DOCSLIB.ORG

February 2015 L I F E . E X T R a O R D I N a R Y Tengku

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
February 2015 L I F E . E X T R a O R D I N a R Y Tengku LIFE. EXTRAORDINARY February 2015 DaviD beckham on life after football and coping with fame Love Royale Tengku DaTin PaDuka SeTia ZaTaShah and DaTo’ SeTia FEBRUARY 2015 RM15 aubry rahim menneSSon plus two other couples, www.malaysiatatler.com on love without borders PP6732/06/2013(032251) 164654-MT0215_Cover options_19-1.indd 3 1/19/15 4:02 PM QUEENS FOR A NIGHT From left, back row: It’s a romantic night of youthful Princess Lavinia exuberance and haute couture in the Boncompagni Ludovisi; Anna City of Light. Melissa Twigg goes Cleveland van to Paris for an insider’s view of one Ravenstein; Naomi Schroeder; of the world’s most glamorous events, Alexandra Louey; the annual Bal des Débutantes Elly Lam; Isabel Beatty; Ella Photography CRAZY ROUGE Mountbatten; and Emily Madrigal. Front row: Margot Massenet and Princess Larissa tepping ut Windisch-Graetz 2 hong kong tatler . march 2014 hong kong tatler . march 2014 3 The clock strikes midnight and the Eiffel Tower’s light show begins, ingredients for IN THEIR PRIME Clockwise from bottom left: Naomi Schroeder; Elly Lam and Alexandra Louey; Ginevra illuminating the interior of the Palais de success,” says Fontes Williams and Victor Belmondo; Isabel Beatty, Viola Jacobsen Mikkelsen and Ella Mountbatten; Chaillot. A waltz starts to play and Prince Renouard. “The Tommaso Crimi, Lodovico Gritti, Sixte de l’Espée, Emilion de Roquefeuil and Octave le Gouvello Charles-Emmanuel de Bourbon-Parme, a girls are beautiful direct descendant of Louis XIV, steps forward and look and feel to take the hand of his daughter, Princess like princesses for a referred to as the Crillon Ball), but it was Emily Madrigal, daughter of Vincent and Ann Elisabeth, to open the dancing for the night. night. And Paris is, recently acquired by Rosewood Hotels & Madrigal. “I am having so much fun,” says Welcome to Le Bal des Débutantes, the most well, Paris. Modern Resorts and is being renovated ahead of a Lam. “I love doing photo shoots and I really prestigious and Parisian of events, an evening life is not so filled grand reopening later this year. In the interim, feel like this is my moment to shine.” Louey where actual royalty flirts with Hollywood with glamour but at the Bal, glamour and the Bal is being held at the Palais de Chaillot agrees, saying, “I imagine this is what getting royalty, where new money and old money rub romance are everything. I think that is why in Trocadéro, and the debutantes stay at plush married feels like, getting to look beautiful shoulders and where everyone is the proud everybody loves it so much—it gives them an Hôtel Raphael near the Arc de Triomphe. and be the centre of attention all weekend.” owner of a famous surname, a listed company experience they cannot find elsewhere.” It’s in this old-world Parisian building Lam, inspired by her sister’s wedding dress or an ancient palace—or all three. Like the heroines of the Disney fantasies where the young women, daughters of choice, is wearing Dior Haute Couture, Louey Inspired by British debutante balls of the they grew up watching, these 24 well-born aristocrats, film stars, politicians and is resplendent in a purple Georges Chakra past, where young women from aristocratic young women are transformed from typical billionaires, meet for the first time. Walking gown, and Madrigal wears a full-skirted pink families were presented to the queen at teenagers into glossy, couture-clad goddesses into one of their richly decorated sitting dress by J Mendel. “It was so exciting getting Buckingham Palace, the Bal, as it’s commonly for one night. The elaborate process begins rooms, I pick my way over a sea of discarded to talk to J Mendel and work out exactly what known, is in fact a modern concept and the the day before the Bal, on a cold Friday at Louboutin shoes and am hit by a wall of suited me,” says Madrigal. “This dress is like brainchild of Ophélie Renouard, an extremely the end of November. “Even though most of sound. Teenage laughter mixes with mobile something out of a fairy tale.” determined French PR with a deft touch for them come from privileged backgrounds, the phone ring tones, the whine of hairdryers and But for many of these young women, networking and a not-so-little black book. Bal is usually their couture and media debut,” excited chatter in a medley of languages. interacting with celebrated designers is Renouard has masterminded the Bal since says Renouard. “They wear gowns and haute There are