Das Zeichensystem Der Masoreten Zusammengestellt Von Dr
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The Tiberian Pronunciation Tradition of Biblical Hebrew, Volume 2
Cambridge Semitic Languages and Cultures The Tiberian Pronunciation Khan Tradition of Biblical Hebrew (Vol. II) The Tiberian Pronunciation Geoffrey Khan Tradition of Biblical Hebrew The form of Biblical Hebrew that is presented in printed edi� ons, with vocaliza� on and accent signs, has its origin in medieval manuscripts of the Bible. The vocaliza� on and Tradition of Biblical Hebrew Vol. II Volume II accent signs are nota� on systems that were created in Tiberias in the early Islamic period by scholars known as the Tiberian Masoretes, but the oral tradi� on they represent has roots in an� quity. The gramma� cal textbooks and reference grammars of Biblical Hebrew The Tiberian Pronunciation in use today are heirs to centuries of tradi� on of gramma� cal works on Biblical Hebrew in GEOFFREY KHAN Europe. The paradox is that this European tradi� on of Biblical Hebrew grammar did not have direct access to the way the Tiberian Masoretes were pronouncing Biblical Hebrew. In the last few decades, research of manuscript sources from the medieval Middle East has made it possible to reconstruct with considerable accuracy the pronuncia� on of the Tiberian Masoretes, which has come to be known as the ‘Tiberian pronuncia� on tradi� on’. This book presents the current state of knowledge of the Tiberian pronuncia� on tradi� on of Biblical Hebrew and a full edi� on of one of the key medieval sources, Hidāyat al-Qāriʾ ‘The Guide for the Reader’, by ʾAbū al-Faraj Hārūn. It is hoped that the book will help to break the mould of current gramma� cal descrip� ons of Biblical Hebrew and form a bridge between modern tradi� ons of grammar and the school of the Masoretes of Tiberias. -
The Music of the Bible, with Some Account of the Development Of
. BOUGHT WITH THE INCOl^E .. FROM THE SAGE ENDOWMENT FUlSfD THE GIFT OF Henrg W. Sage 1891 ,. A>.3ooq..i.i... /fiMJA MUSIC LIBRARY Cornell University Library ML 166.S78 1914 The music of the Bible with some account 3 1924 021 773 290 The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924021773290 Frontispiece. Sounding the Shophar. (p. 224/ THE MUSIC OF THE BIBLE WITH SOME ACCOUNT OF THE DEVELOPMENT OF MODERN MUSICAL INSTRUMENTS FROM ANCIENT TYPES BY JOHN STAINER M.A., MUS. DOC, MAGD. COLL., OXON. NEW EDITION : With Additional Illustrations and Supplementary Notes BY the Rev. F. W. GALPIN, M.A., F.L.S. London : NOVELLO AND COMPANY, Limited. New York: THE H. W. GRAY CO., Sole Agents for the U.S.A. [ALL RIGHTS RESERVED.] 5 ORIGINAL PREFACE. No apology is needed, I hope, for issuing in this form the substance of the series of articles which I contributed to the Bible Educator. Some of the statements which I brought forward in that work have received further confirmation by wider reading; but some others I have ventured to qualify or alter. Much new matter will be found here which I trust may be of interest to the general reader, if not of use to the professional. I fully anticipate a criticism to the effect that such a subject as the development of musical instruments should rather have been allowed to stand alone than have been associated with Bible music. -
High Holy Day Cantillation Treitman RB-CANTR-523B
