The Ospreys of Fluvanna County
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JM Coetzee and Mathematics Peter Johnston
1 'Presences of the Infinite': J. M. Coetzee and Mathematics Peter Johnston PhD Royal Holloway University of London 2 Declaration of Authorship I, Peter Johnston, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Dated: 3 Abstract This thesis articulates the resonances between J. M. Coetzee's lifelong engagement with mathematics and his practice as a novelist, critic, and poet. Though the critical discourse surrounding Coetzee's literary work continues to flourish, and though the basic details of his background in mathematics are now widely acknowledged, his inheritance from that background has not yet been the subject of a comprehensive and mathematically- literate account. In providing such an account, I propose that these two strands of his intellectual trajectory not only developed in parallel, but together engendered several of the characteristic qualities of his finest work. The structure of the thesis is essentially thematic, but is also broadly chronological. Chapter 1 focuses on Coetzee's poetry, charting the increasing involvement of mathematical concepts and methods in his practice and poetics between 1958 and 1979. Chapter 2 situates his master's thesis alongside archival materials from the early stages of his academic career, and thus traces the development of his philosophical interest in the migration of quantificatory metaphors into other conceptual domains. Concentrating on his doctoral thesis and a series of contemporaneous reviews, essays, and lecture notes, Chapter 3 details the calculated ambivalence with which he therein articulates, adopts, and challenges various statistical methods designed to disclose objective truth. -
Cold War: a Report on the Xviith IAMHIST Conference, 25-31 July 1997, Salisbury MD
After the Fall: Revisioning the Cold War: A Report on the XVIIth IAMHIST Conference, 25-31 July 1997, Salisbury MD By John C. Tibbetts “The past can be seized only as an image,” wrote Walter Benjamin. But if that image is ignored by the present, it “threatens to disappear irretrievably.” [1] One such image, evocative of the past and provocative for our present, appears in a documentary film by the United States Information Agency, The Wall (1963). Midway through its account of everyday life in a divided Berlin, a man is seen standing on an elevation above the Wall, sending out hand signals to children on the other side in the Eastern Sector. With voice communication forbidden by the Soviets, he has only the choreography of his hands and fingers with which to print messages onto the air. Now, almost forty years later, the scene resonates with an almost unbearable poignancy. From the depths of the Cold War, the man seems to be gesturing to us. But his message is unclear and its context obscure. [2] The intervening gulf of years has become a barrier just as impassable as the Wall once was. Or has it? The Wall was just one of dozens of screenings and presentations at the recent “Knaves, Fools, and Heroes: Film and Television Representations of the Cold War”—convened as a joint endeavor of IAMHist and the Literature/Film Association, 25-31 July 1997, at Salisbury State University, in Salisbury, Maryland— that suggested that the Cold War is as relevant to our present as it is to our past. -
Download This Volume In
Sederi 29 2019 IN MEMORIAM MARÍA LUISA DAÑOBEITIA FERNÁNDEZ EDITOR Ana Sáez-Hidalgo MANAGING EDITOR Francisco-José Borge López REVIEW EDITOR María José Mora PRODUCTION EDITORS Sara Medina Calzada Tamara Pérez Fernández Marta Revilla Rivas We are grateful to our collaborators for SEDERI 29: Leticia Álvarez Recio (U. Sevilla, SP) Adriana Bebiano (U. Coimbra, PT) Todd Butler (Washington State U., US) Rui Carvalho (U. Porto, PT) Joan Curbet (U. Autònoma de Barcelona, SP) Anne Valérie Dulac (Sorbonne U., FR) Elizabeth Evenden (U. Oxford, UK) Manuel Gómez Lara (U. Seville, SP) Andrew Hadfield (U. Sussex, UK) Peter C. Herman (San Diego State U., US) Ton Hoensalars (U. Utrecth, NL) Douglas Lanier (U. New Hampshire, US) Zenón Luis Martínez (U. Huelva, SP) Willy Maley (U. Glasgow, UK) Irena R. Makaryk (U. Ottawa, CA) Jaqueline Pearson (U. Manchester, UK) Remedios Perni (U. Alicante, SP) Ángel Luis Pujante (U. Murcia, SP) Miguel Ramalhete Gomes (U. Lisboa, PT) Katherine Romack (U. West Florida, US) Mary Beth Rose (U. Illinois at Chicago, US) Jonathan Sell (U. Alcalá de Henares, SP) Alison Shell (U. College London, UK) Erin Sullivan (Shakespeare Institute, U. Birmingham, UK) Sonia Villegas (U. Huelva, SP) Lisa Walters (Liverpool Hope U., UK) J. Christopher Warner (Le Moyne College, US) Martin Wiggins (Shakespeare Institute, U. Birmingham, UK) R. F. Yeager (U. West Florida, US) Andrew Zurcher (U. Cambridge, UK) Sederi 29 (2019) Table of contents María Luisa Dañobeitia Fernández. In memoriam By Jesús López-Peláez Casellas ....................................................................... 5–8 Articles Manel Bellmunt-Serrano Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation .......................................................................................................... -
1 Shakespeare and Film
Shakespeare and Film: A Bibliographic Index (from Film to Book) Jordi Sala-Lleal University of Girona [email protected] Research into film adaptation has increased very considerably over recent decades, a development that coincides with postmodern interest in cultural cross-overs, artistic hybrids or heterogeneous discourses about our world. Film adaptation of Shakespearian drama is at the forefront of this research: there are numerous general works and partial studies on the cinema that have grown out of the works of William Shakespeare. Many of these are very valuable and of great interest and, in effect, form a body of work that is hybrid and heterogeneous. It seems important, therefore, to be able to consult a detailed and extensive bibliography in this field, and this is the contribution that we offer here. This work aims to be of help to all researchers into Shakespearian film by providing a useful tool for ordering and clarifying the field. It is in the form of an index that relates the bibliographic items with the films of the Shakespearian corpus, going from the film to each of the citations and works that study it. Researchers in this field should find this of particular use since they will be able to see immediately where to find information on every one of the films relating to Shakespeare. Though this is the most important aspect, this work can be of use in other ways since it includes an ordered list of the most important contributions to research on the subject, and a second, extensive, list of films related to Shakespeare in order of their links to the various works of the canon. -
25-2-W2016.Pdf
The ESSE Messenger A Publication of ESSE (The European Society for the Study of English Vol. 25-2 Winter 2016 ISSN 2518-3567 All material published in the ESSE Messenger is © Copyright of ESSE and of individual contributors, unless otherwise stated. Requests for permissions to reproduce such material should be addressed to the Editor. Editor: Dr. Adrian Radu Babes-Bolyai University, Cluj-Napoca, Romania Faculty of Letters Department of English Str. Horea nr. 31 400202 Cluj-Napoca Romania Email address: [email protected] Cover illustration: Gower Memorial to Shakespeare, Stratford-upon-Avon This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license. Picture credit: Immanuel Giel Contents Shakespeare Lives 5 Europe, like Hamlet; or, Hamlet as a mousetrap J. Manuel Barbeito Varela 5 Star-crossed Lovers in Sarajevo in 2002 Ifeta Čirić-Fazlija 14 Shakespeare on Screen José Ramón Díaz Fernández 26 The Interaction of Fate and Free Will in Shakespeare’s Hamlet Özge Özkan Gürcü 57 The Relationship between Literature and Popular Fiction in Shakespeare’s Richard III Jelena Pataki 67 Re-thinking Hamlet in the 21st Century Ana Penjak 79 Reviews 91 Mark Sebba, Shahrzad Mahootian and Carla Jonsson (eds.), Language Mixing and Code-Switching in Writing: Approaches to Mixed-Language Written Discourse (New York & London: Routledge, 2014). 91 Bernard De Meyer and Neil Ten Kortenaar (eds.), The Changing Face of African Literature / Les nouveaux visages de la litterature africaine (Amsterdam and New York: Rodopi, 2009). 93 Derek Hand, A History of the Irish Novel (Cambridge: Cambridge University Press, 2011). 95 Hobby Elaine. -
