The Nation Speaks Back!
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Law and Order Seer
Law And Order Seer Gravelly Apostolos wiretaps or provide some trammel damagingly, however stalwart Ian treats actionably or interpenetrates. Uncontrovertible and staged Billie irradiating some metallographers so goddamn! Leonhard underscores unkindly as quadrivalent Curtis communalised her archdukes muzzles wolfishly. CEE Directory of ARI Verified Equipment to determine which equipment qualifies for ENERGY STAR. By the time I was a teenager I could play many of the hymns, but surprisingly I could also sing the words of those hymns by heart because I had heard my grandfather sing them so many times. Good question, Kevin, thanks. The second statement concerns the relation of the Supreme Court and legislatures. But opting out of some of these cookies may have an effect on your browsing experience. We are thinking of you. However, NBC did experience success with its summer schedule, despite its declining ratings during the main broadcast season. You entered the wrong number in captcha. Therefore, tax surcharges, penalties and the respective procedures vary widely between different states. Reseting all the values for next iteration window. Warranty registration is strongly urged and required for the validity of the Standard Warranty. Roman Empire would split into three empires. How do we calculate watts, volts, and amperage for an electrical device like an air conditioner? They showed up early! One big positive to single stage systems is that they tend to be the hardiest of all the options. PROVIDED BY CROSSCIRCLES INC. Turn from your evil ways and keep My commands and statutes according to all the law I commanded your ancestors and sent to you through My servants the prophets. -
PRESS RELEASE for IMMEDIATE RELEASE JUNE 6, 2016 Contact: Shafer Busch, America Abroad Media [email protected] 202-2
View this email in your browser PRESS RELEASE FOR IMMEDIATE RELEASE JUNE 6, 2016 Contact: Shafer Busch, America Abroad Media [email protected] 202-249-7380 From Left: Paul Baker, Maryam Almheiri, Aaron Lobel, H.E. Noura Al Kaabi, Ben Silverman, Greg Daniels, and Howard Owens. America Abroad Media Brings Top Hollywood Writer and Producers to Abu Dhabi Last week America Abroad Media (AAM) helped organize a delegation of leading Hollywood producers and writers who traveled to Abu Dhabi for a groundbreaking series of workshops and events aimed at supporting young creative talent in the UAE and the broader Arab World. The delegation included AAM Founder and President Aaron Lobel; Ben Silverman, the Emmy, Golden Globe, and Peabody Award-winning executive producer of The Office, Ugly Betty, The Tudors, Jane the Virgin, and Marco Polo; Greg Daniels, a leading comedy writer, producer, and director on shows such as Saturday Night Live and The Simpsons and co-creator of The Office, King of the Hill, and Parks and Recreation; and Howard Owens, Founder and co-CEO of Propagate Content and former CEO of National Geographic Channels. “Our partners in the Middle East have the ambition and the talent to bring about a new golden age in Arab drama and entertainment," said Lobel, "and they feel that the experience of Hollywood professionals can benefit their efforts. We look forward to forging long term partnerships for Arabic drama and entertainment programming that will reach audiences across the Middle East and far beyond." During their visit, Ben Silverman and Howard Owens shared their experiences in Hollywood with over 100 Arab counterparts and explored how the UAE can become a regional and global center for storytelling, while Greg Daniels hosted two invitation- only screenwriting workshops with writers from around the region. -
POPULAR COMMUNICATIONS Weathering the Storñl Stations Kee Ransmitting
POPULAR COMMUNICATIONS Weathering The Storñl Stations Kee ransmitting Scanning Ai Communications, Checked. Out: Grundig On the cover: Destruction of Yacht Boy 400 Receiver WCIX Channel 6 by Hurricane Andrew, Miami, FL. Spring Shortwave English -u*ki, Language Broadcasts , rates, Satellite Antennas and 74HVM1'0'Ul,'513"11113111111 www.americanradiohistory.com At Your F AOR, LTD. 2-6-4 \ lisuji, Taito-Ku, Iuk o Ill Japan (c) 1995AOR,LTD. Licensed under US. Pat. 4,270,217 f Specifications No other receiver on today's market offers Frequency Range 100kHz - 2036MHz* (Cell Blocked) so much...Wide frequency range, continuous cov- Frequency Readout 8 digit, 100Hz, Digital Display Frequency Resolution 50Hz increments from erage communication receiver with 400 channel 50Hz - 999.95kHz (All Modes ) memory, digital read-out and push-button control. Frequency Stability +5 ppm from -10oC to +50oC Compact size 85cu. inch., 32oz. Low power con- Antenna Impedance 50ohm sumption. 12VDC, 300mA. Bands covered are VHF Receiving System Triple Conversion ( USB / LSB Low Band, Aircraft, Marine, Business, FM Broad- /CW/AMINFM) cast, Amateur Radio, Emergency Services, Govern- Quadruple Conversion (WFM ) ment, and Television. Scanning, featuring full scan, Selectivity 2.4kHz/ -6dB, 4.5kHz/ -60dB programmed scan, mode selected scan, memory ( USB / LSB /CW) channel scan, auto write programmed scan, and 12 kHz/ -6dB, 15kHz/ -70dB (AM/NFM) priority scan. Allows external selection of frequency 180kHz/ -6dB, 800kHz/ -50dB and mode by a serial data port for user friendly, com- (WFM) puter interface. Also SDU5000 compatible. Electronic Distributors 325 Mill St. Vienna, VA. 22180 Ph: 703 938 8105 FAX: 703 938 4525 Exclusive North & South American DistributoPg www.americanradiohistory.com i EEB TWO SALE.. -
