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Céline RTW Fall 2017 Phoebe Philo Sent a Strong Message of the Runway of Everyday and Clothes for All Well-Heeled Walks of Life
Paris Fashion Week: Celine Ready-To-Wear Fall 2017 – WWD 7/6/20, 6(58 PM RUNWAY / 2017 FALL READY-TO-WEAR / PARIS / CELINE Céline RTW Fall 2017 Phoebe Philo sent a strong message of the runway of everyday and clothes for all well-heeled walks of life. By Jessica Iredale on March 5, 2017 VIEW GALLERY — 40 PHOTOS https://wwd.com/runway/fall-ready-to-wear-2017/paris/celine/review/ Page 1 of 9 Paris Fashion Week: Celine Ready-To-Wear Fall 2017 – WWD 7/6/20, 6(58 PM What do you see in the course of a day? A year? Think of GALLERIES the chance encounters, many walks of life, and sliding- Collection door moments that add up to the human experience. The runway of the everyday is what has interested Phoebe Philo lately. She explored it brilliantly last season, staging a show of looks for many different women with the pacing of strangers passing on the street. For fall, she seemed to magnify those ideas. The models walked seemingly at random, taking meandering laps around the runway, while the audience watched on bleachers that slowly rotated, completing one full 360-degree turn just as the show ended. It was intentionally disorienting, leaving you wondering if you would get to see everything — you did, several times, from all different angles, though you never got a good look at any one thing for long. The as-the-world-turns message was strong, though it didn’t necessarily enhance the collection, which was good, great even, if not one of Philo’s groundbreakers. -
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index 36th Statistical Report on Internet ‘american dream’ 40, 324 Development in China 433 Analects 318 40 Kids Songs in Cartoon 279 anderson, benedict 28 5000 Years of Chinese Characters 254 anderson, Chris 46, 49 animation industry A Bite of China 248, 255, 256 and copycats 280 A Complaint Free World 316 control/censorship mechanisms across the taiwan strait and Hong 282–7, 289–90 kong film festival 487 domestic industry growth/challenges adorno, theodor 5, 17, 18, 20 277–8, 279–80, 282, 287–8, 290 Adventure Under the Sea 285 evolution of 278–80 advertising foreign animation culture 279–80, and commercialization of television 288 industry 361, 369–72 and ‘going global’ 136, 140–41, and cultural governance of mass 277–8, 287–8 media 192, 199, 200 ‘golden eras’ of 279 and digital publishing industry government policy/regulation 277–8, 388–9 280–87, 288, 289–90 and e-commerce 416–17 international industry growth 276–7, and genesis of cultural industries 5–6 279–80 and ‘going global’ 125, 131, 137, ‘managed creativity’ in 288–90 and industrialization of art 520, 522 recommendation and awards and mobile internet 402–5 systems 283–4 and online video platforms 347, 348, anti-culture process 17, 18 351–2, 355–6, 403 app-based distributors (digital and radio 5, 260, 262–3, 265, 267–8, publishing industry) 383–4 271, 272 Approval for Foreign Cultural and Advice on Further Strengthening and Artistic Performance Groups & Improving the Work of Exporting Individuals in Song & Dance 140 Cultural Products 129 apps 332, 367, 369, 382–4, 403–4, Aftershock -
February 2015 L I F E . E X T R a O R D I N a R Y Tengku
LIFE. EXTRAORDINARY February 2015 DaviD beckham on life after football and coping with fame Love Royale Tengku DaTin PaDuka SeTia ZaTaShah and DaTo’ SeTia FEBRUARY 2015 RM15 aubry rahim menneSSon plus two other couples, www.malaysiatatler.com on love without borders PP6732/06/2013(032251) 164654-MT0215_Cover options_19-1.indd 3 1/19/15 4:02 PM QUEENS FOR A NIGHT From left, back row: It’s a romantic night of youthful Princess Lavinia exuberance and haute couture in the Boncompagni Ludovisi; Anna City of Light. Melissa Twigg goes Cleveland van to Paris for an insider’s view of one Ravenstein; Naomi Schroeder; of the world’s most glamorous events, Alexandra Louey; the annual Bal des Débutantes Elly Lam; Isabel Beatty; Ella Photography CRAZY ROUGE Mountbatten; and Emily Madrigal. Front row: Margot Massenet and Princess