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Creating change for good ITV Responsibility Corporate Responsibility Summary Report 2017 Contents About us As an integrated producer broadcaster, we create, own and distribute high quality entertainment on multiple platforms globally. Since our first broadcast in 1955, we’ve grown into an integrated About us 1 producer broadcaster with an increasingly global and diversified How we do business 2 operating footprint. We run the largest commercial family of channels in the UK, as well as deliver programmes on demand through numerous Our Corporate Responsibility Strategy 3 platforms directly and on the ITV Hub. 2017 highlights and achievements 4 Our global production business, ITV Studios, creates and sells Did you programmes and formats from offices in the UK, US, Australia, France, People Germany, the Netherlands, the Nordics and Italy. It’s the largest and most successful commercial production company in the UK, and a know… Our commitments 6 leading unscripted independent producer in the US and Europe. In 2017, 54% of ITV Studios revenue was from outside the UK. ITV Studios Global Our website Case studies 7 Entertainment is a leading international distribution business, offering a Find out more on what we do at catalogue of over 45,000 hours of world-class television and film. In 2017, our itvresponsibility.com, including: Planet We reach 80% of the UK’s TV-watching population each week. group external Our commitments 8 Internationally, we’ve continued to grow with operations in 11 countries Reports and more than 6,300 colleagues based across the globe. revenue was over Policies Case studies 9 Toolkits In 2017, we continued to build significant scale in key creative markets £3.1 billion Latest news around the world, creating and producing programmes and formats Partnerships that return and travel, namely drama, entertainment and factual Our commitments 10 entertainment. -
Broadcast and on Demand Bulletin Issue Number
Ofcom Broadcast and On Demand Bulletin Issue number 312 12 September 2016 1 Ofcom Broadcast and On Demand Bulletin 312 12 September 2016 Contents Introduction 3 Broadcast Standards cases In Breach I Spit on Your Grave Horror Channel, 28 March 2016, 22:45 5 Zing Jukebox Live Zing, 21 June 2016, 16:30 9 Desi Street TV99, 5 March 2016, 10:00 12 Not in Breach Love Island 30 June 2016, ITV2, 21:00 21 Broadcast Licence Conditions cases In Breach Retention and production of recordings Top Pop, 13 March 2016 27 Broadcast Fairness and Privacy cases Not Upheld Complaint by Ms G on behalf of her son (a minor) Channel 4 News, Channel 4, 6 January 2016 29 Complaint by Miss Lauren Reis The House of Hypochondriacs, Channel 4, 24 November 2015 43 Tables of cases Investigations Not in Breach 75 Complaints assessed, not investigated 76 Complaints outside of remit 85 Investigations List 87 2 Ofcom Broadcast and On Demand Bulletin 312 12 September 2016 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. Ofcom must include these standards in a code, codes or rules. These are listed below. The Broadcast and On Demand Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes and rules below, as well as licence conditions with which broadcasters regulated by Ofcom are required to comply. -
The Fashion Runway Through a Critical Race Theory Lens