Rabbinical School RB-CANTR-523B: High Holy Day Torah Cantillation Cantor Louise Treitman 1 graduate credit Syllabus for Spring Semester 2019: High Holy Day Torah 9:30-10:40 Wednesdays Contact Information: 617-699-8864 (mobile) [email protected] (please put “CANTILLATION” in subject line) COURSE DESCRIPTION: This class builds on the skills learned in the Basic Cantillation course while acquiring the melodic skills needed to chant High Holy Day Torah using a common Ashkenazi trope. We will continue to explore the concepts of cantillation – chanting our sacred texts according to ancient tradition. There will be a review of the underlying syntactic structure of the system of cantillation. Then, we will delve deeper into the grammar with sentence diagramming and ongoing focus on correct contemporary pronunciation of biblical Hebrew This course is primarily for rabbinical students (preferably who have taken one of the pre-requisite courses or some solid understanding of cantillation). However, others are welcome (depending on size of the class), provided they have an adequate sense of musical pitch and the ability to read and translate biblical Hebrew and have the following pre-requisites. Suggested pre-requisite for this course: Basic Cantillation (Treitman), Cantillation I (Jacobson) or permission of the instructor. This course does not count for graduate credit for students in the Cantorial Ordination programs, although cantorial students are welcome to audit. REQUIREMENTS: Attendance: Students are expected to attend each session and to participate fully. Learning cantillation melodies (with the voice that you have been given): Students are expected to go over chanting and to prepare texts as required. -
אוסף מרמורשטיין the Marmorstein Collection
אוסף מרמורשטיין The Marmorstein Collection Brad Sabin Hill THE JOHN RYLANDS LIBRARY UNIVERSITY OF MANCHESTER Manchester 2017 1 The Marmorstein Collection CONTENTS Acknowledgements Note on Bibliographic Citations I. Preface: Hebraica and Judaica in the Rylands -Hebrew and Samaritan Manuscripts: Crawford, Gaster -Printed Books: Spencer Incunabula; Abramsky Haskalah Collection; Teltscher Collection; Miscellaneous Collections; Marmorstein Collection II. Dr Arthur Marmorstein and His Library -Life and Writings of a Scholar and Bibliographer -A Rabbinic Literary Family: Antecedents and Relations -Marmorstein’s Library III. Hebraica -Literary Periods and Subjects -History of Hebrew Printing -Hebrew Printed Books in the Marmorstein Collection --16th century --17th century --18th century --19th century --20th century -Art of the Hebrew Book -Jewish Languages (Aramaic, Judeo-Arabic, Yiddish, Others) IV. Non-Hebraica -Greek and Latin -German -Anglo-Judaica -Hungarian -French and Italian -Other Languages 2 V. Genres and Subjects Hebraica and Judaica -Bible, Commentaries, Homiletics -Mishnah, Talmud, Midrash, Rabbinic Literature -Responsa -Law Codes and Custumals -Philosophy and Ethics -Kabbalah and Mysticism -Liturgy and Liturgical Poetry -Sephardic, Oriental, Non-Ashkenazic Literature -Sects, Branches, Movements -Sex, Marital Laws, Women -History and Geography -Belles-Lettres -Sciences, Mathematics, Medicine -Philology and Lexicography -Christian Hebraism -Jewish-Christian and Jewish-Muslim Relations -Jewish and non-Jewish Intercultural Influences -
Download Errata
Transliterations page: The second header should read: Translations. p. 4 footnote 11 the second Hebrew phrase should read: vnhgbc true. p. 10 second paragraph of the Hebrew should read: dyrcb. p. 14 the figure on the right should read 1.3. p. 15 the figure should read 1.4. p. 16 the figure should read 1.5. p. 17 should read Figure 1.6. p. 19 footnote 61 the first word should read: Athanasius. p. 26 example 2.1.1 should read: hearken, O earth, to the words of my mouth. p. 50 footnote 1 should read: Cheironomy. p. 52 about 2 inches from the bottom of the page should read: N¡E;b dRl∞E;tÅw rAh™A;tÅw. p. 53 about 2 inches from the bottom of the page should read: X…wlSj. p. 56 footnote 2 should read: µytir]v…m]. p. 65 sixth line should read: then the “soft” form is (normally) used. p. 89 first line should read: protagonist. p. 195 footnote 14 should read: the shalshelet sign can serve as both. p. 115 example 2.8.5 should read: PRl™Ra. p. 127 the heading should read: conjunctives. p. 133 the text just below the double rule should read: conjunctive. p. 140 footnote 3 should have this additional text: The Hebrew equivalent of revia‘ would be ravuts, meaning, “seated.” p. 159 third line of text from the bottom should read: and the first level-three segment terminates with revia‘. p. 167 note 7 the last word should read: h∂rVÚpAs◊n…w. p. 210 note 2 should read: conjunctive. -
