Technology Watch Report: Preserving Social Media
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Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage. -
Integrated Public Alert and Warning System Wireless Emergency Alerts Understand and Respond to Public Sentiment
Integrated Public Alert and Warning System Wireless Emergency Alerts Understand and Respond to Public Sentiment First Responders Group November 30, 2014 Integrated Public Alert and Warning System Wireless Emergency Alerts Understand and Respond to Public Sentiment HS HSSEDI™ Task HSHQDC-13-J-00097 Version 4.0 This document is a product of the Homeland Security Systems Engineering and Development Institute (HS HSSEDI™). ACKNOWLEDGEMENTS The Homeland Security Systems Engineering and Development Institute (hereafter “HS HSSEDI” or “HSSEDI”) is a federally funded research and development center established by the Secretary of Homeland Security under Section 305 of the Homeland Security Act of 2002. The MITRE Corporation operates HSSEDI under the Department of Homeland Security (DHS) contract number HSHQDC- 09-D-00001. HSSEDI’s mission is to assist the Secretary of Homeland Security, the Under Secretary for Science and Technology, and the DHS operating elements in addressing national homeland security system development issues where technical and systems engineering expertise is required. HSSEDI also consults with other government agencies, nongovernmental organizations, institutions of higher education and nonprofit organizations. HSSEDI delivers independent and objective analyses and advice to support systems development, decision making, alternative approaches and new insight into significant acquisition issues. HSSEDI’s research is undertaken by mutual consent with DHS and is organized by tasks in the annual HSSEDI Research Plan. This report presents the results of test planning conducted under HSHQDC-13-J-00097, Science and Technology Directorate (S&T) FEMA Integrated Public Alert and Warning System (IPAWS)/Wireless Emergency Alert (WEA) Test and Evaluation of HSSEDI’s Fiscal Year 2013 Research Plan. -
24 Hours of Vine: Big Data and Social Performance
Technological University Dublin ARROW@TU Dublin Conference Papers Fine Arts 2014 24 Hours of Vine: Big Data and Social Performance Conor McGarrigle Technological University Dublin, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/aaschadpcon Part of the Art and Design Commons Recommended Citation McGarrigle, C. (2014) ‘24 Hours of Vine; Big Data and Social Performance’. In Digital Research in the Humanities and Arts . Greenwich University, London. This Conference Paper is brought to you for free and open access by the Fine Arts at ARROW@TU Dublin. It has been accepted for inclusion in Conference Papers by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License 24 hours of Vine, big data and social performance Digital Research in the humanities and Arts Conference, 2014. Conor McGarrigle Emergent Digital Practices University of Denver Denver CO USA Abstract—24h Social is a generative a data-driven generative approached through a case study of the video sharing platform video installation that explores the social media phenomenon of Vine and this author's data art project 24h Social that Vine video as performances in data. The project is created from intervened to capture a day of Vine videos [2]. The project a database of appropriated Vine content, extracted from millions simultaneously celebrates Vine as a platform that facilitates of tweets, with each video shown at the time of its original succinct creative expressions whilst acknowledging that these creation. -
M&A @ Facebook: Strategy, Themes and Drivers
A Work Project, presented as part of the requirements for the Award of a Master Degree in Finance from NOVA – School of Business and Economics M&A @ FACEBOOK: STRATEGY, THEMES AND DRIVERS TOMÁS BRANCO GONÇALVES STUDENT NUMBER 3200 A Project carried out on the Masters in Finance Program, under the supervision of: Professor Pedro Carvalho January 2018 Abstract Most deals are motivated by the recognition of a strategic threat or opportunity in the firm’s competitive arena. These deals seek to improve the firm’s competitive position or even obtain resources and new capabilities that are vital to future prosperity, and improve the firm’s agility. The purpose of this work project is to make an analysis on Facebook’s acquisitions’ strategy going through the key acquisitions in the company’s history. More than understanding the economics of its most relevant acquisitions, the main research is aimed at understanding the strategic view and key drivers behind them, and trying to set a pattern through hypotheses testing, always bearing in mind the following question: Why does Facebook acquire emerging companies instead of replicating their key success factors? Keywords Facebook; Acquisitions; Strategy; M&A Drivers “The biggest risk is not taking any risk... In a world that is changing really quickly, the only strategy that is guaranteed to fail is not taking risks.” Mark Zuckerberg, founder and CEO of Facebook 2 Literature Review M&A activity has had peaks throughout the course of history and different key industry-related drivers triggered that same activity (Sudarsanam, 2003). Historically, the appearance of the first mergers and acquisitions coincides with the existence of the first companies and, since then, in the US market, there have been five major waves of M&A activity (as summarized by T.J.A. -
