DOCSLIB.ORG

Santana Spirits Dancing in the Flesh Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Santana Spirits Dancing in the Flesh Mp3, Flac, Wma Santana Spirits Dancing In The Flesh mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Spirits Dancing In The Flesh Country: Europe Released: 1990 Style: Psychedelic Rock, Classic Rock MP3 version RAR size: 1531 mb FLAC version RAR size: 1191 mb WMA version RAR size: 1728 mb Rating: 4.9 Votes: 489 Other Formats: AA MMF MPC MP2 ASF AUD MP1 Tracklist Hide Credits Let There Be Light / Spirits Dancing In The Flesh Bass – Alphonso JohnsonChoir – Charisse Dancy, Darryl Williams , De Anna Brown, Kevin Swan Butler, Lovetta Brown, Lynice Pinkard, Marjo Keller, Sandra Hunter Congas – Armando PerazaDirected By [Choir Director] – Edwin M. Harper. Jr.Drums – Walfredo 1 Reyes*Engineer – Jim GainesEngineer [Additional Engineering] – Devon BernardoniGuitar, 7:22 Narrator – Carlos SantanaKeyboards – Chester Thompson , Devon BernardoniLead Vocals – Stephen King Lead Vocals, Narrator – Tramaine HawkinsMixed By – Jim GainesMixed By [Additional Mixing] – Devon BernardoniProducer – Carlos Santana, Chester Thompson , Jim GainesVocals – Walter A. RedmondWritten-By – Carlos Santana, Chester Thompson Gypsy Woman Backing Vocals – Jim Gilstrap, Kevin Dorsey, Oren Waters, Phillip IngramBass – Benny RietveldCongas, Bongos – Armando PerazaDrums – Walfredo Reyes*Engineer – Paul 2 EricksenEngineer [Additional Engineering] – Devon BernardoniGuitar – Carlos 4:29 SantanaKeyboards – Chester Thompson Lead Vocals – Alex LigertwoodMixed By – Paul EricksenMixed By [Additional Mixing] – Devon BernardoniProducer, Arranged By – Peter Wolf Written-By – Curtis Mayfield It's A Jungle Out There Bass – Keith Jones Congas – Armando PerazaDrums, Timbales, Percussion – Walfredo Reyes*Engineer – Jim GainesEngineer [Additional Engineering] – Devon BernardoniGuitar – 3 Carlos SantanaKeyboards [Horns], Organ [Hammond B3] – Chester Thompson Lead Vocals 4:32 – Alex Ligertwood, Bobby WomackMixed By – Jim GainesMixed By [Additional Mixing] – Devon BernardoniProducer – Carlos Santana, Chester Thompson , Jim GainesWritten-By – Carlos Santana Soweto (Africa Libre) Bass – Alphonso JohnsonCongas – Armando PerazaDrums, Timbales, Percussion – Walfredo Reyes*Engineer – Jim GainesEngineer [Additional Engineering] – Devon BernardoniGuitar – 4 Carlos SantanaKeyboards – Chester Thompson Mixed By – Jim GainesMixed By [Additional 5:06 Mixing] – Devon BernardoniProducer – Carlos Santana, Chester Thompson , Jim GainesSoprano Saxophone, Tenor Saxophone – Wayne ShorterWritten-By – Alphonso Johnson, Carlos Santana, Chester Thompson Choose Engineer – Jim GainesEngineer [Additional Engineering] – Devon BernardoniGuitar, Tambourine – Carlos SantanaKeyboards, Backing Vocals – Chester Thompson Lead Vocals – Bobby WomackLead Vocals, Backing Vocals – Alex LigertwoodMixed By – Jim GainesMixed 5 4:13 By [Additional Mixing] – Devon BernardoniProducer – Carlos Santana, Chester Thompson , Jim GainesVocals [Group Chant] – Alex Ligertwood, Bruce Kuhlman, Carlos Santana, Chester Thompson , David Crockett, Ed Adair, Kevin ChisholmWritten-By – Alex Ligertwood, Carlos Santana, Chester Thompson Peace On Earth…Mother Earth...Third Stone From The Sun Bass – Keith Jones Congas – Armando PerazaDrums – Walfredo Reyes*Engineer – Jim GainesEngineer [Additional Engineering] – Devon BernardoniGuitar – Carlos Santana, 6 Vernon ReidKeyboards – Chester Thompson Mixed By – Arne