Torah Tidbits Shabbat Times and IBL Standings
Torah Tidbits Shabbat Times and IBL Standings city team name candles earliest havdala W L pct GB Last 10 streak Jerusalem (Giants?) 6:59 6:09 8:14 maybe next year Bet Shemesh Blue Sox 7:15 6:10 8:14 19 7 .731 • 7•3 W3 Tel Aviv Lightning 7:15 6:12 8:16 17 9 .654 2 6•4 L1 Modi'in Miracle 7:15 6:10 8:15 15 10 .600 3½ 5•5 W1 Netanya Tigers 7:16 6:12 8:16 10 14 .417 8 5•5 W1 Ra'anana Express 7:16 6:11 8:16 10 16 .385 9 4•6 L1 Petach Tikva Pioneers 6:59 6:11 8:16 5 20 .200 13½ 3•7 L2 Rehovot (?) 7:16 6:11 8:15 How are the MLB and the IBL alike and how are they different? (installment 3) Be'er Sheva (Bears?) 7:15 6:10 8:14 Years ago, you could say, at an IBL game you can catch a minyan for Mincha Gush Etzion (?) 7:14 6:10 8:14 but not at an MLB game. Today that isn't Ginot Shomron (?) 7:15 6:10 8:15 true anymore • you CAN find minyanim at several MLB parks. But do they Maale Adumim (Reds?) 6:59 6:09 8:13 announce Mincha over the PA? And is the Baal T'fila a pitcher for one of the K4/Hebron (?) 7:14 6:09 8:13 teams? Tzfat (Mystics?) 7:05 6:10 8:15 That's the difference. -
Libri Josuae Et Judicum;
<^s- IIS \ Hfel ^ I LI B R I JOSUAE ET JUDICUM, D^:!^?^! d\s'd: LIBRI JOSUAE ET JUDICUM TEXTUM MASORETICUM ACCURATISSIME EXPRESSIT, E FONTIBUS MASORAE VARIE ILLUSTRAVIT, NOTIS CRITICIS CONFIRMAVIT S. BAER, EX OFFICINA BERNHARDI TAUCHNITZ. LIPSIAE 1891. DEC 1 1 194? 12IG1 MEMOEIA lUSTI IN BENEDICTIONEM! Duodecimam partem bibllae textus mei masoretice crltice- que recensi libros Josuae et Judicum publicans, dolore mortui fautoris mei carissimi, Doctoris Francisci Delitzsch, ubique clarissimi professoris, memini. Profecto! amicus patermis mihi erat, qui ex anno milleslmo octingentesimo quinquagesimo nono (1859) ad masoreticos labores meos publicandos atque augendos re consilioque me omni modo adiuvabat. In edendis libri& singularibus bibliae textus recensi curator et adiutor mens erat, qui gravibus suis commendationibus per triginta annos libri? introitum ad doctos .viYOs dabat. Quin ad librum Jeremiae meum anno elapso editum, quamquam gravi morbo afFectus, praefationem ornantem scripsit. Haec tamen ultima amorls res illustris amici nunc beati erat. A. d. IV. nonas Martias MDCCCXC, septuagesimum octavum annum agens, corpus contritum in terra reliquit et pia anima pura in paradisum escendit, ubi luceat in lumine aeternae vitae. Et ego — ego nunc solus sum; amicus paterne adiuvans mihi evanuit! — Tamen animus mihi non despondendus, labor semel in- ceptus et fere perfectus mihi non interrumpendus est. Bono cum Deo, me adiuvabit, corpus mentemque mihi servabit, ut laborem inceptum secundum illustris amici mei dispositionem ad finem perducere possim. Josuae et Judicum libros Dei auxiho iam nunc aestimatis bibliae amicis proponere possum. Si fortasse nonnullae enormitates inveniuntur, lectores oro, ut indulgeant, cum, ut supra dixi, conceptio et correctio nunc mihi soli esset curae. -
Hebrew Grammar
