The Theory and Craft of Digital Preservation Manuscript Submitted to Johns Hopkins University Press By: Trevor Owens June, 2017 2
1 The Theory and Craft of Digital Preservation Manuscript Submitted to Johns Hopkins University Press By: Trevor Owens June, 2017 2 Table of Contents Acknowledgements 3 1. Beyond Digital Hype and Digital Anxiety 5 2. Artifact, Information, or Folklore: Preservation’s Divergent Lineages 11 3. Understanding Digital Objects 26 4. Challenges & Opportunities of Digital Preservation 39 5. The Craft of Digital Preservation 50 6. Preservation Intent & Collection Development 56 7. Managing Copies and Formats 70 8. Arranging and Describing Digital Objects 85 9. Enabling Multimodal Access and Use 104 10. Conclusions: Tools for Looking Forward 122 Bibliography 131 3 Acknowledgements I spent a year working on this book, but it represents the culmination of about a decade of trying to make my own sense of digital preservation. As such, I have a lot of people to acknowledge. The strengths of this book come from the international digital preservation community I’ve been welcomed into. Its’ weaknesses are my own. I first learned about digital preservation in my time at the Roy Rosenzweig Center for History and New Media. Before he passed away, Roy made an extensive and lasting impression those of us lucky enough to work for him. My constant hope is that the compassion, dedication, and pragmatism Roy brought into every day of his work at the Center comes through in my own. My understanding and appreciation for issues in digital history and digital preservation were sparked by four years of discussion and collaboration with colleges there; Dan Cohen, Josh Greenberg, Sean Takats, Tom Scheinfeldt, Sharon Leon, Sheila Brennan, Dave Lester, Jeremy Boggs, Jim Safley, Kari Kraus, Connie Moon Sehat, Miles Kelly, Mindy Lawrence, Jon Lesser, Kris Kelly, Ken Albers, Faolan Cheslack-Postava, John Flatness, Dan Stillman, and Christopher Hamner.
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