FragerMixed By [Additional 4:22 Mixing] – Devon BernardoniProducer – Carlos Santana, Chester Thompson , Jim Gaines, Vernon ReidVocals – Alex LigertwoodWritten-By [Mother Earth] – Carlos SantanaWritten- By [Peace On Earth] – John ColtraneWritten-By [Third Stone From The Sun] – Jimi Hendrix Full Moon Bass – Benny RietveldBongos – Armando PerazaEngineer – Bernie Kirsh, Devon 7 4:31 BernardoniExecutive-Producer – Sergio AlbonicoGuitar – Carlos SantanaPiano [Acoustic], Keyboards – Paolo RustichelliProducer – Paolo RustichelliWritten-By – Paolo Rustichelli Who's That Lady Bass – Benny RietveldCongas, Bongos – Armando PerazaDrums – Walfredo Reyes*Engineer – Paul EricksenEngineer [Additional Engineering] – Devon BernardoniGuitar – Carlos 8 SantanaKeyboards, Backing Vocals – Chester Thompson Lead Vocals, Backing Vocals – Alex 4:13 LigertwoodMixed By – Paul EricksenMixed By [Additional Mixing] – Devon BernardoniProducer, Arranged By – Peter Wolf Written-By – C. Jasper*, E. Isley*, M. Isley*, O. Isley*, R. Isley*, R. Isley* Jin-Go-Lo-Ba Backing Vocals – Alex Ligertwood, Hugh "Sweetfoot" Maynard*, Rashan HyltonBass – Alphonso JohnsonCongas – Armando Peraza, Francisco AguabellaCongas, Vocals – Raul RekowDrums – Walfredo Reyes*Engineer – Jim GainesEngineer [Additional Engineering] – 9 4:46 Devon BernardoniGuitar, Backing Vocals – Carlos SantanaMixed By – Jim GainesMixed By [Additional Mixing] – Devon BernardoniOrgan [Hammond B3], Keyboards [Horns], Backing Vocals – Chester Thompson Producer – Carlos Santana, Chester Thompson , Jim Gaines, Vernon ReidTimbales, Vocals – Orestes VilatoWritten-By – Michael Babatunde Olatunji* Goodness And Mercy Bass – Keith Jones Drums – Walfredo Reyes*Engineer [Assistant] – Chris BeckerEngineer 10 [Live Mixing Engineer] – Chris IacuoneGuitar – Carlos SantanaKeyboards – Chester 4:30 Thompson Producer – Carlos Santana, Chester Thompson , Jim GainesWritten-By – Carlos Santana, Chester Thompson Companies, etc. Phonographic Copyright (p) – CBS Records Inc. Copyright (c) – CBS Records Inc. Published By – Light Music Published By – Urmila Music Published By – Warner-Tamerlane Publishing Corp. Published By – Jowcol Music Published By – Bella Godiva Music Published By – EMI April Music Inc. Published By – Bovina Music, Inc. Recorded At – The Plant Studios Mixed At – The Plant Studios Mixed At – Soundcastle Mastered At – Precision Mastering Glass Mastered At – DADC Austria Credits Backing Vocals [Guest Musician] – Hugh "Sweetfoot" Maynard*, Jim Gilstrap, Kevin Dorsey, Oren Waters, Phillip Ingram, Rashan Hylton Bass [Guest Musician] – Alphonso Johnson, Keith Jones Bass [The Band] – Benny Rietveld Congas [Guest Musician] – Francisco Aguabella Congas, Bongos, Percussion [The Band] – Armando Peraza Congas, Vocals [Guest Musician] – Raul Rekow Design [Logo Adapted By] – Peter Greco Design [Original Logo Design] – Robert Venosa Drums, Timbales, Percussion [The Band] – Walfredo Reyes* Guitar [Guest Musician] – Vernon Reid Guitar, Vocals, Percussion [The Band] – Carlos Santana Keyboards, Vocals [The Band] – Chester Thompson Lead Vocals [Guest Musician] – Bobby Womack, Tramaine Hawkins Mastered By – Stephen Marcussen Photography By – Diego Uchitel Piano [Acoustic Piano], Keyboards [Guest Musician] – Paolo Rustichelli Soprano Saxophone, Tenor Saxophone [Guest Musician] – Wayne Shorter Timbales, Vocals [Guest Musician] – Orestes Vilato Vocals [Guest Musician] – Stephen King Vocals, Guitar [The Band] – Alex Ligertwood Notes