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Henri Cole Awarded Jackson Poetry Prize
April 5, 2012 Contact: FOR IMMEDIATE RELEASE Rachel Schuder Development and Marketing Manager Poets & Writers, Inc. (212) 226-3586, x201, [email protected] HENRI COLE AWARDED JACKSON POETRY PRIZE New York, NY – Poets & Writers, Inc. has announced that Henri Cole is the sixth winner of the Jackson Poetry Prize. The $50,000 prize is given annually to honor an American poet of exceptional talent who deserves wider recognition. The award is designed to provide what all poets need: time and the encouragement to write. Mr. Cole was selected by three esteemed judges—the poets Louise Glück, Marilyn Hacker, and James Tate. There was no application process. Poets were nominated by a panel of their peers who remain anonymous. The judges’ citation for Mr. Cole reads as follows: “Henri Cole has the voluptuary’s fastidious preoccupation with sensation— rather, say, an almost Japanese vocation for connoisseurship. But what is most striking in this work is its composure. Cole’s poems do not strain for attention; for all their casual, anecdotal worldliness and natural diction, they project an eerie gravity. The poems’ shimmering, enigmatic tranquility coexists with intense feeling: they are clear without being stodgy, striking in their poise and delicacy and formal beauty without seeming, ever, mere exquisite diversions. He is an artist of the greatest gifts.” Henri Cole was born in Fukuoka, Japan, in 1956 and raised in Virginia. He has published eight collections of poetry, including Touch (Farrar, Straus & Giroux, 2011), and Middle Earth (Farrar, Straus & Giroux, 2004), which was a finalist for the Pulitzer Prize in Poetry. Mr. -
The American Poetry Review
“As soon as we subscribe to a hierarchy, we circumscribe ourselves within a value system. This is perhaps the great conundrum AMERICAN of art—once we define a term, we impose a limit, thereby inviting both orthodoxy and transgression. Our concept of ‘art’ or ‘poem’ or ‘novel’ is, then, always in flux, and I think we’d agree that this is how art renews itself—through those who dare to challenge those terms. The making of art, and the evaluation of it, is always an act POETRY REVIEW of self-definition.” —KITANO, p. 37 MAY/JUNE 2021 VOL. 50/NO. 3 $5 US/$7 CA MEGAN FERNANDES MAGICAL REALISM IN AMERICA & OTHER POEMS FORREST GANDER OWNING YOURSELF: AN INTERVIEW WITH JACK GILBERT SALLY WEN MAO PARIS SYNDROME & OTHER POEMS ALSO IN THIS ISSUE: ALISON C. ROLLINS MAGGIE SMITH NATALIE EILBERT PHOTO: APRWEB.ORG RIVKAH GEVINSON 2 THE AMERICAN POETRY REVIEW The American Poetry Review (issn 0360-3709) is published bimonthly by World Poetry, Inc., a non-profit corporation, and Old City Publishing, Inc. Edi torial offices: 1906 Rittenhouse Square, Philadelphia, PA 19103-5735. Subscription rates: U.S.: 3 years, $78.00; 2 years, $56.00; 1 year, $32.00. Foreign rates: 3 years, $129.00; 2 years, $92.00; 1 year, $49.00. Single copy, $5.00. Special classroom adoption rate per year per student: MAY/JUNE 2021 VOL. 50/NO. 3 $14.00. Free teacher’s subscription with classroom adoption. Subscription mail should be addressed to The American IN THIS ISSUE Poetry Review, c/o Old City Publishing, 628 N. -
Looking at Earth: an Astronaut's Journey Induction Ceremony 2017
american academy of arts & sciences winter 2018 www.amacad.org Bulletin vol. lxxi, no. 2 Induction Ceremony 2017 Class Speakers: Jane Mayer, Ursula Burns, James P. Allison, Heather K. Gerken, and Gerald Chan Annual David M. Rubenstein Lecture Looking at Earth: An Astronaut’s Journey David M. Rubenstein and Kathryn D. Sullivan ALSO: How Are Humans Different from Other Great Apes?