DOCSLIB.ORG

Complete Nominations List

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

2021 Emmy® Awards 73rd Emmy Awards Complete Nominations List Outstanding Animated Program Big Mouth • The New Me • Netflix • Netflix Nick Kroll, Executive Producer Andrew Goldberg, Executive Producer/Teleplay by/Story by Mark Levin, Executive Producer Jennifer Flackett, Executive Producer Joe Wengert, Co-Executive Producer Kelly Galuska, Co-Executive Producer Gil Ozeri, Co-Executive Producer Emily Altman, Supervising Producer Ben Kalina, Supervising Producer Chris Prynoski, Supervising Producer Shannon Prynoski, Supervising Producer Anthony Lioi, Supervising Producer Victor Quinaz, Producer Abe Forman-Greenwald, Producer Nate Funaro, Produced by Patti Harrison, Story by Andres Salaff, Directed by Chris Ybarra, Assistant Director Bob's Burgers • Worms Of In-Rear-Ment • FOX • 20th Television Animation and Bento Box Animation Loren Bouchard, Executive Producer Jim Dauterive, Executive Producer Dan Fybel, Executive Producer Rich Rinaldi, Executive Producer Jon Schroeder, Executive Producer Nora Smith, Executive Producer/Written by Greg Thompson, Executive Producer Steven Davis, Co-Executive Producer Scott Jacobson, Co-Executive Producer Holly Schlesinger, Co-Executive Producer Lizzie Molyneux-Logelin, Co-Executive Producer Wendy Molyneux, Co-Executive Producer Kelvin Yu, Co-Executive Producer Janelle Momary-Neely, Supervising Producer Scott Greenberg, Animation Executive Producer Joel Kuwahara, Animation Executive Producer Michael Penketh, Animation Producer Chris Song, Directed by Bernard Derriman, Supervising Director Tony Gennaro, Supervising Director Doug Gallery, Timing Supervisor Genndy Tartakovsky's Primal • Plague Of Madness • Adult Swim •P aCgaer t1oon Network Studios Genndy Tartakovsky's Primal • Plague Of Madness • Adult Swim • Cartoon Network Studios Genndy Tartakovsky, Executive Producer/Directed by Brian A. Miller, Executive Producer Jennifer Pelphrey, Executive Producer Keith Crofford, Executive Producer Mike Lazzo, Executive Producer Oussama Bouacheria, Executive Producer Julien Chheng, Executive Producer Ulysse Malassagne, Executive Producer Erika Forzy, Executive Producer Shareena Carlson, Supervising Producer Darrick Bachman, Head Writer David Krentz, Written by/Story by Bryan Andrews, Story by The Simpsons • The Dad-Feelings Limited • FOX • A Gracie Films Production in association with 20th Television Animation James L. Brooks, Executive Producer Matt Groening, Executive Producer Al Jean, Executive Producer Matt Selman, Executive Producer John Frink, Executive Producer J. Stewart Burns, Co-Executive Producer Michael Price, Co-Executive Producer Joel H. Cohen, Co-Executive Producer Rob LaZebnik, Co-Executive Producer Jeff Westbrook, Co-Executive Producer Brian Kelley, Co-Executive Producer Dan Vebber, Co-Executive Producer Christine Nangle, Co-Executive Producer Richard Sakai, Produced by Richard K. Chung, Producer Tom Klein, Animation Producer Mike B. Anderson, Supervising Director Matthew Faughnan, Assistant Director Scott Brutz, Lead Animation Timer Chris Clements, Directed by Ryan Koh, Written by South Park: The Pandemic Special • Comedy Central • Central Productions, LLC Trey Parker, Executive Producer/Directed by Matt Stone, Executive Producer Anne Garefino, Executive Producer Frank C. Agnone II, Executive Producer Eric Stough, Producer Bruce Howell, Producer Adrien Beard, Producer Vernon Chatman, Producer Jack Shih, Producer Daryl Sancton, Producer Giancarlo Ganziano, Producer John Hansen, Producer David List, Producer Mark Munley, Producer Nate Pellettieri, Producer Greg Postma, Producer Lydia Quidilla, Producer Wonnie Ro, Producer Jenny Shin, Producer Keo Thongkham, Producer Outstanding Short Form Animated Program Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Page 2 Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix David Fincher, Executive Producer Tim Miller, Executive Producer Jennifer Miller, Executive Producer Joshua Donen, Executive Producer Andrew Ruhemann, Executive Producer Cara Speller, Executive Producer/Produced by Victoria Howard, Supervising Producer Philip Gelatt, Teleplay by Robert Valley, Directed by Jennifer Yuh Nelson, Supervising Director Maggie Simpson In: The Force Awakens From Its Nap • Disney+ • A Gracie Films Production in association with 20th Television Animation James L. Brooks, Produced by Matt Groening, Produced by Matt Selman, Produced by Richard Sakai, Produced by Denise Sirkot, Produced by Richard Raynis, Produced by Tom Klein, Animation Producer Joel H. Cohen, Written by Al Jean, Written by Michael Price, Written by David Silverman, Directed by Acacia Caputo, Animation Timer K.C. Johnson, Animation Timer Mike Frank Polcino, Animation Timer Once Upon A Snowman • Disney+ • Walt Disney Animation Studios Jennifer Lee, Executive Producer Nicole