or course of the case, including settlement negotiations and changes in law. This timeline, however, will hold true in the majority of federal felony cases in the Eastern District of Virginia. Initial appearance: Felony defendants are usually brought to federal court in the custody of federal agents. Usually, the charges against the defendant are in a criminal complaint. The criminal complaint is accompanied by an affidavit that summarizes the evidence against the defendant. At the defendant's first appearance, a defendant appears before a federal magistrate judge. This magistrate judge will preside over the first two or three appearances, but the case will ultimately be referred to a federal district court judge (more on district judges below). The prosecutor appearing for the government is called an "Assistant United States Attorney," or "AUSA." There are no District Attorney's or "DAs" in federal court. The public defender is often called the Assistant Federal Public Defender, or an "AFPD." When a defendant first appears before a magistrate judge, he or she is informed of certain constitutional rights, such as the right to remain silent. The defendant is then asked if her or she can afford counsel. If a defendant cannot afford to hire counsel, he or she is instructed to fill out a financial affidavit. This affidavit is then submitted to the magistrate judge, and, if the defendant qualifies, a public defender or CJA panel counsel is appointed. -
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text
JUSTICE LEAGUE (NEW 52) CHARACTER CARDS Original Text ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) TABLE OF CONTENTS Aquaman, 8 Wonder Woman, 6 Batman, 5 Zatanna, 17 Cyborg, 9 Deadman, 16 Deathstroke, 23 Enchantress, 19 Firestorm (Jason Rusch), 13 Firestorm (Ronnie Raymond), 12 The Flash, 20 Fury, 24 Green Arrow, 10 Green Lantern, 7 Hawkman, 14 John Constantine, 22 Madame Xanadu, 21 Mera, 11 Mindwarp, 18 Shade the Changing Man, 15 Superman, 4 ©2012 WizKids/NECA LLC. TM & © 2012 DC Comics (s12) 001 DC COMICS SUPERMAN Justice League, Kryptonian, Metropolis, Reporter FROM THE PLANET KRYPTON (Impervious) EMPOWERED BY EARTH’S YELLOW SUN FASTER THAN A SPEEDING BULLET (Charge) (Invulnerability) TO FIGHT FOR TRUTH, JUSTICE AND THE ABLE TO LEAP TALL BUILDINGS (Hypersonic Speed) AMERICAN WAY (Close Combat Expert) MORE POWERFUL THAN A LOCOMOTIVE (Super Strength) Gale-Force Breath Superman can use Force Blast. When he does, he may target an adjacent character and up to two characters that are adjacent to that character. -
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JACK KIRBY COLLECTOR FORTY-TWO $9 95 IN THE US Guardian, Newsboy Legion TM & ©2005 DC Comics. Contents THE NEW OPENING SHOT . .2 (take a trip down Lois Lane) UNDER THE COVERS . .4 (we cover our covers’ creation) JACK F.A.Q. s . .6 (Mark Evanier spills the beans on ISSUE #42, SPRING 2005 Jack’s favorite food and more) Collector INNERVIEW . .12 Jack created a pair of custom pencil drawings of the Guardian and Newsboy Legion for the endpapers (Kirby teaches us to speak the language of the ’70s) of his personal bound volume of Star-Spangled Comics #7-15. We combined the two pieces to create this drawing for our MISSING LINKS . .19 front cover, which Kevin Nowlan inked. Delete the (where’d the Guardian go?) Newsboys’ heads (taken from the second drawing) to RETROSPECTIVE . .20 see what Jack’s original drawing looked like. (with friends like Jimmy Olsen...) Characters TM & ©2005 DC Comics. QUIPS ’N’ Q&A’S . .22 (Radioactive Man goes Bongo in the Fourth World) INCIDENTAL ICONOGRAPHY . .25 (creating the Silver Surfer & Galactus? All in a day’s work) ANALYSIS . .26 (linking Jimmy Olsen, Spirit World, and Neal Adams) VIEW FROM THE WHIZ WAGON . .31 (visit the FF movie set, where Kirby abounds; but will he get credited?) KIRBY AS A GENRE . .34 (Adam McGovern goes Italian) HEADLINERS . .36 (the ultimate look at the Newsboy Legion’s appearances) KIRBY OBSCURA . .48 (’50s and ’60s Kirby uncovered) GALLERY 1 . .50 (we tell tales of the DNA Project in pencil form) PUBLIC DOMAIN THEATRE . .60 (a new regular feature, present - ing complete Kirby stories that won’t get us sued) KIRBY AS A GENRE: EXTRA! . -
