Fashion Projects Presentation

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Fashion Projects Aquazzura for de Gournay - wallpaper and shoes de Gournay Wallpaper and Fabrics at the Vogue Met Ball Vogue Met Ball Scarf Collaboration with de Gournay’s Earlham design Alexander Mcqueen dress at the Vogue Met Ball featuring de Gournay fabric andWallpaper Vogue USA - “China: Through the Looking Glass” Photoshoot featuring de Gournay wallpaper as a backdrop Hannah Cecil Gurney’s London Flat in Vogue USA Moda Operandi Boutique NYC featuring de Gournay hand painted wallpaper Hand Painted Plum Blossom and Earlham Robes created in collaboration with Moda Operandi Vogue Paris 2017 Photoshoot for Jenny Packham’s new collection Runway collection by Jenny Packham featuring de Gournay hand painted fabrics Jenny Packham’s hand-painted silk dresses with de Gournay fabric de Gournay wallpaper in Jemny Packham showrooms Adam Lippes couture using de Gournay’s Wisteria and L’Éden designs Adam Lippes Fashion Shoot in front of de Gournay Screens Cara Delevingne for TopShop campaign 2014 Gucci Advertisement Chanel Coco Mademoiselle advert Lady Dior Campaign Harrods Fine Jewellery Photoshoot with details from de Gournay wallpaper Harper’s Bazaar Fine Jewellery Photoshoot with details from de Gournay wallpaper Romona Keveza Bridal Campaign Graff Advertising Campaign Dior Window Display Dior Window Display Guo Pei Exhibition with de Gournay Portobello screen Misha Nonoo’s eveningwear collection L’Officiel China Photoshoot in the de Gournay Beijing Showroom Shoot for Vogue UK Shoot for InStyle USA Shoot for Tatler UK Vogue Mexico Fine Jewellery Photoshoot Boutique Magazine, Photoshoot in de Gournay’s Moscow Showroom Kate’s Official Lookbook Photoshoot in de Gournay’s Moscow showroom.

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index 36th Statistical Report on Internet ‘american dream’ 40, 324 Development in China 433 Analects 318 40 Kids Songs in Cartoon 279 anderson, benedict 28 5000 Years of Chinese Characters 254 anderson, Chris 46, 49 animation industry A Bite of China 248, 255, 256 and copycats 280 A Complaint Free World 316 control/censorship mechanisms across the taiwan strait and Hong 282–7, 289–90 kong film festival 487 domestic industry growth/challenges adorno, theodor 5, 17, 18, 20 277–8, 279–80, 282, 287–8, 290 Adventure Under the Sea 285 evolution of 278–80 advertising foreign animation culture 279–80, and commercialization of television 288 industry 361, 369–72 and ‘going global’ 136, 140–41, and cultural governance of mass 277–8, 287–8 media 192, 199, 200 ‘golden eras’ of 279 and digital publishing industry government policy/regulation 277–8, 388–9 280–87, 288, 289–90 and e-commerce 416–17 international industry growth 276–7, and genesis of cultural industries 5–6 279–80 and ‘going global’ 125, 131, 137, ‘managed creativity’ in 288–90 and industrialization of art 520, 522 recommendation and awards and mobile internet 402–5 systems 283–4 and online video platforms 347, 348, anti-culture process 17, 18 351–2, 355–6, 403 app-based distributors (digital and radio 5, 260, 262–3, 265, 267–8, publishing industry) 383–4 271, 272 Approval for Foreign Cultural and Advice on Further Strengthening and Artistic Performance Groups & Improving the Work of Exporting Individuals in Song & Dance 140 Cultural Products 129 apps 332, 367, 369, 382–4, 403–4, Aftershock
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Spring Summer 2018