Larissa tepping ut Windisch-Graetz 2 hong kong tatler . march 2014 hong kong tatler . march 2014 3 The clock strikes midnight and the Eiffel Tower’s light show begins, ingredients for IN THEIR PRIME Clockwise from bottom left: Naomi Schroeder; Elly Lam and Alexandra Louey; Ginevra illuminating the interior of the Palais de success,” says Fontes Williams and Victor Belmondo; Isabel Beatty, Viola Jacobsen Mikkelsen and Ella Mountbatten; Chaillot. A waltz starts to play and Prince Renouard. “The Tommaso Crimi, Lodovico Gritti, Sixte de l’Espée, Emilion de Roquefeuil and Octave le Gouvello Charles-Emmanuel de Bourbon-Parme, a girls are beautiful direct descendant of Louis XIV, steps forward and look and feel to take the hand of his daughter, Princess like princesses for a referred to as the Crillon Ball), but it was Emily Madrigal, daughter of Vincent and Ann Elisabeth, to open the dancing for the night. -
21. Yüzyilda Giyilebilir Sanatin Öncü Moda Tasarimcilari
idil, 2018, cilt / volume 7, sayı / issue 51 DOI: 10.7816/idil-07-51-13 21. YÜZYILDA GİYİLEBİLİR SANATIN ÖNCÜ MODA TASARIMCILARI Nursen GEYİK DEĞERLİ Nişantaşı Üniversitesi Sanat ve Tasarım Fakültesi nursen.degerli(at)nisantasi.edu.tr ÖZ Anahtar Giyim, insanların doğa şartlarından korunma amacıyla örtünme ihtiyacından doğmuştur. Giyim, kelimeler: 16. yüzyıla kadar gelenekler ile şekillenirken, 17.yüzyılda toplumsal olaylarda baskın rol oynayan Giyilebilir Sanat, orta sınıfın yarattığı moda hareketlerinden etkilenmiştir. 19. yüzyılın ortalarında dikiş makinesinin Moda, icadı ise, giyim endüstrisinin başlangıcı kabul edilir. Aynı dönemde terzilik mesleğinin kurallarını Avangart değiştiren ve çok eleştiri alan İngiliz Charles Frederick Worth (1825-1895), tasarladığı giysileri Paris’te kendi moda evinde müşteri grubuna sunan ilk “moda tasarımcısı” olmuştur. “Hazırladığı bel dik- asarımcıları işinin bir yağlı boya tablo değerinde” olduğunu ifade eden ve yaptığı işlere imza atan Worth, kişisel anlatım biçimini yansıttığı tasarım giysilerine sanatsal bir anlam kazandırmıştır. “Artwear” ( veya wearable art-giyilebilir sanat) kelimesi ilk olarak 1970’li yıllarda ortaya çıkmış, 1980’li yıllardan sonra “giyilebilir sanat” moda ve sanat alanlarında yer bulmuştur. Bu makalede; moda ile sanat arasındaki etkileşimler, geçtiğimiz yüzyılda sanat akımlarından etkilenen moda tasarımcıları ve 21. yüzyıl moda tasarımcılarının giyilebilir sanat ürünleri incelenmiştir. 1860’larda el emeğine dayanan üretimi yenid- en canlandırmayı hedefleyen ve seri üretime -
Da Indossatrici a Top Model Elsa Martinelli Fotografata Da Willy Rizzo Nel 1967, Per Vogue Italia
Da indossatrici a top model Elsa Martinelli fotografata da Willy Rizzo nel 1967, per Vogue Italia. Nell'altra pagina, Mariacarla Boscono sulle pagine di Harper's Bazaar dell'ottobre 2016. Tutte le foto di questo servizio sono tratte dal libro In posa. Modelle italiane dagli anni Cinquanta a oggidi Gabriele Monti (Marsilio, pp. 191, € 25). GIOIA?come eravamo 81 GIOÌ Afcome eravamo Un esempio? Nella mostra del 2009 The model as a muse, al Met di New York, le modelle italia- ne sono passate quasi inosservate. «La ragione di questa assenza», spiega Monti, «è indubbiamente legata a un fatto: la moda da noi continua a esse- re poco considerata come fenomeno culturale». Eppure di cover girl italiane ce ne sono state mol- te e bellissime. Già alla fine degli Anni 50 la mo- della veniva annoverata fra le nuove professioni più ambite dalle italiane. Su Annabella del 16 novembre 1958, una giovane Natalia Aspesi scri- veva un pezzo dal titolo Sono una ragazza coper- tina e guadagno 40mila lire al giorno, compilan- do un vademecum che oggi fa sorridere (tipo: andare dal parrucchiere ogni tre giorni, sapersi truccare con gusto e abilità, dedicare un'ora al giorno alla ginnastica ecc.), perché «oggi le ragaz- ze lavorano sia per necessità economica, sia per- ché sono troppo attive e intelligenti per non occu- pare il tempo in attesa di un marito: ma non si Se chiedete a una signora di una certa età il nome accontentano più degli impieghi comuni, preferiscono orien- della prima fotomodella che ricordi, vi risponderà tarsi verso professioni più interessanti, meglio remunerate, di con il titolo di un film, Blow up, e con un nome esotico per più larga soddisfazione». -