Recorded at: The Plant Recording Studios, Sausalito, CA. Mixed at: The Plant Recording Studios, Sausalito, CA and Sound Castle, Los Angeles, CA. Mastered at: Precision Disc Mastering, Hollywood, CA. Publishing: 1, 5. ©1990 Light Music (BMI)/Urmila Music (ASCAP) 2. ©1964 Warner-Tamerlane Publishing Corp. (BMI) 3. ©1990 Light Music (BMI) 6. ©1974 Jowcol Music (BMI)/ ©1990 Light Music (BMI)/ ©1967 Bella Godiva Music (ASCAP) 8. ©1973 EMI April Music Inc./Bovina Music Inc. All rights controlled and administered by EMI April Music Inc. (ASCAP) Bobby Womack and Vernon Reid appear courtesy of Epic Records Tramaine Hawkins appears courtesy of Sparrow Records ℗ 1990 CBS Records Inc. © 1990 CBS Records Inc. Made in Austria Barcode and Other Identifiers Barcode (Text): 5 099746 691325 Matrix / Runout (Variant 1): CDCBS-466913 23 Matrix / Runout (Variant 2): CDCBS-466913- 13 A3 Label Code: LC 0149 Rights Society: BIEM / STEMRA Other (Distribution Code): CB 811 Other: 01-466913-10 Other versions Category Artist Title (Format) Label Category Country Year Spirits Dancing In The Flesh (LP, 466913 1 Santana CBS 466913 1 Europe 1990 Album) Spirits Dancing In The Flesh (Cass, 466913 4 Santana CBS 466913 4 Greece 1990 Album) Spirits Dancing In The Flesh (LP, 466913-1 Santana CBS 466913-1 Spain 1990 Album) Spirits Dancing In The Flesh (12", ASF 3326 Santana Motown ASF 3326 Zimbabwe 1990 Album) Spirits Dancing In The Flesh (Cass, none Santana Megton none Poland Unknown Album, Unofficial) Related Music albums to Spirits Dancing In The Flesh by Santana John McLaughlin, Carlos Santana - recorded Live In Chicago 1974 Carlos Santana - Greatest Hits Carlos Santana - Carlos Santana Presents Blues At Montreux 2004 Santana - In Concert Chester Thompson - The Pop Sound of The Great Organ Santana - Milagro Santana - Beyond Appearances Santana - Amigos Santana - Live: Singing Winds, Crying Beasts Santana - Marathon Carlos Santana - Blues For Salvador Santana - Shangó.
Load more

Recommended publications
  • Students Arrested
    4II& 0 / 4 - j , , 1 Vol. ix.No. #Theus ▼ university of nofre domeObserver - sf. many’s college MMonday, onday, >April 21, 1975 At local bar Students arrested CAME by Maureen Flynn “when this cop came over and I asked him Staff Reporter 'What’s going on?’ The next thing I knew he Six Notre Dame students were among nine ordered me to put my hands on the car and he persons arrested Friday night outside Bridget kicked my legs back. Then I was handcuffed and taken to the jail,” Herenda stated. NOTRE DAME McGuire’s Filling Station, a local tavern. Five of the six were charged with disobeying a "The only order he gave me was to put my COLLECTION public safety order to disperse after a hands on the car,” the student continued, “and I disturbance inside the tavern resulted in the did it right away.” Herenda voiced concern that arrest of a tenth person. The sixth was charged the incident might affect his chances for em­ with disorderly conduct. ployment. “I’m looking for a job right now,” he The students were released from the South said. “Now when they ask, Have you ever been Bend jail the next morning upon payment of $50 arrested?’ I’m going to have to answer yes. ‘For bond. what?’ Nothing.” Vice officers were initially called to Bridget Notre Dame junior John Cooper expressed McGuire’s at 1:45 a.m. to answer of a complaint consternation over the charge of disorderly of minors drinking in the building. According to conduct lodged against him.