–Ajit Varki, Pascal Gagneux, and Fred H. Gage Advancing Higher Education in America–Monica Lozano, Robert J. Birgeneau, Bob Jacobsen, and Michael S. McPherson Redistricting and Representation–Patti B. Saris, Gary King, Jamal Greene, and Moon Duchin noteworthy Select Prizes and Andrea Bertozzi (University of James R. Downing (St. Jude Chil- Barbara Grosz (Harvard Univer- California, Los Angeles) was se- dren’s Research Hospital) was sity) is the recipient of the Life- Awards to Members lected as a 2017 Simons Investi- awarded the 2017 E. Donnall time Achievement Award of the gator by the Simons Foundation. Thomas Lecture and Prize by the Association for Computational American Society of Hematology. Linguistics. Nobel Prize in Chemistry, Clara D. Bloomfield (Ohio State 2017 University) is the recipient of the Carol Dweck (Stanford Univer- Christopher Hacon (University 2017 Robert A. Kyle Award for sity) was awarded the inaugural of Utah) was awarded the Break- Joachim Frank (Columbia Univer- Outstanding Clinician-Scientist, Yidan Prize. through Prize in Mathematics. sity) presented by the Mayo Clinic Di- vision of Hematology. Felton Earls (Harvard Univer- Naomi Halas (Rice University) sity) is the recipient of the 2018 was awarded the 2018 Julius Ed- Nobel Prize in Economic Emmanuel J. -
Lerud Dissertation May 2017
ANTAGONISTIC COOPERATION: PROSE IN AMERICAN POETRY by ELIZABETH J. LERUD A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2017 DISSERTATION APPROVAL PAGE Student: Elizabeth J. LeRud Title: Antagonistic Cooperation: Prose in American Poetry This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the English Department by: Karen J. Ford Chair Forest Pyle Core Member William Rossi Core Member Geri Doran Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2017. ii © 2017 Elizabeth J. LeRud iii DISSERTATION ABSTRACT Elizabeth J. LeRud Doctor of Philosophy Department of English June 2017 Title: Antagonistic Cooperation: Prose in American Poetry Poets and critics have long agreed that any perceived differences between poetry and prose are not essential to those modes: both are comprised of words, both may be arranged typographically in various ways—in lines, in paragraphs of sentences, or otherwise—and both draw freely from the complete range of literary styles and tools, like rhythm, sound patterning, focalization, figures, imagery, narration, or address. Yet still, in modern American literature, poetry and prose remain entrenched as a binary, one just as likely to be invoked as fact by writers and scholars as by casual readers. I argue that this binary is not only prevalent but also productive for modern notions of poetry, the root of many formal innovations of the past two centuries, like the prose poem and free verse. -
Poetry and Poetics Orals List Anne Marie Thompson Fall 2017
Poetry and Poetics Orals List Anne Marie Thompson Fall 2017 POETS Pre-1600: Sir Philip Sidney (1554-1586) John Donne (1572-1631) Between 1600-1800: John Milton (1608-1674) Alexander Pope (1688-1744) Between 1800-1900: William Wordsworth (1770-1850) Walt Whitman (1819-1892) Since 1900: W. B. Yeats (1865-1939) T. S. Eliot (1888-1965) POEMS (30 poems, by poets other than the chosen 8, spanning the major genres) epigram: John Dryden, “Epigram on Milton” (1688) Robert Burns, “Epigram on Rough Woods” (1786) Robert Frost, “Fire and Ice” (1920) sonnet: Thomas Wyatt, “Whoso list to hunt” William Shakespeare, “That time of year thou mayest in me behold” (Sonnet 73) Gerard Manley Hopkins, “God’s Grandeur” (1877) Claude McKay, “America” (1921) epistle: Anne Bradstreet, “To My Dear and Loving Husband” (1650) Lord Byron, “Epistle to Augusta” (1816/1830) Pound, “The River Merchant’s Wife: A Letter” (1915) Elizabeth Bishop, “Letter to N.Y.” (1955) elegy: Thomas Gray, “Elegy Written in a Country Churchyard” (1751) Percy Bysshe Shelley, “Adonais” (1821) Wilfred Owen, “Anthem for Doomed Youth” (1917/1920) 1 W. H. Auden, “In Memory of W. B. Yeats” (1940) ode: Andrew Marvell, “Horatian Ode” (1650) John Keats, “Ode to a Nightingale” (1819) Percy Bysshe Shelley, “Ode to the West Wind” (1820) ballad: Anonymous, “Tam Lin” Samuel Taylor Coleridge, “The Rime of the Ancient Mariner” (1798) Edgar Allan Poe, “Annabel Lee” (1849) Gwendolyn Brooks, “Of De Witt Williams on His Way to Lincoln Cemetery” (1945) dramatic monologue: Robert Browning, “My Last Duchess” (1842) Alfred, Lord Tennyson, “Ulysses” (1842) Sylvia Plath, “Lady Lazarus” (1965) concrete/visual: George Herbert, “The Altar” (1663) William Blake, Songs of Innocence (1789) Mina Loy, “Brancusi’s Golden Bird” (1922) epic: Homer, The Odyssey Derek Walcott, Omeros (1990) PRIMARY TEXTS TO 1945 (pick 15) 1. -
Oxford Brookes Poetry Centre Collection