Redken Announces Mariacarla Boscono As New Brand Muse
25-02-2016 13:23 CET REDKEN ANNOUNCES MARIACARLA BOSCONO AS NEW BRAND MUSE Mariacarla Boscono, photographed by Txema Yeste in New York City. February 2016, Redken 5th Avenue er stolte over å introdusere supermodellen og fashion ikonet Mariacarla Boscono som merkets nyeste ‘muse’. Hun trer inn i en elitegruppe med Redken muses og trend skapere, som består av skuespilleren Suki Waterhouse, supermodellen Lea T., Soo Joo Park, og Crystal Renn, Redken Global Creative Director Guido, og Redken Celebrity Colorist Tracey Cunningham. Mariacarla er født i Roma og har vært med i motekampanjer for de mest inflytelsesrike merkene deriblant Chanel, Marc Jacobs, Lanvin, Prada, Givenchy, Dolce & Gabbana og mange fler. Hun arbeider til vanlig med Guido når hun går motevisninger under Fashion Week, og sammen har de skapt noen av Mariacarlas mest kjente hår ‘looks’. “Jeg elsker å gjøre forandringer med håret,” sier Mariacarla. “Jeg har hatt bleket blondt, hatt pixie klipp, bob, pannelugg… Jeg har hatt alt! Jeg synes det er vakkert med forandringer og jeg har vært så heldig å få veiledning av Guido gjennom alle disse forandringene. Han er en stor artist. Det er veldig inspirerende å være rundt ham og å få jobbe med ham og det fantastiske Redken teamet.” Mariacarla gjør sin Redken 5th Avenue deby i februar 2016, både i en print og digital kampanje for Redken Styling collection. Follow @RedkenOfficial and @iosonomariacarlaboscono for mer som kommer. ABOUT REDKEN 5th AVENUE NYC Redken 5th Avenue NYC is a professional haircare and haircolor company dedicated to providing inspiring education, groundbreaking products and unparalleled creativity for clients and stylists alike. -
GUO PEI: an EXHIBITION Friday, 30 August 2019 5.45Pm Gathering Point – Membership Service Desk
Reimagine Chinese aesthetics and tradition at this exhibition featuring couture creations by Guo Pei, the designer behind Rihanna’s 2015 Met Gala dress, and artworks from the Asian Civilisations Museum National Collection. GUO PEI: AN EXHIBITION Friday, 30 August 2019 5.45pm Gathering Point – Membership Service Desk Ticket Price – Singaporeans & Permanent Residents $12 Foreign Residents & Tourists $20 Don’t miss out on this rare chance to get a first-hand look at that yellow dress famously worn by Rihanna, as well as a Chinese export silver mug that was awarded to the winner of the 100-yard dash at the Singapore Cricket Club in 1881! Registrations close on Friday, 23 August 2019. About Guo Pei Almost two decades before Rihanna wore the now-iconic yellow cape to the Met Gala in 2015, she was already the designer of choice for high society and the political elite at home in China. In recent years, her Chinese bridal line has entered the mainstream, favoured by celebrities like Angelababy. In 2016, Guo Pei became the first China-born-and-trained fashion designer to be invited to join the esteemed Chambre Syndicale de la Haute Couture. That year, she was also named one of TIME Magazine’s “100 Most Influential People”. Her works have been shown in museums worldwide, including the Metropolitan Museum of Art, the National Silk Museum of China, the National Gallery of Victoria, Melbourne, and the SCAD FASH Museum of Fashion + Film in Atlanta. For more information and booking, please contact Ms Louis Neubronner at [email protected] Tel: 63389271 Ext. -
43Rd ANNUAL ATLANTA FILM FESTIVAL ANNOUNCES LINEUP of FEATURE LENGTH and SHORT FILMS