Analog, the Sequel: an Analysis of Current Film Archiving Practice and Hesitance to Embrace Digital Preservation by Suzanna Conrad
ANALOG, THE SEQUEL: AN ANALYSIS OF CURRENT FILM ARCHIVING PRACTICE AND HESITANCE TO EMBRACE DIGITAL PRESERVATION BY SUZANNA CONRAD ABSTRACT: Film archives preserve materials of significant cultural heritage. While current practice helps ensure 35mm film will last for at least one hundred years, digi- tal technology is creating new challenges for the traditional means of preservation. Digitally produced films can be preserved via film stock; however, digital ancillary materials and assets in many cases cannot be preserved using traditional analog means. Strategy and action for preserving this content needs to be addressed before further content is lost. To understand the current perspective of the film archives, especially in regards to the film industry’s marked hesitation to embrace digital preservation, the Academy of Motion Picture Arts and Sciences’ paper “The Digital Dilemma: Strategic Issues in Archiving and Accessing Digital Motion Picture Materials” was closely evaluated. To supplement this analysis, an interview was conducted with the collections curator at the Academy Film Archive, who explained the archives’ current approach to curation and its hesitation to move to digital technologies for preservation. Introduction Moving images are a vital part of our cultural heritage. The music, film, and broadcasting industries, as well as academic and cultural institutions, have amassed a “legacy of primary source materials” of immense value. These sources make the last one hundred years understandable as an era of the “media of the modernity.”1 Motion pictures and films were established as vital archival records as early as the 1930s with the National Archives Act, which included motion pictures in the definition of “objects of archival interest.”2 As cultural artifacts, moving images deserve archival care and preservation.3 However, the art of preserving moving images and film can at times be daunting. -
Social Media Overview
Social Media Overview Presented by Rita Gavelis Technology Trainer / Consultant Facebook • Founded in 2004 • 840+ Million active users • 483 million daily active users logged onto Facebook in December 2011 • People spend over 700 billion minutes per month on Facebook Facebook Personal Accounts Allow you to share thoughts, photos, videos, games, and more with family and friends. Anyone over the age of 13 can create a Facebook account. Personal accounts are meant for individual people, not their pets, businesses, or interests. Facebook Groups Facebook groups are meant for small groups of people who share the same interests. It might be a discussion group focused on knitting, reading, motorcycles, movies, and, well, just about everything. Anyone can create a group. Facebook Pages Pages are meant for businesses, Buildings, Locations, Entertainers, and Artists. Only representatives of the above are allowed to create a page. Creating a Facebook page gives you a bigger web presence. Facebook pages show up in Google searches. Business Pages • Victory Motorcycles • AccountingCoach.com • American Airlines • Zappos • Beverly Hospital These are just a few examples Twitter • Twitter is a micro-blogging service • Founded in 2006 • Over 100 million active users • Over 230 million tweets per day 2 Key Events for Twitter Dec 21, 2008 – Continental Airlines jet veers off runway in Denver. News of the accident was first broadcast by a passenger via twitter. http://twitter.com/#!/2drinksbehind/status/1069832870 Jan 15, 2009 – US Airways flight 1549 made a miracle landing on the Hudson. A commuter on a nearby ferry broadcast the very first image of the plane in the water via Twitpic. -
Appraisal Talk in Web Archives Ed Summers
Appraisal Talk in Web Archives ed summers ABSTRACT The Web is a vast and constantly changing information landscape that by its very nature seems to resist the idea of the archive. But for the last 20 years, archivists and technologists have worked together to build systems for doing just that. While technical infrastructures for performing web archiving have been well studied, surprisingly little is known about the interactions between archi- vists and these infrastructures. How do archivists decide what to archive from the Web? How do the tools for archiving the Web shape these decisions? This study analyzes a series of ethnographic interviews with web archivists to understand how their decisions about what to archive function as part of a community of practice. It uses critical discourse analysis to examine how the participants’ use of