LIBRARY Oxford Brookes Poetry Centre Collection This collection was set up in collaboration with the Oxford Brookes Poetry Centre to promote contemporary poetry from the UK, Ireland, United States and beyond. It comprises books that have been shortlisted for 6 poetry prizes from the UK, Ireland, USA and beyond. The books are housed in the Headington Library (Level 4, Zone D) and they can all be borrowed. Find out more about the collection and the Oxford Brookes Poetry Centre on our web pages TS Eliot Prize for Poetry The TS Eliot Prize for Poetry is presented annually by The Poetry Book Society. The Collection covers the books shortlisted for the prize since 2012. TS Eliot Prize shortlist 2018 Winner: Hannah Sullivan, Three poems Phoebe Power, Shrines of Upper Austria Tracy K. Smith, Wade in the water + Ailbhe Darcy – Insistence Terrance Hayes – American Sonnets for My Past and Future Assassins Zaffar Kunial – Us Nick Laird – Feel Free Fiona Moore – The Distal Point Sean O'Brien – Europa Richard Scott – Soho TS Eliot Prize shortlist 2017 Winner: Ocean Vuong, Night sky with exit wounds Tara Bergin, The tragic death of Eleanor Marx Caroline Bird, In these days of prohibition Douglas Dunn, The noise of a fly Leontia Flynn, The radio Roddy Lumsden, So glad I'm me Robert Minhinnick, Diary of the last man Michael Symmons Roberts, Mancunia Jacqueline Saphra, All my mad mothers James Sheard, The abandoned settlements TS Eliot Prize shortlist 2016 Winner: Jacob Polley, Jackself Rachael Boast, Void Studies Vahni Capildeo, Measures of Expatriation Ian Duhig, The Blind Roadmaker J O Morgan, Interference Pattern WWW.BROOKES.AC.UK/LIBRARY Bernard O’Donoghue, The Seasons of Cullen Church Alice Oswald, Falling Awake Denise Riley, Say Something Back Ruby Robinson, Every Little Sound Katharine Towers, The Remedies TS Eliot Prize shortlist 2015 Winner: Sarah Howe, Loop of Jade Mark Doty, Deep Lane Tracey Herd, Not in this World Selima Hill, Jutland Tim Liardet, The World before Snow Les A. -
Celebrating the Best American Poetry 2018 at Villanova[3]
Celebrating the Best American Poetry 2018 at Villanova February 6, 2019 5:00 Connelly Center Cinema 6:15 (St. David’s Room) Reception and Book Signing Villanova University is honored to host the regional launch of the thirtieth anniversary edition of The Best American Poetry, guest edited by Dana Gioia, David Lehman, general editor. For three decades, the Best American Poetry has served as an annual occasion to recognize new work by American authors; inclusion is one of the great honors established and emerging poets may receive. The anthology was officially launched at New York University, in September 2018, but Villanova now brings together six of the anthology’s authors, along with David Lehman, for an evening of reading, discussion, and fellowship on our campus. David Lehman will chair the event, which will feature short readings from six poets: Maryann Corbett, Ernest Hilbert, Mary Jo Salter, Adrienne Su, Ryan Wilson, and Villanova’s own James Matthew Wilson. The public is warmly invited to this special evening to celebrate the achievement of contemporary letters and to join us for food and conversation afterwards. This event is sponsored by the Honors Program, the Villanova Center for Liberal Education, the Department of English, and the Department of Humanities. For more information, contact James Matthew Wilson, at [email protected] About the poets Maryann Corbett was born in Washington, DC, and grew up in northern Virginia. She earned a BA from the College of William and Mary and an MA and PhD from the University of Minnesota. She has published three books of poetry: Breath Control (2012); Credo for the Checkout Line in Winter (2013), which was a finalist for the Able Muse Book Prize; and Mid Evil (2014), the winner of the Richard Wilbur Award. -
The Anorexic Aesthetic: an Analysis of the Poetics of Glück, Dickinson