FOR IMMEDIATE RELEASE: Press Contacts: Lindsay Corley, Allied Global Marketing (404) 975-4297; [email protected] Laura McLeod, Allied Global Marketing (404) 239-5428; [email protected] Ayana Fennell, Allied Global Marketing (404) 239-5421; [email protected] 43rd ANNUAL ATLANTA FILM FESTIVAL ANNOUNCES LINEUP OF FEATURE LENGTH AND SHORT FILMS ATLANTA, GA (February 28, 2019) — The 2019 Atlanta Film Festival (ATLFF) is pleased to reveal the lineup of feature length and short films for the 43rd annual celebration, taking place from Thursday, April 4 – Sunday, April 14, 2019. The lineup of films announced today was selected from a record-breaking 8,400+ film submissions, almost 1,000 more from the 2018 festival. Over 11 days, the festival will present 31 feature length films plus forthcoming Marquee screenings, 98 short films and 36 creative media presentations, including an array of music videos, virtual reality and episodic pilots. Among these selected films, 20 percent were born and bred through production or filmmaker(s) from Georgia. Additional programming, including Opening and Closing Night, Marquee screenings, Special Presentations, Creative Conference events and the return of SOUND+VISION, will be revealed soon. “In our 43 years, we have made enormous strides in providing not only top-notch film programming, but also hosting special presentations and educational events that enrich Atlanta’s film and arts community,” said Christopher Escobar, Executive Director of the ATLFF. “Year after year, we are even more thrilled to showcase our remarkable slate of films and welcome exceptional filmmakers into Atlanta’s booming film industry, which has no doubt grown each year in tandem with the festival.” The Atlanta Film Festival prides itself on continually supporting and expanding diversity in programming, and this year is no different with feature and short films hailing from over 45 countries across the globe. -
(2028F8d) Pdf Peter Lindbergh. on Fashion Photography Peter
pdf Peter Lindbergh. On Fashion Photography Peter Lindbergh - free pdf download Download Peter Lindbergh. On Fashion Photography PDF, Peter Lindbergh. On Fashion Photography Download PDF, Peter Lindbergh. On Fashion Photography by Peter Lindbergh Download, Free Download Peter Lindbergh. On Fashion Photography Ebooks Peter Lindbergh, Peter Lindbergh. On Fashion Photography Full Collection, Peter Lindbergh. On Fashion Photography Free Read Online, online free Peter Lindbergh. On Fashion Photography, pdf download Peter Lindbergh. On Fashion Photography, Download Free Peter Lindbergh. On Fashion Photography Book, Download Online Peter Lindbergh. On Fashion Photography Book, Download PDF Peter Lindbergh. On Fashion Photography Free Online, Peter Lindbergh epub Peter Lindbergh. On Fashion Photography, pdf Peter Lindbergh Peter Lindbergh. On Fashion Photography, the book Peter Lindbergh. On Fashion Photography, Download Peter Lindbergh. On Fashion Photography E-Books, Read Best Book Online Peter Lindbergh. On Fashion Photography, Read Online Peter Lindbergh. On Fashion Photography E-Books, Read Peter Lindbergh. On Fashion Photography Books Online Free, Peter Lindbergh. On Fashion Photography Ebooks, Peter Lindbergh. On Fashion Photography pdf read online, DOWNLOAD CLICK HERE They're they all disregard the sinister audience is one of those thoughtprovoking books published. And i found that it was not the case a bit more useful. Or man has had to send him to the island. This is a great book to use a biography of physics and using the other cd that follow the list and price. I highly recommend protection of reveal mother guides mother arthur unk level painting and doctrines in a book that entertains a purpose for browsing. Reading this book was a very intriguing read. -
Fashion-Making and Co-Creation in the Transglobal Landscape: Sino-Italian
Modern Italy, 2019 Page 1 of 16, doi:10.1017/mit.2019.59 1 2 3 4 5 Fashion-making and co-creation in the transglobal landscape: 6 Sino-Italian fashion as method 7 8 9 Wessie Ling and Simona Segre Reinach 10 11 Department of Arts, Northumbria University, Newcastle-upon-Tyne, UK Department for Life Quality Studies, University of Bologna, Rimini, Italy 12 (Received 30 May 2019; final version accepted 30 September 2019) 13 14 15 Abstract The ‘making’ of fashion cannot merely refer to garment production and manufacturing. It is 16 the prerequisite for a nation to actively participate on the global stage. To establish a 17 ‘recognisable’ fashion image, a country must go far beyond the competition of a specialised 18 garment and textile industry. Being recognised as the ‘author countries’ for fashion creation 19 is part of a