STACK ANNEX 5 094 575 INTROD JCT1OX HEBREW GRAMMAR, BY REV. A. M'CAUL, D.D. INTRODUCTION HEBREW GRAMMAR; FOR THE USE OF BEGINNERS. COMPILED BY REV. A. MC CAUL, D.D., PROFESSOR OF HEBREW, KING'S COLLEGE, LONDON ; AND PREBENDARY OF ST. PAUL'S. LONDON : JOHN W. PARKER, WEST STRAND ; B. WERTHEIM, 13, PATERNOSTER ROW. MDCCCXLVII. ALEXANDER MACINTOSH, PRINTER, GREAT NEW STREET. LONDON. TO THE REV. JOHN RICHARDSON MAJOR, D.D., HEAD MASTER OF KING'S COLLEGE SCHOOL, THE FOLLOWING COMPENDIUM, IS INSCRIBED, WITH SINCERE ESTEEM AND RESPECT, BY THE AUTHOR. 2093670 ADVERTISEMENT. " THE following compilation is strictly what it professes to be, AN " INTRODUCTION to Hebrew Grammar. No language can be acquired by means of a compendium. But experience has taught me, that a large and comprehensive grammar may impede the progress of beginners, especially when the chief part of their time and strength is necessarily devoted to other subjects. For such the following pages may serve as a practical outline. The original intention was that it should not exceed two sheets. But having learned that the study of Hebrew was to be introduced into King's College School, it seemed necessary to add more complete tables. Mr. Duncan obligingly allowed me the use of the stereotype plates of the tables " of verbs, reprinted from Gesenius' Lehrgebaude," by the Rev. Dr. Lee. The larger Grammars recommended for the study of the advanced student are those of the Rev. Dr. Lee, Professor Ewald, and the late Dr. Gesenius. A. MC C. INTRODUCTION HEBREW GRAMMAR. HEBREW LETTERS. CONSONANTS. THE Hebrew alphabet consists of twenty-two letters, all consonants. -
Keil & Delitzsch
THE BOOK OF ECCLESIASTES TRANSLATED BY M. G. EASTON Introduction If we look at the world without God, it appears what it is, — a magnificent, graduated combination of diverse classes of beings, connected causes and effects, well-calculated means and ends. But thus contemplated, the world as a whole remains a mystery. If, with the atheist, we lay aside the idea of God, then, notwithstanding the law of causation, which is grounded in our mental nature, we abandon the question of the origin of the world. If, with the pantheist, we transfer the idea of God to the world itself, then the effect is made to be as one with the cause, — not, however, without the conception of God, which is inalienable in man, reacting against it; for one cannot but distinguish between substance and its phenomena. The mysteries of the world which meet man as a moral being remain, under this view of the world, altogether without solution. For the moral order of the world presupposes an absolutely good Being, from whom it has proceeded, and who sustains it; it demands a Lawgiver and a Judge. Apart from the reference to this Being, the distinction between good and evil loses its depth and sharpness. Either there is no God, or all that is and happens is a moment in the being and life of God Himself, who is identical with the world: thus must the world-destructive power of sin remain unrecognised. The opinion as to the state of the world will, from a pantheistic point of view, rise to optimism; just as, on the other hand, from an atheistic point of view, it will sink to pessimism. -
Outlines of Hebrew Accentuation : Prose and Poetical
"PJ 4581 X>28 1/^. THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES Aa/ •-^,'. «.,< OUTLINES HEBREW ACCENTUATION, PBOSE AISD POETICAL. Eev. a. K. DAVIDSON, M.A. Abkn Ezra. AVILLIAMS AND NOBGATE, 14, HENRIETTA STREET, COYENT GAEDFA, LONDON, AND 20, SOUTH FREDERICK STREET, EDINBURGH. MDCCCLXl. OUTLINES HEBREW ACCENTUATION, PROSE AND POETICAL. Eev. a. b. dayidsox, m.a. vpx J;»t^'n i6) "i"? nnxn i6 D^oycn l^-its hv i:)J^kc' c'ln^D ba WILLIAMS AND NORGATE, 14, HENRIETTA STREET, COYENT GARDEN, LONDON, AND 20, SOUTH FREDERICK STREET, EDINBURGH. MDCCCLXI. HKKTFORD: rRINTKD BY STKPHKN AUSTIN, FORK STRKET. PEEFACE. The following tract was undertaken to supply a want in most Hebrew Grammars that are current,—a want especially felt in connection with the teaching in the New College. It has always been the practice of Dr. Duncan, the Hebrew Professor there, to give instruc- tion in the whole Masoretic punctual system, vowels and accents alike. This is the natural course for a thorough scholar to take—the course, indeed, which a thorough scholar