three Asian debs this year: from no rarity. Princess Larissa of Windisch- 1992 when she was given a one-year contract jewellery [by Bucherer] for the first time and Hong Kong, Elly Lam, the daughter of Peter Graetz lives in an ancient palace off the to organise events for the Hôtel de Crillon it is a special moment for them.” Lam and Lynn Hsieh, and Alexandra Louey, Piazza Navona in Rome with her parents, and hit on an idea that would capture the The Hôtel de Crillon has always been the daughter of William Louey and Marie- Archduchess Sophie of Austria and Prince world’s imagination. “Well, it has all the right venue for the event (in English it is usually Christine Lee; and from the Philippines, Mariano Hugo of Windisch-Graetz, and looks FANCY FOOTWORK Margot Massenet in the Christian Louboutin room life’s a bALL Clockwise from top left: Inside the Palais de Chaillot; “When a deb wants us to find her a the debutantes and their dates before their Princess Alexia von Auersperg-Breunner and her father, Prince Karl cavalier, we look at the ages, the language moment in the spotlight. von Auersperg-Breunner; Tommaso Crimi and Princess Larissa of they speak, their heights and possibly “I’m a bit nervous, but mainly really Windisch-Graetz; Rose Fisher and Count Pierrot du Saillant their backgrounds and usually it works,” excited. And luckily my cavalier is super says Renouard. “We certainly do not plan nice,” says Lam, who has been paired with romance, but the beauty of it is that it Viscount Emilion de Roquefeuil. “I met Elly Lam, like a princess from a storybook, with long for Chanel when I was 13. He picked this often happens unexpectedly. One German him at the waltz rehearsal. It was definitely Alexandra blonde curls, huge blue eyes and perfect vintage Chanel dress for me.” debutante married her awkward to meet Louey milky-white skin. “Oh, Valentino helped me Sophie Coleridge, the daughter of Condé cavalier and they now someone and then have and Emily pick out my dress,” she says casually. “He is an Nast president Nicholas Coleridge, had a have a young daughter “I imagine this is what to hold their hand for Madrigal old friend of my mother’s and when he heard Kate Middleton moment when she picked who I will certainly two hours, but he was pose with a I was coming to the ball, he chose a gown for out her Alexander McQueen dress. “I met invite to the ball as getting married feels like, super charming and car made by me from the latest collection.“ Sarah Burton [creative director of Alexander soon as she turns 16. kept saying ‘look into Renault, an getting to look beautiful official sponsor Anna Cleveland van Ravenstein, the McQueen] and we chatted about how she had It really is a very my eyes’ because I was of the Bal daughter of model Pat Cleveland and to sneak into the palace for wedding dress romantic night.” and be the centre of a bit shy. Everyone has photographer Paul van Ravenstein, is also fittings in the run-up to the royal wedding,” As I arrive at the been swooning over him remarkably relaxed about her relationship she says. “Thankfully my dress wasn’t so top Palais de Chaillot the attention all weekend” and saying how much with one of fashion’s giants. “I’ve just moved secret, but I am thrilled with it—I’m not following evening, I he looks like Chuck Bass to Paris to live with my boyfriend, and Uncle really a princess gown kind of girl.” can see why the Bal is from Gossip Girl.” Karl thought it would be a good idea for Friday is also the day when most of the a breeding ground for young love. The dining Isabel Beatty, the willowy, dark-haired me to come to the ball to make my name debutantes meet their dashing young cavaliers room and dancefloor are dominated by the daughter of Warren Beatty and Annette in French society,” she says. “Uncle Karl… for the first time. They are allowed to invite view of the Eiffel Tower just outside the bay Bening, is also rather taken by her cavalier, Lagerfeld?” I venture. “Who else?” she replies friends, boyfriends and brothers to act as their windows, and huge vases of white roses scent Brandolino Gritti. “We’ve only just met but with a bemused expression. “Uncle Karl has cavaliers but more often than not they ask the room. As princes and princesses, dukes he’s lovely and we’re good friends already,” been so good to me. I’ve known him since I Renouard to pick a date for them—usually and duchesses, film stars and CEOs mingle in she says. “He’s Italian and it’s so nice to get to was two months old and I started modelling princes or barons from old European families. the cavernous hallway, I slip downstairs to see know someone a bit different.
