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Ken Lopez Bookseller Modern Literature 165 1 Lopezbooks.Com
MODERN LITERATURE 165 KEN LOPEZ BOOKSELLER MODERN LITERATURE 165 1 LOPEZBOOKS.COM KEN LOPEZ BOOKSELLER MODERN LITERATURE 165 2 KEN LOPEZ, Bookseller MODERN LITERATURE 165 51 Huntington Rd. Hadley, MA 01035 (413) 584-4827 FAX (413) 584-2045 [email protected] | www.lopezbooks.com 1. (ABBEY, Edward). The 1983 Western Wilderness Calendar. (Salt Lake City): (Dream Garden) CATALOG 165 — MODERN LITERATURE (1982). The second of the Wilderness calendars, with text by Abbey, Tom McGuane, Leslie Marmon Silko, All books are first printings of the first edition or first American edition unless otherwise noted. Our highest Ann Zwinger, Lawrence Clark Powell, Wallace Stegner, grade is fine. Barry Lopez, Frank Waters, William Eastlake, John New arrivals are first listed on our website. For automatic email notification about specific titles, please create Nichols, and others, as well as work by a number of an account at our website and enter your want list. To be notified whenever we post new arrivals, just send your prominent photographers. Each day is annotated with email address to [email protected]. a quote, a birthday, or an anniversary of a notable event, most pertaining to the West and its history and Books can be ordered through our website or reserved by phone or e-mail. New customers are requested to pay natural history. A virtual Who’s Who of writers and in advance; existing customers may pay in 30 days; institutions will be billed according to their needs. All major photographers of the West, a number of them, including credit cards accepted. Any book may be returned for any reason within 30 days, but we request notification. -
Subversion in Robert Mcliam Wilson's Ripley Bogle
“Down-and-Outs, Subways and Suburbs: Subversion in Robert McLiam Wilson’s Ripley Bogle (1989) and Colum McCann’s This Side of Brightness (1998)” Marie Mianowski To cite this version: Marie Mianowski. “Down-and-Outs, Subways and Suburbs: Subversion in Robert McLiam Wilson’s Ripley Bogle (1989) and Colum McCann’s This Side of Brightness (1998)”. Rodopi. Sub-versions: Transnational Readings of Modern Irish Literature. Ciaran Ross, ed., pp.87-100, 2010, 9789042028289 9042028289 9789042028296 9042028297. hal-01913551 HAL Id: hal-01913551 https://hal.archives-ouvertes.fr/hal-01913551 Submitted on 19 Nov 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Marie Mianowski – Nantes University, France - "Down-and-outs, subways and suburbs: subversion in Robert McLiam Wilson’s Ripley Bogle (1989) and Colum McCann’s This Side of Brightness (1998)" Robert McLiam Wilson’s Ripley Bogle (1989) and Colum McCann’s This Side of Brightness (1998) both point to fundamental common issues as far as the notion of subversion is concerned. McLiam Wilson’s eponymous hero is a young Irish tramp wandering in London, who has often been compared to Joyce's Bloom by reviewers. -
Science, Values, and the Novel
Science, Values, & the Novel: an Exercise in Empathy Alan C. Hartford, MD, PhD, FACR Associate Professor of Medicine (Radiation Oncology) Geisel School of Medicine at Dartmouth 2nd Annual Symposium, Arts & Humanities in Medicine 29 January 2021 The Doctor, 1887 Sir Luke Fildes, Tate Gallery, London • “One of the essential qualities of the clinician is interest in humanity, for the secret of the care of the patient is in caring for the patient.” From: Francis W. Peabody, “The Care of the Patient.” JAMA 1927; 88: 877-882. Francis Weld Peabody, MD 1881-1927 Empathy • Empathy: – “the ability to understand and share the feelings of another.” • Cognitive (from: Oxford Languages) • Affective • Somatic • Theory of mind: – “The capacity to identify and understand others’ subjective states is one of the most stunning products of human evolution.” (from: Kidd and Castano, Science 2013) – Definitions are not full agreed upon, but this distinction is: • “Affective” and “Cognitive” empathy are independent from one another. Can one teach empathy? Reading novels? • Literature as a “way of thinking” – “Literature’s problem is that its irreducibility … makes it look unscientific, and by extension, soft.” – For example: “‘To be or not to be’ cannot be reduced to ‘I’m having thoughts of self-harm.’” – “At one and the same time medicine is caught up with the demand for rigor in its pursuit of and assessment of evidence, and with a recognition that there are other ways of doing things … which are important.” (from: Skelton, Thomas, and Macleod, “Teaching literature -
