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Collection: NORCOM, DR. JAMES, and FAMILY PAPERS Edenton, North Carolina
Collection: NORCOM, DR. JAMES, AND FAMILY PAPERS .P.C.?J.l-71,3 Edenton, North Carolina - 1805-1S73 Ph)'!\lcal Description: Letters and miscellaneous documents, .£• 275 items.· Acquisition: Received from Miss ·Penelope Norcom, Hertford, North Carolina, 1916-1918. Description: James Norcom, son of Miriam Standin and John Norcom, was born December 29, 1778, in Chowan County. He attended the Medical School of the University of Pennsylvania, and received his M. D. degree in 1797. He was married in 1801 to Mary Custus. They had one son, John, born 1802. They were divorced.£· 1805. James Norcom married Mary (Maria) Horniblow on July 24, 1810. Their children were James, Jr. (b. lSll), Benjamin Rush (b. 1Sl3), Caspar Wistar (b. 1818), Mary Matilda (b. 1822), Elizabeth Hannah (b. 1826), H. Standin and Abner (twins), and William Augustus B. (b. 1836). Dr. Norcom spent most of his life practicing medicine in Edenton, He served as army surgeon during War of 1812. He was member of the Board of Trustees ·or the Edenton Academy, He died in Edenton on November 9, 1850.· Dr. Norcom's early correspondence includes two letters to hie brother, Edmund, and several to Maria Horniblow and her mother, Mrs. Elizabeth Horniblow. Most of his letters are to his children, particularly to John, Rush, and Mary Matilda, beginning while they are in school, and to Elizabeth, and give ' instructions in many areas, reflecting the customs of that day, in letter writing, what to read, how to study, use of vacation, caring for their health, obedience to parents, religion, social behavior, ·marriage> etc, He also gives family and neighborhood news and occasional political· news; With his sons who are doctors or studying medicine he discusses his patients and . -
PEAES Guide: Philadelphia Contributionship
PEAES Guide: Philadelphia Contributionship http://www.librarycompany.org/Economics/PEAESguide/contribution.htm Keyword Search Entire Guide View Resources by Institution Search Guide Institutions Surveyed - Select One Philadelphia Contributionship 212 South Fourth Street Philadelphia, PA 19106 (215) 627-1752 Contact Person: Carol Wojtowicz Smith, Curator/Archivist, [email protected] Overview: In 1752, Benjamin Franklin brought together a group of Philadelphians to create the first North American property insurance company. They met at the Widow Pratt's (The Royal Standard Tavern on Market Street), selected two surveyors, and laid down rules stipulating that at least one of them survey each house and write up reports that would be discussed by the entire Board, which would make decisions about the extent and rate of insurance. Franklin named the company The Philadelphia Contributionship for the Insurance of Houses from Loss by Fire. Already in 1736 he had helped to found Philadelphia's first fire brigade, the Union Fire Company. The Contributinship was a mutual insurance company that pooled risks. They based its method of operation (and name) on that of the Amicable Contributionship of London, founded in 1696. The new company was conservative in its underwriting, sending surveyors to inspect each building before insuring it. Accepted properties sported fire marks: four clasped gilded hands mounted on wood plaques. The actual cost of the survey was presumably deducted from the 10 shillings earnest money paid by every person insuring in the society. This also covered the costs of the policy and the "badge" or fire mark. Insurance at this time was limited to properties in Pennsylvania located within a ten mile radius from the center of Philadelphia. -
1985 Commencement Program, University Archives, University Of
