Mercedes Benz Fashion Week New York Schedule
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Puma Kylie Rihanna 1
Buzz Queens Why Rihanna and Kylie Jenner are critical to Puma’s ambitious new women’s push. By Sheena Butler-Young GE CHINSEE R O E S: G R THE O L AL AND; R B F O Y S E T R U O C : BU AM J OCK; ST R SHUTTE X Behind S: LEPORE: RE the scenes ofO a recent FentyOT design meetingPH ver Easter weekend, why Puma is making the trendset- are nothing new, but the German Rihanna was relishing ting songstress a cornerstone of its footwear-and-apparel maker’s col- a rare few hours of business strategy. laborations with two of pop culture’s O downtime in New But the brand isn’t stopping there. most influential women are not of Last week, the highly anticipated the garden variety. from her Anti World Tour. Scores sneaker from Puma’s campaign with Rihanna, Puma’s women’s creative of paparazzi snapped flicks of the Kylie Jenner hit stores, fueling a new director since December 2014, and UMA P star as she ran errands in a black wave of buzz after the queen of social Kylie Jenner, the brand’s newest F O Vetements hoodie and fur slides media teased her partnership for the ambassador, represent a strategic Y S E T from her Fenty x Puma collection. past month on Instagram. R U O Make no mistake about it: Puma to the women’s market in an unprec- C S: Rihanna’s every fashion move is a is serious about girl power. edented way. O OT statement for the masses. -
Architecting Intellectual Property Protection for the Fashion Industry by Ashlee Froese Gilbert’S LLP
Fashioning Protection For Canada’s Most Fabulous: Architecting Intellectual Property Protection for the Fashion Industry By Ashlee Froese Gilbert’s LLP 1. Introduction Fashion matriarch Coco Chanel once famously stated that imitation is the highest form of flattery. I wonder if renowned shoe designer Christian Louboutin, who has been embroiled in trade-mark litigation in America and France for the last few years over his red-bottomed shoes, would agree. In the legal world, counterfeiting has long been acknowledged as a serious and costly piranha to the fashion industry. This is not the only hurdle facing the fashion designer. Less recognized yet arguably just as pervasive, fashion design piracy can be devastating to the livelihood of the fashion designer. This legal doctrine, however, has had slow traction in Canada. This paper examines the concept of fashion design piracy and provides strategies on how fashion designers can best protect their fashion designs within the confines of the Canadian intellectual property framework. 2. Canada’s Fashion Industry Canada’s roots are deeply entrenched in the fashion industry. Canada’s fur trade was the leading resource-based export for Canada during its inception, making it a foundation of the burgeoning economy. The fur trade continues to be a significant contributor to the Canadian economy.1 In fact, the Fur Institute of Canada estimates that the fur industry contributes $800 million to the Canadian 2 economy. 1 No animals were harmed during the writing of this paper. 2 Fur Institute of Canada “Canada’s Fur Trade at a Glance” http://www.fur.ca/files/fur_trade_at_a_glance.pdf 2 Perhaps more palatable to animal lovers, Canada’s fashion industry has become more well-rounded. -
The Fashion Runway Through a Critical Race Theory Lens
THE FASHION RUNWAY THROUGH A CRITICAL RACE THEORY LENS A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Sophia Adodo March, 2016 Thesis written by Sophia Adodo B.A., Texas Woman’s University, 2011 M.A., Kent State University, 2016 Approved by ___________________________________________________________ Dr. Tameka Ellington, Thesis Supervisor ___________________________________________________________ Dr. Kim Hahn, Thesis Supervisor ___________________________________________________________ Dr. Amoaba Gooden, Committee Member ___________________________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School ___________________________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ___________________________________________________________ Mr. J.R. Campbell, Director, The Fashion School ___________________________________________________________ Dr. Christine Havice, Director, The School of Art ___________________________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts TABLE OF CONTENTS Page LIST OF FIGURES ....................................................................................................................... iv ACKNOWLEDGEMENTS ........................................................................................................... iii CHAPTER I. INTRODUCTION .................................................................................................................. -
2 3 Fashion Council Germany