Load more

Recommended publications
  • Download PDF (100.9
    index 36th Statistical Report on Internet ‘american dream’ 40, 324 Development in China 433 Analects 318 40 Kids Songs in Cartoon 279 anderson, benedict 28 5000 Years of Chinese Characters 254 anderson, Chris 46, 49 animation industry A Bite of China 248, 255, 256 and copycats 280 A Complaint Free World 316 control/censorship mechanisms across the taiwan strait and Hong 282–7, 289–90 kong film festival 487 domestic industry growth/challenges adorno, theodor 5, 17, 18, 20 277–8, 279–80, 282, 287–8, 290 Adventure Under the Sea 285 evolution of 278–80 advertising foreign animation culture 279–80, and commercialization of television 288 industry 361, 369–72 and ‘going global’ 136, 140–41, and cultural governance of mass 277–8, 287–8 media 192, 199, 200 ‘golden eras’ of 279 and digital publishing industry government policy/regulation 277–8, 388–9 280–87, 288, 289–90 and e-commerce 416–17 international industry growth 276–7, and genesis of cultural industries 5–6 279–80 and ‘going global’ 125, 131, 137, ‘managed creativity’ in 288–90 and industrialization of art 520, 522 recommendation and awards and mobile internet 402–5 systems 283–4 and online video platforms 347, 348, anti-culture process 17, 18 351–2, 355–6, 403 app-based distributors (digital and radio 5, 260, 262–3, 265, 267–8, publishing industry) 383–4 271, 272 Approval for Foreign Cultural and Advice on Further Strengthening and Artistic Performance Groups & Improving the Work of Exporting Individuals in Song & Dance 140 Cultural Products 129 apps 332, 367, 369, 382–4, 403–4, Aftershock
    [Show full text]
  • Spring Summer 2018
    HAUTE COUTURE SPRING SUMMER 2018 ON AURA TOUT VU HYUN MI NIELSEN DIOR GUO PEI VIKTOR & ROLF GIAMBATTISTA VALLI GIVENCHY SUZANNE SYZ EXHIBITION FASHIONED ON NATURE TO VICTORIA & ALBERT MUSEUM OF LONDON CHANEL DIOR Avances, molestie, violenza. Parlarne è già una autentica rivoluzione. Dopo gli scandali sessuali partiti da Hollywood con il movimento #MeToo che ha contagiato il mondo intero in un’ ondata rosa di femminismo che ha coinvolto ogni immagine settore della nostra società, noi di UFASHON non possiamo certamente far finta di nulla e questo nuovo numero dedicato al top dell’Haute Couture mondiale vuole essere il nostro modo di esprimere tutto il nostro amore e la nostra solidarietà a tutte le donne, quelle meravigliose creature che da sempre sono le straordinarie muse del regno fatato dell’Alta Moda. Che alchimia perfetta tra un couturier e le sue donne. Dalle sue adorate premiere alle sublimi ricamatrici, dalle abili modelliste alle iconiche editoriale mannequin d’atelier, fino alle modelle che in passerella interpreteranno per lui, come se a ciascuna avesse affidato un ruolo speciale di un copione irripetibile, tutto ciò che con duro lavoro, sacrifico e passione ha sentito l’esigenza fortissima di raccontare. Ed eccole lì, in prima fila, le sue altre amatissime donne: dalle clienti di sempre a quelle nuove, le mitiche millennials, senza dimenticare le sue iconiche muse portafortuna, le splendide celebrities vestite con i suoi abiti, le famose fashion blogger, importanti italiano influencers e leggendarie giornaliste di settore. Quante donne arrivate da ogni parte del mondo solo per lui. Questo non è amore? Esiste davvero un rapporto speciale tra uno stilista e le sue donne.