UNIVERSITY of PENNSYLVANIA Two Hundred Twenty-Ninth Commencement for the Conferring of Degrees PHILADELPHIA CIVIC CENTER CONVENTION HALL Monday, May 20, 1985 Guests will find this diagram helpful in locating the Contents on the opposite page under Degrees in approximate seating of the degree candidates. The Course. Reference to the paragraph on page seven seating roughly corresponds to the order by school describing the colors of the candidates' hoods ac- in which the candidates for degrees are presented, cording to their fields of study may further assist beginning at top left with the College of Arts and guests in placing the locations of the various Sciences. The actual sequence is shown in the schools. Contents Page Seating Diagram of the Graduating Students 2 The Commencement Ceremony 4 Commencement Notes 6 Degrees in Course 8 • The College of Arts and Sciences 8 The College of General Studies 16 The School of Engineering and Applied Science 17 The Wharton School 25 The Wharton Evening School 29 The Wharton Graduate Division 31 The School of Nursing 35 The School of Medicine 38 v The Law School 39 3 The Graduate School of Fine Arts 41 ,/ The School of Dental Medicine 44 The School of Veterinary Medicine 45 • The Graduate School of Education 46 The School of Social Work 48 The Annenberg School of Communications 49 3The Graduate Faculties 49 Certificates 55 General Honors Program 55 Dental Hygiene 55 Advanced Dental Education 55 Social Work 56 Education 56 Fine Arts 56 Commissions 57 Army 57 Navy 57 Principal Undergraduate Academic Honor Societies 58 Faculty Honors 60 Prizes and Awards 64 Class of 1935 70 Events Following Commencement 71 The Commencement Marshals 72 Academic Honors Insert The Commencement Ceremony MUSIC Valley Forge Military Academy and Junior College Regimental Band DALE G. -
“At the Instance of Benjamin Franklin” a Brief History of the Library Company of Philadelphia Francesco Lazzarini, Benjamin Franklin
“At the Instance of Benjamin Franklin” A Brief History of the Library Company of Philadelphia Francesco Lazzarini, Benjamin Franklin. Marble sculpture, ca. 1792, commissioned by William Bingham for the Library Company’s first building. “At the Instance of Benjamin Franklin” A Brief History of the Library Company of Philadelphia PHILADELPHIA: The Library Company of Philadelphia 1314 Locust Street Philadelphia, Pennsylvania 19107 2015 ©2015 by the Library Company of Philadelphia 1314 Locust Street, Philadelphia, PA 19107 All Rights Reserved. Printed in the United States of America. ISBN 978-0-914076-46-9 Cover illustration: James Reid Lambdin, Benjamin Franklin. Oil on canvas, 1880. Purchased by the Library Company, 1880. 4 n July 1, 1731, Benjamin Franklin and a number of his fellow members of the Junto drew up “Articles of Agreement” to Ofound a library. The Junto was a discussion group of young men seeking social, economic, intellectual, and political advancement. When they foundered on a point of fact, they needed a printed authority to set- tle the divergence of opinion. In colonial Pennsylvania at the time there were not many books. Standard English reference works were expensive and difficult to obtain. Franklin and his friends were mostly mechanics of moderate means. None alone could have afforded a representative li- brary, nor, indeed, many imported books. By pooling their resources in pragmatic Franklinian fashion, they could. The contribution of each cre- ated the book capital of all. Fifty subscribers invested forty shillings each and promised to pay ten shillings a year thereafter to buy books and maintain a shareholder’s library. -
Philadelphia and the Southern Elite: Class, Kinship, and Culture in Antebellum America
PHILADELPHIA AND THE SOUTHERN ELITE: CLASS, KINSHIP, AND CULTURE IN ANTEBELLUM AMERICA BY DANIEL KILBRIDE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1997 ACKNOWLEDGMENTS In seeing this dissertation to completion I have accumulated a host of debts and obligation it is now my privilege to acknowledge. In Philadelphia I must thank the staff of the American Philosophical Society library for patiently walking out box after box of Society archives and miscellaneous manuscripts. In particular I must thank Beth Carroll- Horrocks and Rita Dockery in the manuscript room. Roy Goodman in the Library’s reference room provided invaluable assistance in tracking down secondary material and biographical