Fragmentation and Vulnerability in Anne Enright´S the Green Road (2015): Collateral Casualties of the Celtic Tiger in Ireland
International Journal of IJES English Studies UNIVERSITY OF MURCIA http://revistas.um.es/ijes Fragmentation and vulnerability in Anne Enright´s The Green Road (2015): Collateral casualties of the Celtic Tiger in Ireland MARIA AMOR BARROS-DEL RÍO* Universidad de Burgos (Spain) Received: 14/12/2016. Accepted: 26/05/2017. ABSTRACT This article explores the representation of family and individuals in Anne Enright's novel The Green Road (2015) by engaging with Bauman's sociological category of “liquid modernity” (2000). In The Green Road, Enright uses a recurrent topic, a family gathering, to observe the multiple forms in which particular experiences seem to have suffered a process of fragmentation during the Celtic Tiger period. A comprehensive analysis of the form and plot of the novel exposes the ideological contradictions inherent in the once hegemonic notion of Irish family and brings attention to the different forms of individual vulnerability, aging in particular, for which Celtic Tiger Ireland has no answer. KEYWORDS: Anne Enright, The Green Road, Ireland, contemporary fiction, Celtic Tiger, mobility, fragmentation, vulnerability, aging. 1. INTRODUCTION Ireland's central decades of the 20th century featured a nationalism characterized by self- sufficiency and a marked protectionist policy. This situation changed in the 1960s and 1970s when external cultural influences through the media, growing flows of migration and economic transformations initiated by the government, together with the weakening of the Welfare State, progressively transformed a rural new-born country into an international _____________________ *Address for correspondence: María Amor Barros-del Río. Departamento de Filología. Facultad de Humanidades y Comunicación. Paseo de los Comendadores s/n. -
The Inprint Margarett Root Brown Reading Series, 1980 – 2014
The Inprint Margarett Root Brown Reading Series, 1980 – 2014 Alice Adams Toi Derricotte Khaled Hosseini Rick Moody Louis Simpson Kim Addonizio Anita Desai Maureen Howard Lorrie Moore Josef Skvorecky Chimamanda Ngozi Adichie Kiran Desai Richard Howard Mary Morris Jane Smiley Daniel Alarcón Junot Díaz Marie Howe Walter Mosley Charlie Smith Edward Albee Joan Didion David Hughes Howard Moss Dave Smith Elizabeth Alexander Annie Dillard John Irving Taha Muhammad Ali Lee Smith Sherman Alexie Chitra Divakaruni Major Jackson Bharati Mukherjee Patricia Smith Julia Alvarez E. L. Doctorow Phyllis Janowitz Paul Muldoon Zadie Smith Yehuda Amichai Emma Donoghue Gish Jen Harryette Mullen W. D. Snodgrass Roger Angell Mark Doty Ha Jin Alice Munro Susan Sontag Max Apple Rita Dove Denis Johnson Jack Myers Gilbert Sorrentino Rae Armantrout Denise Duhamel Charles Johnson Antonya Nelson Gary Soto Margaret Atwood Stephen Dunn Edward P. Jones Marilyn Nelson Elizabeth Spencer Toni Cade Bambara Stuart Dybek Donald Justice Naomi Shihab Nye David St. John Russell Banks Jennifer Egan Mary Karr Téa Obreht Daniel Stern John Banville Dave Eggers Richard Katrovas Edna O’Brien Gerald Stern Coleman Barks Deborah Eisenberg Janet Kauffman Tim O’Brien Pamela Stewart Julian Barnes Lynn Emanuel Brigit Pegeen Kelly Sharon Olds Robert Stone Andrea Barrett Anne Enright Tracy Kidder Mary Oliver Mark Strand Donald Barthelme Louise Erdrich Jamaica Kincaid Michael Ondaatje Elizabeth Strout Charles Baxter Martin Espada Maxine Hong Kingston Joseph O’Neill William Styron Ann Beattie Jeffrey -
Your Guide to the Classic Literature Collection