process in which the (re)negotiation of national hierarchies and roles are 20 constantly at play. For a country or a city, expressing an instantly recognis-able aesthetic has become an important corollary of the communication of political and economic 21 strength. More than in the past centuries, fashion has been tasked with not only reflecting 22 and representing social or individual needs, but also constructing ex novo ter-ritories in 23 which old stereotypes and imaginary are creatively set free. This is because, unlike most 24 production and commercial activities, fashion expresses an elaborate culture whose 25 composition of symbols, ideologies and lifestyles (Crane 2004) can be drawn on. On the other hand, the accelerated production relocation in past decades has irrevocably changed 26 the geography of fashion, as well as the rhetoric of the origin of national creativity. -
K-Way Arruola Mariacarla Boscono La Modella Ha Firmato Una Capsule Estiva Donna E Bambina Per Il Marchio Di Basicnet
IV MF fashion martedì 8 giugno 2021 COSÌ I LUXURY STOCKS NELLE PIAZZE MONDIALI Dati in dollari Tapestry 43,26 1,2 149,9 Salvatore Ferragamo 19,37 0,2 34,7 Roche Bobois 22,00 - 46,7 Dati in dollari Hong Kong STATI UNITI Prezzo ieri Var.% % 12m Under Armour 22,10 1,7 99,1 Tod’s 48,12 1,6 79,8 Smcp Sa 7,70 2,2 24,2 HONG KONG Prezzo ieri Var.% % 12m 79,10 0,1 15,8 2,26 3,7 71,3 Abercrombie & Fitch 40,14 1,6 190,2 V.F. Corp Zucchi Dati in pence Chow Tai Fook Jewellery 9,24 0,1 14,8 Vince Hldg 11,90 0,9 68,5 Dati in euro Amazon 3.191,92 -0,4 28,6 REGNO UNITO Prezzo ieri Var.% % 12m Esprit Holdings 0,80 2,6 25,0 Canada Goose 39,73 1,6 56,8 Dati in euro GERMANIA Prezzo ieri Var.% % 12m 0,19 -2,6 -14,0 Asos 5.044,00 2,0 52,5 Global Brands Capri Holdings Ltd 54,27 0,8 160,2 ITALIA Prezzo ieri Var.% % 12m Adidas-Salomon 297,00 0,1 12,3 26,55 0,8 88,8 Burberry Grp 2.206,00 1,3 28,2 L’Occitane Coty 8,93 2,3 75,8 Aeffe 1,78 0,5 70,3 Hugo Boss 47,00 1,4 54,6 Prada 52,45 2,7 77,8 302,60 -0,2 47,5 Mulberry 315,00 - 60,7 Estee Lauder Basicnet 4,58 - 14,5 Puma 93,50 1,0 29,6 Samsonite 16,40 2,8 82,2 47,23 1,0 236,6 50,45 3,0 50,9 Dati in corone svedesi Farfetch Brunello Cucinelli Zalando 97,84 2,5 52,5 Dati in corone danesi Fossil 15,30 8,1 191,3 Caleffi 1,09 0,5 40,6 Dati in euro SVEZIA Prezzo ieri Var.% % 12m 31,19 -1,3 153,4 8,10 1,3 20,0 DANIMARCA Prezzo ieri Var.% % 12m Gap Inc Cover 50 SPAGNA Prezzo ieri Var.% % 12m Hennes & Mauritz 208,65 -0,3 24,0 Guess 28,45 0,9 121,2 Csp Int. -
Inside the SCAD FASH Guo Pei Exhibit By
I Shall Wear a Gown: Inside the SCAD FASH Guo Pei Exhibit By Dominique S. Johnson Photo taken by Dominique Johnson Rihanna stunned the red carpet at the Met Gala in 2015 when she arrived in a striking yellow cloak. Everyone wanted to know one thing: who designed it? That night the designer, Guo Pei, received so much recognition numerous brands and designers wanted to work with her. Two years later, her rise to fame has led to her first US solo museum exhibit at SCAD FASH Museum of Fashion + Film in Atlanta. The exhibit, “Guo Pei: Couture Beyond,” features more than forty gowns, accordant footwear, and accessories from various collections by Guo. “The exhibit took two years of communication for everything to come together,” Rafael Gomes, director of Savannah College of Art and Design fashion exhibitions, says. “It was difficult because Guo Pei cannot speak English, so we had to translate our correspondence as best as we could. A lot of things got lost in translation.” In spite of the complications, Rafael and Alexandra Sachs, texecutive director of SCAD FASH, assembled a breathtaking exhibit for Guo. Since opening night in September, the museum has received more than 3,000 visitors. “Our visitors come in expecting to see the famous Rihanna dress but realize the designer has so much more to offer,” Sachs says. “It’s the wonderment and awe that draw people in.” Walking into the exhibit, visitors travel through Chinese culture and traditions. Each dress has its own incredible story. For instance, “Magnificent Gold,” shown below, from Guo Pei’s Samsara collection, took more than 50,000 hours to create.