Salt Lake City August 1—4, 2019 Nfac Discover 18 Ad OL.Pdf 1 6/13/19 8:29 PM
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Wind, String, & Mixed Chamber Groups
WIND, STRING, & MIXED CHAMBER GROUPS - SPRING 2019 (v 2.1) - including piano, harp, and percussion - PLEASE read the “Rules of the Road” for chamber music on the “performance” section of INSIDE MUSIC on the School of Music website: https://www.cmu.edu/cfa/music/current-students/ensembles/chamber-music.html Each group should select/elect/draft a “contact person” and submit that person’s name to the chamber music Graduate Assistant, Yalyen Savignon: [email protected] Please note that this is the second draft of the roster. All registered students have been placed, and all requests have been fulfilled. We hope that few if any further changes will need to be made. Remember, other students’ education depends on your being a reliable member of your group! IF YOU SPOT MISTAKES ON THIS LIST, PLEASE CONTACT PROF. WHIPPLE. RJW and CW, February 6, 2019 57-228 OR 57-928 SEXTETS sec A - WIND & PIANO SEXTET Alisa Smith, flute Elizabeth Mountz, oboe Elizabeth Carney, clarinet Ji Won Song, horn Andrew Hahn, bassoon Winfred Wang, piano coaches: R. James Whipple QUINTETS sec B - GRADUATE WIND QUINTET Theresa Abalos, flute Evan Tegley, oboe Alex Athitakas, clarinet Diana McLaughlin, horn Nicholas Evans, bassoon coach: Thomas Thompson sec C - “VENTUS FERRO” TBA, flute Alicia Smith, oboe Zack Neville, clarinet Ziming Zhu, horn Dreya Cherry, bassoon coach: James Gorton sec D - PROKOFIEV: Quintet in g minor Christian Bernard, oboe Bryce Kyle, clarinet TBA, violin Angela-Maureen Zollman, viola Mark Stroud, bass coach: James Gorton STRING QUARTETS 57-226 OR 57-926 1. Jasper Rogal, violin Noah Steinbaum, violin Angela Rubin,viola Kyle Johnson, cello coach: Cyrus Forough 2. -
Season 2014-2015
27 Season 2014-2015 Thursday, May 7, at 8:00 Friday, May 8, at 2:00 The Philadelphia Orchestra Saturday, May 9, at 8:00 Cristian Măcelaru Conductor Sarah Chang Violin Ligeti Romanian Concerto I. Andantino— II. Allegro vivace— III. Adagio ma non troppo— IV. Molto vivace First Philadelphia Orchestra performances Beethoven Symphony No. 1 in C major, Op. 21 I. Adagio molto—Allegro con brio II. Andante cantabile con moto III. Menuetto (Allegro molto e vivace)—Trio— Menuetto da capo IV. Adagio—Allegro molto e vivace Intermission Dvořák Violin Concerto in A minor, Op. 53 I. Allegro ma non troppo—Quasi moderato— II. Adagio ma non troppo—Più mosso—Un poco tranquillo, quasi tempo I III. Finale: Allegro giocoso ma non troppo Enescu Romanian Rhapsody in A major, Op. 11, No. 1 This program runs approximately 1 hour, 50 minutes. The May 7 concert is sponsored by MedComp. The May 8 and 9 concerts are sponsored by the Blanche and Irving Laurie Foundation. designates a work that is part of the 40/40 Project, which features pieces not performed on subscription concerts in at least 40 years. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 228 Story Title The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra is one of the preeminent orchestras in the world, renowned for its distinctive sound, desired for its keen ability to capture the hearts and imaginations of audiences, and admired for a legacy of imagination and innovation on and off the concert stage. -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Chuaqui C.V. 2019
MIGUEL CHUAQUI, Ph.D. Professor Director, University of Utah School of Music 1375 East Presidents Circle Salt Lake City, UT 84112 801-585-6975 [email protected] www.miguelchuaqui.com EDUCATION AND TRAINING 2007: Summer workshops in advanced Max/MSP programming, IRCAM, Paris. 1994 - 96: Post-doctoral studies in interactive electro-acoustic music, Center for New Music and Audio Technologies (CNMAT), University of California, Berkeley. 1994: Ph.D. in Music, University of California, Berkeley, Andrew Imbrie, graduate advisor. 1989: M.A. in Music, University of California, Berkeley. 1987: B.A. in Mathematics and Music, With Distinction, University of California, Berkeley. 1983: Studies in piano performance and Mathematics, Universidad Católica de Chile, Santiago, Chile. 1982: Certificate in Spanish/English translation, Cambridge University, England. 1976 - 1983: Studies in piano performance, music theory and musicianship, Escuela Moderna de Música, Santiago, Chile. WORK HISTORY 2009 – present: Professor, School of Music, University of Utah, Salt Lake City, Utah; Chair, Composition Area, 2008-2014. 