Shakespeare in Rushdie/Shakespearean Rushdie
ATLANTIS. Journal of the Spanish Association of Anglo-American Studies. 31.2 (December 2009): 9–22 ISSN 0210-6124 Shakespeare in Rushdie/Shakespearean Rushdie Geetha Ganapathy-Doré University of Paris 13 [email protected] Postcolonial readers situate Shakespeare at the starting point and Salman Rushdie at the other end of the spectrum of multicultural authors who have laid claims to universality. While the fact that Rushdie’s epoch-making novel Midnight’s Children adapted for the theatre by Tim Supple, was produced by the Royal Shakespeare Company in 2003 would have come as a surprise to many, the Bard himself, his birthplace, allusions to and quotations from his work, parodic rewriting of his plots and brilliant recasting of his characters have always punctuated Rushdie’s fiction and non-fiction. The linguistic inventiveness of Shakespeare and Rushdie and the Ovidian intertext in both bring them even closer. This paper argues that the presence of Shakespeare in Rushdie may be viewed not so much as an attempt to deconstruct and subvert the canon like Angela Carter’s but rather as an unconscious effort to rival and reinvent his genius in the novel form. Rushdie’s project of tropicalizing London seems to be an ironic translation of the Shakespearean idea of “making Britain India”. Keywords: Shakespeare; Rushdie; intertextuality; postcolonial rewriting; inventiveness; fatherly text Shakespeare en Rushdie/Rushdie shakesperiano Los manuales sobre postcolonialismo ubican a Shakespeare al comienzo y a Salman Rushdie al final del espectro -
SPRING 2012 Contents N Trade 1
SPRING 2012 Contents n TRADE 1 n NA TURAL HISTORY 19 n Ac ADEMIC TRADE 24 n PAPERBACKS 42 n ART 66 n A RCHAEOLOGY 68 n CLASSICs 68 n LITERATURE 69 n A MERICAN HISTORY 71 n HIS TORY 73 n WORLD HISTORY 75 n JEST WI H S UDIEs 76 n P HILOSOPHY 77 n POLITICAL THEORY 82 n S OCIOLOGY 86 n EcMIONO CS 89 n POLI TICAL SCIENCe 92 n AnthO R POLOGY 98 n M AthEMATICS 101 n P HYSICS 107 n ERHCA T S IENCe 109 n B IOLOGY 111 n RT ECEN & BEST-SELLING TITLES 114 n AH UT OR / TITLE INDEx 120 n ORDER InFORMATION Cover image from Paula Fredriksen’s Sin: The Early History of an Idea (see page 4). Image courtesy of Shutterstock. Trade 1 College THE STRENGTHS AND FAILURES OF THE What It Was, Is, and Should Be AMERICAN COLLEGE, AND WHY LIBERAL EDUCATION STILL MATTERS Andrew Delbanco As the commercialization of American higher education ac- celerates, more and more students are coming to college with the narrow aim of obtaining a preprofessional credential. The traditional four-year college experience—an exploratory time for students to discover their passions and test ideas and values with the help of teachers and peers—is in danger of becoming a thing of the past. In College, prominent cultural critic Andrew Delbanco offers a trenchant defense of such an education, and warns that it is becoming a privilege reserved for the relatively rich. In arguing for what a true college education should be, he dem- onstrates why making it available to as many young people as possible remains central to America’s democratic promise. -
Borrowers and Lenders: the Journal of Shakespeare and Appropriation 3/4/20, 5)26 PM