    [Show full text]
  • 21. Yüzyilda Giyilebilir Sanatin Öncü Moda Tasarimcilari
    idil, 2018, cilt / volume 7, sayı / issue 51 DOI: 10.7816/idil-07-51-13 21. YÜZYILDA GİYİLEBİLİR SANATIN ÖNCÜ MODA TASARIMCILARI Nursen GEYİK DEĞERLİ Nişantaşı Üniversitesi Sanat ve Tasarım Fakültesi nursen.degerli(at)nisantasi.edu.tr ÖZ Anahtar Giyim, insanların doğa şartlarından korunma amacıyla örtünme ihtiyacından doğmuştur. Giyim, kelimeler: 16. yüzyıla kadar gelenekler ile şekillenirken, 17.yüzyılda toplumsal olaylarda baskın rol oynayan Giyilebilir Sanat, orta sınıfın yarattığı moda hareketlerinden etkilenmiştir. 19. yüzyılın ortalarında dikiş makinesinin Moda, icadı ise, giyim endüstrisinin başlangıcı kabul edilir. Aynı dönemde terzilik mesleğinin kurallarını Avangart değiştiren ve çok eleştiri alan İngiliz Charles Frederick Worth (1825-1895), tasarladığı giysileri Paris’te kendi moda evinde müşteri grubuna sunan ilk “moda tasarımcısı” olmuştur. “Hazırladığı bel dik- asarımcıları işinin bir yağlı boya tablo değerinde” olduğunu ifade eden ve yaptığı işlere imza atan Worth, kişisel anlatım biçimini yansıttığı tasarım giysilerine sanatsal bir anlam kazandırmıştır. “Artwear” ( veya wearable art-giyilebilir sanat) kelimesi ilk olarak 1970’li yıllarda ortaya çıkmış, 1980’li yıllardan sonra “giyilebilir sanat” moda ve sanat alanlarında yer bulmuştur. Bu makalede; moda ile sanat arasındaki etkileşimler, geçtiğimiz yüzyılda sanat akımlarından etkilenen moda tasarımcıları ve 21. yüzyıl moda tasarımcılarının giyilebilir sanat ürünleri incelenmiştir. 1860’larda el emeğine dayanan üretimi yenid- en canlandırmayı hedefleyen ve seri üretime
    [Show full text]
  • GUO PEI: an EXHIBITION Friday, 30 August 2019 5.45Pm Gathering Point – Membership Service Desk
    Reimagine Chinese aesthetics and tradition at this exhibition featuring couture creations by Guo Pei, the designer behind Rihanna’s 2015 Met Gala dress, and artworks from the Asian Civilisations Museum National Collection. GUO PEI: AN EXHIBITION Friday, 30 August 2019 5.45pm Gathering Point – Membership Service Desk Ticket Price – Singaporeans & Permanent Residents $12 Foreign Residents & Tourists $20 Don’t miss out on this rare chance to get a first-hand look at that yellow dress famously worn by Rihanna, as well as a Chinese export silver mug that was awarded to the winner of the 100-yard dash at the Singapore Cricket Club in 1881! Registrations close on Friday, 23 August 2019. About Guo Pei Almost two decades before Rihanna wore the now-iconic yellow cape to the Met Gala in 2015, she was already the designer of choice for high society and the political elite at home in China. In recent years, her Chinese bridal line has entered the mainstream, favoured by celebrities like Angelababy. In 2016, Guo Pei became the first China-born-and-trained fashion designer to be invited to join the esteemed Chambre Syndicale de la Haute Couture. That year, she was also named one of TIME Magazine’s “100 Most Influential People”. Her works have been shown in museums worldwide, including the Metropolitan Museum of Art, the National Silk Museum of China, the National Gallery of Victoria, Melbourne, and the SCAD FASH Museum of Fashion + Film in Atlanta. For more information and booking, please contact Ms Louis Neubronner at [email protected] Tel: 63389271 Ext.
