Franz Wright - Poems

Poetry Series Franz Wright - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Franz Wright(18 March 1953 --) Franz Wright is an American poet. Background Wright graduated from Oberlin College in 1977. He and his father <a href="http://www.poemhunter.com/james-arlington-wright/">James Wright</a> are the only parent/child pair to have won the Pulitzer Prize in the same category. Wheeling Motel (Knopf, 2009), had selections put to music for the record "Readings from Wheeling Motel". Wright stepped down as the Jacob Ziskind Visiting Poet-in-Residence at Brandeis University in May 2009. Wright wrote the lyrics to and performs on the Clem Snide song "Encounter at 3AM" on the album Hungry Bird (released in February 2009). His most recent book, is Kindertotenwald (Knopf 2011), a collection of sixty-five prose poems concluding with a longish lyrical poem to his wife. Wright has been anthologised in works such as The Best American Poetry 2008 as well as the late Czeslaw Milosz's anthology of favorite poems, Bearing the Mystery: Twenty Years of Image, and American Alphabets: 25 Contemporary Poets In 1999 he married the translator Elizabeth Oehlkers Wright. Criticism Writing in the New York Review of Books Helen Vendler said "Wright's scale of experience, like Berryman's, runs from the homicidal to the ecstatic ... His best forms of or originality: deftness in patterning, startling metaphors, starkness of speech, compression of both pain and joy, and a stoic self-possession with the agonies and penalties of existence." Novelist Denis Johnson has said Wright's poems "are like tiny jewels shaped by blunt, ruined fingers--miraculous gifts." The Boston Review has called Wright's poetry "among the most honest, haunting, and human being written today. Critic Ernest Hilbert wrote for Random House's magazine Bold Type that "Wright oscillates between direct and evasive dictions, between the barroom floor and the arts club podium, from aphoristic aside to icily poetic abstraction." Walking to Martha's Vineyard (2003) in particular, was well-received. According to Publishers Weekly, the collection features "[h]eartfelt but often cryptic poems...fans will find Wright's self-diagnostics moving throughout." The New York Times noted that Wright promises, and can deliver, great depths of feeling, while observing that Wright depends very much on our www.PoemHunter.com - The World's Poetry Archive 1 sense of his tone, and on our belief not just that he means what he says but that he has said something new...[on this score] Walking to Martha's Vineyard sometimes succeeds." Poet <a href="http://www.poemhunter.com/jordan-davis/">Jordan Davis</a>, writing for The Constant Critic, suggested that Wright's collection was so accomplished it would have to be kept "out of the reach of impulse kleptomaniacs." Added Davis, "deader than deadpan, any particular Wright poem may not seem like much, until, that is, you read a few of them. Once the context kicks in, you may find yourself trying to track down every word he’s written" Some critics were less welcoming. According to New Criterion critic William Logan, with whom Wright would later publicly feud, "[t]his poet is surprisingly vague about the specifics of his torment (most of his poems are shouts and curses in the dark). He was cruelly affected by the divorce of his parents, though perhaps after forty years there should be a statute of limitation... 'The Only Animal,' the most accomplished poem in the book, collapses into the same kitschy sanctimoniousness that puts nodding Jesus dolls on car dashboards." "Wright offers the crude, unprocessed sewage of suffering", he comments. "He has drunk harder and drugged harder than any dozen poets in our health- conscious age, and paid the penalty in hospitals and mental wards." The critical reception of Wright's 2011 collection, Kindertotenwald (Knopf), has been positive on the whole. Writing in the Washington Independent Book Review, Grace Cavalieri speaks of the book as a departure Wright's best known poems. "The prose poems are intriguing thought patterns that show poetry as mental process... This is original material, and if a great poet cannot continue to be original... In this text there is a joyfulness that energizes and makes us feel the writing as a purposeful surge. It is a life force. This is a good indicator of literary art... Memory and the past,mortality, longing, childhood, time, space, geography and loneliness, are all the poet's playthings. In these conversations with himself, Franz Wright shows how the mind works with his feelings and his brains agility in its struggle with the heart." Cultural critic for the Chicago tribune Julia Keller says that Kindertotenwald is "ultimately about joy and grace and the possibility of redemption, about