    [Show full text]
  • The PLU Percussion and Steel Pan Ensembles Friday, May 1, 2015 At
    Studio Series: The PLU Percussion and Steel Pan Ensembles Friday, May 1, 2015 at 8pm Lagerquist Concert Hall, Mary Baker Russell Music Center Pacific Lutheran University School of Arts and Communication / Department of Music present Studio Series: The PLU Percussion and Steel Pan Ensembles Dr. Miho Takekawa, Director Friday, May 1, 2015 at 8pm Lagerquist Concert Hall, Mary Baker Russell Music Center Welcome to Lagerquist Concert Hall. Please disable the audible signal on all watches, pagers and cellular phones for the duration of the concert. Use of cameras, recording equipment and all digital devices is not permitted in the concert hall. Program PLU Steel Pan Ensemble Shaker ......................................................................................................................................... Tracy Thornton, edit. Steve Popernack Mambo In Miami ........................................................................................................................... Armando Peraza, arr. Matt Duback Air On The G String ................................................................................................................................ J.S. Bach, arr. Franz Grissom Baja ....................................................................................................................................................... Trinidad Traditional, arr. Shores Jeilymar Brady, Shayla Chaykin, Kaela Shoe, Adam Smith, Christine Smith, Tim Hager, drummer; Obe Quarless, community member PLU Percussion Ensemble Layers .....................................................................................................................................................................................
    [Show full text]
  • Stage Door Swings Brochure
    . 0 A G 6 E C R 2 G , O 1 FEATURING A H . T T D C I O I S F A N O E O A P T B R I . P P G The Palladium Big 3 Orchestra S M . N N R U O E O Featuring the combined orchestras N P L of Tito Puente, Machito and Tito Rodriguez presents Manteca - The Afro-Cuban Music of The Dizzy Gillespie Big Band FROM with special guest Candido CUBAN FIRE Brazilliance featuring TO SKETCHES Bud Shank OF SPAIN The Music of Chico O’ Farrill Big Band Directed by Arturo O’Farrill Bill Holman Band- Echoes of Aranjuez 8 3 0 Armando Peraza 0 - 8 Stan Kenton’s Cuban Fire 0 8 0 Viva Tirado- 9 e The Gerald Wilson Orchestra t A u t C i Jose Rizo’s Jazz on , t s h the Latin Side All-Stars n c I a z Francisco Aguabella e z B a Justo Almario J g n s o Shorty Rogers Big Band- e l L , e Afro-Cuban Influence 8 g 3 n Viva Zapata-The Latin Side of 0 A 8 The Lighthouse All-Stars s x o o L Jack Costanzo B . e O h Sketches of Spain . P T The classic Gil Evans-Miles Davis October 9-12, 2008 collaboration featuring Bobby Shew Hyatt Regency Newport Beach Johnny Richards’ Rites of Diablo 1107 Jamboree Road www.lajazzinstitute.org Newport Beach, CA The Estrada Brothers- Tribute to Cal Tjader about the LOS PLATINUM VIP PACKAGE! ANGELES The VIP package includes priority seats in the DATES HOW TO amphitheater and ballroom (first come, first served JAZZ FESTIVAL | October 9-12, 2008 PURCHASE TICKETS basis) plus a Wednesday Night bonus concert.
