The Inventory of the Franz Wright Collection #1709
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CATALOG SEVENTEEN ALEXANDER RARE BOOKS – Literary Firsts & Poetry 234 Camp Street Barre, Vermont 05641 (802) 476-08
CATALOG SEVENTEEN ALEXANDER RARE BOOKS – Literary Firsts & Poetry 234 Camp Street Barre, Vermont 05641 (802) 476-0838 [email protected] AlexanderRareBooks.com All items are American or British hardcover first printings unless otherwise stated. All fully returnable for any reason within 14 days, and offered subject to prior sale. Shipping is free in the US; elsewhere at cost. VT residents please add 6% tax. Mastercard, Visa, PayPal, and checks accepted. Libraries billed according to need. 1) Aldington, Richard. IMAGES OF DESIRE. London: Elkin Mathews, 1919. First edition. 12mo, 38 pp. Red printed wrappers. Several pages not opened. Edges lightly creased, minor paper loss at corners, else about fine. Lovely copy of a fragile book. (6979) $100.00 2) Aldington, Richard. IMAGES - OLD AND NEW. Boston: Four Seas , 1916. First edition. 47 pp. Plain boards in green printed dust jacket. The poet's second book. Spine faded and with lightly chipped head and tail, else about fine. (6978) $75.00 3) Anderson, Maxwell. A STANFORD BOOK OF VERSE 1912-1916. n.p.: The English Club of Stanford University, 1916. First edition. 88 pp. Cloth-backed paper covered boards w/ paper spine label, t.e.g.; in printed dust jacket which repeats the design on the boards. With six poems by Maxwell Anderson among the contributions. An exceptional copy of Anderson's first appearance in book form; he finished his Stanford MA in 1914. End papers offset, else very fine in a faintly tone, chipped along the edges but at least very good and quite scarce dust jacket. (6953) $125.00 4) Ansen, Alan. -
Megan Kaminski November 9, 2019
Megan Kaminski November 9, 2019 Department of English 1445 Jayhawk Blvd., Room 3031 Lawrence, KS 66045 [email protected] EDUCATION M.A. Creative Writing, Department of English, University of California, Davis: June 2005. Thesis: Net of Dust *M.F.A. equivalent B.A. English Literature, University of Virginia: May 2001. EMPLOYMENT Associate Professor of Poetry Writing, Department of English, University of Kansas Fall 2018 Assistant Professor of Poetry Writing, Department of English, University of Kansas 2013-present Interim Director of Graduate Creative Writing Program, Department of English, University of Kansas 2014-2015 Creative Writing Lecturer and Academic Program Associate, English Department, University of Kansas 2010-2013 Lecturer, English Department, University of Kansas 2007-2010 Online Instructor, Writing Program, Johns Hopkins University, Center for Talented Youth 2005-2009 Instructor, English Department, Portland Community College 2006-2007 PUBLICATIONS Books, Authored Gentlewomen. Blacksburg, VA: Noemi Press, forthcoming 2020. Deep City. Blacksburg, VA: Noemi Press, 2015. Desiring Map. Atlanta: Coconut Books, 2012. Megan Kaminski, Curriculum Vitae 2 Chapbooks, Authored Withness. Providence: Dusie Press, 2019. Each Acre. Ontario: above/ground press, 2018. Providence. New York: Belladonna*, 2016. Wintering Prairie. Zürich: Dusie Press, 2014. Re-Print: Ontario: above/ground press, 2014. This Place. Zürich: Dusie Press, 2013. Gemology. Houston: Little Red Leaves Textile Series, 2012. Favored Daughter. Chicago: Dancing Girl Press, 2012. Collection. Zürich: Dusie Press, 2011. Carry Catastrophe. Tallahassee: Grey Book Press, 2010. Across Soft Ruins. New York: Scantily Clad Press, 2009. Chapbooks, Coauthored Seven to December (chapbook). w/Bonnie Roy. Grand Rapids: Horse Less Press, 2015. Sigil and Sigh (chapbook). w/Anne Yoder. Chicago: Dusie Press, 2015. -
FIELD, Issue 95, Fall 2016