coming out whole on the other side of emotional catastrophe." "This collection, like all of Wright's book, combines familiar, colloquial phrases--the daily lingo you hear everywhere--with the sudden sharpness of a phrase you've never heard anywhere, but that sounds just as familiar, just as inevitable. These pieces are written in closely packed prose, like miniature short stories, but they have a fierce lilting beauty that marks them as poetry. Reading 'Kindertotenwald' is like www.PoemHunter.com - The World's Poetry Archive 2 walking through a plate-glass window on purpose. There is--predictably--pain, but once you've made it a few steps past the threshold, you realize it wasn't glass after all, only air, and that the shattering sound you heard was your own heart breaking. Healing, though, is possible. 'Soon, soon,' the poet writes in 'Nude With Handgun and Rosary,' 'between one instant and the next, you will be well." Awards 2004 Pulitzer Prize for Poetry, for Walking to Martha's Vineyard Whiting Fellowship National Endowment for the Arts grant PEN/Voelcker Award for Poetry 1989 Guggenheim Fellowship www.PoemHunter.com - The World's Poetry Archive 3 Alcohol You do look a little ill. But we can do something about that, now. Can’t we. The fact is you’re a shocking wreck. Do you hear me. You aren’t all alone. And you could use some help today, packing in the dark, boarding buses north, putting the seat back and grinning with terror flowing over your legs through your fingers and hair . I was always waiting, always here. Know anyone else who can say that. My advice to you is think of her for what she is: one more name cut in the scar of your tongue. What was it you said, “To rather be harmed than harm, is not abject.” Please. Can we be leaving now. We like bus trips, remember. Together we could watch these winter fields slip past, and never care again, think of it. I don’t have to be anywhere. www.PoemHunter.com - The World's Poetry Archive 4 Franz Wright www.PoemHunter.com - The World's Poetry Archive 5 Bees Of Eleusis Unless a grain of wheat goes into the ground and dies, it remains nothing but a grain of wheat. —John 12:24 The ingredients gathered, a few small red tufts of the dream spoor per sheaf of Demeter’s blonde wheat, reaped in mourning, in silence, ground up with the pollen and mixed into white wine and honey. These stored forms of light taken under the ground. Taken by mouth. First those who by birth hold in secret the word; then placed on the tongues of the new ones, into whose ears it is meant to be whispered. Word murdered, forgotten so long ago, placed as a kiss on the lips of the soon-to-be-no-longer breathing who mean to enter death with open eyes, with mouths saying Death, what death? We have no word for it in our country where the bride of a brighter oblivion reigns. Not the purple-haired god but the child queen, the raped girl, come back from the dead hand in hand with the child she conceived there, returned in a resurrected virginity, wind through green wheat. Present-day site of a minor refinery in Christ. Although by the tenth generation already the children of light (“in their dark garments”) had trampled and smashed and generally raped the two thousand years of this precinct and its holy meal, intolerable mirror. Men who’d designed and bowed down to a law derived from the sayings of one who appeared here to say that the law is abolished, it is too late, all that is over with. Men who bungled their way through the next eighteen centuries before finally descending into the earth themselves, and what they found there they used, and we thank you for destroying the destroyers of the world. And here at the end this is as good as any other entrance to the underplace, journey of the fallen leaf back to the branch, to the bees of Eleusis among olive blossoms, untroubled among crimson wildflowers. Four thousand years later: same flowers, same bees. Franz Wright www.PoemHunter.com - The World's Poetry Archive 6 Blade If I stare into it long enough, the point comes when I don’t know what it’s called, a condition in which lacerations are liable to occur, like a slip of the tongue; when a dropp of blood might billow in a glass of water, blooming in velvet detonation and imparting to it the colorless, tasteless and originless fear in which I wake. Franz Wright www.PoemHunter.com - The World's Poetry Archive 7 Circle Say I had no choice, this weightless finger touched my tongue and told me to, it taught me; when kinder and more subtle methods failed, it put a gun to my head, a zero seared coldly in one temple, electrode glued chill to the other, the sniffer dogs rooting and snuffling in my crotch, the small white doorless room, the laser flashlight in one eye.

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