Icons of Survival: Metahumanism As Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture
Lioi, Anthony. "Icons of Survival: Metahumanism as Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 169–196. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781474219730.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:32 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Icons of Survival: Metahumanism as Planetary Defense In which I argue that superhero comics, the most maligned of nerd genres, theorize the transformation of ethics and politics necessary to the project of planetary defense. The figure of the “metahuman,” the human with superpowers and purpose, embodies the transfigured nerd whose defects—intellect, swarm-behavior, abnormality, flux, and love of machines—become virtues of survival in the twenty-first century. The conflict among capitalism, fascism, and communism, which drove the Cold War and its immediate aftermath, also drove the Golden and Silver Ages of Comics. In the era of planetary emergency, these forces reconfigure themselves as different versions of world-destruction. The metahuman also signifies going “beyond” these economic and political systems into orders that preserve democracy without destroying the biosphere. Therefore, the styles of metahuman figuration represent an appeal to tradition and a technique of transformation. I call these strategies the iconic style and metamorphic style. The iconic style, more typical of DC Comics, makes the hero an icon of virtue, and metahuman powers manifest as visible signs: the “S” of Superman, the tiara and golden lasso of Wonder Woman. -
The Dracula Film Adaptations
DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no. -
Marvels--Chapter Three--Captain America
MARVELS SERIAL—CHAPTER THREE CAPTAIN AMERICA By Richard Ashcraft BASED ON MARVEL COMICS’ GOLDEN-AGE HEROES Written in 2012. [email protected] 1. ALL-AMERICAN GIRL I’d use this one. Namor falling in love with Betty Dean is . close to the truth. And Namor did gain his super-powers from Poseidon. ALL-AMERICAN GIRL (V.O.) In a roundabout way. VILLAIN TWO (V.O.) Now they’re talking about the girl we wanted to . see. VILLAIN ONE (V.O.) Oh, her. She would have been a great prisoner of war. OTTO Did Namor and Betty ever fall in love? ALL-AMERICAN GIRL They were at one time. But they lost touch with each other after the war. Like so many other people. OTTO That’s too bad. He hands her another paper-clipped set of papers. He smirks. OTTO (CONT’D) But this will make you smile. The secret origin of Captain America. She reads a few pages. Then she is puzzled. ALL-AMERICAN GIRL The shield of Lancelot? EXT. AN APARTMENT BUILDING – EARLY EVENING SUPER: NEW YORK CITY, SPRING 1941 2. AN UNINKED COMIC STRIP The title is JOE AND JACK. Respectively, they are CARICATURES OF JOE SIMON AND JACK KIRBY, Captain America’s creators. They are behind the small FORBUSH MAN. Bullets bounce off of the hero’s body, but some slugs almost hit Joe and Jack’s heads. STEVE (V.O.) (super-hero voice) Stand behind me, innocent bystanders! I can withstand their bullets! (now normal voice) We could stand this better if you would just stand up, Mystery Man! INT. -
Blood and Images in Dracula 2000
Journal of Dracula Studies Volume 8 2006 Article 3 2006 "The coin of our realm": Blood and Images in Dracula 2000 Alan S. Ambrisco University of Akron, Ohio Lance Svehla University of Akron, Ohio Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Ambrisco, Alan S. and Svehla, Lance (2006) ""The coin of our realm": Blood and Images in Dracula 2000," Journal of Dracula Studies: Vol. 8 , Article 3. Available at: https://research.library.kutztown.edu/dracula-studies/vol8/iss1/3 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. "The coin of our realm": Blood and Images in Dracula 2000 Cover Page Footnote Alan S. Ambrisco is an Associate Professor of English at The University of Akron. His research interests include medieval literature and the history of monsters. Lance Svehla is an Associate Professor of English at the University of Akron. He has published work in such journals as Teaching English in the Two-Year College and College Literature. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol8/ iss1/3 “The coin of our realm”: Blood and Images in Dracula 2000 Alan S. Ambrisco and Lance Svehla [Alan S. -