HH HH FIELD CONTEMPORARY POETRY AND POETICS NUMBER 95 FALL 2016 OBERLIN COLLEGE PRESS EDITORS David Young David Walker ASSOCIATE Pamela Alexander EDITORS Kazim Ali DeSales Harrison Shane McCrae EDITOR-AT- Martha Collins LARGE MANAGING Marco Wilkinson EDITOR EDITORIAL Sarah Goldstone ASSISTANT Juliet Wayne DESIGN Steve Farkas www.oberlin.edu/ocpress Published twice yearly by Oberlin College. Poems should be submitted through the online submissions manager on our website. Subscription orders should be sent to FIELD, Oberlin College Press, 50 N. Professor St., Oberlin, OH 44074. Checks payable to Oberlin College Press: $16.00 a year / $28.00 for two years/ $40.00 for three years. Single issues $8.00 postpaid. Please add $4.00 per year for Canadian addresses and $9.00 for all other countries. Back issues $12.00 each. Contact us about availability. FIELD is also available for download from the Os&ls online bookstore at www.0s-ls.com/field. FIELD is indexed in Humanities International Complete. Copyright © 2016 by Oberlin College. ISSN: 0015-0657 CONTENTS 7 C.D. Wright: A Symposium Jenny Goodman 11 Tough and Tender: The Speaker as Mentor in "Falling Beasts" Laura Kasischke 19 Brighter Is Not Necessarily Better Pamela Alexander 23 Fire and Water Sharon Olds 28 On a First Reading of "Our Dust" Kazim All 32 On "Crescent" Stephen Burt 36 Consolations and Regrets * * * Max Ritvo 43 Uncle Needle 44 December 29 Mimi White 47 The ER James Haug 48 Wood Came Down the River 49 The Turkey Ideal Traci Brimhall 50 Kiinstlerroman Ralph Burns 51 One Afterlife -
The Arkansas Poetry Connection
The Arkansas Poetry Connection Lesson Plan by Bonnie Haynie 1998-99 Butler Fellow This lesson plan helps students make a connection between literature, history, geography, and culture through an exploration of the writings of selected Arkansas poets and the events, locations, and people that inspired them. th th Grades: 7 – 12 This plan may be modified for 5th and 6th grade students. Objective: Students will understand the contributions of poetry to Arkansas' culture as well as the impact of Arkansas' characteristics on their poetic voice. Arkansas Curriculum Frameworks: Arkansas History Student Learning Expectations: G.2.5.2 Understand the contributions of people of various racial, ethnic, and religious groups in Arkansas and the United States G.2.6.1 Examine the effects of the contributions of people from selected racial, ethnic, and religious groups to the cultural identify of Arkansas and the United States G.2.6.2 Describe how people from selected racial, ethnic, and religious groups attempt to maintain their cultural heritage while adapting to the culture of Arkansas and the United States TPS.4.AH.7-8.4 Identify the contributions of Arkansas’ territorial officials: * James Miller * Robert Crittenden * Henry Conway * James Conway * Ambrose Sevier * “The Family” W.7. AH.7-8.1 Describe the contributions of Arkansans in the early 1900s WWP.9.AH.7-8.12 Identify significant contributions made by Arkansans in the following fields: * art * business * culture * medicine * science TPS.4.AH.9-12.4 Discuss the historical importance of Arkansas’ territorial officials: * James Miller * Robert Crittenden * Henry Conway * James Conway * Ambrose Sevier * “The Family” W.7. -
Pulitzer Prize Winners and Finalists
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
Beyond Poet Voice: Sampling the (Non-) Performance Styles of 100 American Poets