    [Show full text]
  • 43Rd ANNUAL ATLANTA FILM FESTIVAL ANNOUNCES LINEUP of FEATURE LENGTH and SHORT FILMS
    FOR IMMEDIATE RELEASE: Press Contacts: Lindsay Corley, Allied Global Marketing (404) 975-4297; [email protected] Laura McLeod, Allied Global Marketing (404) 239-5428; [email protected] Ayana Fennell, Allied Global Marketing (404) 239-5421; [email protected] 43rd ANNUAL ATLANTA FILM FESTIVAL ANNOUNCES LINEUP OF FEATURE LENGTH AND SHORT FILMS ATLANTA, GA (February 28, 2019) — The 2019 Atlanta Film Festival (ATLFF) is pleased to reveal the lineup of feature length and short films for the 43rd annual celebration, taking place from Thursday, April 4 – Sunday, April 14, 2019. The lineup of films announced today was selected from a record-breaking 8,400+ film submissions, almost 1,000 more from the 2018 festival. Over 11 days, the festival will present 31 feature length films plus forthcoming Marquee screenings, 98 short films and 36 creative media presentations, including an array of music videos, virtual reality and episodic pilots. Among these selected films, 20 percent were born and bred through production or filmmaker(s) from Georgia. Additional programming, including Opening and Closing Night, Marquee screenings, Special Presentations, Creative Conference events and the return of SOUND+VISION, will be revealed soon. “In our 43 years, we have made enormous strides in providing not only top-notch film programming, but also hosting special presentations and educational events that enrich Atlanta’s film and arts community,” said Christopher Escobar, Executive Director of the ATLFF. “Year after year, we are even more thrilled to showcase our remarkable slate of films and welcome exceptional filmmakers into Atlanta’s booming film industry, which has no doubt grown each year in tandem with the festival.” The Atlanta Film Festival prides itself on continually supporting and expanding diversity in programming, and this year is no different with feature and short films hailing from over 45 countries across the globe.
    [Show full text]
  • Fashion-Making and Co-Creation in the Transglobal Landscape: Sino-Italian
    Modern Italy, 2019 Page 1 of 16, doi:10.1017/mit.2019.59 1 2 3 4 5 Fashion-making and co-creation in the transglobal landscape: 6 Sino-Italian fashion as method 7 8 9 Wessie Ling and Simona Segre Reinach 10 11 Department of Arts, Northumbria University, Newcastle-upon-Tyne, UK Department for Life Quality Studies, University of Bologna, Rimini, Italy 12 (Received 30 May 2019; final version accepted 30 September 2019) 13 14 15 Abstract The ‘making’ of fashion cannot merely refer to garment production and manufacturing. It is 16 the prerequisite for a nation to actively participate on the global stage. To establish a 17 ‘recognisable’ fashion image, a country must go far beyond the competition of a specialised 18 garment and textile industry. Being recognised as the ‘author countries’ for fashion creation 19 is part of a process in which the (re)negotiation of national hierarchies and roles are 20 constantly at play. For a country or a city, expressing an instantly recognis-able aesthetic has become an important corollary of the communication of political and economic 21 strength. More than in the past centuries, fashion has been tasked with not only reflecting 22 and representing social or individual needs, but also constructing ex novo ter-ritories in 23 which old stereotypes and imaginary are creatively set free. This is because, unlike most 24 production and commercial activities, fashion expresses an elaborate culture whose 25 composition of symbols, ideologies and lifestyles (Crane 2004) can be drawn on. On the other hand, the accelerated production relocation in past decades has irrevocably changed 26 the geography of fashion, as well as the rhetoric of the origin of national creativity.
    [Show full text]
  • Inside the SCAD FASH Guo Pei Exhibit By
    I Shall Wear a Gown: Inside the SCAD FASH Guo Pei Exhibit By Dominique S. Johnson Photo taken by Dominique Johnson Rihanna stunned the red carpet at the Met Gala in 2015 when she arrived in a striking yellow cloak. Everyone wanted to know one thing: who designed it? That night the designer, Guo Pei, received so much recognition numerous brands and designers wanted to work with her. Two years later, her rise to fame has led to her first US solo museum exhibit at SCAD FASH Museum of Fashion + Film in Atlanta. The exhibit, “Guo Pei: Couture Beyond,” features more than forty gowns, accordant footwear, and accessories from various collections by Guo. “The exhibit took two years of communication for everything to come together,” Rafael Gomes, director of Savannah College of Art and Design fashion exhibitions, says. “It was difficult because Guo Pei cannot speak English, so we had to translate our correspondence as best as we could. A lot of things got lost in translation.” In spite of the complications, Rafael and Alexandra Sachs, texecutive director of SCAD FASH, assembled a breathtaking exhibit for Guo. Since opening night in September, the museum has received more than 3,000 visitors. “Our visitors come in expecting to see the famous Rihanna dress but realize the designer has so much more to offer,” Sachs says. “It’s the wonderment and awe that draw people in.” Walking into the exhibit, visitors travel through Chinese culture and traditions. Each dress has its own incredible story. For instance, “Magnificent Gold,” shown below, from Guo Pei’s Samsara collection, took more than 50,000 hours to create.