HAUTE COUTURE SPRING SUMMER 2018 ON AURA TOUT VU HYUN MI NIELSEN DIOR GUO PEI VIKTOR & ROLF GIAMBATTISTA VALLI GIVENCHY SUZANNE SYZ EXHIBITION FASHIONED ON NATURE TO VICTORIA & ALBERT MUSEUM OF LONDON CHANEL DIOR Avances, molestie, violenza. Parlarne è già una autentica rivoluzione. Dopo gli scandali sessuali partiti da Hollywood con il movimento #MeToo che ha contagiato il mondo intero in un’ ondata rosa di femminismo che ha coinvolto ogni immagine settore della nostra società, noi di UFASHON non possiamo certamente far finta di nulla e questo nuovo numero dedicato al top dell’Haute Couture mondiale vuole essere il nostro modo di esprimere tutto il nostro amore e la nostra solidarietà a tutte le donne, quelle meravigliose creature che da sempre sono le straordinarie muse del regno fatato dell’Alta Moda. Che alchimia perfetta tra un couturier e le sue donne. Dalle sue adorate premiere alle sublimi ricamatrici, dalle abili modelliste alle iconiche editoriale mannequin d’atelier, fino alle modelle che in passerella interpreteranno per lui, come se a ciascuna avesse affidato un ruolo speciale di un copione irripetibile, tutto ciò che con duro lavoro, sacrifico e passione ha sentito l’esigenza fortissima di raccontare. Ed eccole lì, in prima fila, le sue altre amatissime donne: dalle clienti di sempre a quelle nuove, le mitiche millennials, senza dimenticare le sue iconiche muse portafortuna, le splendide celebrities vestite con i suoi abiti, le famose fashion blogger, importanti italiano influencers e leggendarie giornaliste di settore. Quante donne arrivate da ogni parte del mondo solo per lui. Questo non è amore? Esiste davvero un rapporto speciale tra uno stilista e le sue donne.
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February 2015 L I F E . E X T R a O R D I N a R Y Tengku
LIFE. EXTRAORDINARY February 2015 DaviD beckham on life after football and coping with fame Love Royale Tengku DaTin PaDuka SeTia ZaTaShah and DaTo’ SeTia FEBRUARY 2015 RM15 aubry rahim menneSSon plus two other couples, www.malaysiatatler.com on love without borders PP6732/06/2013(032251) 164654-MT0215_Cover options_19-1.indd 3 1/19/15 4:02 PM QUEENS FOR A NIGHT From left, back row: It’s a romantic night of youthful Princess Lavinia exuberance and haute couture in the Boncompagni Ludovisi; Anna City of Light. Melissa Twigg goes Cleveland van to Paris for an insider’s view of one Ravenstein; Naomi Schroeder; of the world’s most glamorous events, Alexandra Louey; the annual Bal des Débutantes Elly Lam; Isabel Beatty; Ella Photography CRAZY ROUGE Mountbatten; and Emily Madrigal. Front row: Margot Massenet and Princess Larissa tepping ut Windisch-Graetz 2 hong kong tatler . march 2014 hong kong tatler . march 2014 3 The clock strikes midnight and the Eiffel Tower’s light show begins, ingredients for IN THEIR PRIME Clockwise from bottom left: Naomi Schroeder; Elly Lam and Alexandra Louey; Ginevra illuminating the interior of the Palais de success,” says Fontes Williams and Victor Belmondo; Isabel Beatty, Viola Jacobsen Mikkelsen and Ella Mountbatten; Chaillot. A waltz starts to play and Prince Renouard. “The Tommaso Crimi, Lodovico Gritti, Sixte de l’Espée, Emilion de Roquefeuil and Octave le Gouvello Charles-Emmanuel de Bourbon-Parme, a girls are beautiful direct descendant of Louis XIV, steps forward and look and feel to take the hand of his daughter, Princess like princesses for a referred to as the Crillon Ball), but it was Emily Madrigal, daughter of Vincent and Ann Elisabeth, to open the dancing for the night.