Borrowers and Lenders: The Journal of Shakespeare and Appropriation 3/4/20, 5)26 PM ISSN 1554-6985 VOLUME VIII · (/current) NUMBER 2 FALL 2013/WINTER 2014 (/previous) EDITED BY (/about) Christy Desmet and Sujata (/archive) Iyengar CONTENTS Shakespeare and the Ali'i Nui (/1760/show) (pdf) Theresa M. (/1760/pdf) DiPasquale The Fiendlike Queen: Recuperating Lady Macbeth in William C. Contemporary Adaptations of Macbeth (/1077/show) (pdf) Carroll (/1077/pdf) "This same strict and most observant watch" (1.1.71): Sébastien Gregory Doran's Hamlet as Surveillance Adaptation Lefait (/1072/show) (pdf) (/1072/pdf) A Republican Dream? — Americans Question Kim C. Shakespeare (/1031/show) (pdf) (/1031/pdf) Sturgess S ERVICE SHAKESPEARE E DITED BY MICHAEL P. JENSEN "What service is here?" Exploring Service Shakespeare Michael P. (/1039/show) (pdf) (/1039/pdf) Jensen http://borrowers.uga.edu/26/toc Page 1 of 2 Borrowers and Lenders: The Journal of Shakespeare and Appropriation 3/4/20, 5)26 PM Macbeth Behind Bars (/1028/show) (pdf) (/1028/pdf) Yu Jin Ko Performing A Midsummer Night's Dream with the Isabelle Homeless (and Others) in Paris (/969/show) (pdf) Schwartz- (/969/pdf) Gastine "The World's Common Place": Leveling the Sheila T. Shakespearean Playing Field (/1054/show) (pdf) Cavanagh (/1054/pdf) Michael The Utah Shakespeare Festival / Southern Utah University Bahr and Annual Shakespeare Competition (/1055/show) (pdf) Don (/1055/pdf) Weingust "Teach him how to tell my story": Access at the Oregon Jim Amberg Shakespeare Festival (/957/show) (pdf) (/957/pdf) "You speak all your part at once, cues and all": Reading Michael P. -
Machiavelli in Love : Sex, Self, and Society in the Italian Renaissance / Guido Ruggiero
Machiavelli in Love This page intentionally left blank Machiavelli in Love Sex, Self, and Society in the Italian Renaissance guido ruggiero The Johns Hopkins University Press Baltimore © 2007 The Johns Hopkins University Press All rights reserved. Published 2007 Printed in the United States of America on acid-free paper 246897531 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Ruggiero, Guido, 1944– Machiavelli in love : sex, self, and society in the Italian Renaissance / Guido Ruggiero. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8018-8516-7 (hardcover : alk. paper) ISBN-10: 0-8018-8516-7 (hardcover : alk. paper) 1. Sex customs–Italy–History. 2. Renaissance–Italy. 3. Sex–Social aspects–Italy–History. 4. Sex role–Italy–History. 5. Sex in literature. I. Title. HQ18.I8I834 2006 306.70945′09024–dc22 2006015555 A catalog record for this book is available from the British Library. For Laura “e come sare’ io sanza te corso? chi m’avria tratto su per la montagna?” (adapted from Purgatorio III:5– 6) This page intentionally left blank contents Acknowledgments ix Introduction 1 1 Of Birds, Figs, and Sexual Identity in the Renaissance, or The Marescalco’s Boy Bride 19 2 Playing with the Devil: The Pleasures and Dangers of Sex and Play 41 3 The Abbot’s Concubine: Renaissance Lies, Literature, and Power 71 4 Brunelleschi’s First Masterpiece, or Mean Streets, Familiar Streets, Masculine Spaces, and Identity in Renaissance Florence 85 5 Machiavelli in Love: The Self-Presentation of an Aging Lover 108 6 Death and Resurrection and the Regime of Virtù, or Of Princes, Lovers, and Prickly Pears 163 Afterword. -
The Journal of Shakespeare and Appropriation 2/9/20, 9'57 PM
Borrowers and Lenders: The Journal of Shakespeare and Appropriation 2/9/20, 9'57 PM ISSN 1554-6985 VOLUME IV · NUMBER (/current) 2 SPRING/SUMMER 2009 (/previous) EDITED BY (/about) Christy Desmet and Sujata (/archive) Iyengar CONTENTS "Nisht kayn Desdemona, nisht kayn Dzulieta": Yiddish Farrah Adaptations of The Merchant of Venice and the Early Modern Lehman Father-Daughter Bond (/782243/show) (pdf) (/782243/pdf) Time Lord of Infinite Space: Celebrity Casting, Andrew Romanticism, and British Identity in the RSC's "Doctor Who James Hamlet" (/782252/show) (pdf) (/782252/pdf) Hartley A SIAN SHAKESPEARES ON SCREEN: TWO F ILMS IN PERSPECTIVE E DITED BY ALEXA HUANG Alexa Introduction (/1404/show) (pdf) (/1404/pdf) Huang Mark Extending the Filmic Canon: The Banquet and Maqbool Thornton (/1405/show) (pdf) (/1405/pdf) Burnett Martial Arts and Masculine Identity in Feng Xiaogang's The Yu Jin Ko http://borrowers.uga.edu/7158/toc Page 1 of 3 Borrowers and Lenders: The Journal of Shakespeare and Appropriation 2/9/20, 9'57 PM Banquet (/1406/show) (pdf) (/1406/pdf) Amy Shakespeare: It's What's for Dinner (/1407/show) (pdf) Scott- (/1407/pdf) Douglass Woodcocks to Springes: Generic Disjunction in The Banquet Scott (/1410/show) (pdf) (/1410/pdf) Hollifield Spectator Violence and Queenly Desire in The Banquet Rebecca (/1411/show) (pdf) (/1411/pdf) Chapman Interiority, Masks, and The Banquet (/1413/show) (pdf) Yuk Sunny (/1413/pdf) Tien The Banquet as Cinematic Romance (/1414/show) (pdf) Charles (/1414/pdf) Ross A Thousand Universes: Zhang Ziyi in Feng Xiaogang's The Woodrow Banquet (/1418/show) (pdf) (/1418/pdf) B. -