THE FASHION RUNWAY THROUGH A CRITICAL RACE THEORY LENS A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Sophia Adodo March, 2016 Thesis written by Sophia Adodo B.A., Texas Woman’s University, 2011 M.A., Kent State University, 2016 Approved by ___________________________________________________________ Dr. Tameka Ellington, Thesis Supervisor ___________________________________________________________ Dr. Kim Hahn, Thesis Supervisor ___________________________________________________________ Dr. Amoaba Gooden, Committee Member ___________________________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School ___________________________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ___________________________________________________________ Mr. J.R. Campbell, Director, The Fashion School ___________________________________________________________ Dr. Christine Havice, Director, The School of Art ___________________________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts TABLE OF CONTENTS Page LIST OF FIGURES ....................................................................................................................... iv ACKNOWLEDGEMENTS ........................................................................................................... iii CHAPTER I. INTRODUCTION .................................................................................................................. -
News: for Immediate Release Made in Bristol & on Screens This Christmas: the Trial of Christine Keeler, the Cure, His Dark M
News: for immediate release Made in Bristol & on screens this Christmas: The Trial of Christine Keeler, The Cure, His Dark Materials, The Crystal Maze Celeb Xmas Special, Tipping Point Lucky Stars Xmas Special Coming in 2020: The Pale Horse, Invisible, War of the Worlds, Salisbury BRISTOL, 18 December 2019: This year’s festive guide is full of TV shows made in Bristol to enjoy this Christmas - and there’s plenty of locally-made titles to look forward to in 2020 too. Here’s a roundup of shows to look out for, all filmed at The Bottle Yard Studios and/or on location in Bristol, with assistance from Bristol Film Office. Clockwise from top left: The Cure (Story Films / Channel 4), The Crystal Maze Celebrity Christmas Special (Fizz TV / RDF Television / Channel 4), The Trial of Christine Keeler (Mammoth Screen / BBC), Tipping Point Lucky Stars Christmas Special (Fizz TV / RDF Television / ITV) The Cure: Thursday 19th December, Channel 4, 9pm Based on the inspiring real-life story of Julie Bailey, The Cure is the story of an ordinary woman who exposed one of the worst hospital care scandals in the history of the NHS. Starring Sian Brookes, Sue Johnston and Hannah Rae, the one-off drama charts the scandal at Stafford Hospital which came to national attention in 2008. Produced by Story Films for Channel 4, The Cure filmed in Bristol in April ’19 at locations including City Hall, College Green, Canford Cemetery, Badock Woods and Wellington Hill West. His Dark Materials series finale: Sunday 22nd December, BBC One, 9pm Jack Thorne’s highly anticipated adaptation of Philip Pullman’s acclaimed series of novels reaches its series finale on 22 December. -
Guardian and Observer Editorial
Monday 01.01.07 Monday The year that changed our lives Swinging with Tony and Cherie Are you a malingerer? Television and radio 12A Shortcuts G2 01.01.07 The world may be coming to an end, but it’s not all bad news . The question First Person Are you really special he news just before Army has opened prospects of a too sick to work? The events that made Christmas that the settlement of a war that has 2006 unforgettable for . end of the world is caused more than 2 million people nigh was not, on the in the north of the country to fl ee. Or — and try to be honest here 4 Carl Carter, who met a surface, an edify- — have you just got “party fl u”? ing way to conclude the year. • Exploitative forms of labour are According to the Institute of Pay- wonderful woman, just Admittedly, we’ve got 5bn years under attack: former camel jockeys roll Professionals, whose mem- before she flew to the before the sun fi rst explodes in the United Arab Emirates are to bers have to calculate employees’ Are the Gibbs watching? . other side of the world and then implodes, sucking the be compensated to the tune of sick pay, December 27 — the fi rst a new year’s kiss for Cherie earth into oblivion, but new year $9m, and Calcutta has banned day back at work after Christmas 7 Karina Kelly, 5,000,002,007 promises to be rickshaw pullers. That just leaves — and January 2 are the top days 16 and pregnant bleak. -