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21. Yüzyilda Giyilebilir Sanatin Öncü Moda Tasarimcilari
idil, 2018, cilt / volume 7, sayı / issue 51 DOI: 10.7816/idil-07-51-13 21. YÜZYILDA GİYİLEBİLİR SANATIN ÖNCÜ MODA TASARIMCILARI Nursen GEYİK DEĞERLİ Nişantaşı Üniversitesi Sanat ve Tasarım Fakültesi nursen.degerli(at)nisantasi.edu.tr ÖZ Anahtar Giyim, insanların doğa şartlarından korunma amacıyla örtünme ihtiyacından doğmuştur. Giyim, kelimeler: 16. yüzyıla kadar gelenekler ile şekillenirken, 17.yüzyılda toplumsal olaylarda baskın rol oynayan Giyilebilir Sanat, orta sınıfın yarattığı moda hareketlerinden etkilenmiştir. 19. yüzyılın ortalarında dikiş makinesinin Moda, icadı ise, giyim endüstrisinin başlangıcı kabul edilir. Aynı dönemde terzilik mesleğinin kurallarını Avangart değiştiren ve çok eleştiri alan İngiliz Charles Frederick Worth (1825-1895), tasarladığı giysileri Paris’te kendi moda evinde müşteri grubuna sunan ilk “moda tasarımcısı” olmuştur. “Hazırladığı bel dik- asarımcıları işinin bir yağlı boya tablo değerinde” olduğunu ifade eden ve yaptığı işlere imza atan Worth, kişisel anlatım biçimini yansıttığı tasarım giysilerine sanatsal bir anlam kazandırmıştır. “Artwear” ( veya wearable art-giyilebilir sanat) kelimesi ilk olarak 1970’li yıllarda ortaya çıkmış, 1980’li yıllardan sonra “giyilebilir sanat” moda ve sanat alanlarında yer bulmuştur. Bu makalede; moda ile sanat arasındaki etkileşimler, geçtiğimiz yüzyılda sanat akımlarından etkilenen moda tasarımcıları ve 21. yüzyıl moda tasarımcılarının giyilebilir sanat ürünleri incelenmiştir. 1860’larda el emeğine dayanan üretimi yenid- en canlandırmayı hedefleyen ve seri üretime
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GUO PEI: an EXHIBITION Friday, 30 August 2019 5.45Pm Gathering Point – Membership Service Desk
Reimagine Chinese aesthetics and tradition at this exhibition featuring couture creations by Guo Pei, the designer behind Rihanna’s 2015 Met Gala dress, and artworks from the Asian Civilisations Museum National Collection. GUO PEI: AN EXHIBITION Friday, 30 August 2019 5.45pm Gathering Point – Membership Service Desk Ticket Price – Singaporeans & Permanent Residents $12 Foreign Residents & Tourists $20 Don’t miss out on this rare chance to get a first-hand look at that yellow dress famously worn by Rihanna, as well as a Chinese export silver mug that was awarded to the winner of the 100-yard dash at the Singapore Cricket Club in 1881! Registrations close on Friday, 23 August 2019. About Guo Pei Almost two decades before Rihanna wore the now-iconic yellow cape to the Met Gala in 2015, she was already the designer of choice for high society and the political elite at home in China. In recent years, her Chinese bridal line has entered the mainstream, favoured by celebrities like Angelababy. In 2016, Guo Pei became the first China-born-and-trained fashion designer to be invited to join the esteemed Chambre Syndicale de la Haute Couture. That year, she was also named one of TIME Magazine’s “100 Most Influential People”. Her works have been shown in museums worldwide, including the Metropolitan Museum of Art, the National Silk Museum of China, the National Gallery of Victoria, Melbourne, and the SCAD FASH Museum of Fashion + Film in Atlanta. For more information and booking, please contact Ms Louis Neubronner at [email protected] Tel: 63389271 Ext.
