Unholy Alliance. the Connection Between the East German Stasi and the Right-Wing Terrorist Odfried Hepp
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The Anti-Zionist Bridge: the East German
The Anti-Zionist Bridge: The East German Communist Contribution to Antisemitism's Revival After the Holocaust Author(s): Jeffrey Herf Source: Antisemitism Studies, Vol. 1, No. 1 (Spring 2017), pp. 130-156 Published by: Indiana University Press Stable URL: http://www.jstor.org/stable/10.2979/antistud.1.1.05 Accessed: 29-07-2017 21:03 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Indiana University Press is collaborating with JSTOR to digitize, preserve and extend access to Antisemitism Studies This content downloaded from 142.160.44.49 on Sat, 29 Jul 2017 21:03:03 UTC All use subject to http://about.jstor.org/terms The Anti-Zionist Bridge The East German Communist Contribution to Antisemitism’s Revival After the Holocaust JEFFREY HERF Communist anti-Zionism was an ideological offensive against the State of Israel whose advocates insisted that the accusation that they were motivated by antisemitism was an imperialist or Zionist trick to defuse legitimate criticism of Israel’s policies toward the Arabs and the Palestinians. The associated rhet- oric of anti-fascism, anti-imperialism and anti-racism made it possible for anti-Zionism to burst beyond the bounds of European neo-Nazi circles as well as its Arab and Palestinian or Islamist boundaries and became an enduring element of global Communist, radical leftist and third worldist politics. -
Internal Security and the Fight Against Terrorism in Germany I. the German
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Dokumenten-Publikationsserver der Humboldt-Universität zu Berlin Dipl.-Soz. Sebastian Bukow Philosophische Fakultät III Institut für Sozialwissenschaften Lehrbereich Innenpolitik der BRD Unter den Linden 6 10099 Berlin [email protected] Internal security and the fight against terrorism in Germany Nearly periodically the topic of internal security appears on the public agenda of the Federal Re- public. Election Campaigns are held and elections have been won with the promise of more security [cp. 30, p. 13; 33, p. 10; 21]. The subjective feeling of a lack of security in different dimensions of life is omnipresent. The latest security- and monitoring-acts interfere deeply – and at the same time nearly unnoticed – with the daily life of every single citizen. The debate on crime and internal secu- rity is dominated by very emotional and ideological-normative arguments [cp. 18, p. 151]. Objec- tive arguments and evaluations of proportionality are hard to find. I. The German understanding of “Internal security” and its his- torical roots The term “Innere Sicherheit” – internal security – appeared for the first time in the 1960s. From then onwards it has always played an important role in political discussions. Since 1969 the Federal Ministry of the interior periodically published a report on „Innere Sicherheit“ (for the last time in 1994). Since then the term has been established in the political and administrational language. In 1972 the policy of internal security became the quasi status of law by the introduction of the “Schwerpunktprogramm Innere Sicherheit” (programme of emphasis internal security) [25, p. -
2017 National History Bowl National Championships Playoff Round 7
2017 National History Bowl National Championships Playoff Round 7 Round: Playoffs 7 Supergroup Group Room: Reader: Scorekeep: Team Names, including letter designation if needed, go in the large boxes to the right. TU# Bonus Bonus Points Cumulative Score Bonus Points Cumulative Score 1 Quarter 1 2 Tossups Only 3 4 Put a "10" in the 5 column of the team 6 that answers correctly. 7 Otherwise leave box 8 blank. 9 10 1 Quarter 2 2 Tossups and bonuses 3 Put "10" in the team's 4 column. Otherwise, 5 leave box blank. 6 For bonuses, put "0" or 7 Substitutions allowed between Qtrs all "10" in the bonus 8 column. 9 10 Quarter 3 points points 60 sec. rds - trailing team Lightning Lightning goes first. 