Big Brother As Ritual Event
CORE Metadata, citation and similar papers at core.ac.uk Provided by LSE Research Online Nick Couldry Playing for celebrity: Big Brother as ritual event Article (Accepted version) (Refereed) Original citation: Couldry, Nick (2002) Playing for celebrity: Big Brother as ritual event. Television & new media, 3 (3), pp. 283-293. DOI: 10.1177/152747640200300304 © 2002 SAGE Publications Ltd This version available at: http://eprints.lse.ac.uk/17652/ Available in LSE Research Online: September 2013 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. PLAYING FOR CELEBRITY: BIG BROTHER AS RITUAL EVENT NICK COULDRY Although Big Brother in the UK is now two series old, with a third series planned for 2002, there is a special reason for concentrating, as I do here, on the first Big Brother series broadcast in the UK by Channel Four (July-September, 2000, hereafter ‘BBUK1’). -
Scholars Publishing Table of Contents
SUB Hamburg A/542119 Celebrity Colonialism: Fame, Power and Representation in Colonial and Postcolonial Cultures Edited by Robert Clarke CAMBRIDGE SCHOLARS PUBLISHING TABLE OF CONTENTS Acknowledgements ix The Idea of Celebrity Colonialism: An Introduction 1 Robert Clarke Part One: Celebrities and the Colonial Moment Missionaries and Celebrity within the Transatlantic World: The Ojibwa of Upper Canada, 1830-1860 15 Cecilia Morgan Colonial Celebrities in Popular Culture: Heroes of the British and French Empires, 1850-1914 37 Berny Sebe The Sacred Celebrity Body: Swami Vivekananda's American Tours 55 Julie F. Codell Sigmund's Asian Fan-Club? The Freud Franchise and Independence of Mind in India and Japan 73 Christopher Harding Part Two: Celebrity, Travel and Benevolence Dying for Our Sins: Christian Salvation Rhetoric in Celebrity Colonialism /. 91 Spring-Serenity Duvall Celebrity Culture and the Rise of Narcissistic Interventionism 107 Philip Hammond The White Woman's Burden: Media Framing of Celebrity Transnational Adoptions 123 Hilde Van den Bulck vi Table of Contents Our Man in India: William Dalrymple as Traveller and Public Intellectual 141 Rebecca Dorgelo Part Three: Celebrities and Subalternity Salman Rushdie: The Postcolonial Writer as Global Brand 159 Wenche Ommundsen Shah Rukh Khan: Bollywood Superstar and Icon of the Postcolonial Nation 173 Shakuntala Rao Resisting the Ethical Violence of Coercive Aboriginality: David Gulpilil 189 Felicity Collins Poppadoms, Princesses and Privilege: (Neo)Colonial Racism in the Celebrity Big Brother Household 209 Damien W. Riggs Kledi Kadiu: Italian National Cinema and Postcolonial Stardom 225 Derek Duncan Crocodile Tears: The Life and Death of Steve Irwin 239 Graham Huggan Part Four: Celebrities and Africa Celebrity Colonialism and Conservation in Africa 255 Dan Brockington and Katherine Scholfield Representing Africa? Photography, Celebrity and Vanity Fair 275 Carol Magee Mandela: Constructing Global Celebrity as a Political Tool 291 P. -
© 2018 Weronika Gaudyn ALL RIGHTS RESERVED
© 2018 Weronika Gaudyn ALL RIGHTS RESERVED STUDY OF HAUTE COUTURE FASHION SHOWS AS PERFORMANCE ART A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Weronika Gaudyn December 2018 STUDY OF HAUTE COUTURE FASHION SHOWS AS PERFORMANCE ART Weronika Gaudyn Thesis Approved: Accepted: _________________________________ _________________________________ Advisor School Director Mr. James Slowiak Mr. Neil Sapienza _________________________________ _________________________________ Committee Member Dean of the College Ms. Lisa Lazar Linda Subich, Ph.D. _________________________________ _________________________________ Committee Member Dean of the Graduate School Sandra Stansbery-Buckland, Ph.D. Chand Midha, Ph.D. _________________________________ Date ii ABSTRACT Due to a change in purpose and structure of haute couture shows in the 1970s, the vision of couture shows as performance art was born. Through investigation of the elements of performance art, as well as its functions and characteristics, this study intends to determine how modern haute couture fashion shows relate to performance art and can operate under the definition of performance art. iii ACKNOWLEDGEMENTS I would like to thank my committee––James Slowiak, Sandra Stansbery Buckland and Lisa Lazar for their time during the completion of this thesis. It is something that could not have been accomplished without your help. A special thank you to my loving family and friends for their constant support -
TV Presenter Gloria Hunniford
‘People think I’m laid-back but I’m impatient. I’d drive on the hard shoulder in a jam if I could get away with it’ DEFINITE The happiest moment you will cher- ish forever… Being at the births of Caron’s boys Charlie and Gabriel, and Paul’s son Jake. The saddest time that shook your world… Without question, Caron’s ARTICLE death. To lose your child is the worst We ask a celebrity a set of devilishly thing that can happen to a parent. I think probing questions – and only accept about her hundreds of times a day. The unfulfilled ambition that contin- THE definitive answer. This week ues to haunt you… To become super- fit. There’s always an excuse not to. it’s TV presenter Gloria Hunniford The philosophy that underpins your The prized possession you value The priority activity if you were the life… Helping is part of my healing above all others… My 12 albums and Invisible Woman for a day… I’d reset the and I do this through the Caron Keat- drawers full of old family photos. computers that regulate London’s traf- ing Foundation, which supports people They’re the keys to my precious fic lights. So many are timed badly and suffering from all forms of cancer. memories and are irreplaceable. cause unnecessary hold-ups. The order of service at your funeral… The biggest regret you wish you could The pet hate that makes I want a big send-off with everyone amend… Never learning to play the your hackles rise… welcome at St Peter’s Church in Hever, piano. -
Artiest Titel Nummer 10.000 Maniacs Because the Night
ARTIEST TITEL NUMMER 10.000 MANIACS BECAUSE THE NIGHT KAR 09-084 10.000 MANIACS LIKE THE WEATHER KAR 09-083 10.000 MANIACS MORE THAN THIS KAR 09-082 10.000 MANIACS TROUBLE ME KAR 09-081 10 CC DONNA KAR 09-017 10 CC DREADLOCK HOLIDAY KAR 09-016 10 CC I'M MANDY KAR 09-015 10 CC I'M NOT IN LOVE KAR 09-014 10 CC RUBBER BULLETS KAR 09-013 10 CC THE THINGS WE DO FOR LOVE KAR 09-012 10 CC WALL STREET SHUFFLE KAR 09-011 10 YEARS THROUGH THE IRIS TH 06-382 11:30 OLE OLE KK 06-008 112 DANCE WITH ME KAR 09-075 112 IT'S OVER NOW KAR 09-074 112 PEACHES AND CREAM KAR 09-073 1910 FRUITGUM CO SIMON SAYS SF 028-010 2 BE 3 AUCUNE FILLE AU MONDE FR-192 2 BE 3 PARTIR UN JOUR FR-193 2 BE 3 TOUJOURS LA POUR TOI FR-185 2 EVISA OH LA LA LA SF 114-010 2 LIVE CREW DOO WAH DIDDY KAR 09-070 2 LIVE CREW ME SO HORNY KAR 09-069 2 LIVE CREW WE WANT SOME PUSSY KAR 09-068 2 PAC CALIFORNIA LOVE SF 049-004 2 PAC CHANGES KAR 09-066 2 PAC UNTIL THE END OF TIME KAR 09-065 2 UNLIMITED NO LIMITS KAR 09-064 20 FINGERS SHORT DICK MAN KAR 09-063 21ST CENTURY GIRLS 21ST CENTURY GIRLS SF 140-010 3 DOORS DOWN AWAY FROM THE SUN KAR 09-062 3 DOORS DOWN BE LIKE THAT RM-009 3 DOORS DOWN DUCK AND RUN KAR 09-060 3 DOORS DOWN HERE WITHOUT YOU SPC 20-001 3 DOORS DOWN KRYPTONITE KAR 09-059 3 DOORS DOWN LANDING IN LONDON TH 06-253 3 DOORS DOWN WHEN I'M GONE SPC 20-002 ARTIEST TITEL NUMMER 3 OF HEARTS ARIZONA RAIN KAR 09-019 3 OF HEARTS LOVE IS ENOUGH KAR 09-057 3 OH! 3 & KATE PERRY STARSTRUKK SF 286-011 3 SL TAKE IT EASY KAR 09-056 30 SECONDS TO MARS KINGS AND QUEENS SF MW 920- 007 30 SECONDS -