ONOMATOPEE 170 ENTREPRECARIAT Silvio Lorusso
ENTREPRECARIAT Silvio Lorusso ONOMATOPEE 170 A COMPELLING AND RELENTLESS J’ACCUSE: DEBUNKING THE SOCIAL AND POLITICAL MYTHS THAT PUSH AN INCREASING NUMBER OF PERSONS TO PERFORM IN THE ENTREPRENEURSHIP CIRCUS — WITH NO SAFETY NETS. Antonio Casilli, author of En attendant les robots, 2019 ENTREPRECARIAT Silvio Lorusso ONOMATOPEE 170 ENTREPRECARIAT Everyone Is an Entrepreneur. Nobody Is Safe. CONTENTS Colophon 4 Acknowledgments 6 Precarious by Design Foreword by Geert Lovink 9 Origin Story 15 I. Core Values I.I Be Like Elon: What is an Entrepreneur? 21 I.II Expectations vs. Reality: Unboxing Precarity 38 I.III Fake It Till You Make It: Entrepreneurial Precariat or Precarious Entrepreneurialism? 64 II. Assets II.I Time: Shouldn’t You Be Working? 79 II.II Space: Squatting the Endless Ofce 101 II.III Mind: Hack Thyself 130 III. Platforms III.I LinkedIn: A CV That Never Sleeps 155 III.II Fiverr: Creative Self-Destruction 176 III.III GoFundMe: The Tragedy of Crowdfunding 209 Exit Strategy 226 The Spirit of the Entreprecariat Afterword by Rafaele Alberto Ventura 235 Bibliography 241 Entreprecariat: Printed by Printon (Tallinn, Estonia) Everyone Is an Entrepreneur. Print run: 1200 Nobody Is Safe. by Silvio Lorusso Made possible by Foreword Cultuur Eindhoven, by Geert Lovink Mondriaan Fund, Afterword Province Noord-Brabant by Rafaele Alberto Ventura and Onomatopee Onomatopee 170 ISBN: 978-94-93148-16-1 2019 Translation from Italian: Isobel Butters Proofreading: Josh Plough Editorial Advice: Freek Lomme Graphic design: Federico Antonini and Alessio D’Ellena (Superness.info) Typeset in: Monument Grotesk by abcdinamo.com ITC Garamond Condensed Italian edition: Krisis Publishing, 2018 Unless otherwise credited, all images reproduced in this book are the property of their respective authors. -
France's Banijay Group Buys Endemol Shine to Create European Production Giant
Publication date: 28 Oct 2019 Author: Tim Westcott Director, Research and Analysis, Programming France's Banijay Group buys Endemol Shine to create European production giant Brought to you by Informa Tech France's Banijay Group buys Endemol Shine to 1 create European production giant France-based production company Banijay Group has reached agreement to acquire Endemol Shine Group from Walt Disney Company and US hedge fund Apollo Global Management. The price for the deal was not disclosed but is widely reported to be $2.2 billion. A statement from the group said the deal will be financed through a capital increase of Banijay Group and debt. On closure, subject to regulatory clearances and employee consultations. Post-closing, the combined group will be majority owned (67.1%) by LDH, the holding company controlled by Stephane Courbit's LOV Group, and Vivendi (32.9%), which invested in Banijay in 2014. The merged group said it will own almost 200 production companies in 23 territories and the rights for close to 100,000 hours of content, adding that total pro-forma revenue of the combined group is expected to be €3 billion ($3.3 billion) this year. Endemol Shine Group is jointly owned by Disney, which acquired its 50% stake as part of its acquisition of 21st Century Fox last year, and funds managed by affiliates of Apollo Global Management. Endemol Shine has 120 production labels and owns 66,000 hours of scripted and non- scripted programming and over 4,300 registered formats. Our analysis Endemol Shine Group has been up for sale since last year, and Banijay Group appears to be have been the only potential buyer to have made an offer, despite reported interest from All3Media, RTL Group-owned Fremantle and others. -
American Friends of the Israel Philharmonic Orchestra to Honor Legendary Composer Stanley Silverman at Annual Gala in Beverly Hills