Your Guide to the Classic Literature Collection. Electronic texts for use with Kurzweil 1000 and Kurzweil 3000. Revised March 27, 2017. Your Guide to the Classic Literature Collection – March 22, 2017. © Kurzweil Education, a Cambium Learning Company. All rights reserved. Kurzweil 1000 and Kurzweil 3000 are trademarks of Kurzweil Education, a Cambium Learning Technologies Company. All other trademarks used herein are the properties of their respective owners and are used for identification purposes only. Part Number: 125516. UPC: 634171255169. 11 12 13 14 15 BNG 14 13 12 11 10. Printed in the United States of America. 1 Introduction Introduction Kurzweil Education is pleased to release the Classic Literature Collection. The Classic Literature Collection is a portable library of approximately 1,800 electronic texts, selected from public domain material available from Web sites such as www.gutenberg.net. You can easily access the contents from any of Kurzweil Education products: Kurzweil 1000™, Kurzweil 3000™ for the Apple® Macintosh® and Kurzweil 3000 for Microsoft® Windows®. The collection is also available from the Universal Library for Web License users on K3000+firefly. Some examples of the contents are: • Literary classics by Jane Austen, Geoffrey Chaucer, Joseph Conrad, Charles Dickens, Fyodor Dostoyevsky, Hermann Hesse, Henry James, William Shakespeare, George Bernard Shaw, Leo Tolstoy and Oscar Wilde. • Children’s classics by L. Frank Baum, Brothers Grimm, Rudyard Kipling, Jack London, and Mark Twain. • Classic texts from Aristotle and Plato. • Scientific works such as Einstein’s “Relativity: The Special and General Theory.” • Reference materials, including world factbooks, famous speeches, history resources, and United States law. -
New Writing from Ireland
New Writing from Ireland Promoting Irish Literature Abroad Fiction | 1 NEW WRITING FROM ireLAND 2013 This is a year of new beginnings – Ireland first published 2013 Impac Award-winner Literature Exchange has moved offices Kevin Barry’s collection, There Are Little and entered into an exciting partnership Kingdoms in 2007, offers us stories from with the Centre for Literary Translation at Colin Barrett. Trinity College, Dublin. ILE will now have more space to host literary translators from In the children and young adult section we around the world and greater opportunities have debut novels by Katherine Farmar and to organise literary and translation events Natasha Mac a’Bháird and great new novels in co-operation with our partners. by Oisín McGann and Siobhán Parkinson. Writing in Irish is also well represented and Regular readers of New Writing from Ireland includes Raic/Wreck by Máire Uí Dhufaigh, will have noticed our new look. We hope a thrilling novel set on an island on the these changes make our snapshot of Atlantic coast. contemporary Irish writing more attractive and even easier to read! Poetry and non-fiction are included too. A new illustrated book of The Song of Contemporary Irish writing also appears Wandering Aengus by WB Yeats is an exciting to be undergoing a renaissance – a whole departure for the Futa Fata publishing house. 300 pp range of intriguing debut novels appear Leabhar Mór na nAmhrán/The Big Book of this year by writers such as Ciarán Song is an important compendium published Collins, Niamh Boyce, Paul Lynch, Frank by Cló Iar-Chonnacht. -
2016 Fiction Longlist Release FINAL
RELEASE: SEPTEMBER 15, 2016 Contact: Sherrie Young 9:30 a.m. EDT National Book Foundation (212) 685-0261 [email protected] 2016 NATIONAL BOOK AWARDS LONGLIST FOR FICTION The ten contenders for the National Book Award for Fiction. New York, NY (September 15, 2016) – The National Book Foundation today announced the Longlist for the 2016 National Book Award for Fiction. Finalists will be revealed on October 13. (Please note that this date was originally set for October 12, but has been changed to acknowledge Yom Kippur.) The Fiction Longlist includes a former National Book Award Winner for Young People’s Literature and two titles by former National Book Award Finalists for Fiction. The list also includes three Pulitzer