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M a Y 2 0 0 2 3 3 PUBLISHED BY THE AMERICAN RECORDER SOCIETY , VOL . XLIII, NO . 3 M A Y 2 2 0 0 2 sheet music www.moeck-music.de recorders early music flauto penta modern music flauto 1 folk&pop flauto 1 plus methods/tutors worls school recorders books flauto rondo rottenburgh modern music steenbergen music cartoons stanesby periodicals hotteterre tibia. magazin für holzbläser kynseker zfs recorders music series renaissance-consort cds breukink walter van hauwe renaissance jeremias schwarzer krummhorn trio diritto cornamuse dulcian shawm shalmei flute cornetti baroque flute oboe rackett chalumeau sopran clarinet Sole agent for the USA: Tel: 1-860-364-5431 Magnamusic Distributors Inc., Fax: 1-860-364-5168 P.O. Box 338, magnamusic@magnamusic.com Sharon, CT 06069 www.magnamusic.com EDITOR’S ______NOTE ______ ______ ______ ______ Volume XLIII, Number 3 May 2002 This issue of American Recorder is my 59th FEATURES and last. Counting covers, newsletters, The Recorder in Print: 2000 . 7 Members’ Library Editions, etc., it comes The annual update of recorder research that has appeared out to nearly 3,000 pages that have gone in print in other publications around the world, through a succession of computers in my by David Lasocki office since March 1990. Although I have A New Tenor for Paul Godby . 16 relied over the years on a wonderfully tal- 4 A doctor who lost the use of his left hand ented group of contributing editors, writ- tries out a new tenor recorder made by Mollenhauer, ers, designers, artists, board members, and by Paul J. Godby, M.D. staff colleagues for a steady supply of stim- Writing for Recorder in a Contemporary ulating material, I would be remiss if I did- Lyric Style . 18 n’t give special thanks to Connie Primus The sixth in a series of articles by composers and arrangers (first Chapter News, later Music Reviews), discussing how they write and arrange music for recorder, Pete Rose (On the Cutting Edge), and by Stan McDaniel David Lasocki (see below), who have prob- 7 ably been individually responsible for more material in AR than any 10 other DEPARTMENTS writers combined. In his thirteenth review of material Advertiser Index . 36 about the recorder that has appeared in Chapters & Consorts . 31 other publications—a long-running fea- Classified . 36 ture if ever there were one—David Lasocki reports on an article by Anthony Rowland- Music Reviews. 21 16 Jones (himself a valued contributor to Opening Measures . 33 these pages) about the origin of the didd’ll President’s Message . 3 tonguing supposedly introduced by Quantz. Pointing to the phrase “toodle ON THE COVER: Tidings . 4 loodle poope” (in connection with Illustration New Developments Using Recorder with Asthmatics recorder playing) in the mid-16th-centu- by ry play Ralph Roister Doister, Rowland- Jennifer Fidler The Recorder at the 2002 Berkeley Festival Jones compares this effect to the tongu- © 2002 Contributions 200-2001 ing syllables in Ganassi’s Fontegara (1535), noting, though, that Ganassi did not mention this kind of reverse tonguing, in which the first stroke is made by the tip BENJAMIN S. DUNHAM, Editor of the tongue and the return stroke is made Contributing Editors with the side of the tongue. True, but way FRANCES BLAKER, Beginners; SCOTT PATERSON, Book Reviews back in the dimming past, I seem to re- CAROLYN PESKIN, Q & A; CONSTANCE M. PRIMUS, Music Reviews member a discussion with Bob Marvin in EUGENE REICHENTHAL, Education; PETE ROSE, 20th-Century Performance which he suggested that Ganassi’s lere, lere GILLIAN KAHN, Design Consultant tonguing, when done rapidly, tends to transform itself into a tonguing sensation Advisory Board Martha Bixler • Valerie Horst • David Lasocki similar to didd’ll or toodle, not as sharply Bob Marvin • Howard Schott • Thomas Prescott • Catherine Turocy delineated but providing the same advan- Kenneth Wollitz tages for moving smoothly through rapid Copyright © 2002 American Recorder Society, Inc. passagework without chopping the pat- terns into little bits. Visit AR On-Line at: www.recorderonline.org American Recorder (ISSN: 0003-0724), 5554 S. Prince, Suite 128, Littleton, CO 80120, is published bimonthly (January, March, May, September, and On this note, perhaps I’d better wish November) for its members by the American Recorder Society, Inc. $20 of the annual $40 U.S. membership dues in the American Recorder Society is for a subscription to American Recorder. Articles, reviews, and letters to the editor reflect the viewpoint of their individual authors. Their appearance in this magazine does not imply official endorsement by the ARS. Submission of articles and photographs is welcomed. Articles may be typed or submitted on PC discs (Word my successor Gail Nickless good luck and for Windows, or RTF preferred) or