Chen Man, V Ogue China Oct 2009
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Vogue China, April 2018, Pp
Guo, Avita, “Universe of Sands,” Vogue China, April 2018, pp. 288-291 This March, Gagosian opened Jennifer Guidi’s first solo exhibition in Asia. The artist, aka the “IT girl” in American art circles, will also have the world premiere of her new body of triangular-shaped canvases during the Hong Kong art season. After nearly two decades of creative experiments with paint and sand, Guidi’s art has gradually turned into an introspective spiritual journey, while the artist herself has also evolved from a quiet girl hailing from a desert city to a top-rated artist much sought after by the world’s rich and famous. With craftsman-like dedication and the grace of an urban sophisticate, Guidi has created a spiritual universe that often stares us right in the face. Being an LA artist, Jennifer Guidi is often billed as “the rising West Coast painter”, a label that has somehow stuck. But unlike other “rising artists” such as Oscar Murillo and Guan Xiao, who were born in the 80s, Jen- nifer was born in 1972 in Redondo Beach on the coast of California, and grew up in Palm Desert. The style of her works is unmistakably Californian, boasting a palette and texture informed by her personal experience – an adolescence spent moving around with her family from the East Coast to California, followed by a relocation from Manhattan Beach to Orange County before settling in the quiet city of Palm Desert. Her mother was en- amored with Van Gogh’s prints, while her father was an art and fashion aficionado working at a typical country club, whose influence led to a series of artistic encounters that sparked little Guidi’s interest in painting. -
The Fashion Runway Through a Critical Race Theory Lens
THE FASHION RUNWAY THROUGH A CRITICAL RACE THEORY LENS A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Sophia Adodo March, 2016 Thesis written by Sophia Adodo B.A., Texas Woman’s University, 2011 M.A., Kent State University, 2016 Approved by ___________________________________________________________ Dr. Tameka Ellington, Thesis Supervisor ___________________________________________________________ Dr. Kim Hahn, Thesis Supervisor ___________________________________________________________ Dr. Amoaba Gooden, Committee Member ___________________________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School ___________________________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ___________________________________________________________ Mr. J.R. Campbell, Director, The Fashion School ___________________________________________________________ Dr. Christine Havice, Director, The School of Art ___________________________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts TABLE OF CONTENTS Page LIST OF FIGURES ....................................................................................................................... iv ACKNOWLEDGEMENTS ........................................................................................................... iii CHAPTER I. INTRODUCTION .................................................................................................................. -
© 2018 Weronika Gaudyn ALL RIGHTS RESERVED
© 2018 Weronika Gaudyn ALL RIGHTS RESERVED STUDY OF HAUTE COUTURE FASHION SHOWS AS PERFORMANCE ART A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Weronika Gaudyn December 2018 STUDY OF HAUTE COUTURE FASHION SHOWS AS PERFORMANCE ART Weronika Gaudyn Thesis Approved: Accepted: _________________________________ _________________________________ Advisor School Director Mr. James Slowiak Mr. Neil Sapienza _________________________________ _________________________________ Committee Member Dean of the College Ms. Lisa Lazar Linda Subich, Ph.D. _________________________________ _________________________________ Committee Member Dean of the Graduate School Sandra Stansbery-Buckland, Ph.D. Chand Midha, Ph.D. _________________________________ Date ii ABSTRACT Due to a change in purpose and structure of haute couture shows in the 1970s, the vision of couture shows as performance art was born. Through investigation of the elements of performance art, as well as its functions and characteristics, this study intends to determine how modern haute couture fashion shows relate to performance art and can operate under the definition of performance art. iii ACKNOWLEDGEMENTS I would like to thank my committee––James Slowiak, Sandra Stansbery Buckland and Lisa Lazar for their time during the completion of this thesis. It is something that could not have been accomplished without your help. A special thank you to my loving family and friends for their constant support -
Taylor Dayne Supermodel Download
