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Stuart Chases's Use of Jules Verne's the Mysterious Island, (1874)
University of Rhode Island DigitalCommons@URI Special Collections Publications (Miscellaneous) Special Collections 2006 Stuart Chases's Use of Jules Verne's The ysM terious Island, (1874) Richard Vangermeersch Follow this and additional works at: http://digitalcommons.uri.edu/sc_pubs Part of the Library and Information Science Commons Recommended Citation Vangermeersch, Richard, "Stuart Chases's Use of Jules Verne's The ysM terious Island, (1874)" (2006). Special Collections Publications (Miscellaneous). Paper 6. http://digitalcommons.uri.edu/sc_pubs/6 This Text is brought to you for free and open access by the Special Collections at DigitalCommons@URI. It has been accepted for inclusion in Special Collections Publications (Miscellaneous) by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Stuart Chases’s Use Of Jules Verne’s The Mysterious Island, (1874) December 2006 Richard Vangermeersch P.O. Box 338 Kingston, RI 02881 401-783-8853 2 Stuart Chases’s Use Of Jules Verne’s The Mysterious Island, (1874) There are two very specific reasons why this piece was researched and written. The first is a continuation of my work done on Stuart Chase (various publications). I am still hopeful my efforts will inspire an historian to do a 1000 page biography on Stuart Chase. The second is further example why my idea of using Verne’s book as the basis for a one-day management seminar is worth trying. I’ve explored this idea with a number of friends and hope that this piece will take at least one of them to try this idea. I am classifying this as a casual piece and have no interest in this being written for a vigorous academic review. -
En Banc Minute Sheet: Meeting of June 29, 2017
EN BANC MINUTE SHEET: MEETING OF JUNE 29, 2017 The Illinois Prisoner Review Board met in open en banc session at 512 S. 2nd Street, Illinois State Capitol Building, Room 212, Springfield, Illinois, on June 29, 2017 at the 9:00 a.m. session to discuss and deliberate parole eligibility for the following inmates: C15356 George Knights H39616 Lee Moseley C70938 Robert Jones C01581 Eugene Horton C01838 Angel Soto C66130 Jasper Glenn L02079 Donald Grant C56165 David Lott C01871 Leon Bolton The meeting was called to order by Chairman Findley Roll call was taken by the Recording Secretary: Robynn Davis MEMBER PRESENT ABSENT Mr. John Clough X Ms. Edith Crigler X Mr. Salvador Diaz X Mr. Donald Wayne Dunn X Mr. Pete Fisher X Ms. Vonetta Harris X Ms. Ellen Johnson X Mr. Tom Johnson X Ms. Virginia Martinez X Mr. William Norton X Mrs. Aurthur Mae Perkins X Mr. Donald Shelton X Mr. Ken Tupy X Chairman Craig Findley X 12 Members Present The Recording Secretary presented the following minutes for approval: Open Session Minutes from May 25, 2017. (EC-BN). Leave Meeting was adjourned (CF-DS). Leave. Submitted by: Robynn Davis, Recording Secretary EN BANC MINUTE SHEET OPEN SESSION— JUNE 29, 2017 Inmate Name: GEORGE KNIGHTS IDOC Number & Institution: C15356 The Illinois Prisoner Review Board met in open en banc session at 401 S. Spring Street, Illinois Stratton Building, Room A-1, Springfield, Illinois, on June 29, 2017 at the 9:00 a.m. session to discuss and deliberate parole eligibility for George Knights, IDOC #C15356. Members present were: J. -
Strange Case of Dr. Jekyll and Mr. Hyde
Rodrigo Silva Guedes Secular Readings of Good and Evil in R. L. Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde Faculdade de Letras Universidade Federal de Minas Gerais Belo Horizonte 2007 Secular Readings of Good and Evil in R. L. Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde by Rodrigo Silva Guedes Submitted to the Programa de Pós-Graduação em Le- tras: Estudos Literários in partial fulfilment of the requi- rements for the degree of Mestre em Letras: Estudos Li- terários. Area: Literatures in English Thesis Advisor: Prof. Julio Cesar Jeha, PhD Faculdade de Letras Universidade Federal de Minas Gerais Belo Horizonte 2007 To my family Guedes i Acknowledgements This work is the result of the encouragement and support of many people. First, I would like to express my gratitude to my advisor, Julio Jeha, whose excellence and guidance were fundamental from beginning to end in the Masters programme. I would also like to thank Professor Sandra Goulart Almeida, with whom I have had the privilege of learning. My appreciation also goes to my classmates and colleagues, whose comments helped me enormously – Fátima, Eliza, Newton, and Erika. I would like to say many thanks to my parents, Lucia and Kleber, as well as to my brother Thiago. Their participation in this process could not have been better. I hope I have made them proud. Thanks to my grannies, Ina (in memoriam) and Lília, for the inspiration and the example to be truthful and hardworking; to my grandpas Raul (in memoriam) and Walter; my uncle Walter and my cousin Thaísa; thanks are due to Édil and Flávia, for the friendship and assistance; to Kate for caring and motivating me; to Myla, Lidiane, and Soha for believing in me, too; and finally to all my friends whose wisdom helped me come out of this endeavour with a feeling of accomplishment and an ever greater passion for art. -
The Lure of Disillusion
The Lure of Disillusion RELIGION, ROMANTICISM & THE POSTMODERN CONDITION A manuscript submitted to Palgrave Macmillan Publishers, October 2010 © James Mark Shields, 2010 SHIELDS: Lure of Disillusion [DRAFT] i The Lure of Disillusion ii SHIELDS: Lure of Disillusion [DRAFT] [half-title verso: blank page] SHIELDS: Lure of Disillusion [DRAFT] iii The Lure of Disillusion Religion, Romanticism and the Postmodern Condition James Mark Shields iv SHIELDS: Lure of Disillusion [DRAFT] Eheu! paupertina philosophia in paupertinam religionem ducit:—A hunger-bitten and idea- less philosophy naturally produces a starveling and comfortless religion. It is among the miseries of the present age that it recognizes no medium between literal and metaphorical. Faith is either to be buried in the dead letter, or its name and honors usurped by a counterfeit product of the mechanical understanding, which in the blindness of self-complacency confounds symbols with allegories. – Samuel Taylor Coleridge, The Statesman’s Manual, 1839 [R]eligious discourse can be understood in any depth only by understanding the form of life to which it belongs. What characterizes that form of life is not the expressions of belief that accompany it, but a way—a way that includes words and pictures, but is far from consisting in just words and pictures—of living one’s life, of regulating all of one’s decisions. – Hilary Putnam, Renewing Philosophy, 1992 SHIELDS: Lure of Disillusion [DRAFT] v [epigraph verso: blank page] vi SHIELDS: Lure of Disillusion [DRAFT] CONTENTS Acknowledgments ix INTRODUCTION 1 Excursus One: Romanticism—A Sense of Symbol 6 PART ONE: ROMANTICISM AND (POST-)MODERNITY 1. Romancing the Postmodern 16 The Forge and the Flame A “True” Post-Modernism The Two Faces of Romanticism Romanticism as Reality-Inscription Romantic Realism 2. -
Captain Nemo/Lt-General Pitt Rivers and Cleopatra's Needle
Free Press. Stocking, G. W. Jr. 1984. Introduction. In G. W. Stocking Jr. (ed.) Functionalism Historicized: Essays on British Social Anthropology. Madison: University of Wisconsin Press. Stocking, G. W. Jr. 1987. Victorian Anthropology. London: Collier Macmillan. Sweet, R. 2004 . Antiquaries: The Discovery of the Past in Eighteenth-Century Britain. London: Hambledon & London. Captain Nemo/Lt-General Pitt Rivers and Cleopatra’s Needle — A Story of Flagships Christopher Evans ([email protected]) Recently re-reading Verne’s 20,000 Leagues Beneath the Sea for our children I was struck by the marked similarities between the novel’s elusive protagonist, Captain Nemo, and the renowned later 19th century British archaeologist, Lt.-General Pitt Rivers. Could they have been the same person? How could something so seemingly blatant have gone unnoticed? These questions are, of course, only raised in a spirit of academic tongue-in-check. Yet, in an ethos of ‘learning through amusement’ (itself directly relevant to the themes of this study), exploring the parallels between these two ‘heroic’ individuals provides insights into the nature of 19th century science, Victorian edification and disciplinary institutionalisation (e.g. Levine 1986). This eclectic contribution will, moreover, be introduced with the third component of its headline title – Cleopatra’s Needle – as this provides an appropriately quasi- nautical parable on the project of 19th century archaeology and the problem of ‘deep time’ (Murray 1993). Cleopatra’s Voyage The transhipment of the -