    [Show full text]
  • Pursuit of the Future
    CURRICULUM GUIDE GRADES 9 – 12 PURSUIT OF THE FUTURE MARCH 27 – SEPT. 30, 2018 SCAD: The University for Creative Careers The Savannah College of Art and Design is a private, nonprofit, accredited university, offering more than 100 academic degree programs in more than 40 majors across its locations in Atlanta and Savannah, Georgia; Hong Kong; Lacoste, France; and online via SCAD eLearning. With more than 37,000 alumni worldwide, SCAD demonstrates an exceptional education and unparalleled career preparation. The diverse student body, consisting of nearly 14,000, comes from across the U.S. and more than 100 countries worldwide. Each student is nurtured and motivated by a faculty of nearly 700 professors with extraordinary academic credentials and valuable professional experience. These professors emphasize learning through individual attention in an inspiring university environment. The innovative SCAD curriculum is enhanced by advanced professional-level technology, equipment and learning resources, and has garnered acclaim from respected organizations and publications, including 3D World, American Institute of Architects, Businessweek, DesignIntelligence, U.S. News & World Report and the Los Angeles Times. For more information, visit scad.edu. Cover Image: Pierre Cardin, cocktail dresses with conical breasts, detail, 1966. Photo © Archives Pierre Cardin Table of Contents About SCAD FASH 1 About the Designer 3 About the Curriculum Guide 5 Learning Activities 1. Focus on the future 6 2. Analyze the effect of tech 8 3. Fashion new architecture 10 4. Pitch to perfection 12 5. Cultivate community arts 14 Educational Standards 16 Glossary 19 Curriculum Connections 20 Image Credits 23 Related SCAD Degree Programs 25 Sketches and Notes 29 Museum Map 30 About SCAD FASH SCAD FASH Museum of Fashion + Film celebrates fashion Jonathan Becker, Bill Cunningham and Omar Victor Diop.
    [Show full text]
  • Chen Man, V Ogue China Oct 2009
    photo: Chen Man, Vogue China Oct 2009 photo: Chen Man, Vogue What will 2017 bring? As a diversion from possible worries ahead, we continue our holiday series and delve again into contemporary Chinese culture. This year China Policy engages Timothy Coghlan, PRC fashion industry specialist, to update you on ‘what’s in’ on the local scene. craftsmanship modern look next gen designers fashionistas mainstreaming fashion And it’s the festive season. So slow down for a few moments, fish out your finery, and join us for a virtual tour of China’s style-setters. Best dressed brings alive the fashion world as hip flicks did for cinema and choice cuts for music. LV does Mao: Time Magazine’s 2005 China special cover featured this image by Cuban-born US-based artist Edel Rodriguez Most local talent gravitates to London, Paris and New York: the fashion industry’s global meccas. Yet, as exchange intensifies and local players and audiences mature, China’s rise as a fashion superpower seems but a matter of time. It has all the makings: a rich heritage, talented designers, a highly skilled and modern garment industry, a huge market; even a fashion-savvy first lady. CNN asks fashion critic Hung Huang 洪晃, Lane Crawford Hong Kong’s president Andrew Keith, and Poesia’s designer Chris Chang 张文轩 what it takes to create global fashion brands. craftsmanship 手艺 10,000 hours went into making Guo Pei’s 郭培 Blue and Porcelain dress in the 20th century craftspeople almost disappeared During wars, revolutions and modernisation campaigns, traditional craft skills were seen as outdated, sometimes politically sensitive, often redundant.