FASHION COUNCIL GERMANY Steinrohner x Laurèl presentation at FCGFIREDSIDECHATBerlin, July 2nd 2018. 2 3 FASHION COUNCIL GERMANY Fashion Council Germany Pop Up Shop at Bikini Berlin. 4 5 FASHION COUNCIL GERMANY FASHION NETWORK creation is value of industry, fashion designers and start-ups MENTORING with branch experts COORDINATION of trade fairs and event appointments LOBBY for German fashion in politics, the economy and culture POSITION German fashion as a cultural and economic commodity PRESENTATION of German fashion and designers in the international market SUPPORT of young designers MEDIATOR between politics, media, culture and industry 6 7 FASHION COUNCIL GERMANY | PREFACE Fashion as a twice yearly show event is nice, but, fashion 365 days a year, enriching our everyday culture is even better. That’s exactly our issue: with the Fashion Council Germany we want to raise awareness by making fashion design in and from Germany a matter of fact. Something that broadens our horizons just like a thrilling novel, exciting book or a fine painting. A positive development is already noticeable. Young and exciting talents are being recognised and supported, their designs are being bought - that being the main goals, but, it is not enough. CHRISTIANE ARP President of the Fashion Council Germany & Editor in Chief of the German Vogue Christiane Arp with Karen Jessen of Benu Berlin 8 9 FASHION COUNCIL GERMANY THE 1 2 FASHION EDUCATION BUSINESS The advanced training for designers and young The importance of economics is emphasised designers is a central issue of the FASHION as a central point by the FASHION COUNCIL COUNCIL COUNCIL GERMANY. -
Shanghai Fashion Week: a Socially Engaging Mass Entertainment Event with a Professional Infrastructure Zhe Wang* Published: May 20, 2020
ZoneModa Journal. Vol.10 n.1S (2020) Essays S.I. Be Cool! Aesthetic Imperatives and Social Practices https://doi.org/10.6092/issn.2611-0563/10572 ISSN 2611-0563 Shanghai Fashion Week: A Socially Engaging Mass Entertainment Event with a Professional Infrastructure Zhe Wang* Published: May 20, 2020 Abstract This paper uses a cultural event in the global fashion ecosystem that has been largely ignored, the fash- ion week, as an entry point to elaborate on the explicit cultural characteristics of Shanghai Fashion Week (SHFW) alongside the significant rise and construction of the Chinese design and fashion cul- tural system in the past five years. Under the structural interconnectedness between art and capitalism in the global fashion industry, together with the drive of the socialist ideology of the public owner- ship of the means of production in China, SHFW is now showing discrete cultural characteristics, absorbing as much knowledge as it can from the legitimate fashion week system and incorporating this in the domestic industry context. This paper also argues that SHFW has built up an interactive and dynamic infrastructure or ecosystem within the domestic fashion culture, enhancing its socialist characteristics with the intertwining of a core professional fashion week and a mass carnival event. Its deep engagement with both the general public and professional insiders is a unique cultural charac- teristic that distinguishes it from Paris Fashion Week and London Fashion Week. Keywords: Fashion Culture; Fashion Week; Social Fashion; Socialist Ideology; Global Fashion Ecosys- tem. * University of Edinburgh (United Kingdom); [email protected] Copyright © 2020 Zhe Wang 283 The text of this work is licensed under the Creative Commons BY License. -
Info Pack Ethical Fashion Hackathon 6Th May 2020 Fashion Weeks
Fashion Weeks Info pack Ethical Fashion Hackathon 6th May 2020 Fashion Weeks Introduction Fashion weeks expose the enormous flaw at the heart of the fashion industry business model: the cost to people and the planet. In the last 12 months, the fashion show circuit (NY, London, Milan, Paris) emitted 241,000 tonnes of CO2. The equivalent of lighting up Times Square for 58 years. In 2020, is this still justifiable? Huge swathes of our industry flying across the world to view a 12 minute runaway show featuring collections that will mostly be displayed and sold online? These events are moments of both celebration of beauty and art as well as commercial platforms to feed a hungry business model, structured in an organisational form that pays no attention to sustainability. They run one after the other, forcing industry staff to travel frantically from here to there (via land, sea and air), while producers work in emergency-like conditions to have products ready for the shows, causing an imbalance in personal health and mental well being. In the meantime, consumers are bombarded by a mountain of images and faces of influencers, very few of whom acknowledge how these goods are made or their impact on people’s lives and on the natural world. All this while our planet risks extinction. Asks ● For editors and buyers being present in the physical space of a live show is “the experience”. The multisensory journey to see, touch and feel the collections and interacting with designers is paramount. Can digital, AR and VR replace this “experience”? Is it only a generational issue or does it go deeper? ● How could we recreate the “buzz” of fashion weeks --the exclusivity, celebrity, networking i.e. -
AN EXAMINATION of VANCOUVER FASHION WEEK by Vana Babic