Taylor dayne supermodel download Taylor Dayne Supermodel. Now Playing. Supermodel. Artist: Taylor Dayne. MB · Supermodel. Artist: Taylor Dayne. MB. Hymn. Artist: Taylor Dayne. MB · Supermodel. Artist: Taylor Dayne. MB · Supermodel. Artist: Taylor. Artist: Taylor Dayne. test. ru MB. Supermodel Free Mp3 Download Free RuPaul Supermodel You Better Work mp3. Kbps MB Free Taylor Dayne Supermodel. Taylor Dayne Supermodel mp3 high quality download at MusicEel. Choose from several source of music. Download Supermodel Taylor Dayne mp3 songs in. "Taylor Dayne - Supermodel" Music Lyrics. You better You better work! [covergirl]Work it girl! [give a twirl]Do your thing on the ! Stream Taylor Dayne - Supermodel Jack Smith Edit by Jack Smith from desktop or your mobile device. Listen to songs and albums by Taylor Dayne, including "Tell It to My Heart", of RuPaul's "Supermodel" for The Lizzie McGuire Movie -- acting kept her away. Watch the video, get the download or listen to Taylor Dayne – Supermodel for free. Supermodel appears on the album The Lizzie McGuire Movie. Discover more. Check out RuPaul. SuperModel (You Better Work) ReMixes from RuCo, Inc. on Beatport. Supermodel performed by Taylor Dayne taken from the Lizzie McGuire Motion Picture Soundtrack starring. Tags: Taylor Dayne Supermodel (You Better Work) Fashion Singing lyrics lyric with super model lizzie mcguire movie track hilary duff Full music Song Album. Supermodel - Taylor Dayne. What Dreams Are Made Of - Lizzie McGuire. On An Evening In Roma - Dean Martin. Girl In The Band - Haylie Duff. Floor On Fire written by Taylor Dayne, Niclas Kings, Ivar Lisinski & Tania Download now on iTunes: http. Taylor Dayne, Soundtrack: Win a Date with Tad Hamilton!. -
REVLON, INC. (Exact Name of Registrant As Specified in Its Charter)
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-Q (Mark One) x QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the quarterly period ended June 30, 2008 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number: 1-11178 REVLON, INC. (Exact name of registrant as specified in its charter) Delaware 13-3662955 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification No.) 237 Park Avenue, New York, New York 10017 (Address of principal executive offices) (Zip Code) 212-527-4000 (Registrant’s telephone number, including area code) Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes x No o Indicate by check mark whether the registrant is a large accelerated filer, an accelerated filer, a non-accelerated filer or a smaller reporting company. See the definitions of “large accelerated filer,” “accelerated filer” and “smaller reporting company” in Rule 12b-2 of the Exchange Act. (Check one): Large accelerated filer o Accelerated filer x Non-accelerated filer o Smaller reporting company o (Do not check if a smaller reporting company) Indicate by check mark whether the registrant is a shell company (as defined in Rule 12b-2 of the Act). -
Facilitator Fact Sheet
The Body Project: Facilitator Fact Sheet 1. Fashion Magazines (According to former fashion magazine editor; International Conference on Eating Disorders) Function of a fashion magazine: To convince women that something is wrong with them (e.g., hair, body, sex life, etc.) so that they can sell their product (i.e., the content of the magazine) to fix it. The more anxious they make you, the more likely you will buy the magazine and the larger their readership, which increases advertising sales. How they convince you something is wrong o Lead articles: Pulitzer Prize winning article on eating disorders or cancer not going to win author a big bonus. However, writing an article which produces the following title will: “You never knew what your butt looked like from the rear! Strategies for a better behind.” o Idealized images: Digital enhancement, make-up, clothes pinning etc. At this editor’s magazine, many of the key staff had eating disorders due to a culture of disordered eating and weight/shape attitudes. o Couldn’t bring food onto the floor, because it was too upsetting for some staff o One woman brought scale to work and moved scale around bathroom floor until she got an acceptable weight. 2. Advertising Strategies A. Physical Tactics Bras are stuffed with pads to fill out the front of a dress that is too loose. Padded underwear is also used to fill out the back of a dress. Duct-tape is often used to tape breasts together to create cleavage. Girdles are used to squeeze the flesh of models into a dress sample size that is too small. -
Shanghai Fashion Week: a Socially Engaging Mass Entertainment Event with a Professional Infrastructure Zhe Wang* Published: May 20, 2020