information. Roy is also a matchless authority on college football nicknames. From the Society’s historian, Whitfield Bell, Jr., I received encouragement, suggestions, and great leads. At the Library Company of Philadelphia, Jim Green and Phil Lapansky deserve special thanks for the suggestions and support. Most of the research for this study took place in southern archives where the region’s traditions of hospitality still live on. The staff of the Mississippi Department of Archives and History provided cheerful assistance in my first stages of manuscript research. The staffs of the Filson Club Historical Library in Louisville and the Special Collections room at the Medical College of Virginia in Richmond were also accommodating. Special thanks go out to the men and women at the three repositories at which the bulk of my research was conducted: the Special Collections Library at Duke University, the Southern Historical Collection of the University of North Carolina, Chapel Hill, and the Virginia Historical Society. -
Prototyping Project: Richard Stockton College, Pox and the City
Narrative Section of a Successful Application The attached document contains the grant narrative of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the Public Programs application guidelines at http://www.neh.gov/grants/public/digital-projects-the-public for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Public Programs staff well before a grant deadline. Note: The attachment only contains the grant narrative, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Pox and The City Institution: Richard Stockton College Project Director: Lisa Rosner Grant Program: Digital Projects for the Public, Prototyping 1100 Pennsylvania Ave., N.W., Rm. 426, Washington, D.C. 20506 P 202.606.8269 F 202.606.8557 E [email protected] www.neh.gov 2. Application Narrative Project Title: Pox in the City: A 3D Strategy Game for the History of Medicine Institution: Stockton College Project Director: Dr. Lisa Rosner, Distinguished Professor of History Grant Program: Digital Projects for the Public: Prototyping Grants A. Nature of the request Stockton College is requesting $99,837.00 to develop a working prototype that demonstrates the humanities ideas, digital technology, and public outreach for a Unity 3D strategy game entitled Pox in the City. -
42 Bull. Hist. Chem. 5 (1989)
42 ll. t. Ch. (8 . S. C. rn, Ed., Clltd Wr f Cnt frd, l. 4, lnprvrd r, Cbrd, MA, 0, p. 82. 4. rtl, h trn f hltn Etblhd, hl dlph, 800. rtntn, A tr f Chtr, l. , Mlln, ndn, 62, p. 0. 6. Cndt, Ann. Ch., 8, 2, 88. Mr. l, rh übr d Wdrhrtlln dr Mt ll drh Wrtff, hphr, Shfl, Shfllbr, hflt Wrtff, phphrt Wrtff, Göttn n, 8. rnltd b A. G. W. ntn. 8. W. Mllr, "tr f th Wtr rbl (Mr. lh hr f Ctl", . h. Ch., 1903, 6. Mr. lh, An E n Cbtn, phr, hl dlph, 80. 0. A. vnprt, "n nd lvn, th 8 tr f rfr h Cpr", . Ch. Ed., 1976, , 4. A. vnprt, "h Chtr tr f th rnd, Inn, Sntf nd lntd Mdp: rfr h C h hé Mthll pr, nn Cll, 88", hn nd Mr rnl, , , 28. that "there must be more historians of the American Civil War 2. Cpr, A pl t Mr. r Invtv nt Mr. than there were generals fighting it and, of the two groups, the Cpr nd Mr. Wtt n th f Cn" , hnn, ndn, historians are the more belligerent"(2). nd lnr, Mnhtr, 2, pp. 8. It has been said that the art of revolution is really the art of . Mln, h bl f f h Cpr, 88, making explicit the implicit and, on my better days, I delude Sth Crln, Clb, 6. myself that this simple aphorism is able to account for both the elements of continuity and discontinuity present in all such conceptual upheavals. -
University of Pennsylvania Catalogue, 1835