Les Déclinaisons De Robinson Crusoé Dans L'île Mystérieuse De Jules
Document generated on 09/23/2021 7:57 a.m. Études françaises Les déclinaisons de Robinson Crusoé dans L’Île mystérieuse de Jules Verne Daniel Compère Robinson, la robinsonnade et le monde des choses Article abstract Volume 35, Number 1, printemps 1999 Jules Verne's L'île mystérieuse rewrites some of the main episodes of Defoe's Robinson Crusoe, with the difference that Verne's castaways are more URI: https://id.erudit.org/iderudit/036124ar numerous and cultured than Defoe's only hero. In Verne's novel, the DOI: https://doi.org/10.7202/036124ar transformation ofAyrton, who is abandoned on an island and turned into an animal, also sounds like a parody of one of Robinson Crusoe's scenes. So L'Ile See table of contents mystérieuse may be the novel where, as he tries ironically to equal the literary model, Verne reflects upon his own creative power. Publisher(s) Les Presses de l'Université de Montréal ISSN 0014-2085 (print) 1492-1405 (digital) Explore this journal Cite this article Compère, D. (1999). Les déclinaisons de Robinson Crusoé dans L’Île mystérieuse de Jules Verne. Études françaises, 35(1), 43–53. https://doi.org/10.7202/036124ar Tous droits réservés © Les Presses de l'Université de Montréal, 1999 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. -
Islands in the Screen: the Robinsonnade As Television Genre Des Îles À L’Écran : La Robinsonnade Comme Genre Télévisuel Paul Heyer
Document generated on 09/24/2021 6:24 p.m. Cinémas Revue d'études cinématographiques Journal of Film Studies Islands in the Screen: The Robinsonnade as Television Genre Des îles à l’écran : la robinsonnade comme genre télévisuel Paul Heyer Fictions télévisuelles : approches esthétiques Article abstract Volume 23, Number 2-3, Spring 2013 The island survivor narrative, or robinsonnade, has emerged as a small but significant television genre over the past 50 years. The author considers its URI: https://id.erudit.org/iderudit/1015187ar origins as a literary genre and the screen adaptations that followed. Emphasis DOI: https://doi.org/10.7202/1015187ar is placed on how “island TV” employed a television aesthetic that ranged from an earlier conventional approach, using three cameras, studio locations, and See table of contents narrative resolution in each episode, to open-ended storylines employing a cinematic style that exploits the new generation of widescreen televisions, especially with the advent of HDTV. Two case studies centre the argument: Gilligan’s Island as an example of the former, more conventional aesthetic, and Publisher(s) Lost as an example of the new approach. Although both series became Cinémas exceedingly popular, other notable programs are considered, two of which involved Canadian production teams: Swiss Family Robinson and The Mysterious Island. Finally, connections are drawn between robinsonnades and ISSN the emerging post-apocalyptic genre as it has moved from cinema to television. 1181-6945 (print) 1705-6500 (digital) Explore this journal Cite this article Heyer, P. (2013). Islands in the Screen: The Robinsonnade as Television Genre. Cinémas, 23(2-3), 121–143. -
Seamus Heaney and American Poetry