P. Hearon, Produced by Peter Del Vecho, Produced by Dan Abraham, Written by/Directed by Trent Correy, Written by/Directed by Robot Chicken • Endgame • Adult Swim • A Stoopid Buddy Stoodios production with Williams Street and Sony Pictures Television Seth Green, Executive Producer/Written by Matthew Senreich, Executive Producer/Written by John Harvatine IV, Executive Producer Eric Towner, Executive Producer Tom Root, Executive Producer/Head Writer Doug Goldstein, Executive Producer/Head Writer Keith Crofford, Executive Producer Mike Lazzo, Executive Producer Tom Sheppard, Co-Executive Producer/Written by/Directed by Whitney Loveall, Produced by Ollie Green, Producer Mike Fasolo, Written by Jared Gruszecki, Written by Harmony McElligott, Written by Michael Poisson, Written by Ellory Smith, Written by Alex Kamer, Animation Director Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More) The Flight Attendant • After Dark • HBO Max • HBO Max in association with Berlanti Productions, Yes, Norman Productions, and Warner Bros. Television Sara K White, Production Designer Christine Foley, Art Director Jessica Petruccelli, Set Decorator The Handmaid's Tale • Chicago • Hulu • Hulu, MGM, Daniel WilsonP aPgreo d3uctions, The Littlefield Company, White Oak Pictures The Handmaid's Tale • Chicago • Hulu • Hulu, MGM, Daniel Wilson Productions, The Littlefield Company, White Oak Pictures Elisabeth Williams, Production Designer Martha Sparrow, Art Director Larry Spittle, Art Director Rob Hepburn, Set Decorator Mare Of Easttown • HBO • HBO in association with wiip Studios, The Low Dweller Productions, Juggle Productions, Mayhem Pictures, and Zobot Projects Keith P. Cunningham, Production Designer James F. Truesdale, Art Director Gina Cranham, Art Director Edward McLoughlin, Set Decorator Sarah McMillan, Set Decorator The Undoing • HBO • HBO in association with Made Up Stories, Blossom Films, David E. Kelley Productions Lester Cohen, Production Designer Doug Huszti, Art Director Keri Lederman, Set Decorator Yellowstone • Going Back To Cali • Paramount Network • Linson Entertainment, Bosque Ranch, Treehouse, 101 Studios, LLC Cary White, Production Designer Yvonne Boudreaux, Art Director Carla Curry, Set Decorator Outstanding Production Design For A Narrative Period Or Fantasy Program (One Hour Or More) Bridgerton • After The Rain • Netflix • A Netflix Original Series in association with shondalandmedia Will Hughes-Jones, Production Designer Dominic Devine, Art Director Gina Cromwell, Set Decorator The Crown • War • Netflix • Left Bank Pictures in association with Sony Pictures Television for Netflix Martin Childs, Production Designer Mark Raggett, Art Director Alison Harvey, Set Decorator Halston • Netflix • A Netflix Original Series Mark Ricker, Production Designer Nithya Shrinivasan, Art Director Cherish M. Hale, Set Decorator The Mandalorian • Chapter 13: The Jedi • Disney+ • Lucasfilm Ltd. Andrew L. Jones, Production Designer Doug Chiang, Production Designer David Lazan, Art Director Amanda Serino, Set Decorator Perry Mason • Chapter Three • HBO • HBO in association with Team Downey, Dwight Street Book Club, and Inflatable Moose John Goldsmith, Production Designer Chris Farmer, Art Director Halina Siwolop, Set Decorator The Queen's Gambit • Netflix • Netflix Uli Hanisch, Production Designer Kai Karla Koch, Art Director Sabine Schaaf, Set Decorator Outstanding Production Design For A Narrative Program (Half-Hour) Emily In Paris • Emily In Paris • Netflix • MTV Entertainment StudPiaogse, 4Darren Star Productions, and Jax Media for Netflix Emily In Paris • Emily In Paris • Netflix • MTV Entertainment Studios, Darren Star Productions, and Jax Media for Netflix Anne Seibel, Production Designer Jean-Yves Rabier, Art Director Christelle Maisonneuve, Set Decorator Hacks • Primm • HBO Max • Universal Television in association with Paulilu, First Thought Productions, Fremulon Productions, 3 Arts Entertainment Jon Carlos, Production Designer James Bolenbaugh, Art Director Ellen Reede Dorros, Set Decorator Ted Lasso • For The Children • Apple TV+ • Apple / Doozer Productions in association with Warner Bros. Television and Universal Television Paul Cripps, Production Designer Iain White, Art Director United States Of Al • Pilot • CBS • Chuck Lorre Productions, Inc. in association with Warner Bros. Television John Shaffner, Production Designer Daren Janes, Art Director Susan Eschelbach, Set Decorator WandaVision • Disney+ • Marvel Studios Mark Worthington, Production Designer Sharon Davis, Art Director Kathy Orlando, Set Decorator Outstanding Production Design For A Variety, Reality Or Competition Series Last Week Tonight With John Oliver • Trump & Election Results / F*ck 2020 • HBO • HBO in association
Recommended publications
  • Impact Investing in the Creative Economy: Diving Deep Into Ethical Fashion, Sustainable Food and Social Impact Media

