Improving Later Life. Every Day. Age UK Has a Vision of a World in Which Older People Flourish
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Mccrimmon Mccrimmon
ISSUE #14 APRIL 2010 FREE! NOT FOR RESALE MARC PLATT chats about Point of Entry RICHARD EARL on his roles in Doctor Who and Sherlock Holmes MAGGIE staBLES is back in the studio as Evelyn Smythe! RETURN OF THE McCRIMMON FRazER HINEs Is baCk IN THE TaRdIs! PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL Well, as you read this, Holmes and the Ripper will I do adore it. But it is all-consuming. And it reminded finally be out. As I write this, I have not long finished me of how hard the work is and how dedicated all our doing the sound design, which made me realize one sound designers are. There’s quite an army of them thing in particular: that being executive producer of now. When I became exec producer we only had a Big Finish really does mean that I don’t have time to do handful, but over the last couple of years I have been the sound design for a whole double-CD production. on a recruitment drive, and now we have some great That makes me a bit sad. But what really lifts my spirits new people with us, including Daniel Brett, Howard is listening to the music, which is, at this very moment, Carter, Jamie Robertson and Kelly and Steve at Fool being added by Jamie Robertson. Only ten more Circle Productions, all joining the great guys we’ve been minutes of music to go… although I’m just about to working with for years. Sound design is a very special, download the bulk of Part Two in a about half an hour’s crazy world in which you find yourself listening to every time. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Cheltlf12 Brochure
SponSorS & SupporterS Title sponsor In association with Broadcast Partner Principal supporters Global Banking Partner Major supporters Radio Partner Festival Partners Official Wine Working in partnership Official Cider 2 The Times Cheltenham Literature Festival dIREctor Festival Assistant Jane Furze Hannah Evans Artistic dIREctor Festival INTERNS Sarah Smyth Lizzie Atkinson, Jen Liggins BOOK IT! dIREctor development dIREctor Jane Churchill Suzy Hillier Festival Managers development OFFIcER Charles Haynes, Nicola Tuxworth Claire Coleman Festival Co-ORdinator development OFFIcER Rose Stuart Alison West Welcome what words will you use to describe your festival experience? Whether it’s Jazz, Science, Music or Literature, a Cheltenham Festival experience can be intellectually challenging, educational, fun, surprising, frustrating, shocking, transformational, inspiring, comical, beautiful, odd, even life-changing. And this year’s The Times Cheltenham Literature Festival is no different. As you will see when you browse this brochure, the Festival promises Contents 10 days of discussion, debate and interview, plus lots of new ways to experience and engage with words and ideas. It’s a true celebration of 2012 NEWS 3 - 9 the power of the word - with old friends, new writers, commentators, What’s happening at this year’s Festival celebrities, sports people and scientists, and from children’s authors, illustrators, comedians and politicians to leading opinion-formers. FESTIVAL PROGRAMME 10 - 89 Your day by day guide to events I can’t praise the team enough for their exceptional dedication and flair in BOOK IT! 91 - 101 curating this year’s inspiring programme. However, there would be no Festival Our Festival for families and without the wonderful enthusiasm of our partners and loyal audiences and we young readers are extremely grateful for all the support we receive. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Park-Finch, Heebon Title: Hypertextuality and polyphony in Tom Stoppard's stage plays General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Hypertextuality and Polyphony in Tom Stoppard's Stage Plays Heebon Park-Finch A dissertation submitted to the University of Bristol in -
Fanfiction and Imaginative Reading a Dissertation
"I Opened a Book and in I Strode": Fanfiction and Imaginative Reading A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Ashley J. Barner April 2016 © 2016 Ashley J. Barner. All Rights Reserved. 2 This dissertation titled "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading by ASHLEY J. BARNER has been approved for the Department of English and the College of Arts and Sciences by Robert Miklitsch Professor of English Robert Frank Dean, College of Arts and Sciences 3 ABSTRACT BARNER, ASHLEY J., Ph.D., April 2016, English "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading Director of Dissertation: Robert Miklitsch This dissertation studies imaginative reading and its relationship to fanfiction. Imaginative reading is a practice that involves engaging the imagination while reading, mentally constructing a picture of the characters and settings described in the text. Readers may imaginatively watch and listen to the narrated action, using imagination to recreate the characters’ sensations and emotions. To those who frequently read this way, imagining readers, the text can become, through the work of imagination, a play or film visualized or entered. The readers find themselves inside the world of the text, as if transported to foreign lands and foreign eras, as if they have been many different people, embodied in many different fictional characters. By engaging imaginatively and emotionally with the text, the readers can enter into the fictional world: the settings seem to them like locations they can visit, the many characters like roles they can inhabit or like real people with whom they can interact as imaginary friends and lovers. -