2003 - 2009: Associate Professor, School of Music, University of Utah, Salt Lake City, Utah. 1996 - 2003: Assistant Professor, School of Music, University of Utah, Salt Lake City, Utah. 1994 – 1996: Organist and Assistant Conductor, St. Bonaventure Catholic Church, Clayton, California. 1992 - 1996: Instructor, Music Department, Laney College, Oakland, California. Music Theory and Musicianship. 1992 – 1993: Lecturer, Music Department, San Francisco State University, San Francisco, California. (One-year music theory sabbatical replacement position). 1989 – 1992: Graduate Student Instructor, University of California, Berkeley, California. updated 2/19 Miguel Chuaqui 2 UNIVERSITY, PROFESSIONAL, AND PUBLIC SERVICE ADMINISTRATIVE APPOINTMENTS 2015-present: Director, University of Utah School of Music. -
French Underground Raves of the Nineties. Aesthetic Politics of Affect and Autonomy Jean-Christophe Sevin
French underground raves of the nineties. Aesthetic politics of affect and autonomy Jean-Christophe Sevin To cite this version: Jean-Christophe Sevin. French underground raves of the nineties. Aesthetic politics of affect and autonomy. Political Aesthetics: Culture, Critique and the Everyday, Arundhati Virmani, pp.71-86, 2016, 978-0-415-72884-3. halshs-01954321 HAL Id: halshs-01954321 https://halshs.archives-ouvertes.fr/halshs-01954321 Submitted on 13 Dec 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. French underground raves of the 1990s. Aesthetic politics of affect and autonomy Jean-Christophe Sevin FRENCH UNDERGROUND RAVES OF THE 1990S. AESTHETIC POLITICS OF AFFECT AND AUTONOMY In Arundhati Virmani (ed.), Political Aesthetics: Culture, Critique and the Everyday, London, Routledge, 2016, p.71-86. The emergence of techno music – commonly used in France as electronic dance music – in the early 1990s is inseparable from rave parties as a form of spatiotemporal deployment. It signifies that the live diffusion via a sound system powerful enough to diffuse not only its volume but also its sound frequencies spectrum, including infrabass, is an integral part of the techno experience. In other words listening on domestic equipment is not a sufficient condition to experience this music. -
Pan-March-2020.Pdf
PANJOURNAL OF THE BRITISH FLUTE SOCIETY MARCH 2020 “This is my Flute. There are many like it, but this one is mine” Juliette Hurel Maesta 18K - Forte Headjoint pearlflutes.eu Principal Flautist of the Rotterdam Philharmonic Orchestra contents The British Flute Society news & events 24 President 2 BFS NEWS William Bennett OBE 4 NOTES FROM THE CHAIR 6 NEWS Vice President 11 FLUTE CHOIR NEWS Wissam Boustany 13 TRADE NEWS 14 EVENTS LISTINGS Honorary Patrons 16 INTERNATIONAL EVENTS Sir James Galway 23 FLUTE CHOIR FOCUS: and Lady Jeanne Galway WOKING FLUTE CHOIR 32 Conductorless democracy in action. Vice Presidents Emeritus Atarah Ben-Tovim MBE features Sheena Gordon 24 ALEXANDER MURRAY: I’VE GONE ON LEARNING THE FLUTE ALL MY LIFE Secretary Cressida Godfrey examines an astonishing Rachel Shirley career seven decades long and counting. [email protected] 32 CASE FOR MOVEMENT EDUCATION Musicians move for a living. Kelly Mollnow 39 Membership Secretary Wilson shows them how to do it freely and [email protected] efficiently through Body Mapping. 39 WILLIAM BENNETT’S The British Flute Society is a HAPPY FLUTE FESTIVAL Charitable Incorporated Organisation Edward Blakeman describes some of the registered charity number 1178279 enticing treats on offer this summer in Wibb’s feel-good festival. Pan 40 GRADED EXAMS AND BEYOND: The Journal of the EXPLORING THE OPTIONS AVAILABLE 40 British Flute Society The range of exams can be daunting for Volume 39 Number 1 student and teacher alike. David Barton March 2020 gives a comprehensive review. 42 STEPHEN WESSEL: Editor A NATIONAL TREASURE Carla Rees Judith Hall gives a personal appreciation of [email protected] the flutemaker in the year of his retirement. -
Roots & Origins