    [Show full text]
  • Founder & Chairman of Electro Scan Inc
    CHUCK HANSEN Founder & Chairman of Electro Scan Inc. Chuck Hansen has a pretty cool life outside of trenchless technology. He has played his saxophone on stage with the likes of Tower of Power, Huey Lewis, Todd Rundgren, to name a few. His passion for rock n’ roll music runs deep — rooted in his childhood and in full bloom as an adult. He plays live music with rock stars, as well as owns a recording studio, where he records his own music (he’s recorded 24 CDs) in addition to other artists. Hansen is known in trenchless circles as the founder and chairman of Electro Scan Inc. (2011) and was founder of Hansen Information Technologies (1983), which developed asset management systems for water and sewer agencies. Electro Scan is an alternative to CCTV cameras to certify a trenchless lining and rehab projects as “leak-free.” He’s been playing music for more than 50 years, first learning the clarinet from his brother in the second grade then switching to the big baritone sax in the eighth grade. By high school, he was tabbed to play in the famous Monterey Jazz Festival’s All-Star Band competition, allowing him to take the stage with the likes of Dizzy Gilliespe, Louis Belson and Clark Terry. He went on to play in the U.C. Berkeley Jazz Band. Today, Hansen plays, in addition to the baritone sax, the bass sax and the contrabass sax. His “real world” job sometimes inhibits when he can play but he says he does each with as much passion and gusto as he can; each requires such enthusiasm and commitment to be successful, he says.
    [Show full text]
  • Jon Batiste and Stay Human's
    WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful.
    [Show full text]
  • Merican Future Systems Unable to Find Co-Plaintiffs by GEORGE MALLET-PREVOST Ceptance Corporation, a Subsidiary of American Future Systems (AFS)
    n·usc elections pull big voter turnout, Rogers win By BARBARA ROWLAND percent in 1978, 20 percent two Rogers predicted that the split vice president by over 2,000 votes Almost twice the number ·of years ago and only 15.2 percent results would pose no problem for each. voters as last year turned out last elected last year's DUSC presi­ the officers' working relationship. The University Commuter week to elect Bruce Rogers presi­ dent. "Everyone will get a summer to Association races were also un­ dent of the Delaware The- highly competitive races for cool off and get rid of election contested and next year's presi­ Undergraduate Student Congress the executive positions were animosity," he said. dent and vice-president will be (DUSC). characterized by split ticket voting The winners of the Faculty Terry Lee Nagy and Stephen Whit­ Rogers captured 49 percent, or with president and vice-president Senate student representative posi­ more, respectively. 1,683 votes, thus defeating Mike going to the Open Campus Party tions were al$o from opposite par­ The college council races were Cochran of the Students for and secretary and treasurer to ties. Greg Wilson of Students for significantly more competitive this Students Party who received 42 Students for Students. Students won the two-year term year with 16 of the 28 positions con­ percent, or 1,429 votes. while the Scott Brayman, next year's vice­ and Susan Bennett of the Open tested compared to 25 unopposed remaining nine percent went to president, defeated Dan Katzeff b}· Campus Party won the single-year races last year.
    [Show full text]
  • Gonzo Weekly #155
    Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 Dear Friends, Welcome to another issue of this singular periodical. I know that I say it every week, but it never ceases to amaze me how such a tiny band of brothers and sisters, the vast majority of whom are unpaid, manages to put out a full length magazine of such like to once again publicly thank my editorial quality every single week of the year. Before team particularly Doug, John, Corinna and I continue with this week’s musings I would Jessica, although it really goes against the 4 grain to single anyone out of such a hard who read this magazine. Some of you will, working and productive team. no doubt, be shocked by this revelation. DeMille is a fairly gung ho Republican One of my favourite authors is an American whose ethos would seem to be quite far thriller writer called Nelson DeMille who removed from the anarchist ethos of what I may not be familiar to many of the people write for this magazine, and indeed, how I live my life. But he does write cracking stories! Probably my favourite of his books is one called Word of Honour which tells a very interesting and morally intriguing tale. The main protagonist is a wealthy businessman who, at some time during the late 1980s, is on his way to work.