Amicus Est Une Production Cinématographique Britannique Basée À Shepperton Studios En Angleterre
Amicus est une production cinématographique britannique basée à Shepperton Studios en Angleterre. Elle a été fondée par le producteur et scénariste américain Milton Subotsky et Max Rosenberg . Amicus est mieux connu pour ces films d’horreurs d’anthologies, bien que leurs deux premiers films étaient des comédies musicales pour le marché des adolescents : C'est Trad, papa! (1962) et Just for Fun (1963). Toutefois, avant la création d'Amicus les deux producteurs avaient collaborés à un film d’horreur de 1960 La Cité des morts. Ces films sont généralement dotés de quatre, parfois cinq histoires d'horreur reliées les unes aux autres par une intrigue globale avec un narrateur et ceux qui écoutent son histoire. Ces films sont invariablement interprétés par des acteurs de renom, chacun d'entre eux jouant de petits rôles dans les différentes histoires. Ainsi on retrouve des stars tels que Peter Cushing , Christopher Lee et Herbert Lom , Amicus fait également appel à des acteurs de la scène britannique classique ( Patrick Magee , Margaret 1 Leighton et même Sir Ralph Richardson ), mais aussi à ( Donald Sutherland , Robert Powell et Tom Baker ), ou d'anciennes gloires comme ( Richard Greene , Robert Hutton , et Terry Thomas ). Certaines, comme Joan Collins , connaissaient une perte de vitesse dans leur carrière quand ils ont signé avec Amicus. Torture Garden et The House That Dripped Blood ont été écrits par Robert Bloch , basé sur ses propres histoires. The Skull était auparavant également basé sur une histoire de Robert Bloch (scénarisé par Milton Subotsky), et Robert Bloch était aussi le scénariste du Psychopathe et l'adaptateur de The Bees Deadly. -
Not As Black As He Was Shirted
AJR information Volume UV No. 11 November 1999 £3 (to non-members) Don't miss. An open letter to the Editor, Daily Telegrapt) Might-have-beens of history Richard Crunberger pl Austria - unable Not as black as he was shirted to apologise Ralph Blumenau p4 ir - The School of Historical Revisionism Lastly, Wilson presents the onetime Tory/Labour The Mozart House - Joint Principals David Irving and Roger politician's metamorphosis into a Hitler clone as Martha Blend pl3 f SGaraudy - has recruited a newcomer to the eminently understandable, since nearly all visitors to faculty: your contributor AN Wilson. Berlin were charmed by the Fuehrer. Besides 'in On the same day, 29 September, that the Almeida 1936 the Nazi horrors were all in the future'. In Wil Haider ante Theatre restaged Marlowe's Jew of Malta, featuring son's estimate, the incarceration and torture of a Jewish monster in human shape, the Daily thousands of concentration camp inmates, the kill portas Telegraph carried an article by Wilson which at ing of hundreds during the Night of the Long he hills are tempted the exact opposite on Mosley's behalf: it Knives, stripping the Jews of their civic rights and alive with portrayed a genuine monster in engagingly human, the murder of the Peace Nobel laureate Carl von T the sound not to say superman shape. Ossietzky do not, apparently, constitute horror. of music. Irving's chef d'oeuvre is the denial of Hitler's com The term has, of course, widely varied connota Lederhosen-clad plicity in the Holocaust - which, according to tions. -
AFI PREVIEW Is Published by the the AFI EU FILM SHOWCASE Auman of the European Union – Delegation of the American Film Institute
*6'0 ! 499) $ (508 4 49+9 / 49 '%&8 &5(3 %( - . %03 8 ($ 0 && 50*,( (%*( %&' #*71 &*1%(" %"#3 *6'0 4+ CONTENTS e e e e OPENING NIGHT! e e e e 2 AFI European Union Film Showcase 9 Holiday Cinema 10 The Secret Policeman’s Film Festival 12 The 20th Washington Jewish Film Festival November 5 – 24 AFI presents the 22nd annual AFI European Union 14 LA DANSE: THE PARIS Film Showcase, a selection of top films from EU member states, including film festival award OPERA BALLET © Memfis Film; photo courtesy of IFC Films winners, box office hits and US premieres. MAMMOTH About AFI AFI thanks the cultural counselors of the EU MAMMOTH [Mammut] member states and the European Commission * THURS, NOV 5, 7:00 *; Sun, Nov 8, 5:00 Delegation in Washington, DC, for their kind Swedish writer/director Lukas Moodysson’s first foray into English-language 15 Calendar assistance and continued support of the AFI filmmaking is a film for and about the global marketplace, and the connections European Union Film Showcase. and separations it imposes on families. Gael García Bernal and Michelle Williams star as a Manhattan couple whose domestic drama has repercussions 16 Special Engagements Special thanks to Ambassador Jonas Hafström, stretching from New York to the Philippines to Thailand, and back again. Cultural Counselor Mats Widbom, and the staff DIR/SCR Lukas Moodysson; PROD Lars Jönsson. Sweden/Denmark/ of the Embassy of Sweden for their leadership Germany, 2009, color, 125 min. In English, Tagalog and Thai with English subtitles. NOT RATED S V LOOK FOR THE and invaluable support as the current holders of AFI Member passes accepted for the EU Presidency. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