Sunday 16 December 2018 7–9.15pm Tuesday 18 December 2018 7.30–9.45pm Barbican Hall LSO SEASON CONCERT ROOTS & ORIGINS Brahms Violin Concerto Interval ROMANIAN Debussy Images Enescu Romanian Rhapsody No 1 Sir Simon Rattle conductor Leonidas Kavakos violin These performances of Enescu’s Romanian Rhapsody No 1 are generously RHAPSODY supported by the Romanian Cultural Institute 16 December generously supported by LSO Friends Welcome Latest News On Our Blog We are grateful to the Romanian Cultural BRITISH COMPOSER AWARDS MARIN ALSOP ON LEONARD Institute for their generous support of these BERNSTEIN’S CANDIDE concerts. Sunday’s concert is also supported Congratulations to LSO Soundhub Associate by LSO Friends, and we are delighted to have Liam Taylor-West and LSO Panufnik Composer Marin Alsop conducted Bernstein’s Candide, so many Friends with us in the audience. Cassie Kinoshi for their success in the 2018 with the LSO earlier this month. Having We extend our thanks for their loyal and British Composer Awards. Prizes were worked closely with the composer across important support of the LSO, and their awarded to Liam for his Community Project her career, Marin drew on her unique insight presence at all our concerts. The Umbrella and to Cassie for Afronaut, into Bernstein’s music, words and sense of a jazz composition for large ensemble. theatre to tell us about the production. I wish you a very happy Christmas, and hope you can join us again in the New Year. The • lso.co.uk/more/blog elcome to this evening’s LSO LSO’s 2018/19 concert season at the Barbican FELIX MILDENBERGER JOINS THE LSO concert at the Barbican. -
The Commissioned Flute Choir Pieces Presented By
THE COMMISSIONED FLUTE CHOIR PIECES PRESENTED BY UNIVERSITY/COLLEGE FLUTE CHOIRS AND NFA SPONSORED FLUTE CHOIRS AT NATIONAL FLUTE ASSOCIATION ANNUAL CONVENTIONS WITH A BRIEF HISTORY OF THE FLUTE CHOIR AND ITS REPERTOIRE DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Yoon Hee Kim Graduate Program in Music The Ohio State University 2013 D.M.A. Document Committee: Katherine Borst Jones, Advisor Dr. Russel C. Mikkelson Dr. Charles M. Atkinson Karen Pierson Copyright by Yoon Hee Kim 2013 Abstract The National Flute Association (NFA) sponsors a range of non-performance and performance competitions for performers of all ages. Non-performance competitions are: a Flute Choir Composition Competition, Graduate Research, and Newly Published Music. Performance competitions are: Young Artist Competition, High School Soloist Competition, Convention Performers Competition, Flute Choirs Competitions, Professional, Collegiate, High School, and Jazz Flute Big Band, and a Masterclass Competition. These competitions provide opportunities for flutists ranging from amateurs to professionals. University/college flute choirs perform original manuscripts, arrangements and transcriptions, as well as the commissioned pieces, frequently at conventions, thus expanding substantially the repertoire for flute choir. The purpose of my work is to document commissioned repertoire for flute choir, music for five or more flutes, presented by university/college flute choirs and NFA sponsored flute choirs at NFA annual conventions. Composer, title, premiere and publication information, conductor, performer and instrumentation will be included in an annotated bibliography format. A brief history of the flute choir and its repertoire, as well as a history of NFA-sponsored flute choir (1973–2012) will be included in this document. -
Dayton C. Miller Flute Collection
Guides to Special Collections in the Music Division at the Library of Congress Dayton C. Miller Flute Collection LIBRARY OF CONGRESS WASHINGTON 2004 Table of Contents Introduction...........................................................................................................................................................iii Biographical Sketch...............................................................................................................................................vi Scope and Content Note......................................................................................................................................viii Description of Series..............................................................................................................................................xi Container List..........................................................................................................................................................1 FLUTES OF DAYTON C. MILLER................................................................................................................1 ii Introduction Thomas Jefferson's library is the foundation of the collections of the Library of Congress. Congress purchased it to replace the books that had been destroyed in 1814, when the Capitol was burned during the War of 1812. Reflecting Jefferson's universal interests and knowledge, the acquisition established the broad scope of the Library's future collections, which, over the years, were enriched by copyright -
21St Century Consort Composer Performance List