    [Show full text]
  • Deline André Couture
    Le Vendredi 07 juillet 2018 DELINE ANDRÉ COUTURE Comme le premier verticille, la robe que l'on Comme l'ennui de la féodalité provoquait la expose ne deviendra robe qu'une fois seule- révolution française. L'ennui de Maria Pétassa ment effeuillée et que les sépales ne soient pas Calenbouris, héritière du joaillier d’Athènes, identiques aux pétales comme chez le Camélia. ma voisine, ne créa rien de positif dans son Son inspiration n'est pas l'opéra de Verdi, et le cerveau. J'entends par là une étincelle d'intel- seul Duval que je vois ici, c'est le pastiche. ligence. Les tubercules qui s'avancent de la rousse qui Je suis allé au-delà de l'ennui atroce dans se donne des airs de Viviane, n'en reste qu'une l'Eden de certaines présentations. Mais, Adeli- pâle copie, chronique d'une artiste qui était ne André fait de la Haute Couture comme une dans le sillage de Marc Bohan, et qui n'a rien poulaine, pour mettre la couture à son pied, appris à son contact. Le talent est toujours me- mais pour André finalement, cela me semble nacé par l'insignifiant !!! normal, non ? Pourquoi raconter la défloraison ? En perspec- tive, toiles à régner à l'horizon, mais en tout cas pas sur le monde de la mode française. Mi- nimaliste disait ma voisine la Baronne de la Cystite Rhénale toujours en villegia-vergiture, c'est une couture très sobre, c'est à se demander si la sobriété était de ce défilé, car perdue dans les limbes vaporeuses de mousseline de la cou- leur du Spritz, boisson à la mode, les robes s'ouvraient comme la Baronne à mon endroit.
    [Show full text]
  • Paris Haute Couture Free
    FREE PARIS HAUTE COUTURE PDF Anne Zazzo,Olivier Saillard | 288 pages | 02 May 2013 | Editions Flammarion | 9782080201386 | English | Paris, France Haute Couture - Fédération de la Haute Couture et de la Mode Culture Trip stands with Black Lives Matter. In the world of haute couture, workers can spend up to Paris Haute Couture creating a single garment, which is designed for an exclusive clientele of about 2, buyers. If something is labelled haute couture, it means that it is Paris Haute Couture one-of-a-kind garment that has been custom-created for a specific client. Haute couture may be synonymous with French culture, but it Paris Haute Couture an Englishman who started the movement. When Charles Frederick Worth moved from Bourne, England, to Paris inhe began a dressmaking department at fabric store Gagelin, creating bespoke pieces for clients instead of simply selling them the materials to make their own clothes. Eventually, Worth opened his own boutique, Worth et Bobergh, at rue de la Paix, and quickly gained a dedicated and adoring clientele. It protects design houses such as Chanel, Givenchy and Valentino, as well as designers Paris Haute Couture only work in the haute couture field, such as Schiaparelli and Jean Paul Gaultier. In total, there are only 14 designers who bear the label of haute couture. Designers must have their own atelier with no less than 15 staff in addition to 20 technical staff members, which includes almost Paris Haute Couture, les petit mains, who provide the painstaking detail of couture pieceswhich is equipped to offer Paris Haute Couture showings for clients, and more than one fitting.
    [Show full text]
  • Guo Pei: Couture Beyond October 13, 2018 to January 20, 2019
    Guo Pei: Couture Beyond October 13, 2018 to January 20, 2019 TEACHER’S STUDY GUIDE FALL 2018 Contents Program Information and Goals................................................................................................................. 3 Background to the Exhibition Guo Pei: Couture Beyond..…………….……………………………........................4 Designer’s Background ............................................................................................................................. 5 Pre- and Post-Visit Activities 1. Background Information ............................................................................................................... 6 Background Information sheet……………………………………………………..…………………….………7 Student Worksheet…………………………………………………………………..………………………………. 8 Personal Style ................................................................................................................……….9 Student Worksheet ......................................................................................................……….10 2. Cultural Influences and Paper Cut-Outs ............................................................................…….. 11 Comparisons…………………………………………………………………………………..………………………. 12 Paper Cut-Out Templates…………………………………………………………………………………………. 13 3. Motifs and Design........................................................................................................................ 17 Flower & Fauna Imagery in Guo Pei Designs………………………………………………….............. 18 Vocabulary........................................................................................................................................………
    [Show full text]