The Anorexic Aesthetic: An Analysis of the Poetics of Glück, Dickinson, and Bidart Alexandra Haley Rigl Submitted to the Department of English, Vanderbilt University, in partial fulfillment of the requirements for Honors in the Major, April 11, 2014 Table of Contents Introduction.....................................................................................1 I. Louise Glück.....................................................................................................5 II. Emily Dickinson: The Ascetic Aesthetic as a Historical Analog of the Anorexic Aesthetic..........................................................................................................28 III. Frank Bidart: Enacting Anorexia in Persona ..................................................53 Conclusion.......................................................................................................69 Selected Bibliography.....................................................................................71 1 The Anorexic Aesthetic in Poetry “And so the poet may come to have a ‘vested interest’ in his handicaps; these handicaps may become an integral part of his method; and in so far as his style grows out of a disease, his loyalty to it may reinforce the disease.” Kenneth Burke Discussing the correlation between the mind and body, scholar Kenneth Burke identifies a peculiar yet profound imitation of life in art, specifically drawing a connection between artist and disease in such a way that suggests a nosological classification of a writer’s form -
Art Is Political”: John Keene's Black Historical Resistance
“ALL ART IS POLITICAL”: JOHN KEENE’S BLACK HISTORICAL RESISTANCE IN COUNTERNARRATIVES “TODA ARTE É POLÍTICA”: A RESISTÊNCIA HISTÓRICA NEGRA DE JOHN KEENE EM COUNTERNARRATIVES Marcele Aires* * [email protected] Pós-Doutorado em Estudos Literários da Universidade Estadual de Londrina (UEL-2019). Doutorado em Literatura Brasileira (USP-2009). Professora do Departamento de Teorias Linguísticas e Literárias (DTL) da Universidade Estadual de Maringá (UEM). ABSTRACT: This article deals with the engaged writing of pro- RESUMO: Este artigo aborda questões relacionadas à escrita en- se writer, poet, translator, and Professor John Keene. The Black gajada do prosaísta, poeta, tradutor e Professor John Keene. O North-American author clashes of political struggles, for he seeks autor negro norte-americano trava embates políticos, pois busca to rewrite history as a literary witness, bringing assessments, reescrever a história como testemunha literária, trazendo análi- evaluations, and social issues of the bygone ages – and their ses, avaliações e problemas sociais do passado e seus subse- following outcome in the present. Keene’s historical approach quentes desfechos no presente. A abordagem histórica e a ati- and critical attitude uphold the line in his awarded short sto- tude crítica de Keene são as linhas condutoras em seu premiado ries, Counternarratives, published by New Directions in 2015. livro de contos, Counternarratives, publicado em 2015 pela edi- Concerns about canon, rewriting history, Afro-descendent voi- tora New Directions. Questões referentes ao cânone, à reescrita ce, and resistance will be approached, backed by writers and re- da história, à voz afrodescendente e à resistência serão aborda- searchers such as Fanon (1963), Spriggs (1965), Baraka (1969), das, amparadas por escritores e estudiosos como Fanon (1963), T’Shaka (2012), among others. -
2014/2015 Omium Gatherum & Newsletter
2014-2015 Issue 19 omnium gatherum & newsletter ~ i~ COMMUNITY OF WRITERS AT SQUAW VALLEY GOT NEWS? Do you have news you would OMNIUM GATHERUM & NEWSLETTER like us to include in the next newsletter? The 2014-15, Issue 19 Omnium is published once a year. We print publishing credits, awards and similar new Community of Writers at Squaw Valley writing-related achievements, and also include A Non-Profit Corporation #629182 births. News should be from the past year only. P.O. Box 1416, Nevada City, CA 95959 Visit www.squawvalleywriters.org for more E-mail: [email protected] information and deadlines. www.squawvalleywriters.org Please note: We are not able to fact-check the submitted news. We apologize if any incorrect BOARD OF DIRECTORS information is published. President James Naify Vice President Joanne Meschery NOTABLE ALUMNI: Visit our Notable Alumni Secretary Jan Buscho pages and learn how to nominate yourself or Financial OfficerBurnett Miller a friend: Eddy Ancinas http://squawvalleywriters.org/ René Ancinas NotableAlumniScreen.html Ruth