21st Century Consort Composer List 1975 - 2016 Archive of performance recordings Hans Abrahamsen Winternacht (1976-78) 1986-12-06 (15:27) flute, clarinet, trumpet, French horn, piano, violin, cello, conductor John Adams Road Movies 2012-05-05 (15:59) violin, piano Hallelujah Junction 2016-02-06 (17:25) piano, piano Shaker Loops (1978) 2000-04-15 (26:34) violin, violin, violin, viola, cello, cello, contrabass, conductor Bruce Adolphe Machaut is My Beginning (1989) 1996-03-16 (5:01) violin, cello, flute, clarinet, piano Miguel Del Agui Clocks 2011-11-05 (20:46) violin, piano, viola, violin, cello Stephen Albert To Wake the Dead (1978) 1993-02-13 (27:24) soprano, violin, conductor Tribute (1988) 1995-04-08 (10:27) violin, piano Treestone (1984) 1991-11-02 (38:15) soprano, tenor, violin, violin, viola, cello, bass, trumpet, clarinet, French horn, flute, percussion, piano, conductor Songs from the Stone Harp (1988) 1989-03-18 (11:56) tenor, harp, cello, percussion Treestone (1978) 1984-03-17 (30:22) soprano, tenor, flute, clarinet, trumpet, horn, harp, violin, violin, viola, cello, bass, piano, percussion, conductor Into Eclipse (1981) 1985-11-02 (31:46) tenor, violin, violin, viola, cello, contrabass, flute, clarinet, piano, percussion, trumpet, horn, conductor Distant Hills Coming Nigh: "Flower of the Mountain" 2016-04-30 (16:44) double bass, clarinet, piano, viola, conductor, French horn, violin, soprano, flute, violin, oboe, bassoon, cello Tribute (1988) 2002-01-26 (9:55) violin, piano Into Eclipse [New Version for Cello Solo Prepared -
2018 Available in Carbon Fibre
NFAc_Obsession_18_Ad_1.pdf 1 6/4/18 3:56 PM Brannen & LaFIn Come see how fast your obsession can begin. C M Y CM MY CY CMY K Booth 301 · brannenutes.com Brannen Brothers Flutemakers, Inc. HANDMADE CUSTOM 18K ROSE GOLD TRY ONE TODAY AT BOOTH #515 #WEAREVQPOWELL POWELLFLUTES.COM Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 408 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2018 available in Carbon Fibre. Orlando! 00 44 (0)20 8778 0752 [email protected] www.wisemanlondon.com MAKE YOUR MUSIC MATTER Longy has created one of the most outstanding flute departments in the country! Seize the opportunity to study with our world-class faculty including: Cobus du Toit, Antero Winds Clint Foreman, Boston Symphony Orchestra Vanessa Breault Mulvey, Body Mapping Expert Sergio Pallottelli, Flute Faculty at the Zodiac Music Festival Continue your journey towards a meaningful life in music at Longy.edu/apply TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ................................................................ 14 From the Convention Program Chair ................................................. 21 2018 Lifetime Achievement and Distinguished Service Awards ........ 22 Previous Lifetime Achievement and Distinguished -
Download the Conference Abstracts Here
THURSDAY 8 SEPTEMBER 2016: SESSIONS 1‐4 Maciej Fortuna and Krzysztof Dys (Academy of Music, Poznán) BIOGRAPHIES Maciej Fortuna is a Polish trumpeter, composer and music producer. He has a PhD degree in Musical Arts and an MA degree in Law and actively pursues his artistic career. In his work, he strives to create his own language of musical expression and expand the sound palette of his instrument. He enjoys experimenting with combining different art forms. An important element of his creative work consists in the use of live electronics. He creates and directs multimedia concerts and video productions. Krzysztof Dys is a Polish jazz pianist. He has a PhD degree in Musical Arts. So far he has collaborated with the great Polish vibrafonist Jerzy Milian, with famous saxophonist Mikoaj Trzaska, and as well with clarinettist Wacaw Zimpel. Dys has worked on a regular basis with young, Poznań‐based trumpeter, Maciej Fortuna. Their album Tropy has been well‐received by the audience and critics as well. Dys also plays in Maciej Fortuna Quartet, with Jakub Mielcarek, double bass, and Przemysaw Jarosz, drums. In 2013 the group toured outside Poland with a project ‘Jazz from Poland’, with a goal to present the work of unappreciated or forgotten or Polish jazz composers. The main inspiration for Krzysztof Dys is the work of Russian composers Alexander Nikolayevich Scriabin, Sergei Sergeyevich Prokofiev, American artists like Bill Evans and Miles Davis, and last but not least, a great Polish composer, Grayna Bacewicz. TITLE Classical Inspirations in Jazz Compositions Based on Selected Works by Roman Maciejewski ABSTRACT A few years prior to commencing a PhD programme, I started my own research on the possibilities of implementing electronic sound modifiers into my jazz repertoire.