10 pts each. Bounceback Bounceback 20 pt bonus for sweep! Total Total 1 Quarter 4 2 Tossups worth 30, 20, or 3 10 points each 4 Put the appropriate 5 number in the column of 6 the team that answers 7 correctly. Otherwise leave 8 box blank. 9 10 Tiebreakers 1 Tiebreak questions Tie Breaker (Sudden are only used 2 have no point value Victory) to determine winner! 3 at all! Final Score NHBB Nationals Bowl 2016-2017 Bowl Playoff Packet 7 Bowl Playoff Packet 7 First Quarter (1) Description acceptable. This event was thought to have occurred in retaliation for the bombing of the perpetrator's Tunisian headquarters in Operation Wooden Leg. Muhammad Zaidan organized this event, which involved the redirection of a vessel to Tartus, Syria. A John Adams opera focusing on this event opens with two choruses of exiles and is named after its only casualty, the 69-year old Leon Klinghoffer. -
Black Hands / Dead Section Verdict
FRINGE REPORT FRINGE REPORT www.fringereport.com Black Hands / Dead Section Verdict: Springtime for Baader-Meinhof London - MacOwan Theatre - March 05 21-24, 29-31 March 05. 19:30 (22:30) MacOwan Theatre, Logan Place, W8 6QN Box Office 020 8834 0500 LAMDA Baader-Meinhof.com Black Hands / Dead Section is violent political drama about the Baader-Meinhof Gang. It runs for 3 hours in 2 acts with a 15 minute interval. There is a cast of 30 (18M, 12F). The Baader-Meinhof Gang rose during West Germany's years of fashionable middle-class student anarchy (1968-77). Intellectuals supported their politics - the Palestinian cause, anti-US bases in Germany, anti-Vietnam War. Popularity dwindled as they moved to bank robbery, kidnap and extortion. The play covers their rise and fall. It's based on a tight matrix of facts: http://www.fringereport.com/0503blackhandsdeadsection.shtml (1 of 7)11/20/2006 9:31:37 AM FRINGE REPORT Demonstrating student Benno Ohnesorg is shot dead by police (Berlin 2 June, 1967). Andreas Baader and lover Gudrun Ensslin firebomb Frankfurt's Kaufhaus Schneider department store (1968). Ulrike Meinhof springs them from jail (1970). They form the Red Army Faction aka Baader-Meinhof Gang. Key members - Baader, Meinhof, Ensslin, Jan- Carl Raspe, Holger Meins - are jailed (1972). Meins dies by hunger strike (1974). The rest commit suicide: Meinhof (1976), Baader, Ensslin, Raspe (18 October 1977). The play's own history sounds awful. Drama school LAMDA commissioned it as a piece of new writing (two words guaranteed to chill the blood) - for 30 graduating actors. -
Date Event Source 1 October 1990 Usama Bin Ladin (UBL) Sent
Date Event Source 1 October 1990 Usama bin Ladin (UBL) sent “emissaries to Jordan … to meet with Iraqi government officials” ‘Summary of Body of Intelligence among a delegation, led by Hassan al-Turabi, the de facto leader of Sudan’s Islamist regime, which Reporting on Iraq-al Qaeda made a public display of defending Saddam’s annexation of Kuwait. Al-Turabi was the primary Contacts (1990-2003)’, a.k.a. intermediary between Saddam and al-Qaeda in these early years. “The Feith Memo”, a classified annex of a Pentagon report sent to the Senate Intelligence Committee in October 2003, drawing from detainee debriefings, communications intercepts (SIGINT), open sources, raw intelligence, and finished products of the CIA, NSA, and FBI. Pieces are available here, here, here, and here. 19 January 1991 An event remembered to history as Operation DOGMEAT: The bombing phase of DESERT The Connection (2004), by Stephen STORM had begun two days before, and Ahmed J. Ahmed and Abdul Kadham Saad, two Iraqi Hayes students, attempted to bomb the Thomas Jefferson Cultural Center in Manila, the Philippines. Unfortunately (for them) the bomb went off early, killing Ahmed. Saad recited the Iraqi Embassy’s telephone number from memory at the hospital when asked for a contact. Muwafak al-Ani, the Iraqi consul general at the Philippine Embassy, in reality one of Saddam’s top intelligence officers in East Asia, met with the bombers five times in the run-up to the attack; indeed his car delivered the bombers to within a few blocks of their target. Al-Ani and the brothers Husam and Hisham Abdul Sattar were ordered out of the country for involvement in this. -