Blank http://squawvalleywriters.org/ Jan Buscho NotableAlumniWriters.html Max Byrd http://squawvalleywriters.org/ Alan Cheuse NotableAlumniPoets.html Nancy Cushing Diana Fuller ABOUT OUR ADVERTISERS The ads which Michelle Latiolais appear in this issue represent the work of Edwina Leggett Community of Writers staff and participants. Lester Graves Lennon These ads help to defray the cost of the Carlin Naify newsletter. If you have a recent or forthcom- Jason Roberts ing book, please contact us about advertising Christopher Sindt in our next annual issue. Contact us for a rate sheet and more information: (530) 470-8440 Amy Tan or [email protected] or visit: John C. -
Furiousflower2014 Program.Pdf
Dedication “We are each other’s harvest; we are each other’s business; we are each other’s magnitude and bond.” • GWENDOLYN BROOKS Dedicated to the memory of these poets whose spirit lives on: Ai Margaret Walker Alexander Maya Angelou Alvin Aubert Amiri Baraka Gwendolyn Brooks Lucille Clifton Wanda Coleman Jayne Cortez June Jordan Raymond Patterson Lorenzo Thomas Sherley Anne Williams And to Rita Dove, who has sharpened love in the service of myth. “Fact is, the invention of women under siege has been to sharpen love in the service of myth. If you can’t be free, be a mystery.” • RITA DOVE Program design by RobertMottDesigns.com GALLERY OPENING AND RECEPTION • DUKE HALL Events & Exhibits Special Time collapses as Nigerian artist Wole Lagunju merges images from the Victorian era with Yoruba Gelede to create intriguing paintings, and pop culture becomes bedfellows with archetypal imagery in his kaleidoscopic works. Such genre bending speaks to the notions of identity, gender, power, and difference. It also generates conversations about multicultur- alism, globalization, and transcultural ethos. Meet the artist and view the work during the Furious Flower reception at the Duke Hall Gallery on Wednesday, September 24 at 6 p.m. The exhibit is ongoing throughout the conference, 10 a.m. to 5 p.m. FUSION: POETRY VOICED IN CHORAL SONG FORBES CENTER FOR THE PERFORMING ARTS Our opening night concert features solos by soprano Aurelia Williams and performances by the choirs of Morgan State University (Eric Conway, director) and James Madison University (Jo-Anne van der Vat-Chromy, director). In it, composer and pianist Randy Klein presents his original music based on the poetry of Margaret Walker, Michael Harper, and Yusef Komunyakaa. -
Reading Poetry IDSEM UG 1420 Spring 2014, January 28- March 13 Tuesdays and Thursdays, 3:30-4:45 Professor Lisa Goldfarb
Reading Poetry IDSEM UG 1420 Spring 2014, January 28- March 13 Tuesdays and Thursdays, 3:30-4:45 Professor Lisa Goldfarb COURSE DESCRIPTION Poetry is an art that can express our deepest feelings and thoughts about our human experience. Too many of us, however, encounter poetry timidly. We wonder how we can make meaning of poetic words and rhythms so distinct from those we use in our daily lives. In this course, we will work at developing poetic sensibilities, not by digging to find clues to the mysterious meanings of poems, but by gaining an understanding of how to read poetry as a language within a language. We will study how the concentrated language and sounds of poetry help us to grapple with the shades and subtleties of our own experience. We will read many poems ranging from early English lyrics, popular ballads, and Shakespeare’s sonnets, to modern and contemporary poems, as well as poems originally written in other languages. LEARNING GOALS • Students will develop an understanding of the genre of lyric poetry and master a variety of forms particular to the lyric in Anglo-American poetry. • Students will learn a variety of critical strategies for the close reading of poetic texts (linguistic, aesthetic, historical, philosophical). • Students will develop familiarity with poetry from a variety of traditions: European (east and west); African, and Asian poems will be studied alongside the Anglo-American works. • All students will learn to orally present their readings of both poetic and musical texts to the class in informal and formal presentations. • Students will master critical writing and conventions of comparative poetic analysis.