Prize finalists. One title is currently shortlisted for the 2016 Baileys Women’s Prize for Fiction and another was recently selected for Oprah’s Book Club. There is one debut novel on the list. The year’s Longlist is told from and about locations all around the world. Authors hail from and titles explore locations that range from Alaska, New Delhi, Bulgaria, and even a reimagined United States. Colson Whitehead’s Underground Railroad follows Cora, a fugitive slave, as she escapes the south on a literal underground railroad in a speculative historical fiction that reckons with the true legacy of liberation and escape. In a very different journey, former Pulitzer Prize finalist Lydia Millet’s Sweet Lamb of Heaven follows a mother as she traverses the country with her daughter, fleeing her powerful husband. What Belongs to You, a debut novel by Garth Greenwell, finds its American narrator in Sofia, Bulgaria attempting to reconcile the shame and desire bound up in his own sexuality. -
Enthymema XXIII 2019 the Sentence Is Most Important: Styles of Engagement in William T. Vollmann's Fictions
Enthymema XXIII 2019 The Sentence Is Most Important: Styles of Engagement in William T. Vollmann’s Fictions Christopher K. Coffman Boston University Abstract – William T. Vollmann frequently asserts that his ideal reader will appreci- ate the functionality and beauty of his sentences. This article begins by taking such claims seriously, and draws on both literary and rhetorical stylistics to explore some of the many ways that his texts answer to his intention to find “the right sentence for the right job.” In particular, this article argues that Vollmann’s stylistic decisions are most notable when they most directly satisfy his effort to produce texts that fos- ter empathetic knowledge, serve truth, resist abusive power, and encourage charita- ble action. Extended close analyses of passages from an early and from a mid-ca- reer text (The Rainbow Stories and Europe Central) illustrate Vollmann’s con- sistency across two decades of his career regarding choices in the areas of figura- tion (including schemes and tropes of comparison, repetition, balance, naming, and amplification), grammar, deixis, allusion, and other compositional strategies. Partic- ular attention is paid to passages that display the stylistic mechanisms underlying Vollmann’s negotiation of his texts’ moral qualities, including both the moral con- tent of the worlds represented in the texts, and the moral responsibility the texts bear with regard to their audience. The results of my analyses demonstrate that Vollmann typically prioritizes openness, critique, and dialogue not only in terms of incident and character, but also on the scale of the phrase, clause, and sentence. Ultimately, this article shows how Vollmann’s sentences serve his declared inten- tions and allow readers to recognize compatibilities between Vollmann’s works and the characteristic features of post-postmodernist writing in general. -
BOOK REVIEWS Michael R. Reder, Ed. Conversations with Salman
258 BOOK REVIEWS Michael R. Reder, ed. Conversations with Salman Rushdie. Jackson: U of Mississippi P, 2000. Pp. xvi, 238. $18.00 pb. The apparently inexorable obsession of journalist and literary critic with the life of Salman Rushdie means it is easy to find studies of this prolific, larger-than-life figure. While this interview collection, part of the Literary Conversations Series, indicates that Rushdie has in fact spo• ken extensively both before, during, and after, his period in hiding, "giving over 100 interviews" (vii), it also substantiates a general aware• ness that despite Rushdie's position at the forefront of contemporary postcolonial literatures, "his writing, like the author himself, is often terribly misjudged by people who, although familiar with his name and situation, have never read a word he has written" (vii). The oppor• tunity to experience Rushdie's unedited voice, interviews re-printed in their entirety as is the series's mandate, is therefore of interest to student, academic and reader alike. Editor Michael