Stillgestanden“ Heißt; Mitte Der Achtzigerjahre, Auf Einem Sächsischen Appellplatz
finde Dressurreiten ähnlich absurd wie Exerzieren. Ich musste als Soldat der Nationalen Volksarmee in der DDR mal zwei Stunden lang bei Minusgraden trainieren, was „Stillgestanden“ heißt; Mitte der Achtzigerjahre, auf einem sächsischen Appellplatz. Vor mir stand ein sadistischer Oberst mit Beutelhosen. Jedenfalls erklärte mir Frau von der Leyen freundlich, worum es im Dressursport geht. Sie Stillgestanden nahm sich fast eine Stunde Zeit, obwohl ich vom komme und nicht ihretwegen, sondern wegen des Pferdes Leitkultur Alexander Osang wundert sich da war. Wie gesagt, ich kenne weder sie noch die Pferde, aber über den deutschen Korpsgeist. das war in Ordnung. In jenem Sommer vor fünf Jahren habe ich in einer eulich traf ich Rainer Eppelmann in der Umkleide - Kaserne in Bad Salzungen auch einen aufrechten deut - kabine vom Kieser-Training. Eppelmann war der schen Offizier getroffen. Er hieß Mayer und musste seine Nletzte Verteidigungsminister der DDR. Ein Pfarrer Soldaten auf einen Krieg in Afghanistan vorbereiten, aus Berlin, der in seiner Kirche Blues-Messen organisierte, an dessen Sinn er nicht glaubte. Minister Scharping zu Zeiten, als dazu mehr gehörte als der Blues. Er hatte hatte seine Armee dorthin geschickt, Minister Guttenberg den Spind neben mir. Ich begrüßte ihn, so würdevoll das hatte sie zu einer Berufsarmee gemacht, Minister de ging. Es ist nicht einfach, einem ehemaligen Verteidigungs - Maizière verantwortete sie gerade. Oberstleutnant Mayer minister im Schlüpfer zu begegnen. Aber wenn ich mir brachte seinen Soldaten Yoga und Schießen bei und dafür einen Verteidigungsminister hätte aussuchen können, ließ die Wandgemälde von Wehrmachtsschlachten, die dann Eppelmann. er auf den Kasernenfluren vorfand, überstreichen. Er „Wie geht’s?“, fragte er. -
German Autumn
and Defence Policy of the European Union are equally Call for Papers – JuWissDay 2017 in full progress. But who will actually serve as a strong guarantor for individual security in these difficult 40 Years after the “German Autumn”: times? Which competences and powers of interven- New Reflections on Security and Law tion do these institutions have? How much centraliza- tion is reasonable as well as politically and legally fea- sible? How can the institutions involved harmonically On Saturday, October 21, 2017 the registered association function in terms of communication and cooperation? “Junge Wissenschaft im Öffentlichen Recht“ will host its third These questions are not only relevant for the federal annual JuWissDay under the title “40 Years after the ‘German state of Germany, but also in a European area of free- Autumn’: New Reflections on Security and Law” in the premises dom, security and justice that is still driven by the uni- of the Fritz Thyssen Foundation in Cologne. versal wish for free movement while its members are The different incidents motivated by extremism that hit several simultaneously fighting to strike the right balance of Member States of the European Union over the course of the sovereignty and solidarity. past year have led to a new and intense discussion about the Intelligence services: Guardians of or threats to functional capability of the European and German security security?: The work of intelligence services necessari- architecture and the balancing the traditional tension between ly takes place in arcane spheres of the law. It is there- guaranteeing security and individual freedom in Germany and fore all the more important to carefully determine the on the level of the European Union. -
Ulrike Meinhof and the Red Army Faction