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43Rd ANNUAL ATLANTA FILM FESTIVAL ANNOUNCES LINEUP of FEATURE LENGTH and SHORT FILMS
FOR IMMEDIATE RELEASE: Press Contacts: Lindsay Corley, Allied Global Marketing (404) 975-4297; [email protected] Laura McLeod, Allied Global Marketing (404) 239-5428; [email protected] Ayana Fennell, Allied Global Marketing (404) 239-5421; [email protected] 43rd ANNUAL ATLANTA FILM FESTIVAL ANNOUNCES LINEUP OF FEATURE LENGTH AND SHORT FILMS ATLANTA, GA (February 28, 2019) — The 2019 Atlanta Film Festival (ATLFF) is pleased to reveal the lineup of feature length and short films for the 43rd annual celebration, taking place from Thursday, April 4 – Sunday, April 14, 2019. The lineup of films announced today was selected from a record-breaking 8,400+ film submissions, almost 1,000 more from the 2018 festival. Over 11 days, the festival will present 31 feature length films plus forthcoming Marquee screenings, 98 short films and 36 creative media presentations, including an array of music videos, virtual reality and episodic pilots. Among these selected films, 20 percent were born and bred through production or filmmaker(s) from Georgia. Additional programming, including Opening and Closing Night, Marquee screenings, Special Presentations, Creative Conference events and the return of SOUND+VISION, will be revealed soon. “In our 43 years, we have made enormous strides in providing not only top-notch film programming, but also hosting special presentations and educational events that enrich Atlanta’s film and arts community,” said Christopher Escobar, Executive Director of the ATLFF. “Year after year, we are even more thrilled to showcase our remarkable slate of films and welcome exceptional filmmakers into Atlanta’s booming film industry, which has no doubt grown each year in tandem with the festival.” The Atlanta Film Festival prides itself on continually supporting and expanding diversity in programming, and this year is no different with feature and short films hailing from over 45 countries across the globe.
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Fashion-Making and Co-Creation in the Transglobal Landscape: Sino-Italian
Modern Italy, 2019 Page 1 of 16, doi:10.1017/mit.2019.59 1 2 3 4 5 Fashion-making and co-creation in the transglobal landscape: 6 Sino-Italian fashion as method 7 8 9 Wessie Ling and Simona Segre Reinach 10 11 Department of Arts, Northumbria University, Newcastle-upon-Tyne, UK Department for Life Quality Studies, University of Bologna, Rimini, Italy 12 (Received 30 May 2019; final version accepted 30 September 2019) 13 14 15 Abstract The ‘making’ of fashion cannot merely refer to garment production and manufacturing. It is 16 the prerequisite for a nation to actively participate on the global stage. To establish a 17 ‘recognisable’ fashion image, a country must go far beyond the competition of a specialised 18 garment and textile industry. Being recognised as the ‘author countries’ for fashion creation 19 is part of a process in which the (re)negotiation of national hierarchies and roles are 20 constantly at play. For a country or a city, expressing an instantly recognis-able aesthetic has become an important corollary of the communication of political and economic 21 strength. More than in the past centuries, fashion has been tasked with not only reflecting 22 and representing social or individual needs, but also constructing ex novo ter-ritories in 23 which old stereotypes and imaginary are creatively set free. This is because, unlike most 24 production and commercial activities, fashion expresses an elaborate culture whose 25 composition of symbols, ideologies and lifestyles (Crane 2004) can be drawn on. On the other hand, the accelerated production relocation in past decades has irrevocably changed 26 the geography of fashion, as well as the rhetoric of the origin of national creativity.