The Role of Nostalgia in the Literature of the Caribbean Diasporas – Linking Memory, Globalization and Homemaking Lukasz Dominik Pawelek Wayne State University
Wayne State University Wayne State University Dissertations 1-1-2015 The Role Of Nostalgia In The Literature Of The Caribbean Diasporas – Linking Memory, Globalization And Homemaking Lukasz Dominik Pawelek Wayne State University, Follow this and additional works at: https://digitalcommons.wayne.edu/oa_dissertations Part of the Latin American Literature Commons, and the Scandinavian Studies Commons Recommended Citation Pawelek, Lukasz Dominik, "The Role Of Nostalgia In The Literature Of The aC ribbean Diasporas – Linking Memory, Globalization And Homemaking" (2015). Wayne State University Dissertations. 1407. https://digitalcommons.wayne.edu/oa_dissertations/1407 This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. THE ROLE OF NOSTALGIA IN THE LITERATURE OF THE CARIBBEAN DIASPORAS – LINKING MEMORY, GLOBALIZATION AND HOMEMAKING by LUKASZ D. PAWELEK DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan, in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2015 MAJOR: MODERN LANGUAGES (Spanish) Approved by: ___________________________________ Advisor Date ___________________________________ ___________________________________ ___________________________________ © COPYRIGHT BY Lukasz Pawelek 2015 All Rights Reserved DEDICATION I would like to dedicate this dissertation to my wife, Kasia Pawelek and my mother Alina Pawelek. Thank you for believing in me, pushing me over the limits, offering me unconditional love, freedom and well-being, and making me the man I am today. ii ACKNOWLEDGMENTS I would like to thank the wonderful professors, family and friends for providing me with endless support and motivation to complete my dissertation. First, I thank my adviser Dr. -
Place, Imaginary, Identity: Place Ethnography in Truth Or Consequences, New Mexico Tita Berger
University of New Mexico UNM Digital Repository American Studies ETDs Electronic Theses and Dissertations 7-1-2016 Place, Imaginary, Identity: Place Ethnography in Truth or Consequences, New Mexico Tita Berger Follow this and additional works at: https://digitalrepository.unm.edu/amst_etds Recommended Citation Berger, Tita. "Place, Imaginary, Identity: Place Ethnography in Truth or Consequences, New Mexico." (2016). https://digitalrepository.unm.edu/amst_etds/45 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in American Studies ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Tita Berger Candidate Department of American Studies Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Gabriel Meléndez, Chairperson Christopher Montgomery Wilson Miguel Gandert Dr. Michael Trujillo ii PLACE, IMAGINARY, IDENTITY: PLACE ETHNOGRAPHY IN TRUTH OR CONSEQUENCES, NEW MEXICO by TITA BERGER B.A., Government, New Mexico State University, 1994 M.A., Government, New Mexico State University, 2001 DISSERTATION Doctor of Philosophy American Studies The University of New Mexico Albuquerque, New Mexico July, 2016 iii DEDICATION For Sherry Fletcher and Annette Rodriguez iv ACKNOWLEDGEMENTS This project was made possible by many people. My heartfelt thanks go to my brilliant committee: A. Gabriel Meléndez, for guiding me, standing by me and seeing my dissertation to completion; Michael Trujillo, for his enthusiasm, convictions and keen ethnographic eye; Chris Wilson, for his impeccable scholarship and for changing the trajectory of my academic and professional life; and Miguel Gandert, for his infallible good spirits, visionary aesthetic and commitment to interdisciplinary scholarship.