must take ; for many parts of the mechanism of the vocalic system cannot be understood, without, at the same time, understanding the disturb- ing influence of the accentual system upon it. This natural way, however, w^as often practically not quite successful, from the want of anything to which the Student might refer when the Teacher's explanations were forgotten or misunderstood. I thus thought that a short tract on the question, containing the chief facts or rules—without unnecessary attempt at rationale, on a subject which some will deem wholly irrational—might not be unwelcome to iStudents. -
“What If I Drop the Torah?”: Tensions and Resolutions in Accomplishing B’Nai Mitzvah Rituals
“What if I Drop the Torah?”: Tensions and Resolutions in Accomplishing B’nai Mitzvah Rituals By Patricia Keer Munro A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Ann Swidler, Chair Professor Claude Fischer Professor David Hollinger Spring 2014 Copyright © Patricia Keer Munro, 2014. All rights reserved. “What if I Drop the Torah?”: Tensions and Resolutions in Accomplishing B’nai Mitzvah Rituals By Patricia Keer Munro Doctor of Philosophy in Sociology University of California, Berkeley Professor Ann Swidler, Chair Over the twentieth century, Bar/Bat Mitzvah, the Jewish rite-of-passage that takes place at age thirteen (or twelve for girls in Orthodox communities), has reshaped and transformed the American synagogue, the nature of the Jewish life-cycle, the lives of individual American Jewish families, and the content and meaning of the event itself. In America, the ritual has become a central symbol of Jewish continuity both for individual Jews and for the Jewish community as a whole. Whether the student manages a flawless performance or struggles through with whispered help, the ritual works. Parents and grandparents are amazed and awed, friends and relatives are moved to tears, and the students stands a little taller and prouder. This happens with such regularity that it is common to trivialize or mock the event. In truth, it is risky to expect a (possibly recalcitrant) thirteen-year-old to publicly represent both the core values of Judaism and his family’s honor; it is sociologically remarkable that virtually all children achieve that goal. -
Judaica Bulletin
JUDAICA BULLETIN Mededelingenblad van de Stichting Judaica Zwolle Postbus 194, 8000 AD Zwolle Verschijnt vier maal per jaar - ISSN 1384-9050 Jaargang 11, Nummer 4 1 Elloel5758 - Augustus 1998 OPLAGE325 EXEMPLAREN - ABONNEMENTf 12,- - POSTGIRO259272 - BANKREKENING95.24.27.737 DE CANTILLATIE VAN HEBREEUWSE TEKSTEN door J.W. Rose en Peter van 't Riet De tem cantillatie is afgeleid van de Latijnse woorden canticum en cantilena, waarvan de betekenis behalve 'lied' of 'gezang', ook de 'eentonig zangerige voord- racht' van bijvoorbeeld een redenaar kan zijn. De term cantillatie is aan het einde van de 18e eeuw door J.N. Forkel, auteur van het invloedrijke werk Allgemeine Geschichte der Musik (Leipzig , 178811801), geïntroduceerd in de musicale termi- nologie om de zangerige wijze van lezen van Hebreeuwse teksten aan te duiden. Over de precieze betekenis van het woord volgens bestaande gewoonten, aaneen cantillatie is nooit wetenschappelijke over- geschakeld worden (synagogale cantilla- eenstemming ontstaan. In de joodse en musi- tie); cále literatuur vinden we dan ook diverse - de muziekstijl die alle vier bovenstaande betekenissen, zoals: vormen van cantillatie omvat en die door Curt Sachs is omschreven als een 'woord- - de voordracht van een bijbeltekst met be- geschapen, woord-afhankelijk en woord- hulp van vaste melodische motieven vol- ondersteunend systeem van musicale ex- gens de masoretische uitspraak (bijbelse pressie'. cantillatie) ; - de voordracht van een talmoedtekst door Hoewel het woord cantillatie uitsluitend ge- aanpassing van