Ulrike Meinhof and the Red Army Faction Ulrike Meinhof and the Red Army Faction Performing Terrorism Leith Passmore ulrike meinhof and the red army faction: performing terrorism Copyright © Leith Passmore, 2011. Softcover reprint of the hardcover 1st edition 2011 978-0-230-33747-3 All rights reserved. First published in 2011 by PALGRAVE MACMILLAN® in the United States— a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe, and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-34096-5 ISBN 978-0-230-37077-7 (eBook) DOI 10.1057/9780230370777 Library of Congress Cataloging-in-Publication Data Passmore, Leith, 1981– Ulrike Meinhof and the Red Army Faction : performing terrorism / Leith Passmore. p. cm. Includes bibliographical references and index. 1. Meinhof, Ulrike Marie. 2. Women terrorists—Germany (West)— Biography. 3. Women journalists—Germany (West)—Biography. 4. Terrorism— Germany (West)—History. 5. Rote Armee Fraktion—History. I. Title. HV6433.G3P37 2011 363.325092—dc22 2011016072 A catalogue record of the book is available from the British Library. Design by Scribe Inc. First edition: November 2011 Contents Acknowledgments vii Preface ix Introduction: Performing Terrorism 1 1 Where Words Fail 13 2 Writing Underground 33 3 The Art of Hunger 61 4 Show, Trial, and Error 83 5 SUICIDE = MURDER = SUICIDE 103 Conclusion: Voices and Echoes 119 Notes 127 Bibliography 183 Index 201 Acknowledgments This book is based largely on a rich archival source base. -
How the Germans Brought Their Communism to Yemen
Miriam M. Müller A Spectre is Haunting Arabia Political Science | Volume 26 This book is dedicated to my parents and grandparents. I wouldn’t be who I am without you. Miriam M. Müller (Joint PhD) received her doctorate jointly from the Free Uni- versity of Berlin, Germany, and the University of Victoria, Canada, in Political Science and International Relations. Specialized in the politics of the Middle East, she focuses on religious and political ideologies, international security, international development and foreign policy. Her current research is occupied with the role of religion, violence and identity in the manifestations of the »Isla- mic State«. Miriam M. Müller A Spectre is Haunting Arabia How the Germans Brought Their Communism to Yemen My thanks go to my supervisors Prof. Dr. Klaus Schroeder, Prof. Dr. Oliver Schmidtke, Prof. Dr. Uwe Puschner, and Prof. Dr. Peter Massing, as well as to my colleagues and friends at the Forschungsverbund SED-Staat, the Center for Global Studies at the University of Victoria, and the Political Science Depart- ment there. This dissertation project has been generously supported by the German Natio- nal Academic Foundation and the Center for Global Studies, Victoria, Canada. A Dissertation Submitted in (Partial) Fulfillment of the Requirements for the- Joint Doctoral Degree (Cotutelle) in the Faculty of Political and Social Sciences ofthe Free University of Berlin, Germany and the Department of Political Scien- ceof the University of Victoria, Canada in October 2014. This work is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivs 4.0 (BY-NC-ND) which means that the text may be used for non- commercial purposes, provided credit is given to the author. -
VERSCHLUSS-SACHEN Karsten Jedlitschka Jens Niederhut Philipp Springer VERSCHLUSS-SACHEN
VERSCHLUSS-SACHEN Karsten Jedlitschka Jens Niederhut Philipp Springer VERSCHLUSS-SACHEN Der Bundesbeauftragte Mit Fotografien von Christian Appl für die Unterlagen des Staatssicherheitsdienstes der ehemaligen Deutschen Demokratischen Republik 10106 Berlin [email protected] Die Meinungen, die in dieser Schriftenreihe geäußert werden, geben ausschließlich die Auffassungen der Autoren wieder. Abdruck und publizistische Nutzung sind nur mit Angabe des Verfassers und der Quelle sowie unter Beachtung des Urheberrechts- gesetzes gestattet. S. 8: Schlüssel zu Aktenschränken in der MfS-Kreisdienststelle Lobenstein Quelle: BStU, MfS, BV Gera, Abt. XII Nr. 155, Gegenstandsablage Nr. 31 Foto S. 186: Archivraum im Stasi-Unterlagen-Archiv, BStU/Dresen Alle anderen Fotos: Christian Appl, BStU In Fällen, in denen es nicht gelang, Rechtsinhaber an Abbildungen oder Texten zu ermitteln, bleiben Honoraransprüche gewahrt. Die Rechte für die verwendete Schrift Urania Czech liegen bei Lukas Krakora. Schutzgebühr: 5,00 € Berlin 2017 ISBN 978-3-946572-40-4 Eine PDF-Version dieser Publikation ist unter der folgenden URN kostenlos abrufbar: Dokumente, Fotos und Objekte urn:nbn:de:0292-97839465724043 aus dem Archiv der Staatssicherheit INHALT Vorwort ..................................................................................................................................7 Einleitung ...............................................................................................................................9 1950 Ein Umschlag voller »Hetzbuchstaben« -