    Impact Investing in the Creative Economy: Diving Deep Into Ethical Fashion, Sustainable Food and Social Impact Media

    Impact Investing in the Creative Economy: diving deep into Ethical Fashion, Sustainable Food and Social Impact Media Creatve people solve problems. Increasingly, In an efort to demystfy the creatve economy they are doing it beyond the studio, the for impact investors, impact fund managers and theater and the concert hall. Creatve people other stakeholders, this report dives deep into are harnessing the power of business and the three large and growing consumer industries marketplace to scale and sustain their ideas. within the creatve economy: fashion, food and media. These industries share the capacity to Many of the businesses that artsts, designers intrigue, engage, educate and actvate more and other creatves start balance fnancial mindful consumers so that the benefts of proftability with concern for the planet, ethical and sustainable supply chains and the their workers, and their community. These full power of media to drive positve change can socially-focused companies seek capital from be realized. impact investors who understand the power of art, design, culture, heritage and creatvity to Creatve Economy Defned drive positve environmental and social impact. Together, investors and entrepreneurs can The “creatve economy” was defned by John grow the creatve economy to become more Howkins in 2001 as a new way of thinking and inclusive, equitable and sustainable. doing that revitalizes manufacturing, services, retailing, and entertainment industries with A Creatvity Lens: Impact Investng in the Creatve Economy 1 a focus on individual talent or skill, and art, The Opportunity culture, design, and innovaton. Concern by consumers about how their food, Today, creatve economy defnitons are clothes and entertainment are produced has typically ted to eforts to measure economic grown signifcantly in recent years.
  • Pression Meaning “Allah Willing.”

    Pression Meaning “Allah Willing.”

    Insha’Allah Democracy Insha’Allah: pronounced In-SHAH-lah. Arabic language expression meaning “Allah willing.” LOGLINE Former Pakistani President Musharraf, despite having a legacy as a dictator and being charged with treason, returns to Pakistan and runs for president. SHORT SYNOPSIS In Insha'Allah Democracy, filmmaker Mohammed Naqvi chronicles his journey as a first-time voter in Pakistan. When Mo was 19, General Pervez Musharraf staged a coup d’etat that saw him in power until his exile in 2008. With the country growing increasingly unstable and sectarian, Mo chose to back Musharraf and his supposedly secular liberal platform. But as this wry satire explores, backing military dictatorship is never a good idea. Gaining remarkable access to former dictator Musharraf, the film questions if democracy is truly possible in Pakistan. Through moving first-person accounts and vivid footage, the film offers a compelling portrait of the contradictions and complexities of a nascent democratic process in a country recovering from a long history of military rule. Presented by 64th Street Media, Mighty Engine and Impact Partners PRESS CONTACT PRODUCER CONTACT idemocracyfi[email protected] Mohammed Ali Naqvi [email protected] WORLDWIDE SALES Cristine Platt Dewey Managing Director | ro*co Films International Mo Naqvi Films cristine.platt.dewey@rocofilms.com 80 Liberty Ship Way, Suite 8, Sausalito, CA 94965, Impact Partners USA Tel. 415.332.6471 | Fax 415.332.6798 Insha’Allah Democracy http://www.rocofilms.com/ @idemocracyfilm @idemocracyfilm @idemocracyfilm AWARDS FESTIVALS FULL SYNOPSIS Growing up as a Shia Muslim minority in Pakistan, I saw members of my family and community being targeted by right-wing Islamist extremists.
  • Pr-Dvd-Holdings-As-Of-September-18