DOCTOR OF PHILOSOPHY Seamus Heaney and American Poetry Laverty, Christopher Award date: 2019 Awarding institution: Queen's University Belfast Link to publication Terms of use All those accessing thesis content in Queen’s University Belfast Research Portal are subject to the following terms and conditions of use • Copyright is subject to the Copyright, Designs and Patent Act 1988, or as modified by any successor legislation • Copyright and moral rights for thesis content are retained by the author and/or other copyright owners • A copy of a thesis may be downloaded for personal non-commercial research/study without the need for permission or charge • Distribution or reproduction of thesis content in any format is not permitted without the permission of the copyright holder • When citing this work, full bibliographic details should be supplied, including the author, title, awarding institution and date of thesis Take down policy A thesis can be removed from the Research Portal if there has been a breach of copyright, or a similarly robust reason. If you believe this document breaches copyright, or there is sufficient cause to take down, please contact us, citing details. Email: [email protected] Supplementary materials Where possible, we endeavour to provide supplementary materials to theses. This may include video, audio and other types of files. We endeavour to capture all content and upload as part of the Pure record for each thesis. Note, it may not be possible in all instances to convert analogue formats to usable digital formats for some supplementary materials. We exercise best efforts on our behalf and, in such instances, encourage the individual to consult the physical thesis for further information. -
Constructing Daddy: the Absent Father, Revisionist Masculinity And/In Queer Cultural Representations
disClosure: A Journal of Social Theory Volume 9 manholes Article 3 4-15-2000 (De)Constructing Daddy: The Absent Father, Revisionist Masculinity and/in Queer Cultural Representations Andrew Schopp University of Tennessee Martin DOI: https://doi.org/10.13023/disclosure.09.03 Follow this and additional works at: https://uknowledge.uky.edu/disclosure Part of the English Language and Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License. Recommended Citation Schopp, Andrew (2000) "(De)Constructing Daddy: The Absent Father, Revisionist Masculinity and/in Queer Cultural Representations," disClosure: A Journal of Social Theory: Vol. 9 , Article 3. DOI: https://doi.org/10.13023/disclosure.09.03 Available at: https://uknowledge.uky.edu/disclosure/vol9/iss1/3 This Article is brought to you for free and open access by disClosure: A Journal of Social Theory. Questions about the journal can be sent to [email protected] Andrew Schopp (De )Constructing Daddy: The Absent Father, Revisionist Masculinity and/in Queer Cul tural Representations Contemporary cultur i almo l ob e eel with a11 Ab ent Fath r mythology. Whether literal or metaphoric, th Ab e 11l Fath r fi gure in nu merou cultural repr enlalion and ha b n po it d a th e ~ oure of v rything from problem ati c mal e beha vior lo male anxieti es about what it m an to b ma culine. Ilow v r, th e Ab enl Fath r i. an especially troubling fi gu r for gay men. I I t ronormal i ve approach to xuali Ly and p yc hologi ·al developm n t, from Freud 1 lo Jung2 Lo ronl mporary religiou ri ght mini tri that would ''cure" queers/1 have con tructed and maintain cl a cultural paradigm in whi ch th e ho mo xual mal e (mo l oft n een a a male who fail al ma culinit. -
Allusion As a Cinematic Device
I’VE SEEN THIS ALL BEFORE: ALLUSION AS A CINEMATIC DEVICE by BRYCE EMANUEL THOMPSON A THESIS Presented to the Department of Cinema Studies and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2019 An Abstract of the Thesis of Bryce Thompson for the degree of Bachelor of Arts in the Department of Cinema Studies to be taken June 2019 Title: I’ve Seen this All Before: Allusion as a Cinematic Device Approved: _______________________________________ Daniel Gómez Steinhart Scholarship concerning allusion as a cinematic device is practically non- existent, however, the prevalence of the device within the medium is quite abundant. In light of this, this study seeks to understand allusion on its own terms, exploring its adaptation to cinema. Through a survey of the effective qualities of allusion, a taxonomy of allusionary types, film theory, and allusion’s application in independent cinema, it is apparent that allusion