Filmic Counter-Information
05 2003 Filmic Counter-Information Thomas Tode Translated by Aileen Derieg Within the framework of this publication, I see my role as a film historian primarily in presenting some material: instructive examples of filmic counter-information from the 20s to the 90s. This can only be done within such a short period of time by using highlights and I will limit myself to the theme of the "portrayal of power". We will see that many of today's questions already arose in exactly the same way in earlier periods, and we will become acquainted with some film authors' solutions. The "political film" was born in revolutionary Russia between 1919 and 1925, for instance films by Eisenstein, Pudovkin, etc. Yet the crucial impulse for revolutionizing the non-fiction film also came from Russia. In the course of the 1920s, the left-wing became increasingly fascinated by the notion of technical media being able to capture reality in a "documentary" way, i.e. that films and photos could assume the character of documents and thus serve as arguments in political struggles. The role played by the model of the so-called "Russian film" in the genesis of these notions was not insignificant. The emphasis on social responsibility and artistic experiment in Russian documentary film set new standards, which also justified a new terminology. Statements found in the German press indicate that the term "documentary film" became part of the specialized vocabulary in the late 20s, inspired by innovative Soviet examples.[1] Soviet cinematography had broken with the old forms – e.g. the cultural film – to carry out the new social functions of film. -
Die Schrecklichen Kinder: German Artists Confronting the Legacy of Nazism
Die Schrecklichen Kinder: German Artists Confronting the Legacy of Nazism A Division III by A. Elizabeth Berg May 2013 Chair: Sura Levine Members: Jim Wald and Karen Koehler 2 Table of Contents Introduction . 3 Heroic Symbols: Anselm Kiefer and the Nazi Salute . 13 And You Were Victorious After All: Hans Haacke and the Remnants of Nazism . 31 “The Right Thing to the Wrong People”: The Red Army Faction and Gerhard Richter’s 18. Oktober 1977 . 49 Conclusion . 79 Bibliography . 85 3 Introduction After the end of World War II, they were known as the Fatherless Generation. The children of postwar Germany—the children of Nazis—had lost their fathers in the war, though not always as a result of their death. For many members of this generation, even if their fathers did survive the war and perhaps even years in POW camps, they often returned irreparably physically and psychologically damaged. Once these children reached adolescence, many began to question their parents’ involvement with Nazism and their role during the war. Those who had participated in the atrocities of the war and those whose silence betrayed their guilt were problematic role models for their children, unable to fulfill their roles as parents with any moral authority.1 When these children came of age in the 1960s and entered universities, there was a major shift in the conversation about the war and the process of coming to terms with the past. The members of the postwar generation made themselves heard through large-scale protest and, eventually, violence. In this series of essays, I will look at the ways in which artists of this generation created work in response to their troubled history and the generational politics of the 1960s and 70s.