Beyond Poet Voice: Sampling the (Non-) Performance Styles of 100 American Poets Marit J. MacArthur, Georgia Zellou, and Lee M. Miller 04.18.18 Peer-Reviewed By: Jason Camlot & Anon. Clusters: Sound Article DOI: 10.22148/16.022 Dataverse DOI: 10.7910/DVN/FGNBHX Journal ISSN: 2371-4549 Cite: Marit J. MacArthur, Georgia Zellou, and Lee M. Miller, “Beyond Poet Voice: Sampling the (Non-) Performance Styles of 100 American Poets,”Cultural Analytics April 18, 2018. DOI: 10.22148/16.022. Literary readings provoke strong feelings, which feed intense critical de- bates.1And while recorded literary readings have long been available for study, 1This research was supported by a 2015-16 ACLS Digital Innovations Fellowship at the Univer- sity of California, Davis, and a grant from the Research Council of the University at California State University, Bakersfield in 2017, and it continues in 2018 with a NEH Digital Humanities Advance- ment grant (see http://textinperformance.soc.northwestern.edu/). Thanks to Hideki Kawahara for generously sharing TANDEM-STRAIGHT, to Dan Ellis for helping us set up his pitch-tracking al- gorithm in Matlab, to Robert Ochshorn and Max Hawkins for their development of the invaluable tools of Gentle and Drift that allowed much of the initial research to be undertaken, to the ModLab and the Digital Scholarship Lab at the University of California, Davis, and to undergraduate research assistants Pavel Kuzkin and Richard Kim at UC Davis and Mateo Lara and David Stanley at CSU Bakersfield. Thanks also to Steve McLaughlin, Steve Evans, Christopher Grobe, and Mark Liberman for useful advice, and to the helpful audiences in Stanford’s Material Imagination: Sound, Space and Human Consciousness workshop series and at Cultural Analytics 2017 at the University of Notre Dame, where some of this research was presented. -
The Cambridge Companion to Twenty-First-Century American Poetry Edited by Timothy Yu Frontmatter More Information
Cambridge University Press 978-1-108-48209-7 — The Cambridge Companion to Twenty-First-Century American Poetry Edited by Timothy Yu Frontmatter More Information the cambridge companion to twenty-first-century american poetry This Companion shows that American poetry of the twenty-first-century, while having important continuities with the poetry of the previous century, takes place in new modes and contexts that require new critical paradigms. Offering a comprehensive introduction to studying the poetry of the new century, this collection highlights the new, multiple centers of gravity that characterize American poetry today. Chapters on African American, Asian American, Latinx, and Indigenous poetries respond to the centrality of issues of race and indigeneity in contemporary American discourse. Other chapters explore poetry and feminism, poetry and disability, and queer poetics. The environment, capit- alism, and war emerge as poetic preoccupations, alongside a range of styles from the spoken word to the avant-garde, and an examination of poetry’s place in the creative writing era. Timothy Yu is the author of Race and the Avant-Garde: Experimental and Asian American Poetry since 1965, the editor of Nests and Strangers: On Asian American Women Poets, and the author of a poetry collection, 100 Chinese Silences. He is Martha Meier Renk-Bascom Professor of Poetry and Professor of English and Asian American Studies at the University of Wisconsin–Madison. © in this web service Cambridge University Press www.cambridge.org Cambridge University -
Bronwen R. Tate
BRONWEN R. TATE #410–6038 Birney Ave. (503) 758-6264 (cell) Vancouver, BC [email protected] V6s 0L4 Canada www.bronwentate.com EDUCATION 2014 Ph.D., Stanford University, Comparative Literature 2006 M.F.A., Brown University Literary Arts: Poetry 2003 A.B. with Honors, Brown University, Comparative Literature: Literary Translation CURRENT POSITION Assistant Professor of Teaching, University of British Columbia, Creative Writing Program, July 2020– ACADEMIC EMPLOYMENT Director of Writing, Marlboro College, 2019–2020 Assistant Professor of Creative Writing and Literature, Marlboro College, 2017–2020 Thinking Matters Fellow, Stanford Introductory Studies, Stanford University, 2014–2017 RESEARCH AND TEACHING INTERESTS Creative