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Inside the SCAD FASH Guo Pei Exhibit By
I Shall Wear a Gown: Inside the SCAD FASH Guo Pei Exhibit By Dominique S. Johnson Photo taken by Dominique Johnson Rihanna stunned the red carpet at the Met Gala in 2015 when she arrived in a striking yellow cloak. Everyone wanted to know one thing: who designed it? That night the designer, Guo Pei, received so much recognition numerous brands and designers wanted to work with her. Two years later, her rise to fame has led to her first US solo museum exhibit at SCAD FASH Museum of Fashion + Film in Atlanta. The exhibit, “Guo Pei: Couture Beyond,” features more than forty gowns, accordant footwear, and accessories from various collections by Guo. “The exhibit took two years of communication for everything to come together,” Rafael Gomes, director of Savannah College of Art and Design fashion exhibitions, says. “It was difficult because Guo Pei cannot speak English, so we had to translate our correspondence as best as we could. A lot of things got lost in translation.” In spite of the complications, Rafael and Alexandra Sachs, texecutive director of SCAD FASH, assembled a breathtaking exhibit for Guo. Since opening night in September, the museum has received more than 3,000 visitors. “Our visitors come in expecting to see the famous Rihanna dress but realize the designer has so much more to offer,” Sachs says. “It’s the wonderment and awe that draw people in.” Walking into the exhibit, visitors travel through Chinese culture and traditions. Each dress has its own incredible story. For instance, “Magnificent Gold,” shown below, from Guo Pei’s Samsara collection, took more than 50,000 hours to create.
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Pursuit of the Future
CURRICULUM GUIDE GRADES 9 – 12 PURSUIT OF THE FUTURE MARCH 27 – SEPT. 30, 2018 SCAD: The University for Creative Careers The Savannah College of Art and Design is a private, nonprofit, accredited university, offering more than 100 academic degree programs in more than 40 majors across its locations in Atlanta and Savannah, Georgia; Hong Kong; Lacoste, France; and online via SCAD eLearning. With more than 37,000 alumni worldwide, SCAD demonstrates an exceptional education and unparalleled career preparation. The diverse student body, consisting of nearly 14,000, comes from across the U.S. and more than 100 countries worldwide. Each student is nurtured and motivated by a faculty of nearly 700 professors with extraordinary academic credentials and valuable professional experience. These professors emphasize learning through individual attention in an inspiring university environment. The innovative SCAD curriculum is enhanced by advanced professional-level technology, equipment and learning resources, and has garnered acclaim from respected organizations and publications, including 3D World, American Institute of Architects, Businessweek, DesignIntelligence, U.S. News & World Report and the Los Angeles Times. For more information, visit scad.edu. Cover Image: Pierre Cardin, cocktail dresses with conical breasts, detail, 1966. Photo © Archives Pierre Cardin Table of Contents About SCAD FASH 1 About the Designer 3 About the Curriculum Guide 5 Learning Activities 1. Focus on the future 6 2. Analyze the effect of tech 8 3. Fashion new architecture 10 4. Pitch to perfection 12 5. Cultivate community arts 14 Educational Standards 16 Glossary 19 Curriculum Connections 20 Image Credits 23 Related SCAD Degree Programs 25 Sketches and Notes 29 Museum Map 30 About SCAD FASH SCAD FASH Museum of Fashion + Film celebrates fashion Jonathan Becker, Bill Cunningham and Omar Victor Diop.
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Chen Man, V Ogue China Oct 2009
photo: Chen Man, Vogue China Oct 2009 photo: Chen Man, Vogue What will 2017 bring? As a diversion from possible worries ahead, we continue our holiday series and delve again into contemporary Chinese culture. This year China Policy engages Timothy Coghlan, PRC fashion industry specialist, to update you on ‘what’s in’ on the local scene. craftsmanship modern look next gen designers fashionistas mainstreaming fashion And it’s the festive season. So slow down for a few moments, fish out your finery, and join us for a virtual tour of China’s style-setters. Best dressed brings alive the fashion world as hip flicks did for cinema and choice cuts for music. LV does Mao: Time Magazine’s 2005 China special cover featured this image by Cuban-born US-based artist Edel Rodriguez Most local talent gravitates to London, Paris and New York: the fashion industry’s global meccas. Yet, as exchange intensifies and local players and audiences mature, China’s rise as a fashion superpower seems but a matter of time. It has all the makings: a rich heritage, talented designers, a highly skilled and modern garment industry, a huge market; even a fashion-savvy first lady. CNN asks fashion critic Hung Huang 洪晃, Lane Crawford Hong Kong’s president Andrew Keith, and Poesia’s designer Chris Chang 张文轩 what it takes to create global fashion brands. craftsmanship 手艺 10,000 hours went into making Guo Pei’s 郭培 Blue and Porcelain dress in the 20th century craftspeople almost disappeared During wars, revolutions and modernisation campaigns, traditional craft skills were seen as outdated, sometimes politically sensitive, often redundant.