Report of the Auditors
UTV Media plc Report & Accounts 2013 Contents Summary of Results 2 Chairman’s Statement 3 Who We Are 5 Radio GB 6 Radio Ireland 8 Television 10 Strategic Report 12 Board of Directors 27 Corporate Governance 30 Corporate Social Responsibility 43 Report of the Board on Directors’ Remuneration 48 Report of the Directors 63 Statement of Directors’ Responsibilities in relation to the Group Financial Statements 67 Directors’ Statement of Responsibility under the Disclosure and Transparency Rules 67 Report of the Auditors on the Group Financial Statements 68 Group Income Statement 71 Group Statement of Comprehensive Income 72 Group Balance Sheet 73 Group Cash Flow Statement 74 Group Statement of Changes in Equity 75 Notes to the Group Financial Statements 76 Statement of Directors’ Responsibilities in relation to the Parent Company Financial Statements 120 Report of the Auditors on the Parent Company Financial Statements 121 Company Balance Sheet 122 Notes to the Company Financial Statements 123 Registered Office and Advisers 126 1 UTV Media plc Report & Accounts 2013 Summary of Results Financial highlights on continuing operations* • Group revenue of £107.8m (2012: £112.3m) - down 11% in the first half of the year and up 3% in the second half • Pre-tax profits of £16.9m (2012: £20.1m) • Group operating profit of £20.1m (2012: £23.4m) - down 36% in the first half of the year and up 10% in the second half • Net debt £49.1m (2012: £49.4m) • Diluted adjusted earnings per share from continuing operations of 14.27p (2012: 16.63p) • Proposed final dividend of 5.25p maintaining full year dividend of 7.00p (2012: 7.00p) * As appropriate, references to profit include associate income but exclude discontinued operations. -
Secret Love Affair... Alan Reveals All
DP1475 28pg Bri Isles2.qxd 8/16/04 3:11 PM Page 6 Secret love affair... Alan reveals all or the last 18 months,Alan Titchmarsh has been quietly cultivating Fa secret love affair … but it won’t be a secret much longer. The wholesome family man has been spotted at locations across the country, cheeks flushed, eyes moist with emotion, caught (as one of his steamy novels might have it) in the crossbeams of passion. He describes his new love as “achingly beautiful”,“awe-inspiring” and “full of surprises”. But, he readily admits, she’s no spring chicken: in fact, she’s three billion years old.Alan, you see, has lost his heart to the British Isles. Ben Nevis from Aonach Mor 06 bbc.co.uk/nature DP1475 28pg Bri Isles2.qxd 8/16/04 3:11 PM Page 7 In BBC One’s British Isles: A Natural History,Alan travels the length and breadth of the nation to guide viewers through the millions of years of evolution that have shaped the now-familiar face of our landscape and wildlife. From the frozen summit of Ben Nevis to the sun-baked Isles of Scilly, he opens a window on Britain’s fascinating past and its stunning present – and invites viewers to stick out their heads. “What I hope this series does more than anything is to make people aware of the astounding beauty and Hadrian's Wall fascination of the islands we live in. I hope it infects people with a willingness to cherish them and to really care about them,” says Alan.“The series opens a window on our world and I want people to stick their heads out of it and say,‘Wow! We must take care of these islands – they’re fantastic, they’re tremendous, Bluebell wood they’re like nothing else on Earth.’” It’s the perfect job for a man who, at the helm of “Wow! We must take care of these both Gardeners’World and Ground Force, dedicated the islands – they’re fantastic, they’re best part of the last decade to getting us tremendous, they’re like nothing else interested in what lies outside our backdoors.