Writing, 20th Century North American Literature, Poetry and Poetics, The Ethics of Reading, Transnational Literary Studies, Literature and the Environment, Gender Studies PUBLICATIONS Poetry Book 2021 The Silk the Moths Ignore, 2019 Hillary Gravendyk Prize National Winner, I Inlandia Institute, forthcoming Spring 2021. * Finalist or semi-finalist for 8 previous awards, including University of Akron Poetry Prize 2019 Finalist, Cleveland State University Poetry Center’s First Book Poetry Competition 2019 Honorable Mention (Selected by Judge Brenda Hillman) Poetry Chapbooks 2019 Mitten: Scraps & Patterns (Dusie Press) 2016 Vesper Vigil (above/ground press) 2011 If a Thermometer (dancing girl press) 2010 The Loss Letters (Dusie Press) Tate 2 2009 Scaffolding: My Proust Vocabulary (Dusie Press) 2008 Like the Native Tongue -
Copper Canyon Reader Fall 2018 in MEMORIUM Please Visitourwebsite
It is my confirmed bias that the poets remain the most “stunned by existence,” the most determined to redeem the world in words. —C.D. Wright Copper Canyon Reader fall 2018 IN MEMORIUM Sam Hamill Founding Editor 1943–2018 from A PersonAl IntroductIon in The Gift of Tongues: Twenty-Five Years of Poetry from Copper Canyon Press(1996) I couldn’t, in my wildest dream, imagine a world in which my small gift would be multiplied by so many generous hands. But that is exactly how the gift of poetry works: the gift of inspiration is transformed by the poet into a body of sound which in turn is given away so that it may inspire and inform another, who in turn adds to the gift and gives it away again. For more information about Sam Hamill and the founding of Copper Canyon Press, please visit our website. The Chinese character for poetry is made up of two parts: “word” and “temple.” It also serves as pressmark for Copper Canyon Press. Ursula K. Le Guin So Far So Good NEW TITLE NEW “One of the troubles with our culture is we do not respect and train the imagination. It needs exercise. It needs practice. You can’t tell a story unless you’ve listened to a lot of stories and then learned how to do it.” to the rAIn Mother rain, manifold, measureless, falling on fallow, on field and forest, on house-roof, low hovel, high tower, downwelling waters all-washing, wider than cities, softer than sisterhood, vaster than countrysides, calming, recalling: return to us, teaching our troubled souls in your ceaseless descent to fall, to be fellow, to feel the root, to sink in, to heal, to sweeten the sea. -
Pulitzer Prize Winning Macdowell Fellows
PULITZER PRIZE WINNING MACDOWELL FELLOWS The Pulitzer Prize has been awarded 85 times to MacDowell Fellows since 1919. Some fellows have won more than once. The Prize was first awarded in 1917. 2018 Jack Davis, History, The Gulf: The Making of An American Sea 2018 Andrew Sean Greer, Fiction, Less 2017 Tyehimba Jess, Poetry, Olio 2017 Neil MacFarquhar, staff member of The New York Times team that won the for International Reporting 2017 Colson Whitehead, Fiction: Underground Railroad 2016 William Finnegan, Biography or Autobiography: Barbarian Days: A Surfing Life 2015 Julia Wolfe, Music: Anthracite Fields 2015 Gregory Pardlo, Poetry: Digest 2014 Vijay Seshadri, Poetry: his collection 3 Sections 2014 Annie Baker, Drama: The Flick 2013 Caroline Shaw, Music: Partita for 8 Voices 2013 Ayad Akhtar, Drama: Disgraced 2012 Kevin Puts, Music: Silent Night: Opera in Two Acts (libretto by MF Mark Campbell) 2010 Sheri Fink, Investigative Reporting: The Deadly Choices at Memorial 2008 David Lang, Music: The Little Match Girl Passion 2008 Philip Schultz, Poetry: Failure 2007 Debby Applegate, Biography or autobiography: The Most Famous Man in America: The Biography of Henry Ward Beecher 2007 Andrea Elliott (NYTimes), Feature Writing: An Imam in America 2004 Paul Moravec, Music: Tempest Fantasy 2004 Franz Wright, Poetry: Walking to Martha's Vineyard 2004 Doug Wright, Drama: I Am My Own Wife 2003 Paul Muldoon, Poetry: Moy Sand and Gravel 2003 Jeffrey Eugenides, Fiction: Middlesex 2002 Suzan-Lori Parks, Drama: Topdog/Underdog 2002 Carl Dennis, Poetry: -