HOW WE IMPROVED LIFE for OLDER PEOPLE 2009/10 Contents: 1 Mission Statement 41 Thank You’S 2 Welcome 42 Who’S Who 4 Services 43 Contact Us 40 Future Services
IMPACTHOW WE IMPROVED LIFE FOR OLDER PEOPLE 2009/10 Contents: 1 Mission Statement 41 Thank You’s 2 Welcome 42 Who’s Who 4 Services 43 Contact Us 40 Future Services All photographs are for illustrative purposes only. OUR MISSION“Age Concern Lewisham and Southwark works to improve life for older people, especially those who are frail. We believe that to be effective we must operate at a big enough scale that we can make a significant difference and be influential with both boroughs and other providers. We believe that it is being involved in the provision of services that qualifies us to comment on the performance of others on the basis of actual knowledge and relevant experience.” WELCOME to our 2009/10 Impact Report. We present this report to you knowing that all charities and all public services face a long period of severe cuts as the country struggles to regain its economic stability. For us this means more demand and less resources. For older people it means more poverty, less services and increased anxiety in the future, for them, their families and their carers. Even those who believed they would enjoy a comfortable retirement having built up a good pension pit have had their expectations dashed and now face an uncertain future. Science and medicine have succeeded in lengthening life expectancy but failed to improve quality of life and now society is ill equipped to support older people needing care. ACLS has continued to provide and develop a wide variety of services and support, from information and advice to high dependency day care, a welcoming café to the handyperson service. -
London Impact Initiative ©London Higher 2019 1 the CATALOGUE
0 WHO WE ARE London Higher is the membership body representing over 40 higher education institutions (HEIs) in London. Our members range from some of the UK’s largest multi-faculty institutions to specialist institutions. All are linked by a commitment to excellence, serve the needs of society and students, and are headquartered in London. ABOUT THIS PROJECT Throughout 2019 London Higher has collated case studies from across our diverse membership in order to showcase the vast contributions London’s universities make for, and to, the Capital. On the following pages each case study has been catalogued. The catalogue is intended to be a resource for London’s policy makers, influencers and stakeholders which will demonstrate the breadth and reach of our members’ activities and provide examples on how each HEI impacts London, across the diversity of the sector. Each case study has been categorised by theme, aligned with the priorities of the GLA, for ease of use and clarity. The catalogue will be updated regularly. ABOUT LONDON HE LONDON’S HE IMPACT London is home to a unique cluster of HE London’s HEIs are not just dedicated to institutions (HEIs) who together are a their research and teaching excellence but powerhouse of research, teaching and their impactful contributions to their local technology unrivalled anywhere nationally communities, the arts and heritage and internationally. Collectively HEIs in sectors, healthcare sector, creative London: culture, business and industry, skills development and the local economy. Generate £17bn -
An Age Friendly City – How Far Has London Come?
An Age Friendly City – how far has London come? Anthea Tinker, and Jay Ginn, King’s College London Published by King’s College London, February 2015 Copyright © Anthea Tinker and Jay Ginn ISBN 978-1-908951-13-7 Contents Foreword 2 Background, objectives, scope and methods 4 Executive summary: recommendations 6 Policy areas 1 Housing 9 2 Outdoor environment and neighbourhoods 14 3 Transport 17 4 Social, cultural and civic participation 23 5 Employment, skills and income 27 6 Community support and health services 31 7 Communication and information 36 8 Respect and social inclusion 39 Lessons from abroad 42 Some evidence from London Borough of Hackney 46 Conclusions 48 Notes 50 References 51 Acknowledgements, the authors, disclaimer, the Institute of Gerontology 56 Foreword Foreword The Institute of Gerontology was pleased to be asked by the Greater London Authority (GLA) to undertake this research. It follows our study for the World Health Organisation (WHO) in 2006: What makes a city age- friendly? London’s contribution to the WHO Age Friendly Cities Project (Biggs and Tinker, 2007). This is an independent review but we are grateful to be able to share with the GLA a clear commitment to valuing and supporting older people, identifying what can be done to promote their wellbeing and full social inclusion. There have been considerable last report. This refers in particular to the improvements since our last report due increased accessibility of public transport to the efforts of London’s public sector and the extensions to when the Freedom organisations, older people’s organisations, Pass can be used and the age of eligibility individual older people and others.