    Pr-Dvd-Holdings-As-Of-September-18

    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
  • Tate Report 08-09

    Tate Report 08-09

    Tate Report 08–09 Report Tate Tate Report 08–09 It is the Itexceptional is the exceptional generosity generosity and and If you wouldIf you like would to find like toout find more out about more about PublishedPublished 2009 by 2009 by vision ofvision individuals, of individuals, corporations, corporations, how youhow can youbecome can becomeinvolved involved and help and help order of orderthe Tate of the Trustees Tate Trustees by Tate by Tate numerousnumerous private foundationsprivate foundations support supportTate, please Tate, contact please contactus at: us at: Publishing,Publishing, a division a divisionof Tate Enterprisesof Tate Enterprises and public-sectorand public-sector bodies that bodies has that has Ltd, Millbank,Ltd, Millbank, London LondonSW1P 4RG SW1P 4RG helped Tatehelped to becomeTate to becomewhat it iswhat it is DevelopmentDevelopment Office Office www.tate.org.uk/publishingwww.tate.org.uk/publishing today andtoday enabled and enabled us to: us to: Tate Tate MillbankMillbank © Tate 2009© Tate 2009 Offer innovative,Offer innovative, landmark landmark exhibitions exhibitions London LondonSW1P 4RG SW1P 4RG ISBN 978ISBN 1 85437 978 1916 85437 0 916 0 and Collectionand Collection displays displays Tel 020 7887Tel 020 4900 7887 4900 A catalogue record for this book is Fax 020 Fax7887 020 8738 7887 8738 A catalogue record for this book is available from the British Library. DevelopDevelop imaginative imaginative education education and and available from the British Library. interpretationinterpretation programmes programmes AmericanAmerican Patrons Patronsof Tate of Tate Every effortEvery has effort been has made been to made locate to the locate the 520 West520 27 West Street 27 Unit Street 404 Unit 404 copyrightcopyright owners ownersof images of includedimages included in in StrengthenStrengthen and extend and theextend range the of range our of our New York,New NY York, 10001 NY 10001 this reportthis and report to meet and totheir meet requirements.
  • Bringing the Future Faster

    Bringing the Future Faster

    6mm hinge Bringing the future faster. Annual Report 2019 WorldReginfo - 7329578e-d26a-4187-bd38-e4ce747199c1 Bringing the future faster Spark New Zealand Annual Report 2019 Bringing the future faster Contents Build customer intimacy We need to understand BRINGING THE FUTURE FASTER and anticipate the needs of New Zealanders, and Spark performance snapshot 4 technology enables us Chair and CEO review 6 to apply these insights Our purpose and strategy 10 to every interaction, Our performance 12 helping us serve our Our customers 14 customers better. Our products and technology 18 Read more pages 7 and 14. Our people 20 Our environmental impact 22 Our community involvement 24 Our Board 26 Our Leadership Squad 30 Our governance and risk management 32 Our suppliers 33 Leadership and Board remuneration 34 FINANCIAL STATEMENTS Financial statements 38 Notes to the financial statements 44 Independent auditor’s report 90 OTHER INFORMATION Corporate governance disclosures 95 Managing risk framework roles and 106 responsibilities Materiality assessment 107 Stakeholder engagement 108 Global Reporting Initiative (GRI) content 109 index Glossary 112 Contact details 113 This report is dated 21 August 2019 and is signed on behalf of the Board of Spark New Zealand Limited by Justine Smyth, Chair and Charles Sitch, Chair, Audit and Risk Management Committee. Justine Smyth Key Dates Annual Meeting 7 November 2019 Chair FY20 half-year results announcement 19 February 2020 FY20 year-end results announcement 26 August 2020 Charles Sitch Chair Audit and Risk Management Committee WorldReginfo - 7329578e-d26a-4187-bd38-e4ce747199c1 Create New Zealand’s premier sports streaming business Spark Sport is revolutionising how New Zealanders watch their favourite sports events.
  • 68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016

    68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016

    EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively.