AMERICAN FRIENDS OF THE ISRAEL PHILHARMONIC ORCHESTRA TO HONOR LEGENDARY COMPOSER STANLEY SILVERMAN AT ANNUAL GALA IN BEVERLY HILLS Silverman will be honored at the organization’s Los Angeles gala on October 25, 2018, which will bring together entertainment, music and philanthropic notables for an evening celebrating the global impact of music LOS ANGELES, August 24, 2018 - Stanley Silverman will be honored by the American Friends of the Israel Philharmonic Orchestra (AFIPO), on the occasion of his 80th birthday, at their upcoming Los Angeles gala, October 25, 2018 at the Wallis Annenberg Center for the Performing Arts in Beverly Hills. The event will honor the life and work of the diverse Grammy and Tony nominated American composer, with a program inclusive of classical and popular music Silverman has composed for both theater and film, along with remarks by special guests. Actors Rob Morrow and Jane the Virgin star Jaime Camil will MC the event. Pianist Ory Shihor will perform alongside members of the Israel Philharmonic. Silverman joins other musical legends who have been honored by the AFIPO at their Los Angeles gala, including multi-Oscar winning composer Hans Zimmer in 2014, and conductor Zubin Mehta in 2017. “I am honored to be receiving this recognition from the AFIPO,” said Silverman, “As a passionate supporter of the organization, I am very much looking forward to the gala in October and hearing some of my important pieces played by these musicians of the Israel Philharmonic Orchestra.” “From the Israel Philharmonic Orchestra’s founding, by some of the best musicians across Europe, the roots of the orchestra have always been about moving the world through music. -
What Can Engineers Learn from the Humanities?
What can engineers learn from the Humanities? John Naughton 5 May 2015 Introduction Everywhere one looks these days, the Humanities seem to be on the defensive. On both sides of the Atlantic and further afield there is a crisis of morale in humanities departments. Like the citizens of Czechoslovakia under Soviet rule, Humanities scholars console themselves with bitter, resigned humour, mocking the absurdities of their philistinic overlords. Here, for example, is Terry Eagle- ton, who has held chairs in English in an number of elite universities, reflecting on an encounter he had when being shown round a thoroughly modern Korean university by its thoroughly modern President: “As befitted so eminent a personage, he was flanked by twoburly young minders in black suits and shades, who for all I knew were car- rying Kalashnikovs under their jackets. Having waxed lyrical about his gleaming new business school and state-of-the-art institute for management studies, the president paused to permit me a few words of fulsome praise. I remarked instead that there seemed to be no crit- ical studies of any kind on his campus. He looked at me bemusedly, as though I had asked him how many Ph.D.’s in pole dancing they awarded each year, and replied rather stiffly ‘Your comment will be noted.’ He then took a small piece of cutting-edge technology out of his pocket, flicked it open and spoke a few curt words of Korean into it, probably ‘Kill him.’ A limousine the length of a cricket pitch then arrived, into which the president was bundled by his minders and swept away. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Trends in TV Production Ofcom, December 2015 Contents
Trends in TV Production Ofcom, December 2015 Contents 1. Summary 2. What were the original aims of intervention? 3. The UK production market 4. How many companies are active in the market? 5. How easy is it to enter? 6. Production sector revenue and flow of funds 7. Production sector consolidation 8. Quotas 9. Regionality 10. Historical context of the US market Summary – the questions asked This pack aims to confirm (or dispel) many of the widely held beliefs about the UK television production sector. Among the questions it seeks to answer are: • What is the intervention (regulation of the sector) meant to do? • How has commissioning developed over time? • How has the number of producers changed over time? • Is it harder to get into the market? • How do terms of trade work? • How has the sector grown? • What has consolidation looked like? • How do quotas work? • How does the sector operate regionally? 3 Summary – caveats This report was produced for Ofcom by Oliver & Ohlbaum Associates Ltd (“O&O”). The views expressed in this report are those of O&O and do not necessarily represent the views of Ofcom. While care has been taken to represent numbers in this report as accurately as possible based on available sources there may be inaccuracies and they may not correspond with Ofcom’s view of the market and cannot be taken as officially representative of Ofcom data. 4 Summary - data sources used • Oliver & Ohlbaum Producer Database, 2006-2015 ₋ BARB data supplied by Attentional and further coded by O&O to include production companies and their status as qualifying or no-qualifying producers, plus their respective turnover bands. -
AYELET GIL-EFRAT Editor