language enacts their appraisal decision-making processes. Findings suggest that the politics and positionality of the archive are reflected in the ways that archivists talk about their network of personal and organizational relationships. Appraisal decisions are expressive of the structural relationships of an archives as well as of the archivists’ identities, which form during mentoring relationships. Self-reflection acts as a key method for seeing the ways that interviewers and interviewees work together to construct the figured worlds of the web archive. These factors have implications for the ways archivists communicate with each other and interact with the communities that they document. The results help ground the encounter between archival practice and the architecture of the Web. Archivaria The Journal of the Association of Canadian Archivists Appraisal Talk in Web Archives 71 RÉSUMÉ Le Web est un paysage informationnel vaste et en changement constant qui, par sa nature même, semble s’opposer à l’idée de l’archive. -
Robôs-PP2-Inglês.Pdf
DIRETORIA DE ANÁLISE DE POLÍTICAS PÚBLICAS DA FUNDAÇÃO GETULIO VARGAS Policy Paper 2 • Bots, social networks and politics in Brazil • Interference of automated profiles and political actors in the Brazilian electoral debate Rio de Janeiro, Brazil FGV DAPP 2018 Bots, social networks and politics in Brazil 1 DIRETORIA DE ANÁLISE DE POLÍTICAS PÚBLICAS DA FUNDAÇÃO GETULIO VARGAS SUMMARY • 1. EXECUTIVE SUMMARY 4 2. GENERAL OVERVIEW 4 2.1 ANALYSIS RESULTS OF THE INFLUENCE OF AUTOMATED PROFILES ON THE 2014 ELECTIONS 6 2.2 ANALYSIS RESULTS OF THE INFLUENCE OF AUTOMATED PROFILES ON THE 2018 ELECTIONS 6 3. ANALYSIS OF THE INFLUENCE OF BOTNETS ON THE 2018 ELECTIONS PUBLIC DEBATE 7 3.1 PKTWEET GENERATOR 10 3.1.1 Analysis of the profiles 12 3.1.2 Pktweet in diffusion chains 16 3.1.2 Gran Polo Patriotico: another suspect generator 18 3.2. GENERATOR SEESMIC FOR BLUEBERRY 19 3.2.1 Analysis of profiles 20 3.2.2 Other Argentine generators 26 3.2.3 Seesmic for Blueberry in the diffusion chains 27 4. COMPARATIVE ANALYSIS 28 5. CONCLUSION 34 REFERENCES 35 EDITORIAL STAFF 36 Bots, social networks and politics in Brazil 2 DIRETORIA DE ANÁLISE DE POLÍTICAS PÚBLICAS DA FUNDAÇÃO GETULIO VARGAS 1. EXECUTIVE SUMMARY ● Bot activity in social networks has affected Latin America political contexts on a regular basis for years, similarly to its already proven interference in other countries such as France, Germany, the United Kingdom, and the United States. ● In Brazil, the activity of automated profiles on Twitter had already been found in post sharing during the electoral campaign of Aécio Neves, Marina Silva, and Dilma Rousseff, the main presidential candidates of 2014. -
The Preservation of Archaeological Records and Photographs
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Anthropology Department Theses and Dissertations Anthropology, Department of 12-2010 The Preservation of Archaeological Records and Photographs Kelli Bacon University of Nebraska at Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/anthrotheses Part of the Anthropology Commons Bacon, Kelli, "The Preservation of Archaeological Records and Photographs" (2010). Anthropology Department Theses and Dissertations. 9. https://digitalcommons.unl.edu/anthrotheses/9 This Article is brought to you for free and open access by the Anthropology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Anthropology Department Theses and Dissertations by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE PRESERVATION OF ARCHAEOLOGICAL RECORDS AND PHOTOGRAPHS By Kelli Bacon A THESIS Presented to the Faculty of The Graduate College of the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: Anthropology Under the Supervision of Professor LuAnn Wandsnider Lincoln, Nebraska December 2010 THE PRESERVATION OF ARCHAEOLOGICAL RECORDS AND PHOTOGRAPHS Kelli Bacon, M.A. University of Nebraska, 2010 Advisor: LuAnn Wandsnider Substantive and organized research about archaeological records and photograph preservation, especially those written by and for archaeologists, are few. Although the Society for American Archaeology has a code of ethics regarding archaeological records preservation, and the federal government has regulations regarding the care and preservation of federally owned archaeological collections, there is a lack of resources. This is detrimental to archaeology because not all archaeologists, given the maturity of the discipline, understand how important it is to preserve archaeological records and photographs. -
Facebook Timeline