Fantastic Four Compendium
MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc. -
Cross Fire: an Original Companion Novel (Batman Vs. Superman: Dawn of Justice) Free
FREE CROSS FIRE: AN ORIGINAL COMPANION NOVEL (BATMAN VS. SUPERMAN: DAWN OF JUSTICE) PDF Michael Kogge | 144 pages | 16 Feb 2016 | Scholastic Inc. | 9780545916301 | English | United States Cross Fire: An Original Companion Novel of Batman v Superman: Dawn of Justice – DC Comics Movie It was released on February 16, After saving Metropolis from an alien invasion, Superman is now famous around the world. Meanwhile Gotham City 's own guardian, Batman, would rather fight crime from the shadows. But when the devious Doctor Aesop escapes from Arkham Asylumthe two very different heroes begin investigating the same case and a young boy is caught in the cross fire. The book also includes a full-color insert with images from the feature film. Two weeks after the Battle of Metropolisschoolboy Rory Greeley has been searching for his mother, who has been missing since the Black Zero Event. Instead of informing the authorities of this, he has for the past two weeks been working on a remote controlled drone to search the rubble for her. Superman has been assisting rescue workers by clearing rubble and rescuing trapped civilians since General Zod was defeated. Also a telethon run by the Metropolis News Network is happening that night, to raise money for Cross Fire: An Original Companion Novel (Batman vs. Superman: Dawn of Justice) victims of the attack and help with rebuilding the city. Since the attack, criminals had moved from Metropolis to Gotham out of fear for their lives. Bruce was going to the telethon that night, hoping to raise money for the victims of the event. -
Behold the Beast: Victorian Anxieties and Monstrous Forms
BEHOLD THE BEAST: VICTORIAN ANXIETIES AND MONSTROUS FORMS By Ben Pascoe A Thesis Submitted in Partial Fulfillment of the Requirement for the Degree MASTER OF ARTS Major Subject: English West Texas A&M University Canyon, Texas May 2019 ABSTRACT This paper seeks to analyze two examples of Victorian Gothic, the 1885 novella The Strange Case of Dr. Jekyll and Mr. Hyde and the 1897 novel Dracula as texts dealing with anxieties of degeneration, medicine, and addiction on the personal scale and a wider societal scale respectively. Both Dracula and Hyde represent monsters constructed as representatives of these anxieties in a direct and actionable form so that the audience could address their concerns. ii ACKNOWLEDGEMETS The Author would like to thank: his major advisor and committee members for their patience, help, and guidance; the various other faculty members who have contributed advice and assistance in the research and formatting of this paper. This thesis is dedicated to my family for their love and support through the attainment of my degree, the friends who have helped me along this journey, and the teachers who have helped me learn the skills to create it. iii Approved: [Chairman, Thesis Committee] [Date] [Member, Thesis Committee] [Date] [Member, Thesis Committee] [Date] [Department Head/Direct Supervisor] [Date] [Dean, Academic College] [Date] [Dean, Graduate School] [Date] iv TABLE OF CONTENTS Chapter Page CHAPTER 1: GOTHIC ANXIETIES .......................................................................... 1 CHAPTER 2: THE BEAST AMONG FRIENDS ...................................................... 30 Sex, Drugs, and Chemicals: The Vice Reading ................................................................ 34 Dr. Jekyll and Dr. Hyde: The Medical Reading ............................................................... 44 The Savage Gentleman: The Degenerative Reading ........................................................ 49 CHAPTER 3: THE BEAST AT THE GATES ..........................................................