AN EXAMINATION OF VANCOUVER FASHION WEEK by Vana Babic Bachelor of Arts in Political Science, European Studies, University of British Columbia, 2005 PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF BUSINESS ADMINISTRATION In the Faculty of Business Administration © Vana Babic 2009 SIMON FRASER UNIVERSITY Summer 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Vana Babic Degree: Master of Business Administration Title of Project: An Examination of Vancouver Fashion Week Supervisory Committee: ________________________________________ Dr. Michael Parent Senior Supervisor Associate Professor Faculty of Business Administration ________________________________________ Dr. Neil Abramson Second Reader Associate Professor of International Strategy Faculty of Business Administration Date Approved: ________________________________________ ii Abstract This study proposes a close examination of Vancouver Fashion Week, a biannual event held in Vancouver, showcasing local and international talent. It is one of the many Fashion Weeks held globally. Vancouver Fashion Week can be classified in the tertiary market in terms of coverage and designers showcased. The goal of these fashion shows is to connect buyers, including but not limited to boutiques, department stores and retail shops, with designers. Another goal is to bring media awareness to future trends in fashion. The paper will begin with an introduction to Fashion Weeks around the world and will be followed by an industry analysis. -
Post No Bill: the Transience of New York City Street Style
VOLUME 1 Post No Bill: The Transience of New York City Street Style BY BRENT LUVAAS https://doi.org/10.38055/FS010101 Abstract: The sidewalks outside New York Fashion Week are lined with makeshift plywood walls. They are designed to keep pedestrians out of construction zones, but they have become the backdrops of innumerable “street style” photographs, portraits taken on city streets of self-appointed fashion “influencers” and other stylish “regular” people. Photographers, working to build a reputation within the fashion industry, take photos of editors, bloggers, club kids, and models, looking to do the same thing. The makeshift walls have become a site for the staging and performance of urban style. This photo essay documents the production of style in urban space, a transient process made semi- permanent through photography. KEYWORDS • photography • street style • New York • Fashion Week • urban space he Transience of New York City Street Style City Street of New York he Transience Post No Bill: T FIGURE 1 Street style photograph of Kate Lanphear, outside Peter Som in New York. The sidewalks of Chelsea and the Meatpacking District, Brent Luvaas, 2013, photograph. where most of the off-site venues of New York Fashion Week are located, are lined with cheap plywood walls, painted dark blue or dark green, with concrete slabs at their base, and industrial-strength staples holding them into place (see fig. 1 and fig. 2). Their shoddy construction bespeaks their intended impermanence. Nails poke through. Paint cracks and fades. The venation of the wood remains visible beneath. The walls, erected as barricades between pedestrians and the myriad multimillion- dollar construction projects that are in process at any given time in Manhattan, are covered with simple, bold warnings: POST NO BILL. -
3,30 € Spuren Hinterlassen 2021 Virtuelles Event Für Studierende Und Promovierende Aller Fachrichtungen
leben. studieren. arbeiten + Die besten Unis für BWL und VWL El Hotzo: Wie der Twitter-König und 29 andere junge Menschen unseren Alltag in der Krise lustiger, besser und 5,10 CHF 5,10 gerechter machen Schweiz FEBRUAR 2021 / 3,40EURO JANUAR Nr. 1 Nr. Österreich Er ist € dran! 3,30 Spuren hinterlassen 2021 Virtuelles Event für Studierende und Promovierende aller Fachrichtungen. 18.–20. Februar. Erlebe, wie wir bei McKinsey arbeiten. Lerne unsere Beraterinnen und Berater persönlich kennen. Stelle unserem Global Managing Partner deine Fragen. Entwickle in wertvollen Workshops deine Stärken weiter. Und berate im Team ein nachhaltiges Start-up. Bewirb dich jetzt: spuren-hinterlassen.mckinsey.de erlebeMcKinsey Bewerbungsschluss 04.01.2021 3 UND WAS MACHST DU SO? »Vor einem Jahr habe ich meine Bachelorarbeit einfach liegen gelassen und bin nach Lesbos geflogen. Ich wollte den Geflüchteten dort helfen. Doch das wird immer schwieriger, weil die griechische Regierung seit dem Brand in Moria die Camps räumt. Darunter ist auch das Camp Pikpa, in dem ich mich um 30 unbegleitete Kinder kümmere. Im Moment werden sie hier gut versorgt. Mal gehe ich mit ihnen schwimmen, mal zeigen sie mir, wie ich Wassermelonenkerne weit spucken kann. Wenn es dunkel wird, fühlen sie sich oft einsam, dann sitzen wir zusammen und essen Falafel. Wo sie Titelfoto: Diana Pfammatter; Haare und Make-up: Kristina Griffato/Nina Klein Agency; Fotoassistenz: Julia Hebeisen; Text: Aufgezeichnet von Lukas Hildebrand; Foto: Myrto Papadopoulos nach der Räumung leben werden, wissen sie nicht.« Svenja Berfuß, 25, studiert Kulturwissenschaft und Gender Studies in Berlin. 4 »Ich teile meinen Arbeitsplatz mit rund 15 Millionen Wespen, Ameisen und Wanzen. -
Official New York Fashion Week Dates September 10 – September 16