  • What's New on Star on Disney+ Parental Controls

    March NEWSLETTER Disney+ is the dedicated streaming home for TV series and movies from Disney, Pixar, Marvel, Star Wars, National Geographic and new general entertainment brand Star, including exclusive Disney+ and Star Originals. This newsletter provides regular updates on upcoming Disney+ and Star Originals, brand-new episodes, and the latest blockbuster movies joining the service in the UK. Please note, movie & series availability can vary by country and is subject to change. The below is correct at time of issuing. For general media inquiries, please contact Disney+ UK Press Office Did you know... Robust parental controls will be introduced from 23rd February to ensure that Disney+ remains a suitable viewing experience for everyone in the family. Celebrating one year of Disney+ in Europe - the 24th of March marks one year since we launched in the UK and Ireland! The fifth anniversary of Zootropolis: Revisit this Oscar-winning animation on Disney+ as it turns five this year! Parental Controls: protection + peace of mind Disney+ will remain suitable for audiences of all ages, thanks to the new robust parental controls. From the 23rd February, the app will include easy-to-use parental controls enabling the family-friendly experience to continue. You will be able to set content ratings for individual profiles to restrict access for your younger viewers at home, and set a Profile PIN to keep the kids protected and give parents peace of mind. What’s new on Star on Disney+ Star is the sixth brand to launch on Disney+, joining entertainment favourites Disney, Pixar, Marvel, Star Wars and National Geographic from 23rd February 2021.
  • Rebooting Roseanne: Feminist Voice Across Decades

    Rebooting Roseanne: Feminist Voice Across Decades

    Home > Vol 21, No 5 (2018) > Ford Rebooting Roseanne: Feminist Voice across Decades Jessica Ford In recent years, the US television landscape has been flooded with reboots, remakes, and revivals of “classic” nineties television series, such as Full/er House (1987-1995, 2016- present), Will & Grace (1998-2006, 2017-present), Roseanne (1988-1977, 2018), and Charmed (1998-2006, 2018-present). The term “reboot” is often used as a catchall for different kinds of revivals and remakes. “Remakes” are derivations or reimaginings of known properties with new characters, cast, and stories (Loock; Lavigne). “Revivals” bring back an existing property in the form of a continuation with the same cast and/or setting. “Revivals” and “remakes” both seek to capitalise on nostalgia for a specific notion of the past and access the (presumed) existing audience of the earlier series (Mittell; Rebecca Williams; Johnson). Reboots operate around two key pleasures. First, there is the pleasure of revisiting and/or reimagining characters that are “known” to audiences. Whether continuations or remakes, reboots are invested in the audience’s desire to see familiar characters. Second, there is the desire to “fix” and/or recuperate an earlier series. Some reboots, such as the Charmed remake attempt to recuperate the whiteness of the original series, whereas others such as Gilmore Girls: A Life in the Year (2017) set out to fix the ending of the original series by giving audiences a new “official” conclusion. The Roseanne reboot is invested in both these pleasures. It reunites the original cast for a short-lived, but impactful nine-episode tenth season.
  • Netflix and the Development of the Internet Television Network

    Netflix and the Development of the Internet Television Network

    Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation.
  • The Nation Speaks Back!

    The Nation Speaks Back!