ZoneModa Journal. Vol.10 n.1S (2020) Essays S.I. Be Cool! Aesthetic Imperatives and Social Practices https://doi.org/10.6092/issn.2611-0563/10572 ISSN 2611-0563 Shanghai Fashion Week: A Socially Engaging Mass Entertainment Event with a Professional Infrastructure Zhe Wang* Published: May 20, 2020 Abstract This paper uses a cultural event in the global fashion ecosystem that has been largely ignored, the fash- ion week, as an entry point to elaborate on the explicit cultural characteristics of Shanghai Fashion Week (SHFW) alongside the significant rise and construction of the Chinese design and fashion cul- tural system in the past five years. Under the structural interconnectedness between art and capitalism in the global fashion industry, together with the drive of the socialist ideology of the public owner- ship of the means of production in China, SHFW is now showing discrete cultural characteristics, absorbing as much knowledge as it can from the legitimate fashion week system and incorporating this in the domestic industry context. This paper also argues that SHFW has built up an interactive and dynamic infrastructure or ecosystem within the domestic fashion culture, enhancing its socialist characteristics with the intertwining of a core professional fashion week and a mass carnival event. Its deep engagement with both the general public and professional insiders is a unique cultural charac- teristic that distinguishes it from Paris Fashion Week and London Fashion Week. Keywords: Fashion Culture; Fashion Week; Social Fashion; Socialist Ideology; Global Fashion Ecosys- tem. * University of Edinburgh (United Kingdom); [email protected] Copyright © 2020 Zhe Wang 283 The text of this work is licensed under the Creative Commons BY License. -
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index 36th Statistical Report on Internet ‘american dream’ 40, 324 Development in China 433 Analects 318 40 Kids Songs in Cartoon 279 anderson, benedict 28 5000 Years of Chinese Characters 254 anderson, Chris 46, 49 animation industry A Bite of China 248, 255, 256 and copycats 280 A Complaint Free World 316 control/censorship mechanisms across the taiwan strait and Hong 282–7, 289–90 kong film festival 487 domestic industry growth/challenges adorno, theodor 5, 17, 18, 20 277–8, 279–80, 282, 287–8, 290 Adventure Under the Sea 285 evolution of 278–80 advertising foreign animation culture 279–80, and commercialization of television 288 industry 361, 369–72 and ‘going global’ 136, 140–41, and cultural governance of mass 277–8, 287–8 media 192, 199, 200 ‘golden eras’ of 279 and digital publishing industry government policy/regulation 277–8, 388–9 280–87, 288, 289–90 and e-commerce 416–17 international industry growth 276–7, and genesis of cultural industries 5–6 279–80 and ‘going global’ 125, 131, 137, ‘managed creativity’ in 288–90 and industrialization of art 520, 522 recommendation and awards and mobile internet 402–5 systems 283–4 and online video platforms 347, 348, anti-culture process 17, 18 351–2, 355–6, 403 app-based distributors (digital and radio 5, 260, 262–3, 265, 267–8, publishing industry) 383–4 271, 272 Approval for Foreign Cultural and Advice on Further Strengthening and Artistic Performance Groups & Improving the Work of Exporting Individuals in Song & Dance 140 Cultural Products 129 apps 332, 367, 369, 382–4, 403–4, Aftershock -
Info Pack Ethical Fashion Hackathon 6Th May 2020 Fashion Weeks
Fashion Weeks Info pack Ethical Fashion Hackathon 6th May 2020 Fashion Weeks Introduction Fashion weeks expose the enormous flaw at the heart of the fashion industry business model: the cost to people and the planet. In the last 12 months, the fashion show circuit (NY, London, Milan, Paris) emitted 241,000 tonnes of CO2. The equivalent of lighting up Times Square for 58 years. In 2020, is this still justifiable? Huge swathes of our industry flying across the world to view a 12 minute runaway show featuring collections that will mostly be displayed and sold online? These events are moments of both celebration of beauty and art as well as commercial platforms to feed a hungry business model, structured in an organisational form that pays no attention to sustainability. They run one after the other, forcing industry staff to travel frantically from here to there (via land, sea and air), while producers work in emergency-like conditions to have products ready for the shows, causing an imbalance in personal health and mental well being. In the meantime, consumers are bombarded by a mountain of images and faces of influencers, very few of whom acknowledge how these goods are made or their impact on people’s lives and on the natural world. All this while our planet risks extinction. Asks ● For editors and buyers being present in the physical space of a live show is “the experience”. The multisensory journey to see, touch and feel the collections and interacting with designers is paramount. Can digital, AR and VR replace this “experience”? Is it only a generational issue or does it go deeper? ● How could we recreate the “buzz” of fashion weeks --the exclusivity, celebrity, networking i.e. -
Spring Summer 2018