    [Show full text]
  • Salt Lake City August 1­—4, 2019 Nfac Discover 18 Ad OL.Pdf 1 6/13/19 8:29 PM
    47th Annual National Flute Association Convention Salt Lake City August 1 —4, 2019 NFAc_Discover_18_Ad_OL.pdf 1 6/13/19 8:29 PM C M Y CM MY CY CMY K Custom Handmade Since 1888 Booth 110 wmshaynes.com Dr. Rachel Haug Root Katie Lowry Bianca Najera An expert for every f lutist. Three amazing utists, all passionate about helping you und your best sound. The Schmitt Music Flute Gallery offers expert consultations, easy trials, and free shipping to utists of all abilities, all around the world! Visit us at NFA booth #126! Meet our specialists, get on-site ute repairs, enter to win prizes, and more. schmittmusic.com/f lutegallery Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 214 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2019, Salt available in Carbon Fibre. Lake City! Dr. Rachel Haug Root Katie Lowry Bianca Najera An expert for every f lutist. Three amazing utists, all passionate about helping you und your best sound. The Schmitt Music Flute Gallery offers expert consultations, easy trials, and free shipping to utists of all abilities, all around the world! Visit us at NFA booth #126! Meet our specialists, get on-site ute repairs, enter to win prizes, and more. 00 44 (0)20 8778 0752 [email protected] schmittmusic.com/f lutegallery www.wisemanlondon.com TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ...............................................................
    [Show full text]
  • Omer Avital Ed Palermo René Urtreger Michael Brecker
    JANUARY 2015—ISSUE 153 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM special feature BEST 2014OF ICP ORCHESTRA not clowning around OMER ED RENÉ MICHAEL AVITAL PALERMO URTREGER BRECKER Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 116 Pinehurst Avenue, Ste. J41 JANUARY 2015—ISSUE 153 New York, NY 10033 United States New York@Night 4 Laurence Donohue-Greene: [email protected] Interview : Omer Avital by brian charette Andrey Henkin: 6 [email protected] General Inquiries: Artist Feature : Ed Palermo 7 by ken dryden [email protected] Advertising: On The Cover : ICP Orchestra 8 by clifford allen [email protected] Editorial: [email protected] Encore : René Urtreger 10 by ken waxman Calendar: [email protected] Lest We Forget : Michael Brecker 10 by alex henderson VOXNews: [email protected] Letters to the Editor: LAbel Spotlight : Smoke Sessions 11 by marcia hillman [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 For subscription assistance, send check, cash or money order to the address above In Memoriam 12 by andrey henkin or email [email protected] Festival Report Staff Writers 13 David R. Adler, Clifford Allen, Fred Bouchard, Stuart Broomer, CD Reviews 14 Katie Bull, Tom Conrad, Ken Dryden, Donald Elfman, Brad Farberman, Sean Fitzell, Special Feature: Best Of 2014 28 Kurt Gottschalk, Tom Greenland, Alex Henderson, Marcia Hillman, Miscellany Terrell Holmes, Robert Iannapollo, 43 Suzanne Lorge, Marc Medwin, Robert Milburn, Russ Musto, Event Calendar 44 Sean J. O’Connell, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman As a society, we are obsessed with the notion of “Best”.
    [Show full text]
  • The Hilltop 1-24-1975
    Howard University Digital Howard @ Howard University The iH lltop: 1970-80 The iH lltop Digital Archive 1-24-1975 The iH lltop 1-24-1975 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_197080 Recommended Citation Staff, Hilltop, "The iH lltop 1-24-1975" (1975). The Hilltop: 1970-80. 127. http://dh.howard.edu/hilltop_197080/127 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1970-80 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. ' • hl·lltes Campus C.loOdor. ..................... Page 2 "Our media is the .,...,. On Top of the Hilt ............... : .... Page 3 e Lettllf1...................................... P•ge 4 of liberation, an instrume11t of clarification inforrm: Sports.•.•..........•........................ Page 5 • • Thuitre West............................. Pege 6 t1on, education and mobi- 'Th• Astrology Part 3 ........................ Page 7 lization. k wame Nkrumah • ~l.5 71ssue16Jan . 24,1975:_~~~~~~~~~~~~.-.-...-~~;::::::::::~::::::::::~::4:U::•:•:•~r•~~:':·:•:•:.,::"':":::':"·~D~.C~.::~:::::::;-~~~~~~~~~~~~~~~~~~~~~~~~P~. ho~ne~, 6J~6:-!6868!!!!!.._ D.- C. Project Warns Policy Board Fails Of Legal Action To Get Quorum By Willi•m Scott January .17, 1975 and signed by Hilltop St;otf Write< officially in abatement. LMt Bryant and Alf.red Mathewson. were \ Sliptembef the 11~ Policy eo.d HUSA policy Board m'et the HUSA Constitution; AUSA staff kcepted the recommendltiom of its Wednesday night at Loc_ke !-;tall in an appointments; S,pring semester EvalUition Committee to place the unsuccessful attempt, 3fter the Calendar.