Facebook Timeline 2003 October • Mark Zuckerberg releases Facemash, the predecessor to Facebook. It was described as a Harvard University version of Hot or Not. 2004 January • Zuckerberg begins writing Facebook. • Zuckerberg registers thefacebook.com domain. February • Zuckerberg launches Facebook on February 4. 650 Harvard students joined thefacebook.com in the first week of launch. March • Facebook expands to MIT, Boston University, Boston College, Northeastern University, Stanford University, Dartmouth College, Columbia University, and Yale University. April • Zuckerberg, Dustin Moskovitz, and Eduardo Saverin form Thefacebook.com LLC, a partnership. June • Facebook receives its first investment from PayPal co-founder Peter Thiel for US$500,000. • Facebook incorporates into a new company, and Napster co-founder Sean Parker becomes its president. • Facebook moves its base of operations to Palo Alto, California. N. Lee, Facebook Nation, DOI: 10.1007/978-1-4614-5308-6, 211 Ó Springer Science+Business Media New York 2013 212 Facebook Timeline August • To compete with growing campus-only service i2hub, Zuckerberg launches Wirehog. It is a precursor to Facebook Platform applications. September • ConnectU files a lawsuit against Zuckerberg and other Facebook founders, resulting in a $65 million settlement. October • Maurice Werdegar of WTI Partner provides Facebook a $300,000 three-year credit line. December • Facebook achieves its one millionth registered user. 2005 February • Maurice Werdegar of WTI Partner provides Facebook a second $300,000 credit line and a $25,000 equity investment. April • Venture capital firm Accel Partners invests $12.7 million into Facebook. Accel’s partner and President Jim Breyer also puts up $1 million of his own money. -
Resources This Document Is Intended to Serve As a Resource to White People and Parents to Deepen Our Anti-Racism Work
Anti-racism resources This document is intended to serve as a resource to white people and parents to deepen our anti-racism work. If you haven’t engaged in anti-racism work in the past, start now. Feel free to circulate this document on social media and with your friends, family, and colleagues. Here is a shorter link: bit.ly/ANTIRACISMRESOURCES To take immediate action to fight for Breonna Taylor, please visit FightForBreonna.org. Resources for white parents to raise anti-racist children: ● Books: ○ Coretta Scott King Book Award Winners: books for children and young adults ○ 31 Children's books to support conversations on race, racism and resistance ● Podcasts: ○ Parenting Forward podcast episode ‘Five Pandemic Parenting Lessons with Cindy Wang Brandt’ ○ Fare of the Free Child podcast ○ Integrated Schools podcast episode “Raising White Kids with Jennifer Harvey” ● Articles: ○ How White Parents Can Talk To Their Kids About Race | NPR ○ Teaching Your Child About Black History Month | PBS ○ Your Kids Aren't Too Young to Talk About Race: Resource Roundup from Pretty Good ● The Conscious Kid: follow them on Instagram and consider signing up for their Patreon Articles to read: ● “America’s Racial Contract Is Killing Us” by Adam Serwer | Atlantic (May 8, 2020) ● Ella Baker and the Black Freedom Movement (Mentoring a New Generation of Activists ● ”My Life as an Undocumented Immigrant” by Jose Antonio Vargas | NYT Mag (June 22, 2011) ● The 1619 Project (all the articles) | The New York Times Magazine ● The Combahee River Collective Statement ● “The Intersectionality Wars” by Jane Coaston | Vox (May 28, 2019) ● Tips for Creating Effective White Caucus Groups developed by Craig Elliott PhD ● “Where do I donate? Why is the uprising violent? Should I go protest?” by Courtney Martin (June 1, 2020) ● ”White Privilege: Unpacking the Invisible Knapsack” by Knapsack Peggy McIntosh ● “Who Gets to Be Afraid in America?” by Dr. -
Questions on Technical Standards in the Care of Time-Based and Digital Art
The Smithsonian Interview Project: Questions on Technical Standards in the Care of Time-Based and Digital Art Ten Insights from Artists and Experts in the Field Produced by the Smithsonian’s Time Based Media and Digital Art Working Group and the Smithsonian Office of Policy and Analysis July 2014 1 Introduction A hundred years from now, how can museums plug in and turn on today’s time-based media and digital artworks? Time-based media artworks1 are characteristically unstable, unique, and complex. They often depend on operating systems, materials, and hardware that rapidly obsolesce. They may rely on audiences interacting with them in specific environments that will not exist in the future. Future installers may not be sure exactly what they can and cannot do with these works if they wish to respect an artist’s original intent. In light of these considerations, what are the prospects for effective stewardship of time-based media artworks over the long haul? In 2013, interviewers from the Smithsonian’s Time-Based Media Art Working Group and the Smithsonian Office of Policy and Analysis posed this question to over two dozen experts2 in the creation, curation, installation, conservation, and preservation of time- based media art and related materials. The interviews focused on two themes: The role of standards, guidelines, and professional best practices in the long-term preservation of time-based media art. Appropriate education and training for time-based media-art preservation professionals. Despite the enormous challenges of long-term preservation of media art, the interviewees were optimistic about the prospects for continuous improvement of practices in this area.