Reder has selected twenty interviews, he claims, as the "most in-depth, literate and wide-ranging" (xii). The scope is cer• tainly broad: the interviews, arranged in strict chronological order, cover 1982-99, encompass every geography, and range from those tak• en from published studies to those conducted with the popular me• dia. There is stylistic variation: question-response format, narrative accounts, and extensive, and often poetic, prose introductions along• side traditional transcripts. However, it is a little misleading to infer that this is a collection comprised of hidden gems. There is much here that is commonly known, and interviews taken from existing books or re-published from publications such as Kunapipi and Granta are likely to be available to anybody bar the most casual of enthusiasts. -
The Paterno Anthology
The Paterno Anthology A book collection dedicated in honor of Suzanne Pohland Paterno in celebration of her 80th birthday February 14, 2020 Abby Aldrich Rockefeller: The Woman in the Family by Bernice Kert Abigail Adams: A Life by Woody Holton Aeneid by Virgil After All, It’s Only a Game by Willie Morris Ahab’s Wife by Sena Jeter Naslund The Alchemist by Paulo Coelho Alexander Hamilton by Ron Chernow Alicia: My Story by Alicia Appleman-Jurman All the Light We Cannot See by Anthony Doerr American Fiction, American Myth: Essays by Philip Young edited by David Morrell and Sandra Spanier The American Story: Conversations with Master Historians by David M. Rubenstein The Art of Dancing: Explained by Reading and Figures by Kellom Tomlinson The Art of Gratitude by Jeremy David Engels Atlas Shrugged by Ayn Rand The Audacity of Hope: Thoughts on Reclaiming the American Dream by Barack Obama The Best of Simple: Stories by Langston Hughes Beyond the Godfather: Italian American Writers on the Real Italian American Experience edited by A. Kenneth Ciongoli and Jay Parini Bipolar Faith: A Black Woman’s Journey with Depression and Faith by Monica A. Coleman The Book of Joy: Lasting Happiness in a Changing World by the Dalai Lama and Archbishop Desmond Tutu The Book Thief by Markus Zusak By Honor Bound: Two Navy SEALs, the Medal of Honor, and a Story of Extraordinary Courage by Tom Norris and Mike Thornton with Dick Couch By Way of the Heart: Toward a Holistic Christian Spirituality by S. J. Wilkie Au Candide, ou l’Optimisme by Voltaire Chicka Chicka Boom Boom by Bill Martin Jr. -
NONINO Prize the Jury Presided by the Nobel Laureate Naipaul Has
NONINO Prize The jury presided by the Nobel Laureate Naipaul has chosen two intellectuals that support religious tolerance and free thinking. By FABIANA DALLA VALLE The Albanian poet Ismail Kadare, the philosopher Giorgio Agamben and the P(our) project are respectively the winners of the International Nonino Prize, the “Master of our time” and the “Nonino Risit d’Aur – Gold vine shoot” of the forty-third edition of the Nonino, born in 1975 to give value to the rural civilization. The jury presided by V.S. Naipaul, Nobel Laureate in Literature 2001, and composed by Adonis, John Banville, Ulderico Bernardi, Peter Brook, Luca Cendali, Antonio R. Damasio, Emmanuel Le Roy Ladurie, James Lovelock, Claudio Magris, Norman Manea, Edgar Morin and Ermanno Olmi, has awarded the prestigious acknowledgements of the 2018 edition. Ismail Kadare, poet, novelist, essay writer and script writer born in Albania (he left his country as a protest against the communist regime which did not take any steps to allow the democratization of the country ndr.), for the prestigious jury of the Nonino is a «Bard fond and critical of his country, between historical realities and legends, which evoke grandeur and tragedies of the Balkan and Ottoman past and has created great narrations. An exile in Paris for more than twenty years “not to offer his services to tyranny”, he has refused the silence which is the evil’s half, often immersing his narration in imaginary worlds, becoming the witness of the horrors committed by totalitarianism and its inquisitors. He has made religious tolerance one of the foundations of his work».