Translating the Gospel Back Into Tongues: a Survey of Contemporary Arkansas Poetry
Translating the Gospel Back Into Tongues: A Survey of Contemporary Arkansas Poetry Marck L. Beggs Assistant Professor of English Abstract The purpose of this essay is to introduce and characterize the work of a number of contemporary Arkansas poets, literary journals and related issues. Among the writers considered are Miller Williams, Paul Lake, Michael Heffernan, David Jauss, Terry Wright, C. D. Wright, Frank Stanford, Ralph Burns, Andrea Hollander Budy, and Redhawk. Introduction If any singular moment can be said to eclipse all others in the vastly underrated and underappreciated world of Arkansas poetry, it would have to be the 1949 Pulitzer Prize awarded to Little Rock resident John Gould Fletcher. But since then, several Arkansas poets have earned national reputations for their work: two have read at Presidential inaugurations, at least three have been granted fellowships from the National Endowment for the Arts, and four have won the Porter Prize, the most prestigious literary prize within our state. Others have published in journals throughout the country and published collections that were distributed nationally. Yet contemporary Arkansas poets rarely are included in the literature courses of our schools and universities. By "contemporary," I refer to poets publishing primarily in the past thirty years; hence, such prominent names as John Gould Fletcher, Lily Peter, and Edsel Ford will not be discussed here. By "Arkansas," I refer to poets who have published substantial works while living in Arkansas; hence, Maya Angelou is excluded from this study because she has never resided within the state since the advent of her illustrious publishing career. C. -
Last Updated 01/14/2021
UAPC Broadside Holdings | 1 of 115 University of Arizona Poetry Center Broadside Holdings - Last Updated 01/14/2021 This computer-generated list is accurate to the best of our knowledge, but may contain some formatting issues and/or inaccuracies. Thank you for your understanding. Author Title / Author Publisher Country music is cool poem / Cory Aaland, Cory. Aaland. Tucson, Ariz. : K Li, [2013] Waldron Island Brooding Heron Press Aaron, Howard. The Side Yard. 1988. Academy of American Poets Academy of American national poetry month April 2013 New York : Academy of American Poets, Poets. [poster]. 2013. Ace, Samuel, February / Samuel Ace. Tucson : Edge, 2009. "Top Withens" and "Excerpt from What Makes All Groups? The Adair-Hodges, Erin. Loom." Tucson University of Arizona 2006. Sea in Two Poems for Courage and Adnan, Etel. Change. Silver Spring Pyramid Atlantic 2006. Don't call alligator long-mouth till [Great Britain] : London Arts Board, Agard, John, you cross river / John Agard. [1997?] Agha, Shahid Ali, "Stationery" Wesleyan University Press n.d. [Paradise Valley, Ariz.] : [Mummy Agha, Shahid Ali, A pastoral / Agha Shahid Ali. Mountain Press], [1993] Agha, Shahid Ali, "A Rehearsal of Loss" Tucson Tucson Poetry Festival 1992. Burning Deck Postcards: The fourth Ahern, Tom. ten. Providence, R.I., Burning Deck Press, 1978. Ahmed, Zubair. Shaving / Zubair Ahmed. [Portland, Ore.] : Tavern Books, 2011. On being one-half Japanese one- eighth Choctaw one-fourth Black & Ai, one-sixteenth Irish / Ai. Portland, Oregon : Tavern Books, 2018. [Paradise Valley, Ariz.] : Mummy Mountain Ai, The journalist / Ai. Press, [199-?] [Paradise Valley, Ariz.] : Mummy Mountain Ai, Cruelty / Ai. Press, [199-?] Mouth of the Columbia : poem / by Akers, Deborah.