excels within the cinematic form and demonstrates the great versatility and maximalist nature of the discipline. With the groundwork laid out by this study, hopefully further scholarship will develop on the topic of allusion in order to properly understand such a pervasive and complex tool. ii Acknowledgements I would like to thank my thesis committee of Professor Daniel Steinhart, Professor Casey Shoop, and Professor Allison McGuffie for their continued support, mentorship, and patience. I would also like to thank Professor Louise Bishop who has been immensely helpful in my time at university and in my research. I have only the most overwhelming gratitude towards these gracious teachers who were willing to guide me through this strenuous but rewarding process, as I explore the maddening and inexact world of allusion. -
Don Juan Study Guide
Don Juan Study Guide © 2017 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary Don Juan is a unique approach to the already popular legend of the philandering womanizer immortalized in literary and operatic works. Byron’s Don Juan, the name comically anglicized to rhyme with “new one” and “true one,” is a passive character, in many ways a victim of predatory women, and more of a picaresque hero in his unwitting roguishness. Not only is he not the seductive, ruthless Don Juan of legend, he is also not a Byronic hero. That role falls more to the narrator of the comic epic, the two characters being more clearly distinguished than in Byron’s Childe Harold’s Pilgrimage. In Beppo: A Venetian Story, Byron discovered the appropriateness of ottava rima to his own particular style and literary needs. This Italian stanzaic form had been exploited in the burlesque tales of Luigi Pulci, Francesco Berni, and Giovanni Battista Casti, but it was John Hookham Frere’s (1817-1818) that revealed to Byron the seriocomic potential for this flexible form in the satirical piece he was planning. The colloquial, conversational style of ottava rima worked well with both the narrative line of Byron’s mock epic and the serious digressions in which Byron rails against tyranny, hypocrisy, cant, sexual repression, and literary mercenaries. -
A Glossary of Jungian Terms
A Glossary of Jungian Terms “““The“The AAlchemistslchemists thought that thethethe OOOpusOpuspuspus demanded not only laboratory work, the reading of books, meditation, and patience, but also lovelove””””.... -- The Practice of Psychotherapy Abaissement du niveau mental: French psychologist Pierre Janet's term, elaborated by Jung, for a weakening of the ego due to an unconscious drainage of its psychological energy. A lowering of attention or consciousness. Often observed just before creative work or during those incubation periods when the unconscious prepares a new stage of growth. Absolute knowledge: the acausal foreknowledge, relatively independent of limitations of time and space, possessed by the unconscious and apparent in constellated archetypes and in synchronicity . Acausal OOrderedness:rderedness: the underlying interconnectedness of psychic and physical processes. Synchronicity is one expression. Time is a concrete continuum possessing basic qualities that can manifest simultaneously in different places, as the ancient Chinese thought. Active IImaginationmagination ::: holding an image in awareness while fantasizing and associating to it to bring it to life and discover its nuances and unconscious roots. Also focuses and unifies the four orienting functions of consciousness. Active imagination is the indispensable second part of any deep analysis and bases itself on the imaginal nature of the psyche . AffectAffect----ego:ego: the modification of the ego or "I" by an emerging strongly toned complex . With painful feelings the modification can bring about a restriction, a withdrawal of many parts of the normal ego . Aion: a lion-headed, snake-encircled Mithraic God-image of time (also called Kronos or Deus Leontocephalus) who for Jung represented death/rebirth and a psychological union of opposites like light and darkness, male and female, creation and destruction.