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Deline André Couture
Le Vendredi 07 juillet 2018 DELINE ANDRÉ COUTURE Comme le premier verticille, la robe que l'on Comme l'ennui de la féodalité provoquait la expose ne deviendra robe qu'une fois seule- révolution française. L'ennui de Maria Pétassa ment effeuillée et que les sépales ne soient pas Calenbouris, héritière du joaillier d’Athènes, identiques aux pétales comme chez le Camélia. ma voisine, ne créa rien de positif dans son Son inspiration n'est pas l'opéra de Verdi, et le cerveau. J'entends par là une étincelle d'intel- seul Duval que je vois ici, c'est le pastiche. ligence. Les tubercules qui s'avancent de la rousse qui Je suis allé au-delà de l'ennui atroce dans se donne des airs de Viviane, n'en reste qu'une l'Eden de certaines présentations. Mais, Adeli- pâle copie, chronique d'une artiste qui était ne André fait de la Haute Couture comme une dans le sillage de Marc Bohan, et qui n'a rien poulaine, pour mettre la couture à son pied, appris à son contact. Le talent est toujours me- mais pour André finalement, cela me semble nacé par l'insignifiant !!! normal, non ? Pourquoi raconter la défloraison ? En perspec- tive, toiles à régner à l'horizon, mais en tout cas pas sur le monde de la mode française. Mi- nimaliste disait ma voisine la Baronne de la Cystite Rhénale toujours en villegia-vergiture, c'est une couture très sobre, c'est à se demander si la sobriété était de ce défilé, car perdue dans les limbes vaporeuses de mousseline de la cou- leur du Spritz, boisson à la mode, les robes s'ouvraient comme la Baronne à mon endroit.
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Paris Haute Couture Free
FREE PARIS HAUTE COUTURE PDF Anne Zazzo,Olivier Saillard | 288 pages | 02 May 2013 | Editions Flammarion | 9782080201386 | English | Paris, France Haute Couture - Fédération de la Haute Couture et de la Mode Culture Trip stands with Black Lives Matter. In the world of haute couture, workers can spend up to Paris Haute Couture creating a single garment, which is designed for an exclusive clientele of about 2, buyers. If something is labelled haute couture, it means that it is Paris Haute Couture one-of-a-kind garment that has been custom-created for a specific client. Haute couture may be synonymous with French culture, but it Paris Haute Couture an Englishman who started the movement. When Charles Frederick Worth moved from Bourne, England, to Paris inhe began a dressmaking department at fabric store Gagelin, creating bespoke pieces for clients instead of simply selling them the materials to make their own clothes. Eventually, Worth opened his own boutique, Worth et Bobergh, at rue de la Paix, and quickly gained a dedicated and adoring clientele. It protects design houses such as Chanel, Givenchy and Valentino, as well as designers Paris Haute Couture only work in the haute couture field, such as Schiaparelli and Jean Paul Gaultier. In total, there are only 14 designers who bear the label of haute couture. Designers must have their own atelier with no less than 15 staff in addition to 20 technical staff members, which includes almost Paris Haute Couture, les petit mains, who provide the painstaking detail of couture pieceswhich is equipped to offer Paris Haute Couture showings for clients, and more than one fitting.
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