as an attachment to an e-mail message. They should be for the exclusive consideration of AR, unless otherwise noted. sign off. And there’s no better way for the Photographs may be sent as color or black-and-white prints, or 300-dpi TIFF images. Advertisements may be sent in the PDF format, with fonts embedded. New Editorial office: Gail Nickless, Editor, American Recorder, 7770 South High St., Centennial, CO 80122; 303-794-0114 (phone & fax); editor of a recorder magazine to say good- editor@recorderonline.org. Deadlines for editorial material: November 15 (January), January 15 (March), March 15 (May), July 15 (September), and September 15 (November). Books for review: Editorial office. Music for review: Constance M. Primus, Box 608, Georgetown, CO 80444. Recordings for review: Editorial office. Cutting Edge: Pete Rose, 13 Rutgers St., Maplewood, NJ 07040; peteroserecorder@hotmail.com. Chapter newsletters and other bye than....tootle-oo! reports: Editorial office. Advertising: Steve DiLauro, LaRich & Associates, Inc., 15300 Pearl Road, Suite 112, Strongsville, OH 44136-5036; 440-238-5577; 440-572-2976 (fax); sdilauro@larichadv.com. Advertising Closings: December 1 (January), February 1 (March), April 1 (May), August 1 (September), and Benjamin Dunham October 1 (November). Postmaster: Send address changes to American Recorder Society, Box 631, Littleton, CO 80160-0631. Periodicals postage paid at Littleton, CO, and at an additional mailing office. ARS Chapters ALABAMA ILLINOIS Long Island: Margaret H. Brown Birmingham: Susan Roessel Chicago: Patrick O’Malley (516/765-1867) (256/247-1431) (773/293-3138) New York City: Michael Zumoff West Suburban: Christopher Culp (212/662-2946) AMERICAN ARIZONA (630/690-7304) Rochester: Marilyn Plain Phoenix: Donald Harrington RECORDER (602/956-1344) KANSAS (716/475-1453) L&L Early Music Ensemble: Liz Low Tucson: Scott Mason (520/721-0846) Rockland: Lorraine Schiller (845/429-8340) SOCIETY (913/727-3554) Westchester: Carol B. Leibman ARKANSAS INC LOUISIANA (914/241-3381) . Aeolus Konsort: Louise Rollefson Baton Rouge: John Waite Honorary President (501/225-4846) NORTH CAROLINA (225/925-0502) Bella Vista: Barbara McCoy Triangle: Cindy Osborne (919/851-1080) ERICH KATZ (1900-1973) New Orleans: Chris Alderman (501/855-6477) Honorary Vice President (504/862-0969) OHIO INIFRED AEGER W J CALIFORNIA MARYLAND Greater Cleveland: Edith Yerger Statement of Purpose Central Coast: Elisabeth Blake Northern Maryland: Tanya Torres (440/826-0716) (805/534-9414) The mission of the American Recorder Society is (410/821-8678) Toledo: Marilyn Perlmutter East Bay: Glen Shannon to promote the recorder and its music by (419/531-6259) (510/525-1249) MASSACHUSETTS developing resources and standards to help Boston: Sheila Bosworth Monterey Bay: Lorrie Emery OREGON people of all ages and ability levels to play and (978/263-9926) (831/423-8309) Oregon Coast: Corlu Collier Worcester Hills: Jennifer Southcott study the recorder, presenting the instrument North Coast: Kathleen Kinkela-Love (978/263-5875) (541/265-5910) to new constituencies, encouraging increased (707/822-8835) career opportunities for professional recorder Orange County: Doris Leffingwell MICHIGAN PENNSYLVANIA performers and teachers, and enabling and (949/494-9675) Ann Arbor: Ole Lundin Philadelphia: Dody Magaziner supporting recorder playing as a shared social Sacramento: Ronald Koetzsch 734/668-4842 (215/886-2241), or experience. Besides this journal, (916/965-1341) Kalamazoo: Chris Bartley Joanne Ford (215/844-8054) (616/341-4590) ARS publishes a newsletter, a personal study San Diego County: Carol Resnick Pittsburgh: Karen Lukas Metropolitan Detroit: Peter Lundell program, a directory, and special musical (619/466-7983) (412/731-7411) South Bay: Joanna Woodrow (248/542-9907) editions. Society members gather and play Western Michigan: Marge Winter (408/266-3993) RHODE ISLAND together at chapter meetings, weekend and (231/744-1703) Rhode Island: David Bojar summer workshops, and many ARS-sponsored Southern California: Lynne Snead (661/254-7922) MINNESOTA (401/944-3395) events throughout the year. In 2000, the Society Twin Cities: Jean Fagerstrom entered its seventh decade of service to its COLORADO (612/722-4967) TENNESSEE constituents. Boulder: Robert Keep (303/651-2659) Nashville: Marcus Mendenhall Colorado Springs: Richard Bradley MISSOURI (615/383-7078) Board of Directors (719/633-5683) St. Louis: Chris Langton John Nelson, President; Chair, Education Denver: Keith Emerson (303/750-8460) (618/374-5208) TEXAS Richard Carbone, Vice President, Chair, Seniors Fort Collins: Jann Benson NEVADA Austin: Susan Page (512/467-7520) Sheila M. Fernekes, Secretary; Chair, Education (970/484-3522) Sierra Early Music Society: Karlene Dickey Dallas: Bill Patterson
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