OFFICERS AND STUDENTS OF THE Wm,: 'mmr' Wf UNIVERSITY OF PENNSYLVANIA. PHILADELPHIA: February, 1835. jMk m TRUSTEES. THE GOVERNOR OF THE STATE, Ex Officio, President of the Board. RT. REV. WILLIAM WHITE, D. D. WILLIAM RAWLE, LL. D.V BENJAMIN R. MORGAN, JAMES GIBSON, HORACE BINNEY, LL. D. WILLIAM MEREDITH, * ROBERT WALN, JOHN SERGEANT, LL. D. THOMAS CADWALADER, PETER S. DUPONCEAU, LL. D. NICHOLAS BIDDLE, CHARLES CHAUNCEY, LL. D. JOSEPH HOPKINSON, LL. D. JOSEPH R. INGERSOLL, REY. PHILIP F. MAYER, D.D. PHILIP H. NICKLIN, RT. REV. HENRY U. ONDERDONK, J). D. JAMES S. SMITH, EDWARD S. BURD, JOHN KEATING, GEORGE VAUX, REV. WILLIAM H. DE LANCEY, D. D. REV. ALBERT BARNES, JOHN M. SCOTT, JAMES C. BIDPLE, Secretary and Treasurer. FACULTY OF ABTS. REV. JOHN LUDLOW, D. D. Professor of Moral Philosophy and Provost. REV. SAMUEL B. WYLIE, D. D. Professor of the Hebrew, Greek, and Latin Languages. ALEX. DALLAS BACHE, A. M. Professor of Natural Philosophy and Chemistry. EDWARD H. COURTENAY, A. M. Professor of Mathematics. HENRY REED, A. M. Professor of Rhetoric and English Literature. A. D. BACHE, Secretary of the Faculty. HENRY D. ROGERS, A. M. Professor of Geology and Mineralogy. AUGUSTUS DE VALVILLE, Instructor in French. HERMANN BOKUM, Instructor in German. FREDERICK DICK, Janitor. ACADEMICAL DEPARTMENT. REV. SAMUEL W. CRAWFORD, A. M. Principal and Teacher of Classics. THOMAS M'ADAM, Teacher of English. JOHN M'KINLEY, A. B. ROBERT H. BEATTIE, A. B. Assistants in the Classics. THOMAS M'ADAM, JR. Assistant in the English School. FACULTY OF MEDICINE. PHILIP SYNG PHYSICK, M. D. Emeritus Professor of Surgery and Anatomy. -
Dr. Franklin, Citizen Scientist
DR. FRANKLIN, FRANKLIN, DR. CITIZEN SCIENTIST CITIZEN CITIZEN SCIENTIST CITIZEN SCIENTIST Janine Yorimoto Boldt With contributions by Emily A. Margolis and Introduction by Patrick Spero Edited by the Contents 5 INTRODUCTION Patrick Spero Published on the occasion of the exhibition 8 Dr. Franklin, Citizen Scientist April–December ACKNOWLEDGMENTS American Philosophical Society South Fifth Street 10 Philadelphia, PA ESSAY amphilsoc.org Dr. Franklin, Citizen Scientist is exhibition catalog was made possible by a grant from the Janine Yorimoto Boldt National Endowment for the Humanities. 41 A BENJAMIN FRANKLIN TIMELINE 42 ILLUSTRATED CHECKLIST Any views, ndings, conclusions, or recommendations expressed in this publication do not necessarily represent those of the Janine Yorimoto Boldt / Emily A. Margolis National Endowment for the Humanities. 106 EDITED BY the American Philosophical Society SELECTED BIBLIOGRAPHY PROJECT MANAGEMENT Mary Grace Wahl DESIGN barb barnett graphic design llc PRINTING Brilliant Graphics, Exton, PA Front cover: Charles Willson Peale, Portrait of Benjamin Franklin (detail), , APS. Inside front cover and last page: Adapted illustrations from Benjamin Franklin, Experiments and Observations on Electricity, rd ed. ( ), APS. Copyright © by the American Philosophical Society Library & Museum All rights reserved. Identiers: ISBN -- - - | LCCN Also available as a free downloadable PDF at: https://diglib.amphilsoc.org/franklinsenlightenment/ Introducti In , Benjamin Franklin and a group of other civically minded individuals got together to form something called the “American Philosophical Society.” Philosophy, at the time, had a much di¡erent meaning than it does today. To be a philosopher was to be one who systematically inquired into nature, often in ways that we would today consider science. e Society’s purpose was thus to “promote useful knowledge” by bringing the greatest thinkers in the British colonies together to share all that they knew and were learning. -
SAMUEL POWEL GRIFFITTS* by WILLIAM S
SAMUEL POWEL GRIFFITTS* By WILLIAM S. MIDDLETON, M.D. MADISON, WISCONSIN Men like ourselves know how hard it is drew. Yet the mark of his efforts re- to live up to the best standards of medical mains in a number of institutions in duty; know, also, what temptations, intel- his native city and his private and pro- lectual and moral, positive and negative, fessional life might well serve as a assail us all, and can understand the value model to our troubled and restless and beauty of certain characters, which, generation in medicine. like surely guided ships, have left no per- manent trace behind them on life’s great Born to William and Abigail Powel seas, of their direct and absolute devotion Griffitts in Philadelphia on July 21, to duty. ... Of this precious type was 1759, Samuel Powel Griffitts was their Samuel Powel Griffitts. third