    [Show full text]
  • Brian Auger´S Oblivion Express Feat. Alex Ligertwood
    Brian Auger´s Oblivion Express feat. Alex Ligertwood Alex Ligertwood (li.) und Brian Auger (re.) „Brian Auger (* 18. Juli 1939 in London) ist einer der profiliertesten Jazz- und Rock-Keyboarder der Gegenwart. Für seine Millionen Fans ist der einzigartige Sound, der seine Wurzeln im Jazz, Rock, Soul und Funk hat, ein unverkennbares Markenzeichen des berühmten Hammond - und Keyboard -Spielers. Schon früh erhielt Auger Klavierunterricht. 1962 formierte er sein Brian Auger Trio mit Rick Laird und Schlagzeuger Phil Kinorra als zunächst reine Jazzcombo. 1965 gründete er zusammen mit Rod Stewart, Julie Driscoll und John Baldry die Gruppe The Steampacket. Nachdem Rod Stewart und John Baldry die Gruppe verlassen hatten, gründete Auger mit Julie Driscoll die Gruppe Trinity. In dieser Besetzung hatte die Band mehrere Single-Hits (Road ToCairo, This Wheel's on Fire, Season Of The Witch) und brachte das viel beachtete Doppelalbum „Streetnoise“ (1969) heraus. Nachdem Driscoll 1969 Trinity verließ, besetzte Auger die Gruppe um (mit Gary Boyle), doch konnte er nicht mehr an die Erfolge der späten 1960er Jahre anknüpfen und löste Trinity 1970 auf. Auch mit seiner anschließend gegründeten Band Oblivion Express hatte Auger zunächst keinen übermäßigen Erfolg. Seit dem Album „CloserToIt“ (1973), das es in die Charts schaffte, festigte sich der Gruppenstil zu einer groove-betonten Mischung aus rhythmischen Elementen des R&B und Funk und harmonischen und melodischen Elementen des Jazz. Brian Auger trat auch mit Klaus Doldinger, Alexis Korner, Pete York, Eric Burdon und anderen Größen der populären Musik auf. 1974 zog Auger in die USA, wo er weiter Alben aufnahm. In den USA bekam er wieder Kontakt zu Julie Tippetts-Driscoll.
    [Show full text]
  • Carlos Santana & John Mclaughlin's 1973 Masterpiece Love Devotion
    Sound Colour Vibration Carlos Santana & John McLaughlin’s 1973 Masterpiece Love Devotion Surrender Reissued As Gatefold LP With Speakers Corner | Music Reissues Posted by Sound Colour Vibration on May 5, 2015 · Leave a Comment Carlos Santana & John McLaughlin’s 1973 Masterpiece Love Devotion Surrender Reissued As Gatefold LP With Speakers Corner | Music Reissues by Erik Otis When I first read the John McLaughlin biography Go Ahead John, author Paul Stump gave the 1973 LP Love Devotion Surrender a fairly bad review and it was shortly after this lasting impression that I was exposed to the collaborative record between guitar icons Carlos Santana and John McLaughlin. Many reviews upon its release were in a more negative slant then positive and it was a shock after initially hearing it, considering how soulful, spiritual and sophisticated the music is and how much I fell in love with the album right away. In a world full of expectations and concrete view points, I can see how this album would fly over some heads during the day, taking on a much different route then pop structures spoke for of the era and even going beyond the fusion voyages of many musicians around them. An enactment of the full spiritual awakening both musicians were finding through guru Sri Chinmoy, these teachings brought them together in a unique way and they executed on stunning levels with a cast that included Larry Young (org), Doug Rauch (b), Armando Peraza (cga), Billy Cobham, Don Alias, Jan Hammer and Mike Shrieve. The incorporation of John Coltrane covers and themes inspired form his works is a staple of the record’s identity, produced and released for those who were tapping into energy far outside of the radio waves of the day.
    [Show full text]