AYELET GIL-EFRAT Editor Feature Films: THE OVEN - NEM Corp – Jake Paltrow, director; Oren Moverman, producer DOOSRA – Ramesh Deo Productions – Abhinay Deo, director LUST LIFE LOVE – 1091 Pictures – Stephanie Sellar & Ben Feuer, directors Berlin International Film Festival, World Premiere HARMONIA – KESHET – Ori Sivan, director Jerusalem International Film Festival Winner, Jewish Experience Award NO EXIT – Cia.La Salamandra – Dror Sabu, director Jerusalem International Film Festival Winner, Best Film Television: SMALL MONSTERS – Reshet – director, Dani Sirkin LOST IN ASIA – YES Cable Network– Yuval Shefferman, director THE PLAGUE – HOT Cable Network– Yami Wisler, director LOST IN ASIA – YES Cable Network– Yuval Shefferman, director EAGLES (NEVELOT) – HOT Cable Network– Dror Sabu, director BAREFOOT – HOT Cable Network– Ori Sivan, director THE FIRST FAMILY – HOT Cable Network– Alon Bennary, director THE SADDEST SKETCH SHOW IN THE WORLD – Channel 10 – Yammi Wisler, director UNTIL THE WEDDING – Channel 2 / RESHET – Daphna Levin & Oded Lotan, directors NOT IN FRONT OF THE CHILDREN – Channel 10 – Eyal Sella, director I NEVER PROMISED YOU –YES Cable Network–Gabi Biblyovich & Ophir Babayof, directors Unscripted: 90 HIGHWAY – Channel 8 – director, Anat Seltzer PAIRS – Channel 3 / HOT Cable Network – director, Adva Sheffer Y AT TEN – YES Cable Network – various directors Y PROJECT – YES Cable Network – director, Dror Sabu Documentaries: ALEX IN WONDERLAND – Channel 8 – director, Ori Sivan STRUDEL WITH TAHINI – YES Cable Network – director, Tomer Shani & Ran Landau IN THE JEWISH STATE – Channel 1 – directors, Gabi Biblyovich, Anat Seltzer, & Moish Goldberg MOTHER OF THE BAND – Channel 3 / HOT Cable Network – directors, Shahar Magen & Ayelet Gil-Efrat VOICE OF THE LAND – Channel 10 – director, Eyal Halfon RED DAYS – Channel 2 / TELAD – director, Dror Sabu 9465 Wilshire Blvd. -
Tug of Perspectives: Mobile App Users Vs Developers
Tug of Perspectives: Mobile App Users vs Developers Sandeep Kaur Kuttal #1, Yiting Bai #2, Ezequiel Scott ∗3, Rajesh Sharma ∗4 # Tandy School of Computer Science, University of Tulsa USA 1 [email protected] 2 [email protected] ∗ University of Tartu Estonia 3 [email protected] 4 [email protected] Abstract—Billions of apps are published each year in the expressed in app reviews, and team structures can impact mobile application distribution market. However, a large number app popularity. To fill this gap, we investigated the influence of these apps are unsuccessful due to poor user attention of these factors on the user experience to assist struggling and satisfaction as reflected by low ratings on the distribution markets. Recent studies have investigated the app popularity developers. from users’ perspectives, but none of the studies have compared To analyze and understand software engineering paradigm it from a developer’s perspective. To fill this gap, we analyzed of app development, we collected two types of information the user ratings and reviews with the software characteristics: - users ratings and reviews from the Apple App Store and ratings, issue report contents, number of bugs and enhancements, project related information (e.g. issue reports, developers in- and developers’ team structure. In order to do this, we examined 274 apps on the Apple App Store that also had their source volved) from GitHub. These provided us with a rich and inter- code available on GitHub. We collected 19,655 app reviews related set of data. and 13,193 issue reports from both platforms. -
Limitations on Copyright Protection for Format Ideas in Reality Television Programming
For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING By Kent R. Raygor and Edwin Komen* * Kent R. Raygor and Edwin Komen are partners in the Entertainment, Media, and Technology Group in the Century City, California and Washington, D.C. offices, respectively, of Sheppard Mullin Richter & Hampton LLP. The authors thank Ben Aigboboh, an associate in the Century City office, for his assistance with this article. 97 For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING I. INTRODUCTION Television networks constantly compete to find and produce the next big hit. The shifting economic landscape forged by increasing competition between and among ever-proliferating media platforms, however, places extreme pressure on network profit margins. Fully scripted hour-long dramas and half-hour comedies have become increasingly costly, while delivering diminishing ratings in the key demographics most valued by advertisers. It therefore is not surprising that the reality television genre has become a staple of network schedules. New reality shows are churned out each season.1 The main appeal, of course, is that they are cheap to make and addictive to watch. Networks are able to take ordinary people and create a show without having to pay “A-list” actor salaries and hire teams of writers.2 Many of the most popular programs are unscripted, meaning lower cost for higher ratings. Even where the ratings are flat, such shows are capable of generating higher profit margins through advertising directed to large groups of more readily targeted viewers.