and last child. Upon the passing of his father his early training devolved HUS spoke S. Weir Mitchell on his mother. His piety and close ad- of the subject of this sketch in herence to the Quaker faith unques- his “Commemorative Address tionably reflected this influence, but upon the Centennial Anni- to the mother may also be attributed Tversary of the Institution of the Collegehis linguistic facility and knowledge of of Physicians of Philadelphia.” the classics. Young Griffitts’ academic Such a characterization at the hands course began in the College of Phila- of so acute and astute an observer of delphia in 1776 and was marked only human nature captivates the interest by a recognition of his superior grasp and imagination. -
National Register of Historic Places Inventory-Nomination: Philadelphia Contributionship
Form No. 10-300 (Rev. 10-74) UNITED STATES DEPARTMENT OE THE INTERIOR ; NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY - NOMINATION FORM SEE INSTRUCTIONS IN HOWTO COMPLETE NATIONAL REGISTER FORMS ____________TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS______ NAME HISTORIC Philadelphia Contributionship AND/OR COMMON Philadelphia Contributionship LOCATION STREETS NUMBER 212 South Fourth Street -NOT FOR PUBLICATION CITY, TOWN CONGRESSIONAL DISTRICT Philadelphia — VICINITY OF STATE CODE COUNTY CODE Pennsylvania Philadelphia 101 HCLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE _ DISTRICT —PUBLIC 2LOCCUPIED _ AGRICULTURE _ MUSEUM X-BUILDING(S) ^-PRIVATE _ UNOCCUPIED X-COMMERCIAL —PARK —STRUCTURE —BOTH —WORK IN PROGRESS _ EDUCATIONAL _ PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT _ IN PROCESS X_YES: RESTRICTED _ GOVERNMENT —SCIENTIFIC —BEING CONSIDERED _YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION _NO —MILITARY —OTHER: OF PROPERTY Contact: Walter L. Smith, Jr. NAME The Philadelphia Contributionship for Secretary & Treas. the Insurance of Houses from Loss by Fire__________________ STREETS NUMBER 212 South Fourth Street CITY, TOWN STATE Philadelphia VICINITY OF Pennsylvania LOCATION OF LEGAL DESCRIPTION COURTHOUSE, REGISTRY OF DEEDS, ETC Division of Records STREETS NUMBER Philadelphia City Hall CITY, TOWN STATE Philadelphia Pennsylvania 3REPRESENTATION IN EXISTING SURVEYS TITLE Historic American Buildings Survey; Pennsylvania Historical & ____Commission; Nationa 1 Register_______________________Museum -
The Notebook of Bass Otis, Philadelphia Portrait Painter
The Notebook of Bass Otis, Philadelphia Portrait Painter THOMAS KNOLES INTRODUCTION N 1931, Charles H. Taylor, Jr., gave the American Antiquarian Society a small volume containing notes and sketches made I by Bass Otis (1784-1 S6i).' Taylor, an avid collector of Amer- ican engravings and lithographs who gave thousands of prints to the Society, was likely most interested in Otis as the man generally credited with producing the first lithographs made in America. But to think of Otis primarily in such terms may lead one to under- estimate his scope and productivity as an artist, for Otis worked in a wide variety of media and painted a large number of portraits in the course of a significant career which spanned the period between 1812 and 1861. The small notebook at the Society contains a varied assortment of material with dated entries ranging from 1815 to [H54. It includes scattered names and addresses, notes on a variety of sub- jects, newspaper clippings, sketches for portraits, and even pages on which Otis wiped off his paint brush. However, Otis also used the notebook as an account book, recording there the business side of his life as an artist. These accounts are a uniquely important source of information about Otis's work. Because Otis was a prohfic painter who left many of his works unsigned, his accounts have been I. The notebook is in the Manuscripts Department, American Andquarian Society. THOMAS KNOLES is curator of manuscripts at the American Andquarian Society. Copyright © i<^j3 by American Andquarian Society Í79 Fig. I. Bass Otis (i7«4-iH6i), Self Portrait, iHfio, oil on tin, y'/z x f/i inches.