OFFICIAL NEW YORK FASHION WEEK DATES SEPTEMBER 10 – SEPTEMBER 16 1 Infinite Exposure Shows Powered by Peekapose Productions #InfiniteExposureShow #IEFW https://infiniteexposureshow.com https://www.youtube.com/peekaposeproductions Welcome to Infinite Exposure Shows where we create endless opportunities and exposure to up-and-coming as well established designers. Are you a fantastic designer that has the passion and motivation to showcase your collections on the runway? You will have the chance to expand your audience base, increase your visibility to buyers and reach markets in New York City during NYFW. Here is your opportunity, Designer openings will be gone quickly so select your packages below and take full advantage of what Infinite Exposure Shows has to offer. About the Shows Powered by Peekapose Productions NYFW Infinite Exposure Shows Location: 265 West 37th Street, New York, NY, 10018 Showcase your fashion design brand with Infinite Exposure Shows New York Fashion Week in the heart of New York City. Approximately 125,000 people attend NYFW each season. Media, potential buyers, unlimited to the exposure you can receive at affordable cost in a high-end venue. Infinite Exposure show has an excellent reputation. Infinite Exposure Shows gives you an unforgettable experience with great customer service and deliver all your content in a reasonable amount of time. “We are designer and model centric. We stand above our competitors due to our professionally organized productions which we have tuned to work in a fast pace environment. We stand proud of our structure and integrity”—Infinite Exposure Shows. 2 Please take a moment to see what people are saying about Infinite Exposure Shows at: https://www.facebook.com/infiniteexposureshows/ My daughter A’mya walked for the show and it was absolutely amazing. -
Kiez Kieken: Observations of Berlin, Vol. 1, Spring 2012 Maria Ebner Fordham University, [email protected]
Fordham University Masthead Logo DigitalResearch@Fordham Modern Languages and Literatures Student Modern Languages and Literatures Department Publications Spring 2012 Kiez Kieken: Observations of Berlin, Vol. 1, Spring 2012 Maria Ebner Fordham University, [email protected] Annie Buckel Fordham University James Hollingsworth Fordham University Caroline Inzucchi Fordham University Matthew Kasper Fordham University See next page for additional authors Follow this and additional works at: https://fordham.bepress.com/modlang_studentpubs Part of the German Language and Literature Commons, Modern Languages Commons, and the Modern Literature Commons Recommended Citation Ebner, Maria, ed. Kiez Kieken: Observations of Berlin. Vol. 1, Spring 2012. Bronx, NY: Modern Languages and Literatures Department, Fordham University. Web. This Book is brought to you for free and open access by the Modern Languages and Literatures Department at DigitalResearch@Fordham. It has been accepted for inclusion in Modern Languages and Literatures Student Publications by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Authors Maria Ebner, Annie Buckel, James Hollingsworth, Caroline Inzucchi, Matthew Kasper, Kingsley Lasbrey, Alexander MacLeod, Sean Maguire, Leila Nabizadeh, Kathryn Reddy, Peter Scherer, and Kelsey Taormina This book is available at DigitalResearch@Fordham: https://fordham.bepress.com/modlang_studentpubs/1 ii k i k i zz nn KKK Observations of Berlin k Martyrs & Memories: Seeing Grün: -
Behind the Scenes of Michalsky's Fashion Show 00:21
Behind the Scenes of Michalsky's Fashion Show 00:21 Original sound: Michael Michalsky, Designer, English “This collection theme is called “Broken Promises” and people do promises but most of the time they never keep them and they're broken. And I just want to put that in the focus of attention.” >> 00:31 00:36 “I count to three and then all three of you walk together to here.” >> 00:40 00:46 “There have been some castings where we were looking for the right models. There have been some styling days where we tried to put the outfits together how we would like to present them on the catwalk. Then of course there have to be some fittings for the models that we actually selected to present the fashion on the catwalk.” >> 01:03 01:07 “There is a big hair and make up try, where we try to see how the hair and the make up that I invisioned will fit the clothes that I've come up with.” >> 01:16 01:23 “I think it's great that DHL supports the fashion week and for people like me that produce in different countries and do prototypes d buy fabrics and it is absolutely vital to have a reliable partner that ships all these things to a certain place at the right moment in time and that you can really rely on them.” >> 01:43 01:53 “On the actual StyleNite there will be about 350 people working, all in different departments, there will be light people, there will be models of course, there will be dressers, there will be hair and make up people and it's actually quite similar to a production that you put on for a big Rock 'n' Roll tour.” >> 02:07 02:12 Original sound: Herbert Grönemeyer, German Pop Icon, English “He's a very fantastic artist, a great artist.” >> 02:14 02:14 Original sound: Natasha Ochsenknecht, Actress and Former Model, English “Special colours, design and I love the mix.” >> 02:19 02:20 Original sound: Elisa Schmidt, Singer and Live Act at StyleNite, English “The theme this time is broken promises, so I think everybody will be very excited to see what that is and obviously like his shows are always so amazing.