    Formats TBIvision.com October/November 2016 It’s time to listen to the people... The nation speaks back! FormatspOFC OctNov16.indd 1 04/10/2016 19:58 THE iconic new game show Coming to screens in the UK and the Netherlands FormatspIFC-01 Talpa dps OctNov16.indd 2 03/10/2016 20:21 THE iconic new game show Coming to screens in the UK and the Netherlands FormatspIFC-01 Talpa dps OctNov16.indd 3 03/10/2016 20:21 Logic will get you from A to B. Imagination will take you everywhere. Pop-Science format now in its fifth season. Over 50 episodes of smart entertainment. One of the highest-rated series of all time on National Geographic. MIPCOM stand C16.C fngcontentdistribution.com 03041Formatsp02-03 - FOX MipCom Fox OctNov16.indd Ad BRAIN GAMES 2 V1.indd 1 28/09/2016 10:27 26/09/2016 21:08 Logic will get you from A to B. Imagination will take you everywhere. Pop-Science format now in its fifth season. Over 50 episodes of smart entertainment. One of the highest-rated series of all time on National Geographic. MIPCOM stand C16.C fngcontentdistribution.com 03041 - FOX MipCom Ad BRAIN GAMES V1.indd 1 Formatsp02-03 Fox OctNov16.indd 3 28/09/201626/09/2016 21:0810:27 8 x 60’ SERIES + FORMAT CHALLENGING FASHION CHANGING LIVES MASSIVE SOCIAL MEDIA PRESENCE: 4 MILLION An engaging and entertaining UNIQUE VISITORS TO Hosted by new competitive series, creating a new thefashionhero.com BROOKE HOGAN reality in the world of fashion. VISIT US AT MIPCOM, BOOTH P-1.B85 Created by or contact Nha-Uyen Chau, Looking Glass International: [email protected] CAROLINE BERNIER or Nathalie Bourdon Beauty World Search: [email protected] Beauty World Search Formatsp04 Beauty World OctNov16.indd 1 26/09/2016 18:03 J9758_FASHION_HERO_TBI_FP_MIPCOM_ISSUE_FORMATS_ADVERT_AW.indd 1 26/09/2016 17:47 CONTENTS INSIDE THIS ISSUE 6 This issue 12 6 TBI Interview: Ben Silverman and Howard T.
  • The US Film Industry

    The US Film Industry

    Jono Polansky, Onbeyond LLC August 2020 _____________________________________________________________________________________________ This SFM guide to who owns what in the US screen entertainment industry — movies, broadcast, cable and streaming — has been updated to reflect developments in tobacco content and changes in corporate ownership. We put this map together so public health experts, parents, young people and policy makers can identify who decides if smoking shows up in entertainment accessible to kids. The US film industry MAJOR STUDIOS | The US feature film industry is dominated by five “major studio” distributors. In 2019, their top-grossing films accounted for 81 percent of all youth-rated tobacco impressions delivered to domestic theater audiences. The studios develop, finance, and market film projects domestically and worldwide. Almost all films with production budgets greater than $50 million are major studio films. Studios may not break even on theatrical showings of a film, but a film’s box office, split roughly 50-50 with the theaters, strongly predicts the revenue the studio keeps to itself when the film is later released on DVD and licensed to on-demand, cable, and broadcast services. Most studio revenue comes from those “long tail” after-markets. In addition, 70 percent of US studios’ theatrical revenue now comes from outside the United States, which helps explain why easy-to-sell “franchise” films are prized by major studios. The major studios are represented by a trade group, the Motion Picture Association (MPA), dominate its board of directors. The MPA owns and administers the movie ratings (G/PG/PG-13/R,NC-17), with a nod to the National Association of Theatre Owners (NATO), which plays a role in enforcing age restrictions.
  • How Bias Is Your News Source? Source/: Just a Few of Rupert  Murdoch's News Corporation Brands

    How Bias Is Your News Source? Source/: Just a Few of Rupert  Murdoch's News Corporation Brands

    23 views 0 0 RELATED TITLES How Bias is Your News Source? source/: Just a few of Rupert Murdoch's News Corporation Brands Original Title: How Bias is Your News Source? BENSON Unleaded Hidden Costs of Loudest Climate Mapping Field Gasoline Prices Pump Prices Change Skeptic Uploaded by Kenneth Burridge 100s if not 1000s of incorrect and slanted news reports relating to: climate change, alternative energy, and electric cars appear to be coming from the same source! Full description Save Embed Share Print How Bias is Your News Source? http://theev.biz/ev-info/how-bias-is-your-news- source/ 23 views 0 0 RELATED TITLES How Bias is Your News Source? source/: Just a few of Rupert Murdoch's News Corporation Brands Original Title: How Bias is Your News Source? BENSON Unleaded Hidden Costs of Loudest Climate Mapping Field Gasoline Prices Pump Prices Change Skeptic Uploaded by Kenneth Burridge 100s if not 1000s of incorrect and slanted news reports relating to: climate change, alternative energy, and electric cars appear to be coming from the same source! Full description Save Embed Share Print Each in their own right taking part in a chorus that repeats the same very right-wing conservative agenda. The big picture view is that the news they report on clearly supports and favors keeping and preserving the status quo and thus the wealth and power of the largest companies and industries on the planet…not the common man. The TV networks, websites, newspapers, magazines owned by Rupert Murdoch have been at best been reluctant to publish or report on anything that doesn’t support the various big businesses that continue to fund their media empire with advertising dollars.