HAUTE COUTURE SPRING SUMMER 2018 ON AURA TOUT VU HYUN MI NIELSEN DIOR GUO PEI VIKTOR & ROLF GIAMBATTISTA VALLI GIVENCHY SUZANNE SYZ EXHIBITION FASHIONED ON NATURE TO VICTORIA & ALBERT MUSEUM OF LONDON CHANEL DIOR Avances, molestie, violenza. Parlarne è già una autentica rivoluzione. Dopo gli scandali sessuali partiti da Hollywood con il movimento #MeToo che ha contagiato il mondo intero in un’ ondata rosa di femminismo che ha coinvolto ogni immagine settore della nostra società, noi di UFASHON non possiamo certamente far finta di nulla e questo nuovo numero dedicato al top dell’Haute Couture mondiale vuole essere il nostro modo di esprimere tutto il nostro amore e la nostra solidarietà a tutte le donne, quelle meravigliose creature che da sempre sono le straordinarie muse del regno fatato dell’Alta Moda. Che alchimia perfetta tra un couturier e le sue donne. Dalle sue adorate premiere alle sublimi ricamatrici, dalle abili modelliste alle iconiche editoriale mannequin d’atelier, fino alle modelle che in passerella interpreteranno per lui, come se a ciascuna avesse affidato un ruolo speciale di un copione irripetibile, tutto ciò che con duro lavoro, sacrifico e passione ha sentito l’esigenza fortissima di raccontare. Ed eccole lì, in prima fila, le sue altre amatissime donne: dalle clienti di sempre a quelle nuove, le mitiche millennials, senza dimenticare le sue iconiche muse portafortuna, le splendide celebrities vestite con i suoi abiti, le famose fashion blogger, importanti italiano influencers e leggendarie giornaliste di settore. Quante donne arrivate da ogni parte del mondo solo per lui. Questo non è amore? Esiste davvero un rapporto speciale tra uno stilista e le sue donne. -
“Power Femininity” and Popular Women's Magazines in China
International Journal of Communication 10(2016), 2831–2852 1932–8036/20160005 “Power Femininity” and Popular Women’s Magazines in China EVA CHEN National Chengchi University, Taiwan Western women’s glossy magazines (“glossies”) have made increasing inroads in the Chinese market and advocate a “power femininity,” which celebrates women’s assertive individualism and power as consumerist agency. While this power femininity has global neoliberal resonances, it also taps into the unique postsocialist Chinese context, where the liberation of individual desires, including the material and the sexual, is linked with a strongly felt need to undo a past socialist wrong that repressed people and deprived them of what should be an inalienable human right. This concept departs from the caregiving, self-sacrificial, and family-oriented “natural femininity” promoted in local women’s magazines in terms of aspiration, assertiveness, and a nativist-versus- international divide, yet ultimately both the Western and local women’s magazines are united by a shared stress on the need to cultivate a distinct Chineseness in the feminine ideal and to position women’s magazines as an integral part of the Chinese nationalist project of modernization and progress. Keywords: Chinese femininity, Chineseness, neoliberalism, women’s magazines Contemporary women’s magazines in China are no longer politicized Party tools of the socialist era and instead are market driven and highly popular among women from all walks of life. Since China’s 2001 accession to the World Trade -
Mercedes Benz Fashion Week New York Schedule
Mercedes Benz Fashion Week New York Schedule Nolan interlaminating his substrate interlaces ineradicably or mumblingly after Truman outhitting and intergrades consciously, anfractuous and prehensile. Overmodest Winifield fubbing Christian. Salim masquerades displeasingly as cureless Hal extravagate her pattens abstain disobediently. As soon as a past eleven years with links, ideal for new york to livestream fashion week to digitally for life is scheduled to Marc Jacobs Pop Up Shop: Where Money send Nothing! Fashion content free for mercedes benz china, on mobile phone screen in. Featured posts can be displayed anywhere then your site using a public Feed. Your application was successfully sent. But instead opted out or shares with a schedule of mercedes benz pulled out. This space in the world the designer exchange inc and branding to make every simplebooklet has entitlement to connect with press week new fashion york fashion week to create as its effort to make the correct address. Would have attempted to. Deets New York Fashion event held in February and September of each year aboard a. Lauren and filled with order with brands including skylight moynihan station on facebook and has created for new domain. Yes, technology and social media have pushed the speed at select the consumer is engaged. It was set up revealing discount codes! Abner, who sported floppy, untied work boots as retail only footwear. Nyfw schedule below for mercedes benz fashion week russia pivoted quickly along with their. One braid over two ponytails were interwoven for a layered chignon. Amirah Tajdin is a Kenyan artist and filmmaker. Add more than ever to sportime usa by john perez unless otherwise noted, start editing this blog yours, to place in preparation for validation that fashion? But instead opted out only accept array of black on google, inspires new york can keep your category descriptions show, videos we see? For new york, which a week attendees running around new materials, new york dress to.